ref_dict_backup_0005_0004_working.json

{
    "\" \" (space): hand LEFT --> hand RIGHT": "",
    "\"-\" (dash): hand\\ **-**\\l --> hand\\ **-**\\r": "",
    "\".\" (dot): hand\\ **.**\\l --> hand\\ **.**\\r": "",
    "\"Basis\" is the rest shape. \"Key 1\", \"Key 2\", etc. will be the new shapes": "",
    "\"Blender has 23 different kinds of modifiers.\"": "",
    "\"Bone\" is \"Bone.003\" 's parent. Therefore, \"Bone.003\" 's root is the same as the tip of \"Bone\". Since \"Bone\" is still selected, its tip is selected. Thus the root of \"Bone.003\" remains selected": "",
    "\"Bone.003\" 's tip (which is same as \"Bone.004\" 's root) is deselected": "",
    "\"COR\", \"DEF\", \"GEO\", \"MCH\", \"ORG\", \"VIS\"": "",
    "\"Enabling previews adds 65536 bytes to the size of each blend-file (unless it is compressed).\"": "",
    "\"Focus Pull\"": "",
    "\"Most people do not use this option because ...\"": "",
    "\"Reloading the file will probably fix the problem\"": "",
    "\"You have to select a string of connected vertices too\"": "",
    "\"_\" (underscore): hand\\ **_**\\L --> hand\\ **_**\\R": "",
    "'MIP' is an acronym of the Latin phrase 'multum in parvo', meaning 'much in little'. Mip-maps are progressively lower resolution representations of an image, generally reduced by half squared interpolations using :term:`Anti-Aliasing`. Mip-mapping is the process used to calculate lower resolutions of the same image, reducing memory usage to help speed visualization, but increasing memory usage for calculations and allocation. Mip-mapping is also a process used to create small anti-aliased samples of an image used for texturing. The mip-mapping calculations are made by CPUs, but modern graphic processors can be selected for this task and are way faster": "",
    "(Crepuscular Rays)": "",
    "(Deform, ...)": "",
    "(E.g. explaining how mesh smoothing algorithms work is unnecessary, but the blending types of a Mix node do need a mathematical explanation.)": "",
    "(Locked, ...)": "",
    "(Multiply Vertex Group by Envelope, ...)": "",
    "(Newton's thin film coating.)": "",
    "(Note that armature editing details are explained in the :doc:`armatures editing section </animation/armatures/bones/editing/index>`.)": "",
    "(Note: to parent the mesh to the armature: select the mesh first, then the armature and use :kbd:`Ctrl-P` to parent with auto weights.)": "",
    "(Optionally) press :kbd:`Alt-A` to deselect all vertices": "",
    "(Self-explanatory)": "",
    "(Sky texture currently appears a little different because of its mapping)": "",
    "(To create volume lights):": "",
    "(Todo)": "",
    "(``TEXT``, ``MTEXT``)": "",
    "(also :kbd:`Shift-W` :menuselection:`--> (Deform, ...)`)": "",
    "(also :kbd:`Shift-W` :menuselection:`--> (Locked, ...)`) This will prevent all editing of the bone in *Edit Mode*; see :ref:`bone locking <animation_armatures_bones_locking>`": "",
    "(also :kbd:`Shift-W` :menuselection:`--> (Multiply Vertex Group by Envelope, ...)`)": "",
    "(sin( )*4)": "",
    ") and right (": "",
    "**1.00 -- January 1994:** Blender `in development <https://code.blender.org/2013/12/how-blender-started-twenty-years-ago/>`__ at animation studio NeoGeo": "",
    "**1.60 -- April 1999:** C-key (new features behind a lock, $95), Windows version released": "",
    "**Always** position ``-f`` or ``-a`` as the last arguments": "",
    "**Animating geometry**: Animating mesh and curve geometry is supported by adding a :doc:`Mesh Sequence Cache </modeling/modifiers/modify/mesh_sequence_cache>` modifier to the imported data. Geometry attribute (`USD Primvar <https://graphics.pixar.com/usd/docs/USD-Glossary.html#USDGlossary-Primvar>`__) animation is currently supported only for mesh vertex colors and UVs. Note that USD file sequences (i.e. a unique file per frame) are not yet supported": "",
    "**Animating transforms**: If a USD primitive has time-varying transform data, a :doc:`Transform Cache </animation/constraints/transform/transform_cache>` constraint will be added to the imported Blender object": "",
    "**Built-in functions** (*Average*, *Sum*, *Min* and *Max*)": "",
    "**Custom** (*Scripted Expression*)": "",
    "*Actions* can be managed with the *Action data-block menu* in the Dope Sheet :doc:`Action Editor </editors/dope_sheet/action>` header, or the Sidebar region of the :doc:`NLA Editor </editors/nla/sidebar>`": "",
    "*Append* makes a full copy of the data into your blend-file, without keeping any reference to the original one. You can make further edits to your local copy of the data, but changes in the external source file will not be reflected in the referencing file": "",
    "*Armature* is the constraint version of the :ref:`Armature Modifier <bpy.types.ArmatureModifier>`, exactly reproducing the weight-blended bone transformations and applying it to its owner orientation. It can be used like a variant of the :ref:`Child Of <bpy.types.ChildOfConstraint>` constraint that can handle multiple parents at once, but requires all of them to be bones": "",
    "*At First* and *At Last* depend on that the selection order is saved: the order is lost, for instance, after changing selection mode": "",
    "*Beautify Faces* works only on selected existing faces. It rearrange selected triangles to obtain more \"balanced\" ones (i.e. less long thin triangles)": "",
    "*Bind Camera to Markers* is a special operator only available in the *Timeline*. The operator allows markers to be used to set the active object as the active camera": "",
    "*Boolean*": "",
    "*Bridge Edge Loops* connects multiple edge loops with faces": "",
    "*Bézier* interpolation is controlled by handles, which have a :ref:`handle type <editors-graph-fcurves-settings-handles>` and position. The position of *Free* and *Aligned* handles must be set manually from the Graph editor, while *Vector*, *Automatic* and *Auto Clamped* handles are computed automatically from keyframe values": "",
    "*Center*": "",
    "*Change Case* modifies the case of names to be one of the following:": "",
    "*Child Of* is the constraint version of the standard parent/children relationship between objects (the one established through the :kbd:`Ctrl-P` shortcut, in the 3D Viewport)": "",
    "*Circle Select* :kbd:`C` allows you to select multiple items within a circular area. Move your mouse over any items within the circular area (shown with a dotted circle) while holding :kbd:`LMB` to select those items. Alternatively, use :kbd:`MMB` to deselect them. When you are done selecting, press :kbd:`RMB` or :kbd:`Esc`. To change the diameter of the circle, scroll with the :kbd:`Wheel` or use the :kbd:`NumpadPlus` and :kbd:`NumpadMinus` keys": "",
    "*Clean Keyframes* resets the keyframe tangents on selected keyframes to their auto-clamped shape, if they have been modified": "",
    "*Color Ramps* enables the user to specify a range of colors based on color stops. Color stops are similar to a mark indicating where exactly the chosen color should be. The interval from each of the stops, added to the ramp, is a result of the color interpolation and chosen interpolation method": "",
    "*Custom Gaps* only. The average duration (in frames) of each gap between strokes. Please note that, the value will only be exact if *Realtime* is enabled, otherwise it will be scaled, exactly as the strokes' timing is": "",
    "*Disable Setting*: :kbd:`Alt-W` or :menuselection:`Armature --> Bone Settings --> Disable a Setting`": "",
    "*Dolly* zooming works similarly to *Continue* zooming except that zoom speed is constant": "",
    "*Dual Mesh* modifies the selected meshes creating dual meshes. Dual Mesh output is a polygonal mesh derived from the triangular mesh. Quadrangular meshes are automatically converted to triangular before": "",
    "*Edge Loop* allows you to delete a selected edge loop if it is between two other edge loops. This will create one face loop where two previously existed": "",
    "*Edge*": "",
    "*Edges* also keep the same behavior with their pivot point at their median": "",
    "*Edges* have their pivot point on their middle since this is always where the median of an edge is": "",
    "*Enable Setting*: :kbd:`Shift-Ctrl-W` or :menuselection:`Armature --> Bone Settings --> Enable a Setting`": "",
    "*Even* mode keeps the shape of the selected edge loop the same as one of the edge loops adjacent to it, rather than sliding a percentage along each perpendicular edge": "",
    "*Extrude Faces* duplicate faces, while keeping the new geometry connected with the original vertices": "",
    "*Face Camera* is similar to *Main Axis*, but the plane is also rotated so that it aligns with the rotation of the camera": "",
    "*Face*": "",
    "*Faces & Edges by Vertices* is similar to *Faces by Edges* except that it also splits the vertices of the adjacent connecting edges. This has the same functionality as manually ripping all faces and edges away from a vertex": "",
    "*Faces by Edges* is similar to the *Rip* tool. When two or more touching interior edges, or a border edge is selected, a hole will be created, and the selected edges will be duplicated to form the border of the hole": "",
    "*Faces* have their pivot point where the median of their vertices is": "",
    "*Find/Replace* searches for a particular text in the names and optionally replaces it with a new text. `Regular Expressions <https://en.wikipedia.org/wiki/Regular_expression>`__ can be used as a powerful way to tailor the *Find*/*Replace* texts and can be enabled using the icon to the right of the text fields": "",
    "*Follow Path* & *Clamp To*": "",
    "*Follow Path* is another constraint that works well with the :doc:`Locked Track one </animation/constraints/tracking/locked_track>`. One example is a flying camera on a path. To control the camera's roll angle, you can use a *Locked Track* and a target object to specify the up direction, as the camera flies along the path": "",
    "*Grid Fill* uses a pair of connected edge loops or a single, closed edge loop to fill in a grid that follows the surrounding geometry": "",
    "*Half* saves images in a custom 16 bits per channel floating-point format. This reduces the actual \"bit depth\" to 10-bit, with a 5-bit power value and 1-bit sign": "",
    "*Horizontal List* displays files and folders in a horizontal list": "",
    "*If the root of a locked bone is connected to the tip of an unlocked bone, it will not be locked*, i.e. you will be able to move it to your liking. This means that in a chain of connected bones, when you lock one bone, you only really lock its tip. With unconnected bones, the locking is effective on both joints of the bone": "",
    "*Integer*": "",
    "*Keying Sets* are a set of keyframe channels in one. They are made so the user can record multiple properties at the same time. With a keying set selected, when you insert a keyframe, Blender will add keyframes for the properties in the active *Keying Set*. There are some built-in keying sets, *LocRotScale*, and also custom keying sets. Custom keying sets can be defined in the panels :menuselection:`Properties --> Scene --> Keying Sets + Active Keying Set`": "",
    "*Lasso Select* adds to the previous selection. For deselection, use :kbd:`Shift-Ctrl-RMB`. To move the selection area hold :kbd:`Ctrl-Spacebar` while moving the cursor": "",
    "*Lasso Select* is used to create a free-form selection. Simply hold :kbd:`Ctrl-RMB` while drawing a dotted line around the items you want to select. The shape you draw will be automatically closed by connecting a line from the current position back to the starting point": "",
    "*Link Strokes* has to be enabled for all timing options": "",
    "*Link* creates a reference to the data in the source file such that changes made there will be reflected in the referencing file the next time it is reloaded. But linked data is not editable (to some extent, see :ref:`object-proxy`)": "",
    "*Loop Cut and Slide* splits a loop of faces by inserting a new edge loop intersecting the chosen edge": "",
    "*Make and Replace Links* works similarly to *Make Links*, but it will replace existing links if any exist": "",
    "*Merge by Distance* is a useful tool to simplify a stroke by merging the selected points that are closer than a specified distance to each other. Note, unless using *Unselected*, selected points must be contiguous, else they will not be merged": "",
    "*Merge by Distance* tool glues nearby points on a single Bézier curve. In fact it is an analogue of the usual *Merge by Distance* on a mesh, but for curves. Unlike the mesh one, it does not connect the points from different parts of the curves, even if they are on the ends of the two curves. To glue such points, you must first connect them with *Make Segment*": "",
    "*Mesh skin weighting* is used to control how much a bone deforms the mesh of a character. To visualize and paint these weights, Blender uses a color ramp (from blue to green, and from yellow to red). Enabling the checkbox will enable an alternate map using a ramp starting with an empty range. Now you can create your custom map using the common color ramp options. For detailed information see the :doc:`Color ramps </interface/controls/templates/color_ramp>` page": "",
    "*Mirror*": "",
    "*Modes* are an object-oriented feature, which means that the available modes vary depending on the selected active object's type -- most of them only enable the default *Object Mode* (like cameras, lights, etc.)": "",
    "*Only Selected Channels* can be enabled. :menuselection:`Timeline --> View --> Only Selected Channels`. For *Armatures*, this will display the object keyframes, and the keyframes for the active and selected pose bones": "",
    "*Pack Islands*": "",
    "*Parts* should only be used for contents or index pages": "",
    "*Point*": "",
    "*Protected Layers* in proxy are restored to proxy settings on file reload and undo": "",
    "*Push Pose* interpolates the current pose by making it closer to the next keyframed position": "",
    "*Push/Pull* will move the selected elements (objects, vertices, edges or faces) closer together (Push) or further apart (Pull). Specifically, each element is moved towards or away from the center by the same distance. This distance is controlled by moving the mouse up (Push) or down (Pull), numeric input or through slider control": "",
    "*Scale* zooming depends on where you first click in the view. To zoom out, move the cursor to the area center. To zoom in, move the cursor away from the area center": "",
    "*Sculpt Mode* is similar to *Edit Mode* in that it is used to alter the shape of a drawing, but Sculpt Mode uses a very different workflow: Instead of dealing with individual elements (points and edit lines), an area of the model is altered using a brush. In other words, instead of selecting a group of points, Sculpt Mode manipulates the drawing in the brush region of influence": "",
    "*Second Life Rigged* -- is good for exporting the SL default character": "",
    "*Second Life Static* -- is good for exporting static meshes": "",
    "*Set Name* works the most similar to `Rename Active Item`_ by renaming the current data-block without having to do a find and replace operation": "",
    "*Set Spline Type* converts splines in a curve object between Bézier, NURBS, and Poly curves. Note, this is not a \"smart\" conversion, i.e. Blender does not try to keep the same shape, nor the same number of control points. For example, when converting a NURBS to a Bézier, each group of three NURBS control points become a unique Bézier one (center point and two handles)": "",
    "*Spline*": "",
    "*Stabilize Stroke* helps to reduce jitter of the strokes while drawing by delaying and correcting the location of points. You can toggle the use of *Stabilize Stroke* using the checkbox in the section panel header": "",
    "*Strip Characters* cleans up names by removing certain character types from either the beginning or the end of the name": "",
    "*Stroke* only has effect on the lines and *Fill* only on the areas determined by closed lines (by connecting the lines start and end points)": "",
    "*Thumbnails* shows :ref:`previews <file_browser-previews>`": "",
    "*Time Cursor* X position": "",
    "*Toggle Setting*: :kbd:`Shift-W` or :menuselection:`Armature --> Bone Settings --> Toggle a Setting`": "",
    "*Transform Orientations* affect the behavior of :doc:`Transformations </scene_layout/object/editing/transform/index>`. You will see an effect on the :doc:`Object Gizmo </editors/3dview/display/gizmo>` (the widget in the center of the selection), as well as on transformation constraints, :doc:`Axis Locking </scene_layout/object/editing/transform/control/axis_locking>`": "",
    "*Vector*": "",
    "*Vertical List* displays files and folders in a vertical list": "",
    "*With Automatic Weights* parenting works similar to *With Empty Groups*, but it will not leave the vertex groups empty. It calculates how much influence a particular bone would have on vertices based on the distance from those vertices to a particular bone (\"bone heat\" algorithm). This influence will be assigned as weights in the vertex groups": "",
    "*i* × *s* + *o*": "",
    "*i*: The input pixel code value (0 to 1) (black to white)": "",
    "*macOS* is an exception, where :kbd:`Cmd` replaces :kbd:`Ctrl` except in cases it would conflict with the system's key bindings": "",
    "*o*: Offset (any number, the nominal value is 0)": "",
    "*out* = (*i* × *s* + *o*)\\ :sup:`p`": "",
    "*out*: The color graded pixel code value": "",
    "*p*: Power (any number greater than 0, nominal value is 1.0)": "",
    "*s*: Slope (any number 0 or greater, nominal value is 1.0)": "",
    "...will exit since ``-ba`` is an unknown argument": "",
    "...will not render to ``/tmp`` because ``--render-frame 1`` renders before the output path is set": "",
    "...will not render to ``/tmp`` because loading the blend-file overwrites the render output that was set": "",
    "32 bits float per channel (4 × 32 bits) -- *using 4 times as much memory.*": "",
    "3D Viewport (yellow), Outliner (green), Properties (blue) and Timeline (red)": "",
    "3D Viewport :kbd:`Ctrl-C`": "",
    "3D Viewport :kbd:`Shift-Ctrl-X`": "",
    "3D Viewport :kbd:`Shift-Q`": "",
    "3D Viewport :kbd:`Spacebar`": "",
    "3D Viewport: (wip: ``VIEW``, ``VPORT``)": "",
    ":class:`blender_api:bpy.types.Operator` -- The following add-ons define operators, these docs give details and more examples of operators": "",
    ":doc:`3D Viewport Alignment </editors/3dview/navigate/align>` to adjust the projection axis": "",
    ":doc:`Action </animation/actions>`": "",
    ":doc:`Action Editor </editors/dope_sheet/action>`": "",
    ":doc:`Actions </animation/actions>`, :doc:`Shape keys </animation/shape_keys/index>`, etc. (light blue)": "",
    ":doc:`Areas </interface/window_system/areas>` in the middle": "",
    ":doc:`Armature </animation/armatures/introduction>`": "",
    ":doc:`Armature </animation/armatures/properties/index>`": "",
    ":doc:`Bone </animation/armatures/bones/properties/index>`": "",
    ":doc:`Bone Constraints </animation/armatures/posing/bone_constraints/index>`": "",
    ":doc:`Bone Edit Mode </animation/armatures/bones/selecting>`": "",
    ":doc:`Brush </sculpt_paint/brush/brush>`": "",
    ":doc:`Cache File </modeling/modifiers/modify/mesh_sequence_cache>`": "",
    ":doc:`Camera Settings </render/cameras>` for details how camera settings are used for display & rendering": "",
    ":doc:`Clamp To Constraint </animation/constraints/tracking/clamp_to>`": "",
    ":doc:`Collection </scene_layout/collections/introduction>`": "",
    ":doc:`Curve </modeling/curves/properties/index>`": "",
    ":doc:`Curve Edit Mode </modeling/curves/selecting>`": "",
    ":doc:`Curve Editing </modeling/curves/editing/index>`": "",
    ":doc:`Curve Modifier </modeling/modifiers/deform/curve>`": "",
    ":doc:`Damped Track Constraint </animation/constraints/tracking/damped_track>`": "",
    ":doc:`Dope Sheet </editors/dope_sheet/introduction>`": "",
    ":doc:`Draw Mode </grease_pencil/modes/draw/index>`": "",
    ":doc:`Edit Mode </modeling/index>`": "",
    ":doc:`Editing Preferences </editors/preferences/editing>` section on undo to change defaults": "",
    ":doc:`F-Curves </editors/graph_editor/fcurves/introduction>` are used to interpolate the difference between the keyframes": "",
    ":doc:`Follow Path Constraint </animation/constraints/relationship/follow_path>`": "",
    ":doc:`Font </modeling/texts/introduction>`": "",
    ":doc:`Graph Editor </editors/graph_editor/introduction>`": "",
    ":doc:`Grease Pencil </editors/dope_sheet/grease_pencil>`": "",
    ":doc:`Grease Pencil </grease_pencil/introduction>`": "",
    ":doc:`Grease Pencil </grease_pencil/properties/index>`": "",
    ":doc:`Grease Pencil Edit Mode </grease_pencil/selecting>`": "",
    ":doc:`Group Nodes </interface/controls/nodes/groups>` are a collection of nodes that can be combined into a single node while selectively exposing inputs of the embedded nodes. Group nodes can simplify a node tree by allowing instancing and hiding parts of the tree": "",
    ":doc:`Hooks </modeling/modifiers/deform/hooks>` can be added to control one or more points with other objects": "",
    ":doc:`IK Solver </animation/constraints/tracking/ik_solver>`": "",
    ":doc:`Image </editors/image/introduction>`": "",
    ":doc:`Keyframes </animation/keyframes/introduction>` are used to set the values of properties bound to a point in time": "",
    ":doc:`Keys (Shape Keys) </animation/shape_keys/introduction>`": "",
    ":doc:`Lattice Edit Mode </animation/lattice>`": "",
    ":doc:`Library </files/linked_libraries/index>`": "",
    ":doc:`Light Probe </render/eevee/light_probes/index>`": "",
    ":doc:`Line Style </render/freestyle/introduction>`": "",
    ":doc:`Lock Track Constraint </animation/constraints/tracking/locked_track>`": "",
    ":doc:`Markers </animation/markers>` are used to denote frames with key points or significant events within an animation. Like with most animation editors, markers are shown at the bottom of the editor": "",
    ":doc:`Mask </movie_clip/masking/index>`": "",
    ":doc:`Mask </movie_clip/masking/introduction>`": "",
    ":doc:`Material </render/materials/index>`": "",
    ":doc:`Material </render/materials/introduction>`": "",
    ":doc:`Mesh </modeling/meshes/properties/object_data>`": "",
    ":doc:`Mesh Edit Mode </modeling/meshes/selecting/index>`": "",
    ":doc:`Mesh snapping </editors/3dview/controls/snapping>` also works with Grease Pencil components": "",
    ":doc:`Mesh snapping </editors/3dview/controls/snapping>` also works with curve components. Both control points and their handles will be affected by snapping, except for within itself (other components of the active curve). Snapping works with 2D curves but points will be constrained to the local XY axes": "",
    ":doc:`Metaball </modeling/metas/properties>`": "",
    ":doc:`Metadata </render/output/properties/metadata>`": "",
    ":doc:`Modifiers </modeling/modifiers/index>` (or :doc:`Grease Pencil Modifiers </grease_pencil/modifiers/index>`)": "",
    ":doc:`Motion Tracking </movie_clip/index>`": "",
    ":doc:`Movie Clip </editors/clip/introduction>`": "",
    ":doc:`NLA Editor </editors/nla/index>`": "",
    ":doc:`Node Tree </render/shader_nodes/groups>`": "",
    ":doc:`Object </scene_layout/object/introduction>`": "",
    ":doc:`Object </scene_layout/object/properties/index>`": "",
    ":doc:`Object Constraints </animation/constraints/index>`": "",
    ":doc:`Object Mode </scene_layout/object/index>`": "",
    ":doc:`Object Mode </scene_layout/object/selecting>`": "",
    ":doc:`Object Mode </scene_layout/object/tools/toolbar>`": "",
    ":doc:`Object Visual Effects </grease_pencil/visual_effects/index>`": "",
    ":doc:`Operator Search </interface/controls/templates/operator_search>`": "",
    ":doc:`Output </render/output/index>`": "",
    ":doc:`Paint Curve </sculpt_paint/brush/stroke>`": "",
    ":doc:`Palette </sculpt_paint/index>`": "",
    ":doc:`Particle </physics/particles/introduction>`": "",
    ":doc:`Particle Edit Mode </physics/particles/mode>`": "",
    ":doc:`Particles </physics/particles/index>`": "",
    ":doc:`Physical Simulation </physics/introduction>`": "",
    ":doc:`Physics </physics/index>`": "",
    ":doc:`Pivot points </editors/3dview/controls/pivot_point/index>` must be set first. Pivot points will become the center of symmetry. If the widget is turned on it will always show where the pivot point is": "",
    ":doc:`Pose Library Editing </animation/armatures/posing/editing/pose_library>`": "",
    ":doc:`Pose Library Properties </animation/armatures/properties/pose_library>`": "",
    ":doc:`Pose Mode </animation/armatures/posing/index>`": "",
    ":doc:`Pose Mode </animation/armatures/posing/selecting>`": "",
    ":doc:`Proportional Edit </editors/3dview/controls/proportional_editing>`": "",
    ":doc:`Python Security </advanced/scripting/security>`": "",
    ":doc:`Read more about Annotations </interface/annotate_tool>`": "",
    ":doc:`Read more about Blender's Data System </files/index>`": "",
    ":doc:`Read more about Grease Pencil </grease_pencil/index>`": "",
    ":doc:`Read more about Undo and Redo options </interface/undo_redo>`": "",
    ":doc:`Read more about the Outliner </editors/outliner/index>`": "",
    ":doc:`Rendering Animations </render/output/animation>` for details": "",
    ":doc:`Rendering audio </render/output/audio/introduction>` for details": "",
    ":doc:`Scene </scene_layout/scene/introduction>`": "",
    ":doc:`Scene </scene_layout/scene/properties>`": "",
    ":doc:`Sculpt Mode </sculpt_paint/sculpting/index>`": "",
    ":doc:`Selecting in the 3D Viewport </editors/3dview/selecting>`": "",
    ":doc:`Sequencer Cache Properties </video_editing/sequencer/sidebar/cache>`": "",
    ":doc:`Sequencer Cache Settings </video_editing/sequencer/sidebar/cache>`": "",
    ":doc:`Skinning Mesh Objects </animation/armatures/skinning/introduction>`": "",
    ":doc:`Sounds </render/output/audio/speaker>`": "",
    ":doc:`Spline IK </animation/constraints/tracking/spline_ik>`": "",
    ":doc:`Status Bar </interface/window_system/status_bar>` at the bottom": "",
    ":doc:`Surface </modeling/surfaces/properties/index>`": "",
    ":doc:`Surface Edit Mode </modeling/surfaces/selecting>`": "",
    ":doc:`Text </editors/text_editor>`": "",
    ":doc:`Text </modeling/texts/properties>`": "",
    ":doc:`Text Edit Mode </modeling/texts/selecting>`": "",
    ":doc:`Texture </render/materials/legacy_textures/index>`": "",
    ":doc:`Texture </render/materials/legacy_textures/introduction>`": "",
    ":doc:`Texture Paint Mode </sculpt_paint/texture_paint/index>`": "",
    ":doc:`The multi-view workflow </render/output/properties/stereoscopy/index>`": "",
    ":doc:`Timeline </editors/timeline>`": "",
    ":doc:`Toggles the Camera View </editors/3dview/navigate/camera_view>`": "",
    ":doc:`Toggles the Projection </editors/3dview/navigate/projections>`": "",
    ":doc:`Topbar </interface/window_system/topbar>` at the very top": "",
    ":doc:`Track To Constraint </animation/constraints/tracking/track_to>`": "",
    ":doc:`Tracking </movie_clip/tracking/index>`": "",
    ":doc:`Transformation Orientations </editors/3dview/controls/orientation>` are found on the 3D Viewport header, next to the *Widget* buttons. They decide which coordinate system will rule the mirroring": "",
    ":doc:`Vertex Paint Mode </sculpt_paint/vertex_paint/index>`": "",
    ":doc:`Video Sequence Editor </video_editing/index>`": "",
    ":doc:`View Layer </scene_layout/view_layers/index>`": "",
    ":doc:`Weight Paint Mode </sculpt_paint/weight_paint/index>`": "",
    ":doc:`Window Manager </interface/window_system/introduction>`": "",
    ":doc:`Workspace </interface/window_system/workspaces>`": "",
    ":doc:`World </render/lights/world>`": "",
    ":kbd:`0` - :kbd:`9` -- Move selected objects to slot 1-10 (0 is slot 10)": "",
    ":kbd:`0` - :kbd:`9` -- View slot 1-10 (0 is slot 10). Excludes all others": "",
    ":kbd:`1-9` to set the subdivision level of the box": "",
    ":kbd:`;` -- Link selected when name of output matches the name or label of selected node. Handy for replacing sources. For example Render Layer to image (multi-layer EXR)": "",
    ":kbd:`=` -- Isolate Selected Objects Collections": "",
    ":kbd:`A`/:kbd:`Left`": "",
    ":kbd:`AccentGrave` -- Mesh Select Mode menu": "",
    ":kbd:`Alt-0` - :kbd:`Alt-9` -- Move selected objects to slot 11-20 (0 is slot 20)": "",
    ":kbd:`Alt-0` - :kbd:`Alt-9` -- View slot 11-20 (0 is slot 20). Excludes all others": "",
    ":kbd:`Alt-=` -- Discard QCD History": "",
    ":kbd:`Alt-H` -- Restore Disabled Objects": "",
    ":kbd:`Alt-H` will show all hidden bones": "",
    ":kbd:`Alt-I` -- Clear the keyframe": "",
    ":kbd:`Alt-K` -- Clear the Keying Set": "",
    ":kbd:`Alt-LMB`": "",
    ":kbd:`Alt-LMB` -- Discard the previous state, and anything that has been stored for Copy/Paste or Swap": "",
    ":kbd:`Alt-LMB` -- Discard the previous state": "",
    ":kbd:`Alt-LMB` -- Renumber from the first top-level collection in a `breadth first search <https://en.wikipedia.org/wiki/Breadth-first_search>`__ pattern": "",
    ":kbd:`Alt-LMB` -- Replace selection with objects in this slot": "",
    ":kbd:`Alt-LMB` -- Select All QCD Objects": "",
    ":kbd:`Alt-LMB` Constrains the drawing of the strokes to horizontal or vertical straight lines": "",
    ":kbd:`Alt-LMB`, or :kbd:`Shift-Alt-LMB` for modifying existing selection": "",
    ":kbd:`Alt-Left`, :kbd:`Shift-Alt-Left`, :kbd:`Alt-Right`, :kbd:`Shift-Alt-Right`": "",
    ":kbd:`Alt-MMB`": "",
    ":kbd:`Alt-Period`": "",
    ":kbd:`Alt-RMB`": "",
    ":kbd:`Alt-RMB`-drag": "",
    ":kbd:`Alt-Up`, :kbd:`Alt-Down`, :kbd:`Alt-0`, :kbd:`Shift-Alt-=`, :kbd:`Alt-Minus`, :kbd:`Shift-Alt-8`, :kbd:`Alt-Slash`, :kbd:`Shift-Alt-Comma`, :kbd:`Shift-Alt-Period`": "",
    ":kbd:`Alt`": "",
    ":kbd:`Alt` -- Hold while editing values to apply the change to all selected items (objects, bones, sequence-strips)": "",
    ":kbd:`B` to enter this mode when you are in basic Boolean operations. If you move your mouse over the object, you will see an overview of the pattern that you can use and a preview at the bottom right": "",
    ":kbd:`B`: Bendy bones": "",
    ":kbd:`Backslash` -- Call main *Link Active to Selected* menu": "",
    ":kbd:`Backslash`, :kbd:`K`, :kbd:`Shift-K`, :kbd:`'`, :kbd:`Shift-'`, :kbd:`;`, :kbd:`Shift-;`": "",
    ":kbd:`Backspace`": "",
    ":kbd:`Backspace` -- Clear the value (sets to zero or clears a text field)": "",
    ":kbd:`Backspace` / :kbd:`Delete` -- Erase characters": "",
    ":kbd:`Backspace` reset the value": "",
    ":kbd:`Backspace`, :kbd:`Delete` -- Delete characters": "",
    ":kbd:`C`: custom properties": "",
    ":kbd:`Cmd-Comma`": "",
    ":kbd:`Comma`": "",
    ":kbd:`Ctrl-0`, :kbd:`Shift-Ctrl-=`, :kbd:`Ctrl-Minus`, :kbd:`Shift-Ctrl-8`, :kbd:`Ctrl-Slash`, :kbd:`Shift-Ctrl-Comma`, :kbd:`Shift-Ctrl-Period`": "",
    ":kbd:`Ctrl-A` -- Select all text": "",
    ":kbd:`Ctrl-AccentGrave`": "",
    ":kbd:`Ctrl-Alt-=` -- Disable All Collections": "",
    ":kbd:`Ctrl-Alt-C` -- Copy the entire vector or color of the field": "",
    ":kbd:`Ctrl-Alt-D` -- Clear the driver": "",
    ":kbd:`Ctrl-Alt-LMB` -- Swap the restriction state on all collections with that of another restriction. Click on an RTO to copy the restriction state, then click on another RTO to swap the two": "",
    ":kbd:`Ctrl-Alt-LMB` click and drag starts a lasso selection": "",
    ":kbd:`Ctrl-Alt-Numpad0`": "",
    ":kbd:`Ctrl-Alt-RMB`": "",
    ":kbd:`Ctrl-Alt-Spacebar`": "",
    ":kbd:`Ctrl-Alt-V` -- Paste the entire vector or color of the field": "",
    ":kbd:`Ctrl-B` (edge bevel)": "",
    ":kbd:`Ctrl-Backspace` / :kbd:`Ctrl-Delete` -- Erase words": "",
    ":kbd:`Ctrl-Backspace`, :kbd:`Ctrl-Delete` -- Delete words": "",
    ":kbd:`Ctrl-C` -- Copy the (single) value of the button": "",
    ":kbd:`Ctrl-C` -- Copy the selected text": "",
    ":kbd:`Ctrl-C` -- Over any :ref:`ui-operator-buttons` copies their Python command into the clipboard": "",
    ":kbd:`Ctrl-D` -- Assign a driver": "",
    ":kbd:`Ctrl-E` brings up the Edge tool menu": "",
    ":kbd:`Ctrl-F` brings up the Face tool menu": "",
    ":kbd:`Ctrl-LMB`": "",
    ":kbd:`Ctrl-LMB` (click) adds a new control point": "",
    ":kbd:`Ctrl-LMB` (drag) snaps to hue": "",
    ":kbd:`Ctrl-LMB` -- Copy/paste the restriction state on all collections. Click on an RTO to copy the restriction state, then click on another RTO to paste it": "",
    ":kbd:`Ctrl-LMB` -- Expand/collapse subcollections and their descendants": "",
    ":kbd:`Ctrl-LMB` -- Move selected objects to slot": "",
    ":kbd:`Ctrl-LMB` -- Select all objects in the collection and all of its subcollections (deselects all other objects)": "",
    ":kbd:`Ctrl-LMB` -- Switch the renumber pattern to linear. This pattern will renumber straight down the list regardless of hierarchy": "",
    ":kbd:`Ctrl-LMB` -- Toggle the restrictions of the collection and it's descendants on/off": "",
    ":kbd:`Ctrl-LMB` changes temporally to the active Erase tool. See :doc:`Erase Tool </grease_pencil/modes/draw/tools/erase>` for more information": "",
    ":kbd:`Ctrl-LMB` erase the vertex color": "",
    ":kbd:`Ctrl-LMB` open the color picker to change color. See :ref:`ui-color-picker`": "",
    ":kbd:`Ctrl-Left` / :kbd:`Ctrl-Right` -- Cursor motion, by word": "",
    ":kbd:`Ctrl-Left`, :kbd:`Ctrl-Right` -- Move the cursor an entire word": "",
    ":kbd:`Ctrl-Left`/ :kbd:`Ctrl-Right` to subdivide the box incrementally on the X axis and :kbd:`Ctrl-Up`/ :kbd:`Ctrl-Down` on the Y axis": "",
    ":kbd:`Ctrl-MMB`, :kbd:`Wheel`, :kbd:`NumpadPlus`, :kbd:`NumpadMinus`": "",
    ":kbd:`Ctrl-N` and :kbd:`Shift-Ctrl-N`": "",
    ":kbd:`Ctrl-Numpad0`": "",
    ":kbd:`Ctrl-Numpad1`": "",
    ":kbd:`Ctrl-Numpad3`": "",
    ":kbd:`Ctrl-Numpad7`": "",
    ":kbd:`Ctrl-NumpadPeriod`": "",
    ":kbd:`Ctrl-NumpadPlus`, :kbd:`Ctrl-NumpadMinus`": "",
    ":kbd:`Ctrl-PageUp` / :kbd:`Ctrl-PageDown`": "",
    ":kbd:`Ctrl-RMB`": "",
    ":kbd:`Ctrl-RMB`, :kbd:`Shift-Ctrl-RMB`": "",
    ":kbd:`Ctrl-RMB`-drag, :kbd:`Shift-Ctrl-RMB`": "",
    ":kbd:`Ctrl-Return`": "",
    ":kbd:`Ctrl-Spacebar`": "",
    ":kbd:`Ctrl-Tab`": "",
    ":kbd:`Ctrl-V` -- Paste text at the cursor position": "",
    ":kbd:`Ctrl-V` -- Paste the (single) value of the button": "",
    ":kbd:`Ctrl-V` brings up the Vertex tool menu": "",
    ":kbd:`Ctrl-W`, :kbd:`Shift-Alt-A`, ..": "",
    ":kbd:`Ctrl-Wheel` -- Change the value incremental steps": "",
    ":kbd:`Ctrl-X` -- Cut the selected text": "",
    ":kbd:`Ctrl-Z` to Undo (there are no limits, so be careful to not overload it)": "",
    ":kbd:`Ctrl`": "",
    ":kbd:`Ctrl` (while dragging) snaps to vertical & diagonal directions": "",
    ":kbd:`Ctrl` -- While dragging, snap to discrete steps": "",
    ":kbd:`Ctrl`\\ -clicking when the active element is a bone": "",
    ":kbd:`Ctrl`\\ -clicking when the active element is a connected root": "",
    ":kbd:`Ctrl`\\ -clicking when the active element is a disconnected root": "",
    ":kbd:`Ctrl`\\ -clicking when the active element is a tip": "",
    ":kbd:`D`/:kbd:`Right`": "",
    ":kbd:`Delete`": "",
    ":kbd:`Delete`/ :kbd:`Backspace`/ :kbd:`Ctrl-T`/ :kbd:`Tab` (twice) to cancel": "",
    ":kbd:`Down`": "",
    ":kbd:`E` will activate the eyedropper while hovering over a button": "",
    ":kbd:`End` -- Go to the end of the line": "",
    ":kbd:`Esc`, :kbd:`RMB` -- Cancel": "",
    ":kbd:`F` allows you to change the brush size interactively by dragging the pointer or by typing a number then confirm": "",
    ":kbd:`G`, :kbd:`R`, :kbd:`S`: move, rotate, scale": "",
    ":kbd:`H` -- Disable Selected": "",
    ":kbd:`H` to have the help when the screen is large enough to display": "",
    ":kbd:`H` will hide the selected bone(s)": "",
    ":kbd:`Home`": "",
    ":kbd:`Home` -- Go to the start of the line": "",
    ":kbd:`I` -- Insert a keyframe": "",
    ":kbd:`K` -- Add a Keying Set": "",
    ":kbd:`K` -- Link active to all selected. Use :kbd:`Shift-K` to force to replace existing links": "",
    ":kbd:`LMB` (drag) moves colors": "",
    ":kbd:`LMB` (drag) rotates the direction": "",
    ":kbd:`LMB` -- Enable All QCD Slots": "",
    ":kbd:`LMB` -- Enable the restriction for all collections. Click again to restore the previous state": "",
    ":kbd:`LMB` -- Expand/collapse subcollections": "",
    ":kbd:`LMB` -- Move selected object(s) to collection": "",
    ":kbd:`LMB` -- Move selected objects to slot": "",
    ":kbd:`LMB` -- Renumber the QCD slots from the root slot (the slot designated 1) down to the bottom, for each depth level (`breadth first search <https://en.wikipedia.org/wiki/Breadth-first_search>`__)": "",
    ":kbd:`LMB` -- Select all objects in the collection (deselects all other objects)": "",
    ":kbd:`LMB` -- Toggle the collection's restriction on/off": "",
    ":kbd:`LMB` -- View single slot excluding all others": "",
    ":kbd:`LMB` Create a stroke material": "",
    ":kbd:`LMB` and move the mouse to rotate": "",
    ":kbd:`LMB` click on the other vertex, and again, set its XYZ coordinates to (-2, 0, 1). This will create a straight vertical line with 2 units of height": "",
    ":kbd:`LMB` click the *Remove* button": "",
    ":kbd:`LMB` dragging will mix the colors you drag over, which can help when sampling noisy imagery": "",
    ":kbd:`LMB` hold down -- Opens a menu with all Quick View Toggles": "",
    ":kbd:`LMB` on the desired item": "",
    ":kbd:`LMB` the *Assign* button to assign the selected vertices to the active group using the given weight (3)": "",
    ":kbd:`LMB` the Delete button will instantly remove the weight from the active vertex. Thus the entire row disappears when you click on the delete icon": "",
    ":kbd:`LMB` the Paste button allows you to forward a single weight of the active vertex to all selected vertices. But note that weights are only pasted to vertices which already have a weight value in the affected vertex group": "",
    ":kbd:`LMB`-click on a socket and drag. You will see a line coming out of it: This is called a *link*. Keep dragging and connect the link to an input socket of another node, then release the :kbd:`LMB`. While multiple links can route out of an output socket, only a single link can be attached to an input socket": "",
    ":kbd:`LMB`-drag": "",
    ":kbd:`L` (or :kbd:`Ctrl-L` for all) will add to the selection the cursor's nearest control point, and all the linked ones, i.e. all points belonging to the same curve. Note that for Bézier, using :kbd:`L` with a handle selected will select the whole control point and all the linked ones": "",
    ":kbd:`L` (or :kbd:`Ctrl-L` for all) will add to the selection the cursor's nearest control point, and all the linked ones, i.e. all points belonging to the same stroke": "",
    ":kbd:`Left`": "",
    ":kbd:`Left` / :kbd:`Right` -- Cursor motion": "",
    ":kbd:`Left`, :kbd:`Right` -- Move the cursor a single character": "",
    ":kbd:`MMB` drag becomes :kbd:`Alt-LMB` drag for example": "",
    ":kbd:`MMB`, :kbd:`Numpad2`, :kbd:`Numpad4`, :kbd:`Numpad6`, :kbd:`Numpad8`, :kbd:`Ctrl-Alt-Wheel`, :kbd:`Shift-Alt-Wheel`": "",
    ":kbd:`M` to toggle between Linear and Spline mode": "",
    ":kbd:`Minus` -- Disable Selected Objects Collections": "",
    ":kbd:`Minus` -- Negate number values (multiply by -1.0)": "",
    ":kbd:`Numpad0`": "",
    ":kbd:`Numpad1`": "",
    ":kbd:`Numpad3`": "",
    ":kbd:`Numpad5`": "",
    ":kbd:`Numpad7`": "",
    ":kbd:`NumpadPlus` and :kbd:`NumpadMinus` or using the mouse :kbd:`Wheel` will increase or decrease the amount of points in the final arc": "",
    ":kbd:`NumpadPlus` and :kbd:`NumpadMinus` or using the mouse :kbd:`Wheel` will increase or decrease the amount of points in the final box": "",
    ":kbd:`NumpadPlus` and :kbd:`NumpadMinus` or using the mouse :kbd:`Wheel` will increase or decrease the amount of points in the final circle": "",
    ":kbd:`NumpadPlus` and :kbd:`NumpadMinus` or using the mouse :kbd:`Wheel` will increase or decrease the amount of points in the final curve": "",
    ":kbd:`NumpadPlus` and :kbd:`NumpadMinus` or using the mouse :kbd:`Wheel` will increase or decrease the amount of points in the final line": "",
    ":kbd:`NumpadPlus`, :kbd:`NumpadMinus`": "",
    ":kbd:`NumpadSlash`, :kbd:`Slash`": "",
    ":kbd:`Period`": "",
    ":kbd:`R N`": "",
    ":kbd:`RMB` -- Open the context menu": "",
    ":kbd:`RMB` a value and choose *Delete Keyframe* from the menu": "",
    ":kbd:`RMB` brings up the complete :doc:`Stroke Menu </grease_pencil/modes/edit/stroke_menu>`": "",
    ":kbd:`RMB` on a header reveals a context menu with a couple options:": "",
    ":kbd:`RMB` on the border opens the *Area Options*": "",
    ":kbd:`RMB` the property in the *User Interface*, then select *Add Single to Keying Set* or *Add All to Keying Set*. This will add the properties to the active keying set, or to a new keying set if none exist": "",
    ":kbd:`RMB` to exit": "",
    ":kbd:`Return`": "",
    ":kbd:`Return` -- Activates menus or toggles the value": "",
    ":kbd:`Return` -- Execute command": "",
    ":kbd:`Return`, :kbd:`LMB` -- Confirm": "",
    ":kbd:`Right`": "",
    ":kbd:`S`/:kbd:`Down`": "",
    ":kbd:`Shift-'` -- Link only to selected nodes that have the same name/label as active node (:kbd:`Shift-'` to replace existing links)": "",
    ":kbd:`Shift-0` - :kbd:`Shift-9` -- Add/remove selected objects to/from slot 1-10 (0 is slot 10)": "",
    ":kbd:`Shift-0` - :kbd:`Shift-9` -- Add/remove slot 1-10 (0 is slot 10) to/from view": "",
    ":kbd:`Shift-=` -- Enable All QCD Slots": "",
    ":kbd:`Shift-AccentGrave`": "",
    ":kbd:`Shift-Alt-0` - :kbd:`Shift-Alt-9` -- Add/remove selected objects to/from slot 11-20 (0 is slot 20)": "",
    ":kbd:`Shift-Alt-0` - :kbd:`Shift-Alt-9` -- Add/remove slot 11-20 (0 is slot 20) to/from view": "",
    ":kbd:`Shift-Alt-=` -- Disable All Non QCD Slots": "",
    ":kbd:`Shift-Alt-I` -- Clear all keyframes (removing all F-curves)": "",
    ":kbd:`Shift-Alt-LMB` -- Add/remove slot objects to/from the selection": "",
    ":kbd:`Shift-Alt-LMB` -- Disable collections with selected objects": "",
    ":kbd:`Shift-Ctrl-=` -- Select All QCD Objects": "",
    ":kbd:`Shift-Ctrl-=`, :kbd:`Shift-Ctrl-Minus`, :kbd:`Shift-Ctrl-8`, :kbd:`Shift-Ctrl-Slash`, :kbd:`Shift-Ctrl-Comma`, :kbd:`Shift-Ctrl-Period`": "",
    ":kbd:`Shift-Ctrl-Alt-=`, :kbd:`Ctrl-Alt-Minus`, :kbd:`Shift-Ctrl-Alt-8`, :kbd:`Ctrl-Alt-Slash`": "",
    ":kbd:`Shift-Ctrl-Alt-C` -- Over property buttons copies their *full* data path for the data-block and property": "",
    ":kbd:`Shift-Ctrl-B` (vertex bevel)": "",
    ":kbd:`Shift-Ctrl-C` -- Over property buttons copies their data path for this property (also available from the context menu)": "",
    ":kbd:`Shift-Ctrl-LMB`": "",
    ":kbd:`Shift-Ctrl-LMB` -- Add/Remove all objects in the collection and all its subcollections to/from the selection": "",
    ":kbd:`Shift-Ctrl-LMB` -- Add/remove selected objects to/from slot": "",
    ":kbd:`Shift-Ctrl-LMB` -- Isolate collections with selected objects": "",
    ":kbd:`Shift-Ctrl-LMB` -- Isolate the collection and it's descendants' restrictions, preserving parents if need be. Click again to restore the previous state": "",
    ":kbd:`Shift-Ctrl-LMB` Create both a stroke and fill material": "",
    ":kbd:`Shift-Ctrl-MMB`": "",
    ":kbd:`Shift-Ctrl-Spacebar`": "",
    ":kbd:`Shift-Ctrl-Tab`": "",
    ":kbd:`Shift-Ctrl-X` to call the add-on": "",
    ":kbd:`Shift-Ctrl` -- Precise snap will move the object with high precision along with the snapping constraint": "",
    ":kbd:`Shift-Down`": "",
    ":kbd:`Shift-H` -- Disable Unselected": "",
    ":kbd:`Shift-H` will hide all bones *but the selected one(s)*": "",
    ":kbd:`Shift-LMB` (drag) precision motion": "",
    ":kbd:`Shift-LMB` -- Add/Remove all objects in the collection to/from the selection": "",
    ":kbd:`Shift-LMB` -- Add/Remove selected object(s) to/from collection": "",
    ":kbd:`Shift-LMB` -- Add/remove selected objects to/from slot": "",
    ":kbd:`Shift-LMB` -- Add/remove slot to/from view": "",
    ":kbd:`Shift-LMB` -- Constrain renumbering to the branch under the root slot": "",
    ":kbd:`Shift-LMB` -- Invert the restriction state on all collections": "",
    ":kbd:`Shift-LMB` -- Isolate the collection's restriction, preserving parents if need be. Click again to restore the previous state": "",
    ":kbd:`Shift-LMB` -- Isolate the tree. Collapses everything but the current item, and it's parents/descendants. Click again to restore the previous state": "",
    ":kbd:`Shift-LMB` Create a fill material": "",
    ":kbd:`Shift-LMB` click selected non-related stills for batch processing; each image will be one frame, in sort order, and can be a mix of file types (``jpg``, ``png``, ``exr``, etc.)": "",
    ":kbd:`Shift-LMB` or :kbd:`Shift-RMB` used for multiple node selection": "",
    ":kbd:`Shift-LMB` toggle the use of :ref:`Stabilize Stroke <grease-pencil-draw-brushes-stabilizer>` on the brush to have more control while drawing and get smoother lines": "",
    ":kbd:`Shift-Left`": "",
    ":kbd:`Shift-MMB`, :kbd:`Ctrl-Numpad2`, :kbd:`Ctrl-Numpad4`, :kbd:`Ctrl-Numpad6`, :kbd:`Ctrl-Numpad8`": "",
    ":kbd:`Shift-Numpad4`, :kbd:`Shift-Numpad6`": "",
    ":kbd:`Shift-Return` -- Add to command history without executing": "",
    ":kbd:`Shift-Right`": "",
    ":kbd:`Shift-Spacebar`": "",
    ":kbd:`Shift-Tab`": "",
    ":kbd:`Shift-Up`": "",
    ":kbd:`Shift`": "",
    ":kbd:`Shift` -- Gives precision control over the value": "",
    ":kbd:`Shift` -- Select while holding the key and moving the cursor": "",
    ":kbd:`Shift`, :kbd:`Ctrl`, :kbd:`Alt`": "",
    ":kbd:`Slash`": "",
    ":kbd:`Spacebar T` for Transform, :kbd:`Spacebar D` for Annotate, :kbd:`Spacebar M` for measure, etc. See :ref:`Spacebar Action <keymap-blender_default-spacebar_action>`": "",
    ":kbd:`Spacebar`": "",
    ":kbd:`Spacebar` in Sculpt/Paint Modes": "",
    ":kbd:`Spacebar` resets and starts mixing the colors again": "",
    ":kbd:`Spacebar`/ :kbd:`Return` to confirm": "",
    ":kbd:`Tab`": "",
    ":kbd:`Tab`, :kbd:`Ctrl-Tab`": "",
    ":kbd:`Up`": "",
    ":kbd:`W`/:kbd:`Up`": "",
    ":kbd:`WheelDown`/:kbd:`NumpadMinus`": "",
    ":kbd:`WheelUp`/:kbd:`NumpadPlus`": "",
    ":kbd:`Wheel` adjust the brightness": "",
    ":kbd:`X` or :kbd:`Delete`, :menuselection:`Edge Loops`": "",
    ":kbd:`X`, :kbd:`Delete`": "",
    ":kbd:`X`, :kbd:`Delete`, :kbd:`Ctrl-X`": "",
    ":kbd:`X`, :kbd:`Delete`; :kbd:`Ctrl-X`": "",
    ":kbd:`X`, :kbd:`Y`, :kbd:`Z`: to the corresponding axes": "",
    ":kbd:`X`, :menuselection:`Collapse Edges & Faces`": "",
    ":kbd:`[` -- Select frame node that selected nodes are wrapped in": "",
    ":kbd:`]` -- Select all nodes wrapped in selected Frame node": "",
    ":menuselection:`... --> Show/Hide`": "",
    ":menuselection:`3D Viewport --> Add --> Bolt`": "",
    ":menuselection:`3D Viewport --> Add --> Camera`": "",
    ":menuselection:`3D Viewport --> Add --> Curve --> Curve Simplify`, :menuselection:`Dope Sheet and Graph editors --> Channel --> Simplify F-Curves`": "",
    ":menuselection:`3D Viewport --> Add --> Curve --> Sapling Tree Gen`": "",
    ":menuselection:`3D Viewport --> Add --> Curve`": "",
    ":menuselection:`3D Viewport --> Add --> Lights`": "",
    ":menuselection:`3D Viewport --> Add --> Mesh --> Discombobulator`": "",
    ":menuselection:`3D Viewport --> Add --> Mesh`": "",
    ":menuselection:`3D Viewport --> Edit Mode Context Menu --> Relax`": "",
    ":menuselection:`3D Viewport --> Header --> Curve Editing`": "",
    ":menuselection:`3D Viewport --> Header --> Object --> Relations --> Convert Proxy to Library Override` :menuselection:`Outliner -->  ID Data --> Convert Proxy to Library Override`": "",
    ":menuselection:`3D Viewport --> Header --> Object --> Relations --> Make Override Library` :menuselection:`Outliner --> Context Menu --> ID Data --> Make Library Override Hierarchy` :menuselection:`Outliner --> Context Menu --> ID Data --> Make Library Override`": "",
    ":menuselection:`3D Viewport --> Object menu --> Quick Effects`": "",
    ":menuselection:`3D Viewport --> Search`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Create tab`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Edit tab`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Edit tab`, :kbd:`Shift-Ctrl-B`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Edit tab`, :menuselection:`3D Viewport Edit Mode --> context menu`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Grease Pencil`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Item --> Camera Rig`": "",
    ":menuselection:`3D Viewport --> Sidebar --> Item tab`": "",
    ":menuselection:`3D Viewport --> Sidebar --> View tab`": "",
    ":menuselection:`3D Viewport --> Sidebar`": "",
    ":menuselection:`3D Viewport --> Tools --> Line Tool`": "",
    ":menuselection:`3D Viewport --> Viewport Overlays --> Curve Edit Mode`": "",
    ":menuselection:`3D Viewport Edit Mode --> Sidebar --> Edit tab`": "",
    ":menuselection:`3D Viewport Header --> Select Mode`": "",
    ":menuselection:`3D Viewport Object/Edit Modes --> context menu`": "",
    ":menuselection:`3D Viewport Pose Mode --> Sidebar --> Create tab`": "",
    ":menuselection:`Active Tool and Workspace Settings --> Workspace`": "",
    ":menuselection:`Add --> Add Meta-Strips`": "",
    ":menuselection:`Add --> Armature --> Single Bone`": "",
    ":menuselection:`Add --> Curve`": "",
    ":menuselection:`Add --> Grease Pencil`": "",
    ":menuselection:`Add --> Input` menu for composite nodes, or :menuselection:`Add --> Texture` menu for shader nodes": "",
    ":menuselection:`Add --> Mesh`": "",
    ":menuselection:`Add --> Remove Meta-Strips`": "",
    ":menuselection:`Add`": "",
    ":menuselection:`Armature --> Bone Roll --> Recalculate Roll`": "",
    ":menuselection:`Armature --> Bone Roll --> Set Roll`": "",
    ":menuselection:`Armature --> Bone Settings --> ...`": "",
    ":menuselection:`Armature --> Change Armature Layers`": "",
    ":menuselection:`Armature --> Change Bone Layers`": "",
    ":menuselection:`Armature --> Custom Properties`": "",
    ":menuselection:`Armature --> Delete --> Bones`": "",
    ":menuselection:`Armature --> Delete --> Dissolve`": "",
    ":menuselection:`Armature --> Duplicate`": "",
    ":menuselection:`Armature --> Extrude`": "",
    ":menuselection:`Armature --> Fill Between Joints`": "",
    ":menuselection:`Armature --> Inverse Kinematics`": "",
    ":menuselection:`Armature --> Motion Paths`": "",
    ":menuselection:`Armature --> Names --> Auto-Name Left/Right, Front/Back, Top/Bottom`": "",
    ":menuselection:`Armature --> Names --> Flip Names`": "",
    ":menuselection:`Armature --> Parent`": "",
    ":menuselection:`Armature --> Separate Bones`": "",
    ":menuselection:`Armature --> Skeleton`": "",
    ":menuselection:`Armature --> Split`": "",
    ":menuselection:`Armature --> Subdivide`": "",
    ":menuselection:`Armature --> Switch Direction`": "",
    ":menuselection:`Armature --> Symmetrize`": "",
    ":menuselection:`Armature --> Transform --> Align Bones`": "",
    ":menuselection:`Armature --> Transform --> Scale Envelope Distance`": "",
    ":menuselection:`Armature --> Transform --> Scale Radius`": "",
    ":menuselection:`Armature --> Viewport Display`": "",
    ":menuselection:`Assetbar`": "",
    ":menuselection:`Bone --> Bendy Bones`": "",
    ":menuselection:`Bone --> Custom Properties`": "",
    ":menuselection:`Bone --> Deform`": "",
    ":menuselection:`Bone --> Inverse Kinematics`": "",
    ":menuselection:`Bone --> Relations`": "",
    ":menuselection:`Bone --> Transform`": "",
    ":menuselection:`Bone --> Viewport Display`": "",
    ":menuselection:`Channel --> Delete Channels`": "",
    ":menuselection:`Channel --> Expand/Collapse Channels`": "",
    ":menuselection:`Channel --> Extrapolation Mode`": "",
    ":menuselection:`Channel --> Move...`": "",
    ":menuselection:`Channel --> Revive Disabled F-Curves`": "",
    ":menuselection:`Channel --> Toggle Channel Editability`": "",
    ":menuselection:`Channel --> Toggle/Enable/Disable Channel Settings`": "",
    ":menuselection:`Channel --> Un/Group Channels`": "",
    ":menuselection:`Clip Editor --> Tools --> Solve --> Refine Solution`": "",
    ":menuselection:`Context Menu --> Define Overrides` :menuselection:`Context Menu --> Define Override`": "",
    ":menuselection:`Context Menu --> Define Single Override`": "",
    ":menuselection:`Context Menu --> ID Data --> Delete Library Override Hierarchy`": "",
    ":menuselection:`Context Menu --> ID Data --> Reset Library Override` :menuselection:`Context Menu --> ID Data --> Reset Library Override Hierarchy`": "",
    ":menuselection:`Context Menu --> ID Data --> Resync Library Override Hierarchy Enforce`": "",
    ":menuselection:`Context Menu --> ID Data --> Resync Library Override Hierarchy`": "",
    ":menuselection:`Context Menu --> Laplacian Smooth`": "",
    ":menuselection:`Context Menu --> Remove Overrides` :menuselection:`Context Menu --> Remove Override`": "",
    ":menuselection:`Context Menu --> Remove Single Override`": "",
    ":menuselection:`Context Menu --> Set Goal Weight`": "",
    ":menuselection:`Context menu --> Add All/Single to Keying Set`": "",
    ":menuselection:`Context menu --> Add Driver`": "",
    ":menuselection:`Context menu --> Copy As New Driver`": "",
    ":menuselection:`Context menu --> Copy Driver`": "",
    ":menuselection:`Context menu --> Delete Driver(s)`": "",
    ":menuselection:`Context menu --> Delete Single Driver`": "",
    ":menuselection:`Context menu --> Edit Driver`": "",
    ":menuselection:`Context menu --> ID Data --> Make Local`": "",
    ":menuselection:`Context menu --> Online Manual`": "",
    ":menuselection:`Context menu --> Open Drivers Editor`": "",
    ":menuselection:`Context menu --> Paste Driver`": "",
    ":menuselection:`Control Points --> Clear Tilt`": "",
    ":menuselection:`Control Points --> Tilt`": "",
    ":menuselection:`Curve --> Add Duplicate`": "",
    ":menuselection:`Curve --> Clean Up --> Decimate Curve`": "",
    ":menuselection:`Curve --> Control Points --> Hooks`": "",
    ":menuselection:`Curve --> Control Points --> Make Vertex Parent`": "",
    ":menuselection:`Curve --> Control Points --> Recalculate Handles`": "",
    ":menuselection:`Curve --> Control Points --> Set Handle Type`": "",
    ":menuselection:`Curve --> Control Points --> Smooth Curve Radius`": "",
    ":menuselection:`Curve --> Control Points --> Smooth Curve Tilt`": "",
    ":menuselection:`Curve --> Control Points --> Smooth Curve Weight`": "",
    ":menuselection:`Curve --> Control Points --> Smooth`": "",
    ":menuselection:`Curve --> Delete...`": "",
    ":menuselection:`Curve --> Extrude Curve and Move`": "",
    ":menuselection:`Curve --> Make Segment`": "",
    ":menuselection:`Curve --> Mirror`": "",
    ":menuselection:`Curve --> Segments --> Subdivide`": "",
    ":menuselection:`Curve --> Segments --> Switch Direction`": "",
    ":menuselection:`Curve --> Separate`": "",
    ":menuselection:`Curve --> Set Spline Type`": "",
    ":menuselection:`Curve --> Show/Hide`": "",
    ":menuselection:`Curve --> Snap`": "",
    ":menuselection:`Curve --> Spin`": "",
    ":menuselection:`Curve --> Split`": "",
    ":menuselection:`Curve --> Toggle Cyclic`": "",
    ":menuselection:`Curve --> Transform --> Radius`": "",
    ":menuselection:`Curve --> Transform`": "",
    ":menuselection:`Drawing Planes`": "",
    ":menuselection:`Edge --> Bevel Edges`": "",
    ":menuselection:`Edge --> Bridge Edge Loops`": "",
    ":menuselection:`Edge --> Edge Bevel Weight` :menuselection:`Sidebar region --> Transform --> Edge Bevel Weight`": "",
    ":menuselection:`Edge --> Edge Crease` :menuselection:`Sidebar region --> Transform --> Edge Crease`": "",
    ":menuselection:`Edge --> Edge Slide`": "",
    ":menuselection:`Edge --> Extrude Edges`": "",
    ":menuselection:`Edge --> Loop Cut and Slide`": "",
    ":menuselection:`Edge --> Mark Seam/Clear Seam`": "",
    ":menuselection:`Edge --> Mark Sharp/Clear Sharp`": "",
    ":menuselection:`Edge --> Offset Edge Slide`": "",
    ":menuselection:`Edge --> Rotate Edge CW / Rotate Edge CCW`": "",
    ":menuselection:`Edge --> Screw`": "",
    ":menuselection:`Edge --> Subdivide Edge-Ring`": "",
    ":menuselection:`Edge --> Subdivide`": "",
    ":menuselection:`Edge --> Un-Subdivide`": "",
    ":menuselection:`Edit --> Adjust Last Operation...`": "",
    ":menuselection:`Edit --> Batch Rename`": "",
    ":menuselection:`Edit --> Duplicate`": "",
    ":menuselection:`Edit --> Linked Duplicate`": "",
    ":menuselection:`Edit --> Make Single User`": "",
    ":menuselection:`Edit --> Menu Search`": "",
    ":menuselection:`Edit --> Operator Search`": "",
    ":menuselection:`Edit --> Preferences...`": "",
    ":menuselection:`Edit --> Redo`": "",
    ":menuselection:`Edit --> Remove Empty Animation Data`": "",
    ":menuselection:`Edit --> Rename Active Item`": "",
    ":menuselection:`Edit --> Repeat History...`": "",
    ":menuselection:`Edit --> Repeat Last`": "",
    ":menuselection:`Edit --> Start Editing Stashed Action`": "",
    ":menuselection:`Edit --> Start Tweaking Strips Action`": "",
    ":menuselection:`Edit --> Undo History`": "",
    ":menuselection:`Edit --> Undo`": "",
    ":menuselection:`Face --> Beautify Faces`": "",
    ":menuselection:`Face --> Face Data --> Clear Freestyle Face`": "",
    ":menuselection:`Face --> Face Data --> Mark Freestyle Face`": "",
    ":menuselection:`Face --> Face Data --> Reverse Colors`": "",
    ":menuselection:`Face --> Face Data --> Reverse UVs`": "",
    ":menuselection:`Face --> Face Data --> Rotate Colors`": "",
    ":menuselection:`Face --> Face Data --> Rotate UVs`": "",
    ":menuselection:`Face --> Fill`": "",
    ":menuselection:`Face --> Grid Fill`": "",
    ":menuselection:`Face --> Inset Faces`": "",
    ":menuselection:`Face --> Intersect (Boolean)`": "",
    ":menuselection:`Face --> Intersect (Knife)`": "",
    ":menuselection:`Face --> Shade Flat`": "",
    ":menuselection:`Face --> Shade Smooth`": "",
    ":menuselection:`Face --> Solidify Faces`": "",
    ":menuselection:`Face --> Triangles to Quads`": "",
    ":menuselection:`Face --> Triangulate Faces`": "",
    ":menuselection:`Face --> Weld Edges into Faces`": "",
    ":menuselection:`Face --> Wireframe`": "",
    ":menuselection:`Faces --> Poke Faces`": "",
    ":menuselection:`File --> Data Previews --> Batch Clear Previews`": "",
    ":menuselection:`File --> Data Previews --> Batch Generate Previews`": "",
    ":menuselection:`File --> Data Previews --> Clear Data-blocks Previews`": "",
    ":menuselection:`File --> Data Previews --> Refresh Data-blocks Previews`": "",
    ":menuselection:`File --> Defaults --> Load Factory Settings`": "",
    ":menuselection:`File --> Demo menu`": "",
    ":menuselection:`File --> Export --> Cameras & Markers (.py)`": "",
    ":menuselection:`File --> Export --> Paper Model (.pdf/.svg)`": "",
    ":menuselection:`File --> Export --> Pointcache (.pc2)`": "",
    ":menuselection:`File --> External Data --> Automatically Pack Resources`": "",
    ":menuselection:`File --> External Data --> Pack Linked Libraries`": "",
    ":menuselection:`File --> External Data --> Pack Resources`": "",
    ":menuselection:`File --> External Data --> Unpack Linked Libraries`": "",
    ":menuselection:`File --> External Data --> Unpack Resources`": "",
    ":menuselection:`File --> External Data`, :menuselection:`3D Viewport --> Sidebar --> Item tab`": "",
    ":menuselection:`File --> Import --> Images as Planes`, :menuselection:`3D Viewport --> Add --> Image --> Images as Planes`": "",
    ":menuselection:`File --> Import --> Scalable Vector Graphics (.svg)`": "",
    ":menuselection:`File --> Import Palettes`": "",
    ":menuselection:`File --> Import/Export --> AutoCAD DXF`": "",
    ":menuselection:`File --> Import/Export --> FBX (.fbx)`": "",
    ":menuselection:`File --> Import/Export --> Lightwave Point Cache (.mdd)`": "",
    ":menuselection:`File --> Import/Export --> Motion Capture (.bvh)`": "",
    ":menuselection:`File --> Import/Export --> Nuke (.chan)`": "",
    ":menuselection:`File --> Import/Export --> Stanford (.ply)`": "",
    ":menuselection:`File --> Import/Export --> Stl (.stl)`": "",
    ":menuselection:`File --> Import/Export --> Wavefront (.obj)`": "",
    ":menuselection:`File --> Import/Export --> X3D Extensible 3D (.x3d/.wrl)`": "",
    ":menuselection:`File --> Import/Export --> glTF 2.0 (.glb, .gltf)`": "",
    ":menuselection:`File --> Link/Append`": "",
    ":menuselection:`File --> Link`": "",
    ":menuselection:`File --> Open Recent`": "",
    ":menuselection:`File --> Open...`": "",
    ":menuselection:`File --> Recover --> Auto Save`": "",
    ":menuselection:`File --> Recover --> Last Session`": "",
    ":menuselection:`File --> Save As...`": "",
    ":menuselection:`File --> Save Copy...`": "",
    ":menuselection:`File --> Save`": "",
    ":menuselection:`Go to Parent Node Tree`": "",
    ":menuselection:`Grease Pencil --> Active Layer`": "",
    ":menuselection:`Grease Pencil --> Animation`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Boundary Strokes all Frames`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Boundary Strokes`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Delete Duplicated Frames`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Delete Loose Points`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Merge by Distance`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Recalculate Geometry`": "",
    ":menuselection:`Grease Pencil --> Clean Up --> Reproject`": "",
    ":menuselection:`Grease Pencil --> Copy`": "",
    ":menuselection:`Grease Pencil --> Delete`": "",
    ":menuselection:`Grease Pencil --> Duplicate`": "",
    ":menuselection:`Grease Pencil --> Interpolate Sequence`": "",
    ":menuselection:`Grease Pencil --> Interpolation`": "",
    ":menuselection:`Grease Pencil --> Mirror`": "",
    ":menuselection:`Grease Pencil --> Paste`, :menuselection:`Grease Pencil --> Paste by Layer`": "",
    ":menuselection:`Grease Pencil --> Separate`": "",
    ":menuselection:`Grease Pencil --> Snap`": "",
    ":menuselection:`Grease Pencil --> Split`": "",
    ":menuselection:`Grease Pencil --> Transform --> Move, Rotate, Scale`": "",
    ":menuselection:`Grease Pencil --> Transform`": "",
    ":menuselection:`Guides`": "",
    ":menuselection:`Header --> Add menu`": "",
    ":menuselection:`Header --> Interpolate`": "",
    ":menuselection:`Header --> Overlays --> Mesh Analysis`": "",
    ":menuselection:`Header --> Transform Orientations`": "",
    ":menuselection:`Header --> UV`": "",
    ":menuselection:`Help --> Operator Cheat Sheet`": "",
    ":menuselection:`Image --> Edit Externally`": "",
    ":menuselection:`Image --> Extract Palette`": "",
    ":menuselection:`Image --> Flip`": "",
    ":menuselection:`Image --> Generate Grease Pencil`": "",
    ":menuselection:`Image --> Invert`": "",
    ":menuselection:`Image --> New`": "",
    ":menuselection:`Image --> Open Cache Render`": "",
    ":menuselection:`Image --> Open`": "",
    ":menuselection:`Image --> Pack`": "",
    ":menuselection:`Image --> Reload`": "",
    ":menuselection:`Image --> Replace`": "",
    ":menuselection:`Image --> Resize`": "",
    ":menuselection:`Image --> Save All Images`": "",
    ":menuselection:`Image --> Save As`": "",
    ":menuselection:`Image --> Save a Copy`": "",
    ":menuselection:`Image --> Save`": "",
    ":menuselection:`Image --> Unpack`": "",
    ":menuselection:`Image Editor, 3D Viewport Paint Modes --> Color Palette or Weight Palette panel`": "",
    ":menuselection:`Key --> Add F-Curve Modifier`": "",
    ":menuselection:`Key --> Bake Curve`": "",
    ":menuselection:`Key --> Bake Sound to F-Curves`": "",
    ":menuselection:`Key --> Clean Channels`": "",
    ":menuselection:`Key --> Clean Keyframes`": "",
    ":menuselection:`Key --> Copy Keyframes`, :menuselection:`Key --> Paste Keyframes`": "",
    ":menuselection:`Key --> Decimate (Allowed Change)`": "",
    ":menuselection:`Key --> Decimate (Ratio)`": "",
    ":menuselection:`Key --> Delete Keyframes`": "",
    ":menuselection:`Key --> Duplicate`": "",
    ":menuselection:`Key --> Easing Mode`": "",
    ":menuselection:`Key --> Handle Type`": "",
    ":menuselection:`Key --> Insert Keyframes`": "",
    ":menuselection:`Key --> Interpolation Mode`": "",
    ":menuselection:`Key --> Jump to keyframes`": "",
    ":menuselection:`Key --> Mirror`": "",
    ":menuselection:`Key --> Sample Keyframes`": "",
    ":menuselection:`Key --> Smooth Keys`": "",
    ":menuselection:`Key --> Snap`": "",
    ":menuselection:`Key --> Transform`": "",
    ":menuselection:`Key --> Un-Bake Curve`": "",
    ":menuselection:`Marker --> Add Marker`": "",
    ":menuselection:`Marker --> Bind Camera to Markers`": "",
    ":menuselection:`Marker --> Delete Marker`": "",
    ":menuselection:`Marker --> Duplicate Marker to Scene...`": "",
    ":menuselection:`Marker --> Duplicate Marker`": "",
    ":menuselection:`Marker --> Jump to Next/Previous Marker`": "",
    ":menuselection:`Marker --> Make Markers Local`": "",
    ":menuselection:`Marker --> Move Marker`": "",
    ":menuselection:`Marker --> Rename Marker`": "",
    ":menuselection:`Marker --> Show Pose Markers`": "",
    ":menuselection:`Material --> Material Slots`": "",
    ":menuselection:`Menu Search --> Pick Shortest Path`": "",
    ":menuselection:`Mesh --> Bisect`": "",
    ":menuselection:`Mesh --> Clean up --> Decimate Geometry`": "",
    ":menuselection:`Mesh --> Clean up --> Degenerate Dissolve`": "",
    ":menuselection:`Mesh --> Clean up --> Delete Loose`": "",
    ":menuselection:`Mesh --> Clean up --> Fill Holes`": "",
    ":menuselection:`Mesh --> Clean up --> Make Planar Faces`": "",
    ":menuselection:`Mesh --> Clean up --> Split Concave Faces`": "",
    ":menuselection:`Mesh --> Clean up --> Split Non-Planar Faces`": "",
    ":menuselection:`Mesh --> Convex Hull`": "",
    ":menuselection:`Mesh --> Delete --> Collapse Edges & Faces`": "",
    ":menuselection:`Mesh --> Delete --> Dissolve Edges`": "",
    ":menuselection:`Mesh --> Delete --> Dissolve Faces`": "",
    ":menuselection:`Mesh --> Delete --> Dissolve Vertices`": "",
    ":menuselection:`Mesh --> Delete --> Edge Loops`": "",
    ":menuselection:`Mesh --> Delete --> Limited Dissolve`": "",
    ":menuselection:`Mesh --> Delete`": "",
    ":menuselection:`Mesh --> Duplicate`": "",
    ":menuselection:`Mesh --> Extrude --> Extrude Faces Along Normals`": "",
    ":menuselection:`Mesh --> Extrude --> Extrude Repeat`": "",
    ":menuselection:`Mesh --> Extrude --> Individual Faces`": "",
    ":menuselection:`Mesh --> Extrude`": "",
    ":menuselection:`Mesh --> Face --> Extrude Faces`": "",
    ":menuselection:`Mesh --> Knife Project`": "",
    ":menuselection:`Mesh --> Merge`, :menuselection:`Context Menu --> Merge`": "",
    ":menuselection:`Mesh --> Mirror`": "",
    ":menuselection:`Mesh --> Normals --> Average`": "",
    ":menuselection:`Mesh --> Normals --> Copy Vectors`": "",
    ":menuselection:`Mesh --> Normals --> Flip`": "",
    ":menuselection:`Mesh --> Normals --> Merge`": "",
    ":menuselection:`Mesh --> Normals --> Paste Vectors`": "",
    ":menuselection:`Mesh --> Normals --> Point to Target`": "",
    ":menuselection:`Mesh --> Normals --> Recalculate Outside` and :menuselection:`Mesh --> Normals --> Recalculate Inside`": "",
    ":menuselection:`Mesh --> Normals --> Reset Vectors`": "",
    ":menuselection:`Mesh --> Normals --> Rotate`": "",
    ":menuselection:`Mesh --> Normals --> Select by Face Strength`": "",
    ":menuselection:`Mesh --> Normals --> Set Face Strength`": "",
    ":menuselection:`Mesh --> Normals --> Set from Faces`": "",
    ":menuselection:`Mesh --> Normals --> Smooth Vectors`": "",
    ":menuselection:`Mesh --> Normals --> Split`": "",
    ":menuselection:`Mesh --> Separate`": "",
    ":menuselection:`Mesh --> Shading`": "",
    ":menuselection:`Mesh --> Snap to Symmetry`": "",
    ":menuselection:`Mesh --> Sort Elements...`": "",
    ":menuselection:`Mesh --> Split --> Faces & Edges by Vertices`": "",
    ":menuselection:`Mesh --> Split --> Faces by Edges`": "",
    ":menuselection:`Mesh --> Split --> Selection`": "",
    ":menuselection:`Mesh --> Split`": "",
    ":menuselection:`Mesh --> Symmetrize`": "",
    ":menuselection:`Mesh --> Transform --> Move, Rotate, Scale`": "",
    ":menuselection:`Mesh --> Transform --> Randomize`": "",
    ":menuselection:`Mesh --> Transform --> Shrink Fatten`": "",
    ":menuselection:`Mesh --> Transform --> Skin Resize`": "",
    ":menuselection:`Mesh --> Transform --> To Sphere`": "",
    ":menuselection:`Mesh --> Unfold`": "",
    ":menuselection:`Node --> Copy`, :menuselection:`Node --> Paste`": "",
    ":menuselection:`Node --> Cut Links`": "",
    ":menuselection:`Node --> Duplicate`": "",
    ":menuselection:`Node --> Edit Group`": "",
    ":menuselection:`Node --> Group Insert`": "",
    ":menuselection:`Node --> Join in new Frame`": "",
    ":menuselection:`Node --> Make Group`": "",
    ":menuselection:`Node --> Move, Rotate, Resize`": "",
    ":menuselection:`Node --> Mute Links`": "",
    ":menuselection:`Node --> Remove from Frame`": "",
    ":menuselection:`Node --> Toggle Node Mute`": "",
    ":menuselection:`Node --> Ungroup`": "",
    ":menuselection:`Node editor --> Sidebar` or see the hotkeys of individual tools": "",
    ":menuselection:`Object --> Animation --> Bake Mesh to Grease Pencil...`": "",
    ":menuselection:`Object --> Animation --> Clear Keyframes...`": "",
    ":menuselection:`Object --> Animation --> Delete Keyframes...`": "",
    ":menuselection:`Object --> Animation --> Insert Keyframe...`": "",
    ":menuselection:`Object --> Constraint --> Add Constraint (with Targets)`": "",
    ":menuselection:`Object --> Constraint --> Clear Object Constraints`": "",
    ":menuselection:`Object --> Constraint --> Copy Constraints to Selected Objects`": "",
    ":menuselection:`Object --> Convert --> Path, Bézier Curve, Polygon Curve`": "",
    ":menuselection:`Object --> Convert --> Trace Images to Grease Pencil`": "",
    ":menuselection:`Object --> Relations --> Make Local...`": "",
    ":menuselection:`Object --> Relations --> Make Proxy...`": "",
    ":menuselection:`Object --> Track`": "",
    ":menuselection:`Object Data --> Shape Keys`": "",
    ":menuselection:`Object Data tab --> Layers`": "",
    ":menuselection:`Object Data tab --> Vertex Groups`": "",
    ":menuselection:`Object Properties --> Visibility`": "",
    ":menuselection:`Object/Mesh --> Transform --> Push/Pull`": "",
    ":menuselection:`Object/Mesh/Curve/Surface --> Transform --> Bend`": "",
    ":menuselection:`Object/Mesh/Curve/Surface --> Transform --> Shear`": "",
    ":menuselection:`Object/Mesh/Curve/Surface --> Transform --> Warp`": "",
    ":menuselection:`Object/Pose --> Animation --> Bake Action...`": "",
    ":menuselection:`Object/Pose --> Parent --> Armature Deform`": "",
    ":menuselection:`Paint --> Bright/Contrast`": "",
    ":menuselection:`Paint --> Hue Saturation Value`": "",
    ":menuselection:`Paint --> Invert`": "",
    ":menuselection:`Paint --> Levels`": "",
    ":menuselection:`Paint --> Reset Vertex Colors`": "",
    ":menuselection:`Paint --> Set Vertex Colors`": "",
    ":menuselection:`Point --> Extrude`": "",
    ":menuselection:`Point --> Merge`": "",
    ":menuselection:`Point --> Smooth`": "",
    ":menuselection:`Pose --> Apply`": "",
    ":menuselection:`Pose --> Bone Groups --> ...`": "",
    ":menuselection:`Pose --> Clear Transform`": "",
    ":menuselection:`Pose --> Copy Pose`, :menuselection:`Pose --> Paste Pose`, :menuselection:`Pose --> Paste Pose Flipped`": "",
    ":menuselection:`Pose --> Flip Quats`": "",
    ":menuselection:`Pose --> In-Betweens --> Pose Breakdowner`": "",
    ":menuselection:`Pose --> In-Betweens --> Push Pose from Breakdown`": "",
    ":menuselection:`Pose --> In-Betweens --> Push Pose from Rest Pose`": "",
    ":menuselection:`Pose --> In-Betweens --> Relax Pose to Breakdown`": "",
    ":menuselection:`Pose --> In-Betweens --> Relax Pose to Rest Pose`": "",
    ":menuselection:`Pose --> Motion Paths`": "",
    ":menuselection:`Pose --> Pose Library --> Add Pose`": "",
    ":menuselection:`Pose --> Pose Library --> Browse Poses`": "",
    ":menuselection:`Pose --> Pose Library --> Remove Pose`": "",
    ":menuselection:`Pose --> Pose Library --> Rename Pose`": "",
    ":menuselection:`Pose --> Pose Library`": "",
    ":menuselection:`Pose --> Propagate`": "",
    ":menuselection:`Preferences --> Add-on tab`": "",
    ":menuselection:`Properties --> Armature --> Bone Groups`": "",
    ":menuselection:`Properties --> Armature --> Inverse Kinematics`": "",
    ":menuselection:`Properties --> Armature --> Motion Paths`": "",
    ":menuselection:`Properties --> Armature --> Selection Sets`": "",
    ":menuselection:`Properties --> Armature, Bone`, :menuselection:`3D Viewport --> Tools panel`, :menuselection:`3D Viewport --> Add menu --> Armature`": "",
    ":menuselection:`Properties --> Bone --> Viewport Display`": "",
    ":menuselection:`Properties --> Bone Properties`": "",
    ":menuselection:`Properties --> Bone`": "",
    ":menuselection:`Properties --> Bones --> Relations`": "",
    ":menuselection:`Properties --> Constraint tab`": "",
    ":menuselection:`Properties --> Curve --> Active Spline`": "",
    ":menuselection:`Properties --> Material`": "",
    ":menuselection:`Properties --> Mesh --> Paper Model Islands`": "",
    ":menuselection:`Properties --> Modifiers`": "",
    ":menuselection:`Properties --> Object Buttons`": "",
    ":menuselection:`Properties --> Object Data --> Shape Keys Specials`": "",
    ":menuselection:`Properties --> Object Data Properties --> Pose Library`": "",
    ":menuselection:`Properties --> Object Properties --> Motion Paths`": "",
    ":menuselection:`Properties --> Render --> Freestyle SVG Export`": "",
    ":menuselection:`Properties --> Render --> Performance`": "",
    ":menuselection:`Properties --> Scene --> 3D-Coat Settings`": "",
    ":menuselection:`Properties --> Scene --> Blend Info panel`": "",
    ":menuselection:`Properties --> Scene --> Python Console Menu`": "",
    ":menuselection:`Properties --> View Layers --> Freestyle Line Style SVG Export`": "",
    ":menuselection:`Properties --> View Layers`": "",
    ":menuselection:`Properties --> Visual Effects`": "",
    ":menuselection:`Properties --> World --> Sun Position panel`": "",
    ":menuselection:`Render --> Engine --> POV-Ray 3.7`": "",
    ":menuselection:`Scene --> Active Keying Set`": "",
    ":menuselection:`Scene --> Keying Set`": "",
    ":menuselection:`Select --> (De)select First`, :menuselection:`Select --> (De)select Last`": "",
    ":menuselection:`Select --> Alternated`": "",
    ":menuselection:`Select --> Box Select`": "",
    ":menuselection:`Select --> Checker Deselect`": "",
    ":menuselection:`Select --> Circle Select`": "",
    ":menuselection:`Select --> Constraint Target`": "",
    ":menuselection:`Select --> First/Last`": "",
    ":menuselection:`Select --> Grouped`": "",
    ":menuselection:`Select --> Linked`": "",
    ":menuselection:`Select --> More/Less`": "",
    ":menuselection:`Select --> Random`": "",
    ":menuselection:`Select --> Select Linked --> Shortest Path`": "",
    ":menuselection:`Select --> Select Linked`": "",
    ":menuselection:`Select --> Select Mirror`": "",
    ":menuselection:`Select --> Select More/Less`": "",
    ":menuselection:`Select --> Select Next`, :menuselection:`Select --> Select Previous`": "",
    ":menuselection:`Select --> Select Pattern...`": "",
    ":menuselection:`Select --> Select Random`": "",
    ":menuselection:`Select --> Select Similar`": "",
    ":menuselection:`Select --> Similar`": "",
    ":menuselection:`Select --> Vertex Color`": "",
    ":menuselection:`Sidebar --> Animation tab`": "",
    ":menuselection:`Sidebar --> BlenderKit --> BlenderKit Login`": "",
    ":menuselection:`Sidebar --> BlenderKit --> BlenderKit Profile`": "",
    ":menuselection:`Sidebar --> BlenderKit --> Find and Upload --> Search --> Models`": "",
    ":menuselection:`Sidebar --> BlenderKit --> Find and Upload --> Search`": "",
    ":menuselection:`Sidebar --> BlenderKit --> Find and Upload`": "",
    ":menuselection:`Sidebar --> Create tab`": "",
    ":menuselection:`Sidebar --> Edit tab`": "",
    ":menuselection:`Sidebar --> Edited Action`": "",
    ":menuselection:`Sidebar --> Group --> Interface`": "",
    ":menuselection:`Sidebar --> Node`": "",
    ":menuselection:`Sidebar --> Strip --> Active Strip`": "",
    ":menuselection:`Sidebar --> Tool --> Brush Settings`": "",
    ":menuselection:`Sidebar --> Tool --> Options --> Relative Mirror`": "",
    ":menuselection:`Sidebar --> Tool --> Options --> X-Axis Mirror`": "",
    ":menuselection:`Sidebar --> Tool --> Pose Options --> Auto IK`": "",
    ":menuselection:`Sidebar --> Transform`": "",
    ":menuselection:`Sidebar --> View --> Quad View`": "",
    ":menuselection:`Sidebar --> View tab --> Turnaround Camera`": "",
    ":menuselection:`Sidebar region --> Animations --> Action Clip`": "",
    ":menuselection:`Sidebar region --> Cursor`": "",
    ":menuselection:`Sidebar region --> Drivers`": "",
    ":menuselection:`Sidebar region --> F-Curve --> Active F-Curve`": "",
    ":menuselection:`Sidebar region --> F-Curve --> Active Keyframe`": "",
    ":menuselection:`Sidebar region --> Modifiers --> Modifiers`": "",
    ":menuselection:`Sidebar region --> Options`": "",
    ":menuselection:`Sidebar region --> Tool`": "",
    ":menuselection:`Sidebar region --> Transform`": "",
    ":menuselection:`Sidebar region --> Vertex Weights`": "",
    ":menuselection:`Sidebar region --> View --> 3D Cursor`": "",
    ":menuselection:`Sidebar region --> View`": "",
    ":menuselection:`Snap`": "",
    ":menuselection:`Snapping --> Snap To`": "",
    ":menuselection:`Snapping --> Snap with`": "",
    ":menuselection:`Stroke --> Animation --> Delete Active Keyframe (Active Layer)` :menuselection:`Stroke --> Animation --> Delete Active Keyframes (All Layers)`": "",
    ":menuselection:`Stroke --> Animation --> Duplicate Active Keyframe (Active Layer)` :menuselection:`Stroke --> Animation --> Duplicate Active Keyframe (All Layers)`": "",
    ":menuselection:`Stroke --> Animation --> Insert Blank Keyframe (Active Layer)` :menuselection:`Stroke --> Animation --> Insert Blank Keyframe (All Layers)`": "",
    ":menuselection:`Stroke --> Arrange`": "",
    ":menuselection:`Stroke --> Assign Material`": "",
    ":menuselection:`Stroke --> Close`": "",
    ":menuselection:`Stroke --> Join --> Join, Join and Copy`": "",
    ":menuselection:`Stroke --> Move to Layer`": "",
    ":menuselection:`Stroke --> Normalize Opacity`": "",
    ":menuselection:`Stroke --> Normalize Thickness`": "",
    ":menuselection:`Stroke --> Reset Fill Transform`": "",
    ":menuselection:`Stroke --> Scale Thickness`": "",
    ":menuselection:`Stroke --> Set as Active Material`": "",
    ":menuselection:`Stroke --> Simplify`": "",
    ":menuselection:`Stroke --> Subdivide`": "",
    ":menuselection:`Stroke --> Switch Direction`": "",
    ":menuselection:`Stroke --> Toggle Caps`": "",
    ":menuselection:`Stroke --> Toggle Cyclic`": "",
    ":menuselection:`Stroke --> Trim`": "",
    ":menuselection:`Stroke Placement`": "",
    ":menuselection:`System Settings --> Window Management --> Window Behavior --> Window Actions`, Switch from 'Alt' to 'Meta' key": "",
    ":menuselection:`Text Editor --> Dev Tab --> Icon Viewer`": "",
    ":menuselection:`Text Editor --> Sidebar --> Dev tab`": "",
    ":menuselection:`Text Editor --> Sidebar --> Edit Operator`": "",
    ":menuselection:`Tool Settings --> Mode`": "",
    ":menuselection:`Toolbar --> Add Add Cylinder`": "",
    ":menuselection:`Toolbar --> Add Cone`": "",
    ":menuselection:`Toolbar --> Add Cube`": "",
    ":menuselection:`Toolbar --> Add Icosphere`": "",
    ":menuselection:`Toolbar --> Add UV Sphere`": "",
    ":menuselection:`Toolbar --> Arc`": "",
    ":menuselection:`Toolbar --> Bend/Shear`": "",
    ":menuselection:`Toolbar --> Box`": "",
    ":menuselection:`Toolbar --> Circle`": "",
    ":menuselection:`Toolbar --> Curve`": "",
    ":menuselection:`Toolbar --> Cutter`": "",
    ":menuselection:`Toolbar --> Draw`": "",
    ":menuselection:`Toolbar --> Erase`": "",
    ":menuselection:`Toolbar --> Extrude Region --> Extrude Along Normals`": "",
    ":menuselection:`Toolbar --> Extrude Region --> Extrude Individual`": "",
    ":menuselection:`Toolbar --> Extrude`": "",
    ":menuselection:`Toolbar --> Eyedropper`": "",
    ":menuselection:`Toolbar --> Fill`": "",
    ":menuselection:`Toolbar --> In-Betweens Tools --> Push`": "",
    ":menuselection:`Toolbar --> In-Betweens Tools --> Relax`": "",
    ":menuselection:`Toolbar --> Inset Faces`": "",
    ":menuselection:`Toolbar --> Interpolate`": "",
    ":menuselection:`Toolbar --> Knife --> Bisect`": "",
    ":menuselection:`Toolbar --> Line`": "",
    ":menuselection:`Toolbar --> Measure`": "",
    ":menuselection:`Toolbar --> Move, Rotate, Scale`": "",
    ":menuselection:`Toolbar --> Polyline`": "",
    ":menuselection:`Toolbar --> Radius`": "",
    ":menuselection:`Toolbar --> Shear`": "",
    ":menuselection:`Toolbar --> Shrink/Fatten`": "",
    ":menuselection:`Toolbar --> Shrink/Flatten --> Push/Pull`": "",
    ":menuselection:`Toolbar --> Tilt`": "",
    ":menuselection:`Toolbar --> Tint`": "",
    ":menuselection:`Toolbar region --> In-Betweens Tools --> Breakdowner`": "",
    ":menuselection:`Toolbar`": "",
    ":menuselection:`Topbar --> Blender --> System --> Clean Up Space-data`": "",
    ":menuselection:`Topbar --> Blender --> System --> Debug Menu`": "",
    ":menuselection:`Topbar --> Blender --> System --> Memory Statistics`": "",
    ":menuselection:`Topbar --> Blender --> System --> Redraw Timer`": "",
    ":menuselection:`Topbar --> Blender --> System --> Reload Scripts`": "",
    ":menuselection:`Topbar --> File --> Import/Export`": "",
    ":menuselection:`Topbar --> File menu`, Text editor, any UI control": "",
    ":menuselection:`UV --> Cube Projection`": "",
    ":menuselection:`UV --> Cylinder Projection`": "",
    ":menuselection:`UV --> Follow Active Quads`": "",
    ":menuselection:`UV --> Lightmap Pack`": "",
    ":menuselection:`UV --> Project from View (Bounds)`": "",
    ":menuselection:`UV --> Project from View`": "",
    ":menuselection:`UV --> Reset`": "",
    ":menuselection:`UV --> Smart UV Project`": "",
    ":menuselection:`UV --> Sphere Projection`": "",
    ":menuselection:`UV --> Unwrap`": "",
    ":menuselection:`UV Editor --> UV and Edit Mode menus`": "",
    ":menuselection:`Vertex --> Bevel Edges` (edge bevel)": "",
    ":menuselection:`Vertex --> Bevel Vertices`": "",
    ":menuselection:`Vertex --> Bevel Vertices` (vertex bevel)": "",
    ":menuselection:`Vertex --> Blend from Shape`": "",
    ":menuselection:`Vertex --> Connect Vertex Pairs`": "",
    ":menuselection:`Vertex --> Connect Vertex Path`": "",
    ":menuselection:`Vertex --> Extrude Vertices`": "",
    ":menuselection:`Vertex --> Hooks`": "",
    ":menuselection:`Vertex --> Make Vertex Parent`": "",
    ":menuselection:`Vertex --> Merge by Distance`, :menuselection:`Context Menu --> Merge by Distance`": "",
    ":menuselection:`Vertex --> New Edge/Face from Vertices`": "",
    ":menuselection:`Vertex --> Propagate to Shapes`": "",
    ":menuselection:`Vertex --> Rip Vertices and Extend`": "",
    ":menuselection:`Vertex --> Rip Vertices and Fill`": "",
    ":menuselection:`Vertex --> Rip Vertices`": "",
    ":menuselection:`Vertex --> Slide Vertices`": "",
    ":menuselection:`Vertex --> Smooth Vertices`, :menuselection:`Context Menu --> Smooth`": "",
    ":menuselection:`Vertex --> Vertex Groups`": "",
    ":menuselection:`View --> Align View`": "",
    ":menuselection:`View --> Area --> Duplicate Area into new Window`": "",
    ":menuselection:`View --> Area --> Toggle Fullscreen Area`": "",
    ":menuselection:`View --> Area --> Toggle Maximize Area`": "",
    ":menuselection:`View --> Area --> Toggle Quad View`": "",
    ":menuselection:`View --> Cameras --> Active Camera`": "",
    ":menuselection:`View --> Cameras --> Frame Camera Bounds`": "",
    ":menuselection:`View --> Cameras --> Set Active Object as Camera`": "",
    ":menuselection:`View --> Local View --> Remove from Local View`": "",
    ":menuselection:`View --> Local View --> Toggle Local View`": "",
    ":menuselection:`View --> Navigation --> Fly Navigation`": "",
    ":menuselection:`View --> Navigation --> Orbit`": "",
    ":menuselection:`View --> Navigation --> Pan`": "",
    ":menuselection:`View --> Navigation --> Roll`": "",
    ":menuselection:`View --> Navigation --> Walk Navigation`": "",
    ":menuselection:`View --> Navigation --> Zoom In/Out`": "",
    ":menuselection:`View --> Navigation --> Zoom Region...`": "",
    ":menuselection:`View --> Perspective/Orthographic`": "",
    ":menuselection:`View --> View Regions --> Clipping Region...`": "",
    ":menuselection:`View --> View Regions --> Render Region...` :menuselection:`View --> View Regions --> Clear Render Region`": "",
    ":menuselection:`Weights --> Generate Weights`": "",
    ":menuselection:`Weights --> Invert`": "",
    ":menuselection:`Weights --> Normalize All`": "",
    ":menuselection:`Weights --> Normalize`": "",
    ":menuselection:`Weights --> Smooth`": "",
    ":menuselection:`Weights`": "",
    ":menuselection:`node editor --> Sidebar --> Trees`": "",
    ":menuselection:`node editors --> Add --> Templates`": "",
    ":mod:`blender_api:bpy.context` API reference -- Handy to have a list of available items your script may operate on": "",
    ":ref:`Animation player <prefs-file_paths-animation_player>` preferences to select different animation players": "",
    ":ref:`Animation player <render-output-animation_player>` for details": "",
    ":ref:`Annotate <tool-annotate-freehand>`": "",
    ":ref:`Annotate Eraser <tool-annotate-eraser>`": "",
    ":ref:`Annotate Line <tool-annotate-line>`": "",
    ":ref:`Annotate Polygon <tool-annotate-polygon>`": "",
    ":ref:`Armature Layers <bpy.types.Armature.layers>` are usually used to isolate bones. Rigify can take advantage of armature layer to generate extra features and the user interface for the final rig. Rigify layers are displayed in a vertical layout inside their own separate panel named Rigify Layer Names": "",
    ":ref:`Auto Save <troubleshooting-file-recovery>`": "",
    ":ref:`Auto Saves <troubleshooting-file-recovery>`": "",
    ":ref:`Auto-Perspective Preference <prefs-interface-auto-perspective>`": "",
    ":ref:`Bridge Edge Loops <modeling-meshes-editing-bridge-edge-loops>`": "",
    ":ref:`Communicating <contribute-contact>` early and frequently is the key to have a productive environment, to not waste people's effort and to attain a better Blender manual as a result": "",
    ":ref:`Curve Edit Mode <curve-toolbar-index>`": "",
    ":ref:`Extending Blender with Python <scripting-index>`": "",
    ":ref:`Extrapolation <editors-graph-fcurves-settings-extrapolation>` specifies how the curve extends before the first, and after the last keyframe. The main available choices are *Constant* and *Linear*; it is also possible to configure the curve to loop": "",
    ":ref:`Fill <modeling-meshes-editing-fill>`": "",
    ":ref:`Fly/Walk Navigation <3dview-fly-walk>` for first person navigation that moves the active camera too": "",
    ":ref:`Grease Pencil Draw <gpencil_draw-toolbar-index>`": "",
    ":ref:`Grease Pencil Edit <gpencil_edit-toolbar-index>`": "",
    ":ref:`Grease Pencil Sculpting <gpencil_sculpt-toolbar-index>`": "",
    ":ref:`Grease Pencil Weight Paint <gpencil_weight_paint-toolbar-index>`": "",
    ":ref:`Grid Fill <modeling-meshes-editing-grid-fill>`": "",
    ":ref:`Joining objects <object-join>`": "",
    ":ref:`Mask <dope-sheet-mask>`": "",
    ":ref:`Mesh Edit Mode <mesh-toolbar-index>`": "",
    ":ref:`Metaball Edit Mode <meta-toolbar-index>`": "",
    ":ref:`Naming bones <armature-editing-naming-bones>`": "",
    ":ref:`Open <bpy.ops.wm.open_mainfile>` a blend-file": "",
    ":ref:`Orbit Style Preference <prefs-input-orbit-style>`": "",
    ":ref:`Pans the 3D Viewport <bpy.ops.view3d.view_pan>`": "",
    ":ref:`Render perspective <camera-lens-type>`": "",
    ":ref:`Save <bpy.ops.wm.save_mainfile>` the current blend-file": "",
    ":ref:`Saves <bpy.ops.wm.save_mainfile>` a copy of the current file": "",
    ":ref:`Shape Key Editor <dope-sheet-shape-key>`": "",
    ":ref:`State Colors <animation-state-colors>`": "",
    ":ref:`Surface Edit Mode <surface-toolbar-index>`": "",
    ":ref:`Unpack <pack-unpack-data>` the file packed into the current blend-file to external ones": "",
    ":ref:`Vertex merging <vertex-merging>`": "",
    ":ref:`Zooms the 3D Viewport <editors_3dview_navigation_zoom>`": "",
    ":ref:`keyframe-type` on insertion": "",
    ":ref:`keymap-customize` for more information on keymap editing": "",
    ":ref:`object-convert-to`/from Mesh": "",
    ":ref:`ui-data-block` of the current view layer": "",
    ":ref:`ui-data-id` for the selection of the object to be used as a pivot point. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the an armature. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the constraint's target, and is not functional (red state) when it has none. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the constraint's target, which *must* be a curve object, and is not functional (red state) when it has none. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the constraint's target, which *must* be a mesh object, and is not functional (red state) when it has none. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the constraints target, and is not functional (red state) when it has none. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":ref:`ui-data-id` used to select the target curve. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    ":term:`Camera Projections <Projection>`": "",
    ":term:`Color Space`": "",
    ":term:`Euler Rotation` angles": "",
    ":term:`Face` that contains exactly four :term:`Vertices <Vertex>`": "",
    ":term:`Face` with exactly three :term:`Vertices <Vertex>`": "",
    ":term:`Quaternion Rotation` angles": "",
    ":term:`Seed` to change the random sequence": "",
    ":term:`Seed` used by the pseudo-random number generator": "",
    ":term:`Vertex` where three, five, or more edges meet. A vertex connected to one, two, or four edges is not a pole": "",
    "A \"main axis\" is chosen, either by the user, or as the longest axis of the curve's bounding box (the default)": "",
    "A **driver configuration** that specifies zero, one, or more input values using other properties or object transformation channels, and combines them using a predefined mathematical function or a custom Python expression": "",
    "A *Collection Info* node can be added quickly by dragging a collection into the node editor": "",
    "A *Keyframe* is simply a marker of time which stores the value of a property": "",
    "A *miter* is formed when two beveled edges meet at an angle. On the side where the angle is greater than 180 degrees, if any, it is called an *outer miter*. This option specifies the pattern that Blender uses at an outer miter": "",
    "A *perspective* view is geometrically constructed by taking a scene in 3D and placing an observer at point *O*. The 2D perspective scene is built by placing a plane (e.g. a sheet of paper) where the 2D scene is to be rendered in front of point *O*, perpendicular to the viewing direction. For each point *P* in the 3D scene a *PO* line is drawn, passing by *O* and *P*. The intersection point *S* between this *PO* line and the plane is the perspective projection of that point. By projecting all points *P* of the scene you get a perspective view": "",
    "A 3D coordinate system that originates (for Objects) at the :term:`Object Origin`. or (for Bones) at the :term:`Head` of the :term:`Bone`": "",
    "A 3D coordinate system that originates at a point at the origin of the world. Compare to :term:`Local Space`": "",
    "A 3D curve has control points that are not located on the curve's local XY plane. This gives the curve a twist which can affect the curve normals. You can alter how the twist of the curve is calculated by choosing from *Minimum, Tangent* and *Z-Up* options from the select menu": "",
    "A :doc:`Corner Pin </compositing/types/distort/corner_pin>` node is used to distort a plane and to create a warp view of the image. Selecting this option will build a compositing setup with the Image Texture, Scale and Corner Pin Node added to the Compositor": "",
    "A :kbd:`Ctrl-LMB` click on the header of a specific panel that contains subpanels will expand / collapse all subpanels": "",
    "A :kbd:`Ctrl-LMB` click on the header of a specific panel will collapse all other panels and make this the only expanded one": "",
    "A :ref:`Data ID menu <ui-data-id>` to select the object (usually an empty), which location will be used as a reference point": "",
    "A :ref:`Data-Block <ui-data-block>` menu that allows you to edit actions shown in the action track. See also the Action Editor's :ref:`Action <dopesheet-action-action>`": "",
    "A :ref:`List View <ui-list-view>`": "",
    "A :ref:`List view <ui-list-view>` of poses for the active pose library": "",
    "A :ref:`List view <ui-list-view>`": "",
    "A :ref:`Specials <ui-specials-menu>` menu with tools to operate on control points or to set properties": "",
    "A :ref:`Specials <ui-specials-menu>` menu with tools to operate on list entries": "",
    "A :ref:`data-block menu <ui-data-block>` to select a text or to create a new one. After that the header will change": "",
    "A :ref:`data-block menu <ui-data-block>` used for add a movie file. Both movie files and image sequences can be used in the Clip editor. When a movie clip is loaded into the Clip editor, extra panels are displayed in the interface": "",
    "A :ref:`data-block menu <ui-data-block>` used for selecting images. When an image has been loaded or created in the Image editor, the Image panel appears in the *Sidebar region*. See :doc:`/editors/image/image_settings`": "",
    "A :ref:`data-block menu <ui-data-block>`": "",
    "A :ref:`ui-data-block` for Actions or pose libraries": "",
    "A :ref:`ui-data-block` to select a palette": "",
    "A :ref:`ui-data-block`": "",
    "A :ref:`ui-data-id` that defines an object as the center of the view. In this case, the view can be rotated around or zoomed towards that central object, but not while you move the object itself (this option is not available in a camera view)": "",
    "A :ref:`ui-data-id` to select an object (usually an empty), which position and rotation will be used to define mirror planes (instead of using the ones from the modified object)": "",
    "A :ref:`ui-data-id` to select an object (usually an empty), which position and rotation will be used to define the center of the effect": "",
    "A :ref:`ui-data-id` to select the bone to set as a parent": "",
    "A :term:`Face` that contains more than four :term:`Vertices <Vertex>`": "",
    "A Blender object, which is a :term:`Data User`. Opposite of :term:`Fake User`, which is only a program construct": "",
    "A Blender profile for lights has been added through the ``<extra>`` tag. The entire Light struct from Blender will be exported through this profile, with the exception of light curve falloff": "",
    "A Bézier curve that varies the input levels (X axis) to produce an output level (Y axis). For the curve controls see: :ref:`Curve widget <ui-curve-widget>`": "",
    "A DF3-file (POV-Ray voxel format) is exported and used with a POV-Ray media container with the same dimension and resolution as Blender smoke domain": "",
    "A Data ID is a text field with an icon on the left, which opens a pop-up. Data ID is a unique name for an object. Data ID is used to refer to objects, and therefore Blender does not allow any two objects of same type to have same ID (same name). If Data ID is already in use, Blender will automatically append a number to the end to prevent ID collision (for example \"Cube.001\")": "",
    "A Lattice Modifier can quickly be added to selected objects by selecting them all, then selecting the lattice object last and pressing :kbd:`Ctrl-P` and choosing *Lattice Deform*. This will both add Lattice Modifiers to the selected objects and parent them to the lattice": "",
    "A Python script which must contain ``register`` and ``unregister`` functions": "",
    "A UV map describes what part of the texture should be attached to each polygon in the model. Each polygon's vertex gets assigned to 2D coordinates that define which part of the image gets mapped. These 2D coordinates are called UVs (compare this to the XYZ coordinates in 3D). The operation of generating these UV maps is also called \"unwrap\", since it is as if the mesh were unfolded onto a 2D plane": "",
    "A `blog post <http://lacuisine.tech/blog/2018/07/19/2d-camera-rig/>`__ explaining the 2D rig by its authors": "",
    "A backwards compatibility wrapper around ``limbs.arm``, ``limbs.leg`` and ``limbs.paw``": "",
    "A blend-file can store previews, both for itself, and for some of its :doc:`data-blocks </files/data_blocks>`. You can disable writing any previews when saving a blend-file using the *Save Preview Images* setting from the :ref:`prefs-save-load` section of the Preferences": "",
    "A built-in attribute on point cloud data created by the :doc:`Point Distribute Node </modeling/geometry_nodes/point/point_distribute>`. Used to set the size for the points in the viewport": "",
    "A camera rig can be used instead of animating the camera object directly to simulate real-world camera rigs (with a boom arm, mounted on a rotating pedestal for example, effects such as camera jitter can be added too)": "",
    "A click and drag from any location in the Outliner other than a name or icon will begin a box selection. Use :kbd:`Shift` to add and :kbd:`Ctrl` to subtract from existing selections with box select. Box select can also be started with :kbd:`B`": "",
    "A click with the :kbd:`LMB` on the panel header expands or collapses it": "",
    "A codec is a little routine that compresses the video so that it will fit on a Blu-ray, or be able to be streamed out over the Internet, over a cable, or just be a reasonable file size. Codecs compress the channels of a video down to save space and enable continuous playback. *Lossy* codecs make smaller files at the expense of image quality, while *lossless* codecs compress as much as possible the video, but without losing any existing data": "",
    "A collection of paths in a :ref:`List View <ui-list-view>` each with a *Data Path* to a property to add to the active keying set": "",
    "A comma separated list of frames can also be used (no spaces)": "",
    "A common object type used in a 3D scene is a mesh. Blender comes with a number of \"primitive\" mesh shapes that you can start modeling from. You can also add primitives in Edit Mode at the 3D cursor": "",
    "A curve with different Bevel depths applied (Depth of 0.05)": "",
    "A curve with different Bevel depths applied (Depth of 0.25)": "",
    "A curve with different resolutions applied (Resolution of 1)": "",
    "A curve with different resolutions applied (Resolution of 12)": "",
    "A curve with no *Factor Start, End*": "",
    "A custom set of workspaces can be saved as a part of the :doc:`/getting_started/configuration/defaults`": "",
    "A device for organizing objects. See also :doc:`Collections </scene_layout/collections/collections>`": "",
    "A downside is that unlike in the :doc:`Follow Path constraint </animation/constraints/relationship/follow_path>`, *Clamp To* does not have any option to track your owner's rotation (pitch, roll, yaw) to the banking of the targeted curve, but you do not always need rotation on, so in cases like this it's usually a lot handier to fire up a *Clamp To*, and get the bits of rotation you do need some other way": "",
    "A driver can have zero, one, or more **variables**. Variables specify which properties, object transformation channels, or relative distances between objects, are used as inputs by the driver": "",
    "A driver that sets the property value to the value of a different property can be quickly created by using the *Copy As New Driver* context menu option of the input property, and then pasting the result onto the output property via *Paste Driver*": "",
    "A face's UV image texture only has to use *part* of the image, not the *whole* image. Also, portions of the same image can be shared by multiple faces. A face can be mapped to less and less of the total image": "",
    "A frame in an animated sequence drawn or otherwise constructed directly by the animator. In classical animation, when all frames were drawn by animators, the senior artist would draw these frames, leaving the \"in between\" frames to an apprentice. Now, the animator creates only the first and last frames of a simple sequence (keyframes); the computer fills in the gap": "",
    "A free open-standard lossy codec designed together with the :ref:`Ogg container <files-video-containers>`": "",
    "A function that turns the current shape into its geometric dual (sort of)": "",
    "A general rule of thumb is that if multiple edges are selected they should be connected end-to-end such that they form a continuous chain. This is *literally* a general rule because you can still select edges in a chain that are invalid because some of the edges in the chain are in different edge loops": "",
    "A general term used to describe a 3D mouse, or any input devices which supports more degrees of freedom than a conventional 2D input device, see: :ref:`hardware-ndof`": "",
    "A grayscale image used to include or exclude parts of an image. A matte is applied as an :term:`Alpha Channel`, or it is used as a mix factor when applying :term:`Color Blend Modes`": "",
    "A grayscale texture that defines how rough or smooth the surface of a material is. This may also be known as a :term:`Glossy Map`": "",
    "A guide how to add a new language can be found in the :doc:`/about/contribute/translations/add_language`": "",
    "A header is a small horizontal strip, which sits either at the top or bottom of an area. All editors have a header acting as a container for menus and commonly used tools. :ref:`Menus <ui-header-menu>` and buttons will change with the editor type and the selected object and mode": "",
    "A label is written on a tab when its target edge might not be clear. Specifically, the label is omitted if the edge will be sticked to the same place as its both neighbors or if one of these is the target itself. The format of labels is ``island_abbreviation: edge_number``. Island abbreviation is written in square brackets under the corresponding island, before to its full-length name. Edge number is written as a triangle arrow next to that target edge, outside the net": "",
    "A line that intersects a surface at exactly one point, a tangent is perpendicular to a :term:`Normal <Face Normal>`": "",
    "A list of all :doc:`Geometry Nodes </modeling/geometry_nodes/index>` is available in the modeling section": "",
    "A list of all :doc:`shader nodes </render/shader_nodes/index>` is available in the rendering section": "",
    "A list of available :doc:`Render Layers </render/layers/index>`. The render button is a shorthand to re-render the active scene": "",
    "A list of software that deals with PDB in different ways can be found on the `RCSB site <https://www.rcsb.org/pages/thirdparty/molecular_graphics>`__. There also is `Vesta <https://jp-minerals.org/vesta/en/>`__, `ASE <https://wiki.fysik.dtu.dk/ase/>`__ and all the `quantum chemical calculators <https://en.wikipedia.org/wiki/List_of_quantum_chemistry_and_solid-state_physics_software>`__ used in research, which can create or even calculate atomic structures and store them in PDB/XYZ files": "",
    "A lossy audio compression format, designed to encode speech or general audio and is intended to replace the *Vorbis* codec": "",
    "A mask representing the outside shape, which will fade from black at its edges to white at the *Inner Mask*": "",
    "A material linked to Object Data (left) and Object (right)": "",
    "A mesh (curve, surface or lattice) has a stack of shape keys. The stack may be of *Relative* or *Absolute* type": "",
    "A mesh item selection (set by this click) :kbd:`Ctrl-RMB`": "",
    "A mesh-only mode, dedicated to particle systems, useful with editable systems (hair)": "",
    "A mesh-only mode, that allows you to set your mesh's vertices colors (i.e. to \"paint\" them)": "",
    "A meta-rig is an assembly of bone chains. A bone chain is identified by the *Connected* attribute. Bone chains can be further connected together by parenting them without using the *Connected* attribute (i.e. using the *Keep Offset* option while parenting)": "",
    "A mode available for all renderable object types, as it is dedicated to their \"shape\" *Object Data* data-block editing (e.g. vertices/edges/faces for meshes, control points for curves/surfaces, strokes/points for Grease Pencil, etc.)": "",
    "A more automatic way to close gaps in an area that you want fill is using temporarily extended lines. *Stroke Extension* are temporary extended auxiliary lines for closing open shapes. Set a value more than zero to use the extended lines, click over the area you want to be filled and change the length of the strokes using :kbd:`PageUp` :kbd:`PageDown` or :kbd:`Wheel`. When you are satisfied with the length and you are sure the temporarily strokes cross each other, click again to fill the area": "",
    "A movie clip (such as an image sequence or video)": "",
    "A new floating window containing an area can be created from :menuselection:`View --> Area --> Duplicate Area into new Window`. (Not available in some editors.)": "",
    "A new system, more powerful and flexible, is currently being implemented: :doc:`Library Overrides </files/linked_libraries/library_overrides>`": "",
    "A new texture can be created by either clicking the *New* button in the Texture Node editor, or the *New* button in the Texture panel. Once a texture is selected, it can be toggled to a function as a regular texture or a node texture by clicking the *Use Nodes* option in the Texture Node editor": "",
    "A pinned panel remains visible regardless of which tab has been selected. You can pin a panel by clicking on the pin icon in its header. Panels that do not have a pin icon can also be pinned by :kbd:`RMB` and selecting *Pin*, or you use :kbd:`Shift-LMB` on the panel": "",
    "A point in 3D space containing a location. It may also have a defined color. Vertices are the terminating points of :term:`Edges <Edge>`": "",
    "A pop-over menu, showing the name of the current layer, to access the `Annotation Layers`_": "",
    "A proxy is a smaller image (faster to load) that stands in for the main image. When you rebuild proxies Blender computes small images (like thumbnails) for the big images and may take some time. After computing them, though, editing functions like scrubbing and scrolling is much faster but gives a low-res result. Make sure to disable proxies before final rendering": "",
    "A range of frames can be expressed using ``..`` separator between the first and last frames (inclusive)": "",
    "A rectangular-based pyramid (of infinite height) if your view is in perspective": "",
    "A region can be scrolled vertically and/or horizontally by dragging it with the :kbd:`MMB`. If the region has no zoom level, it can be scrolled by using the :kbd:`Wheel`, while the mouse hovers over it": "",
    "A right-angled `parallelepiped <https://en.wikipedia.org/wiki/Parallelepiped>`__ (of infinite length) if your view is orthographic": "",
    "A selected ruler can be deleted with :kbd:`Delete` or :kbd:`X`. To delete all measurements, make the :menuselection:`Sidebar --> View --> Annotations` panel visible. Delete the \"RulerData3D\" layer (see image above)": "",
    "A separate custom data file containing all types of radii and colors of the atoms can be loaded. Such an option is useful when it is desired to use predefined values for radii and colors. An example can be downloaded from here: `Custom data file <https://development.root-1.de/X-Download/atom_info.dat>`__": "",
    "A set of menu buttons used to link :doc:`/files/data_blocks` to each other. If data-blocks are linked the data will be updated across all of the :term:`data users <Data User>` when edited": "",
    "A shift greater than 1.0 will make the points alpha less transparent than originally (2.0 is fully opaque)": "",
    "A simple way to configure the driver is with a direct correspondence of the value of a bone's rotation channel to the shape key activation *Value*. This method has the disadvantage of relying on a single channel of a bone's rotation which might be insufficient to precisely express the condition under which the shape key should be activated": "",
    "A single \"default size\" bone selected in B-Bone visualization": "",
    "A single *vertex* has no dimensions at all so it cannot show any transformation (except translation, which is not affected by the pivot point)": "",
    "A single :kbd:`LMB` click on a directory enters it": "",
    "A single bone can be assigned to a group in the :ref:`Relations panel <bpy.types.PoseBone.bone_group>`": "",
    "A single file can be packed by clicking on the little \"gift box\" icon to the left of its file-path UI widget": "",
    "A single file can be unpacked by clicking on the little \"gift box\" icon to the left of its file-path UI widget": "",
    "A special :term:`Data User`, a program construct that is used to mark an object (e.g. material) to be saved in a blend-file, even when no :term:`Real User` is using the object. Objects that are not used by any Data User are not included in saved blend-files": "",
    "A speed of time factor (from 0.0 to 1.0) relative to the scene's :ref:`Frame Rate <bpy.types.RenderSettings.fps>`. The factor changes according to the defined curve": "",
    "A standard for \"the generic coding of moving pictures and associated audio information\". It describes a combination of lossy video compression and lossy audio data compression methods which permit storage and transmission of movies using currently available storage media (notably DVDs) and transmission bandwidth. This container enforces the video codec, you can only define quality parameters, and the audio codec": "",
    "A subcomponent of a :term:`Bone`. Has X, Y and Z coordinates measured in the :term:`Local Space` of the armature object. Used in conjunction with the :term:`Head` to define the local Y axis of a bone in :term:`Pose Mode`. The smaller of the two ends when displayed as an :term:`Octahedron`": "",
    "A subcomponent of a :term:`Bone`. The point of rotation for the bone has X, Y, and Z coordinates measured in the :term:`Local Space` of the :term:`Armature` object. Used in conjunction with the :term:`Tail` to define the local Y axis of the bone in :term:`Pose Mode`. The larger of the two ends when displayed as an :term:`Octahedron`": "",
    "A text data-block can have its *Register* option enabled which means it will load on start": "",
    "A text field where you can enter an arbitrary Python expression that refers to *Driver Variables* by their names": "",
    "A toggle option that shows the value sliders for the channels. See the Fig. :ref:`fig-dope-sheet-action`": "",
    "A union of POV-Ray ``sphere_sweep`` is exported and used for each strand. They can take the color of a texture applied to emitting object, and shape of sphere sweep tries to emulate shape of strands": "",
    "A white point is defined by a set of `CIE illuminates <https://en.wikipedia.org/wiki/Standard_illuminant>`__ which correspond to a color temperature. For example, D65 corresponds to 6500 K light and D70 corresponding to 7000 K": "",
    "A word of caution: when you use the relax tool on a closed loop (a loop where all vertices are connected to two other vertices in the same loop) you can better use cubic interpolation instead of the linear. If you use linear interpolation, the volume of the loop will quickly diminish": "",
    "A, B, C": "",
    "About the toggle buttons that control which target's (i.e. parent's) individual transform properties affect the owner, it is usually best to leave them all enabled, or to disable all three of the given Location, Rotation and Scale transforms": "",
    "Access from the Outliner's *Blender File* view": "",
    "Access the *Compositor* and activate nodes for compositing by clicking the *Use Nodes* checkbox in the header (see :doc:`/interface/controls/nodes/introduction`)": "",
    "Accidentally pressing :kbd:`NumpadSlash` can happen rather often if you are new to Blender, so if a bunch of the objects in your scene seem to have mysteriously vanished, try turning off local view": "",
    "Accounts for any relative transformations when using *X-Axis Mirror*": "",
    "Action Strips are a container of keyframe data of an action. Any action used by the NLA first must be turned into an Action strip. This is done so by clicking the :ref:`Push Down Action <bpy.ops.nla.action_pushdown>` button see above. Alternatively, you can go to :menuselection:`Add --> Action Strip`": "",
    "Action Strips only playback the keyframe data that fits into the length of the strip. This includes any :doc:`modifiers </editors/graph_editor/fcurves/modifiers>` that might extend keyframe data": "",
    "Activate :doc:`Freestyle rendering </render/freestyle/introduction>` and then render your scene with *Render Image*. Your render will be displayed, and the SVG version will be saved to the default output path :menuselection:`Properties --> Output --> Output`": "",
    "Activate :ref:`Auto Smooth <auto-smooth>`": "",
    "Activate curve editing in the 3D Viewport's header with the toggle button (Bézier curve icon)": "",
    "Activate different shape keys in succession. In this example, moving a single bone will activate first *Key 1* and then *Key 2*. See also :ref:`relative shape keys mix additively <animation-shapekeys-relative-vs-absolute>`": "",
    "Activate the *Measure* tool from the Toolbar": "",
    "Activate the Multiframe tool in the 3D Viewport's header with the toggle button (faded lines icon)": "",
    "Activating *Viewport Render* will render from the current active view. This means that if you are not in an active camera view then a virtual camera is used to match the current perspective. To get an image from the camera point of view, enter the active camera view with :kbd:`Numpad0`": "",
    "Activating the :ref:`Axes <bpy.types.Armature.show_axes>` checkbox will show local axes for each bone's tip. The Y axis is always aligned along the bone, oriented from root to tip, this is the \"roll\" axis of the bones": "",
    "Active Color Palette. See :ref:`ui-color-palette`": "",
    "Active camera (left) displayed with a solid triangle above it": "",
    "Acts like the *Clean Keyframes* tool but will also delete the channel itself if it is only left with a single keyframe containing the default property value and it's not being used by any generative F-curve modifiers or drivers": "",
    "Add New (Current Frame)": "",
    "Add POV-Ray specific non-mesh primitives (never show tessellation)": "",
    "Add a *Single Bone* (:menuselection:`Add --> Armature`)": "",
    "Add a :menuselection:`Add --> Camera --> Dolly Camera Rig, Crane Camera Rig or 2D Camera Rig`. This will build the rig at the cursor location, add a new camera, making it the new active scene camera": "",
    "Add a Driver to the *Rotation Y* property of the second object via the context menu or with :kbd:`Ctrl-D`": "",
    "Add a circle using shortcut :kbd:`Shift-A` :menuselection:`--> Mesh --> Circle`": "",
    "Add a copy of the active vertex group as a new group. The new group will be named like the original group with \"_copy\" appended at the end of its name. And it will contain associations to exactly the same vertices with the exact same weights as in the source vertex group": "",
    "Add a driver to the *Value* of *Key 1* and *Key 2*. In the *Drivers* tab, configure both drivers to be the *Averaged Value* of a variable with the bone's Z location": "",
    "Add a driver to the *Value* of the shape key you've created": "",
    "Add a driver to the Y Location property with the expression ``0 + (cos(frame / 8) * 4)``": "",
    "Add a driver with a *Scripted Expression* such as ``square(frame)``": "",
    "Add a mesh (in this example, a cylinder with loop cuts)": "",
    "Add a meta-rig structure from the :menuselection:`Add --> Armature` menu": "",
    "Add a new shape key with the current deformed shape of the object. This differs from the ``+`` button of the list, as that one always copies the Basis shape independently of the current mix": "",
    "Add a single bone from the :menuselection:`Add --> Armature` menu": "",
    "Add a subdirectory under ``my_scripts`` called ``addons`` (it *must* have this name for Blender to recognize it)": "",
    "Add all used vertex color to a new Color Palette. See :ref:`ui-color-palette`": "",
    "Add an :ref:`Image Empty <bpy.types.Object.empty_image>` to the scene": "",
    "Add an object you want to animate and a path along which this object will move. In this example it's the *Monkey* and the *Bézier Circle*": "",
    "Add boundary strokes to close open areas (red lines)": "",
    "Add the expression ``0 + (sin(frame / 8) * 4)``, where:": "",
    "Add the following to the Text Editor inside Blender and press *Run Script*. ::": "",
    "Add the lights with :menuselection:`3D Viewport --> Add --> Light menu --> 3 Point Lights`": "",
    "Add two *Output* nodes to the node tree, and type new names into their *Name* text fields: e.g. \"Diffuse\" for one and \"Normal\" for the other": "",
    "Add two shape keys to a mesh, besides the *Basis*": "",
    "Add vertices that have no weight before inverting (these weights will all be set to 1.0)": "",
    "Add-ons that activate or change multiple hotkeys have a special system of activation. For example, with the :doc:`/addons/interface/viewport_pies` add-on for each menu there is a selection box to activate the menu and its hotkey": "",
    "Add/Remove :doc:`Drivers </animation/drivers/index>` to the selected item": "",
    "Add/Remove selected data to the active :doc:`Keying Set </animation/keyframes/keying_sets>`": "",
    "Additional debug options are available by launching Blender in debug mode or setting ``bpy.app.debug = True``": "",
    "Additional extrapolation methods (e.g. the *Cycles* modifier) are located in the :doc:`F-Curve Modifiers </editors/graph_editor/fcurves/modifiers>`": "",
    "Additional keys to hold (such as :kbd:`Ctrl`, :kbd:`Shift`, :kbd:`Alt`)": "",
    "Adds a \"Flourish\" type curve": "",
    "Adds a \"dummy\" (fake) user so that the selected data-block always gets saved even if it has no users. The fake user can be removed with *Clear Fake User*": "",
    "Adds a :doc:`Hook Modifier </modeling/modifiers/deform/hooks>` (using either a new empty, or the current selected object) linked to the selection. Note that even if it appears in the history menu, this action cannot be undone in *Edit Mode* -- because it involves other objects..": "",
    "Adds a :ref:`custom split normals <modeling_meshes_normals_custom>` data layer, if none exists yet": "",
    "Adds a :term:`NURBS` open 3D curve made of five aligned control points, with *Endpoint* knots and the *Curve Path* setting enabled": "",
    "Adds a closed, circle-shaped 2D :term:`NURBS` curve (made of eight control points)": "",
    "Adds a closed, circle-shaped 2D Bézier curve (made of four control points)": "",
    "Adds a constraint to the active object. The type of constraint must be chosen from a pop-up menu, though it can be changed later from the *Add Constraint (with Targets)* :ref:`bpy.ops.screen.redo_last` panel. If there is an other object selected besides the active one, that object will be the constraint target (if the chosen constraint accepts targets)": "",
    "Adds a transformation taken from an object (relative to the current object) to the offset. It is good practice to use an empty object centered or near to the initial object": "",
    "Adds an open 2D :term:`NURBS` curve, with four control points, with *Uniform* knots": "",
    "Adds copies of the strokes in the clipboard in the center of the brush. You have to copy the selected strokes you want into the clipboard with :kbd:`Ctrl-C` before using the tool": "",
    "Adds many types of (torus) knots including ten presets": "",
    "Adds newly selected items to the existing selection. The selection can also be extended by :kbd:`Shift-LMB`": "",
    "Adds numbers to some edge pairs that are supposed to be sticked together. These numbers are excluded if the correct destination is easy to guess from the neighboring edges. In more complex models, they may overlap a lot with each other and with the net itself. Disabling this option may help solve such issues. If *Create Tabs* is disabled, the numbers will be rendered inside of the net": "",
    "Adds the current brush's primary *Color* to the palette": "",
    "Adds/Removes an object or material from matte, by picking a color from the *Pick* output": "",
    "Adjust `font hinting <https://en.wikipedia.org/wiki/Font_hinting>`__, controls the spacing and crispness of text display": "",
    "Adjust settings in the Tri-Lighting Creator :ref:`bpy.ops.screen.redo_last` panel": "",
    "Adjust the :doc:`area </interface/window_system/areas>` the Image editor is in": "",
    "Adjust this hooks influence on the stroke points, were (0.0 to 1.0) (no change to fully follow the hook)": "",
    "Adjusting the *smooth* option after using the :doc:`Subdivide </modeling/meshes/editing/edge/subdivide>` tool results in a more organic shape": "",
    "Adjusts the reactivity/speed of orbiting in the 3D Viewport. This setting works differently depending on what *Orbit Method* is used:": "",
    "Advanced Rig Generation Options are locked by default. Click on the *Advanced Options* button to enable. With Advanced Options enabled the panel will be updated displaying two main modes:": "",
    "Affects both sides of the strip. This should only be set on the very first strip. When the order of strips changes (for example by dragging them in the NLA editor), a strip that is marked as *Hold* is no longer the very first strip will automatically be set to *Hold Forward* by Blender": "",
    "After (also moving edges away)": "",
    "After :kbd:`Shift`-clicking \"Bone.003\":": "",
    "After a :kbd:`Shift-D` and move": "",
    "After a :kbd:`Shift-R`": "",
    "After activating the add-on, it will place three menu items in the :menuselection:`Add --> Camera` menu. They are Dolly Rig, Crane Rig and 2D Camera Rig": "",
    "After activating the tool, but before confirming initial loop location, you can increase and decrease the number of cuts to create, by entering a number with the keyboard, scrolling :kbd:`Wheel` or using :kbd:`PageUp` and :kbd:`PageDown`": "",
    "After adding drivers, they are usually modified in the :doc:`Drivers editor </editors/drivers_editor>`, or via a simplified *Edit Driver* popover invoked from the property context menu": "",
    "After all, push the *Replace* button. The shape and/or material of all selected atoms are then changed. This option works for objects and instancing vertices object structures": "",
    "After an operation is complete you can tweak the parameters of the operation afterwards. In editors that support it, there is a \"head-up display\" panel in the bottom left based on the last performed operation; dependent on mode and context. Alternatively, you can create a pop-up with :kbd:`F9` which does the same thing": "",
    "After animating some property in Blender using keyframes you can edit their corresponding curves. When something is \"animated\", it changes over time. This curve is shown as something called an F-curve. Basically what an F-curve does is an interpolation between two animated properties. In Blender, animating an object means changing one of its properties, such as the object's location, or its scale": "",
    "After clicking *Use Nodes* the Compositor is enabled, however, it can also be disabled in the :ref:`render-output-postprocess`": "",
    "After closing the splash, the startup scene is displayed in the 3D Viewport if no other blend-file was loaded. A customized startup scene can be saved as a part of the :doc:`startup file </getting_started/configuration/defaults>`": "",
    "After creating your landscape mesh there are three main areas in the :ref:`bpy.ops.screen.redo_last` panel to design your mesh": "",
    "After generating the sun beams from such a light source image they can then be overlayed on the original image. Usually, a simple \"Add\" Mix node is sufficient, and physically correct because the scattered light adds to the final result": "",
    "After having chosen the type of object, use button *Separate Atoms* to separate the selected atoms: the atoms are then single, new objects, which can be manipulated in any way. They appear in the Outliner and carry the suffix ``_sep``": "",
    "After human rig generation a new armature named \"Rig\" will be added to your scene. This is the character rig you have generated from the human meta-rig and will contain all the features": "",
    "After moving a selection, the options in the :ref:`bpy.ops.screen.redo_last` panel allow you to fine-tune your changes, limit the effect to certain axes, turn Proportional Editing on and off, etc. Of course, when you move an element of a given type (e.g. an edge), you also modify the implicitly related elements of other kinds (e.g. vertices and faces)": "",
    "After releasing you can tweak the arc using a single cyan manipulator (hand icon)": "",
    "After running *Load Factory Preferences*, auto-save will be disabled for the current session": "",
    "After running, notice that when you go into *Edit Mode* to change the Cube -- all of the copies change. In Blender, this is known as *Linked Duplicates*": "",
    "After selecting the location on Earth, select or animate the date and time. This is fairly straightforward, but care must be taken to match the *Time* zone and *Daylight Saving* to the moment you wish to simulate. Time entered is the local time, but the global, UTC time may be displayed below as well": "",
    "After starting Blender and closing the :ref:`Splash Screen <splash>` the Blender window should look something similar to the image below; as Blender's user interface is consistent across all platforms": "",
    "After the tool is activated, move the cursor over a desired edge. The cut to be made is marked with a magenta colored line as you move the mouse over the various edges. The to be created edge loop stops at the poles (tris and n-gons) where the existing face loop terminates": "",
    "After the tool is run, these options are available in the :ref:`bpy.ops.screen.redo_last` panel": "",
    "After this tool becomes active, select an axis to mirror the selection by pressing :kbd:`X`, :kbd:`Y`, or :kbd:`Z`": "",
    "After you :kbd:`Ctrl-RMB`-clicked it becomes the active element in the armature, it appears to be right where you clicked, but (as in mesh editing) it will be on the plane parallel to the view and passing through the 3D cursor": "",
    "Again, place the cursor at the center. (Repeat step 2.)": "",
    "Alembic is an open computer graphics interchange framework. Alembic distills complex, animated scenes into a non-procedural, application-independent set of baked geometric results. This 'distillation' of scenes into baked geometry is exactly analogous to the distillation of lighting and rendering scenes into rendered image data": "",
    "Alembic is focused on efficiently storing the computed results of complex procedural geometric constructions. It is very specifically **not** concerned with storing the complex dependency graph of procedural tools used to create the computed results. For example, Alembic will efficiently store the animated vertex positions and animated transforms that result from an arbitrarily complex animation and simulation process which could involve enveloping, corrective shapes, volume-preserving simulations, cloth and flesh simulations, and so on. Alembic will not attempt to store a representation of the network of computations (rigs, basically) which are required to produce the final, animated vertex positions and animated transforms": "",
    "Align each axis to the Euler rotation axis as used for input. Uses a :term:`Gimbal` behavior that can be changed depending on the current :ref:`Rotation Mode <rotation-modes>`": "",
    "Align nodes horizontally or vertically. Same as :kbd:`S X 0` or :kbd:`S Y 0`, but with even spacing between the nodes": "",
    "Align the object using the default :doc:`/editors/3dview/controls/orientation`": "",
    "Align the object using the surface orientation, using the :doc:`/editors/3dview/controls/orientation` as a fallback": "",
    "Align the transformation axes so that the Z axis of the gizmo will match the average :doc:`Normal </modeling/meshes/editing/mesh/normals>` of the selected element. If multiple elements are selected, it will orient towards the average of those normals": "",
    "Align view to center (scene 0,0,0)": "",
    "Aligns the transformation axes to a specified orientation constraint. See :doc:`Transform Orientations </editors/3dview/controls/orientation>` for more information": "",
    "All :doc:`Modifiers </modeling/modifiers/index>` will be applied in a non-destructive way. That is, the modifiers will be applied to copies of the meshes": "",
    "All :ref:`data-blocks types <data-system-datablock-types>`": "",
    "All Lines": "",
    "All Object Mode hotkeys except for Select All QCD Objects and the Disable Objects hotkeys. (Only available if enabled in the preferences.)": "",
    "All animation you do in *Object Mode* is only working on the whole object, not the armature's bones (use the *Pose Mode* to do this)": "",
    "All attributes have a domain and type associated with them. Knowing the domain of an attribute is important because it defines which parts of the geometry the attribute can affect. You can use the :doc:`Spreadsheet Editor </editors/spreadsheet>` to determine the domains of attributes": "",
    "All bones can be locked clicking on the *Lock* checkbox of their Transform panel in the *Bones* tab;": "",
    "All measurements are hidden when another tool is selected. They are shown when the *Measure* tool is selected again. Yet you can do editing operations while the ruler is active. For example, you can edit the rotation or dimension of the selected object in the Sidebar. The measurement values do not appear in the Render output": "",
    "All nodes in Blender are based on a similar construction. This applies to :ref:`any type of node <tab-node-tree-types>`. These parts include the Title, Sockets, Preview and more": "",
    "All of the images used in the node tree (Image inputs, textures) can be reloaded by hitting :kbd:`Alt-R`": "",
    "All other usages of vertex groups are summarized into the *Other* category. These vertex groups can be found within Shape keys, Modifiers, etc. There is really no good name for this category, so we kept it simple and named it *Other*": "",
    "All radii of a specific type of atom can be manipulated. Type in the name of the atom (e.g. 'Hydrogen') and choose the radius in picometer": "",
    "All selected normals are set to point from their vertex to the target after confirmed by :kbd:`Return` or :kbd:`LMB`": "",
    "All shapes in the *Inner Mask* contribute to the gradient, even ones that do not touch the *Outer Mask* shape": "",
    "All stroke end at the same time (i.e. shorter strokes start later)": "",
    "All stroke start at the same time (i.e. shorter strokes finish earlier)": "",
    "All the \"transform precision/snap\" keys :kbd:`Ctrl` and/or :kbd:`Shift` also work for all these advanced operations, but most of them do not have :doc:`axis locking </scene_layout/object/editing/transform/control/axis_locking>` possibilities, and some of them do not take into account the :doc:`pivot point </editors/3dview/controls/pivot_point/index>` and/or :doc:`transform orientation </editors/3dview/controls/orientation>` either": "",
    "All the registered keys associated with the pattern entered in the *Key* field and selected modifier shortcuts will be displayed. Click the Search icon to list the associated keys": "",
    "All these influence parameters are further detailed in the :doc:`skinning pages </animation/armatures/skinning/index>`": "",
    "All these options have the same meaning and behavior as in :doc:`Object Mode </scene_layout/object/selecting>`": "",
    "Allow Python to use system environment variables such as ``PYTHONPATH`` and the user site-packages directory": "",
    "Allow the property to be :doc:`overridden </files/linked_libraries/library_overrides>` when the data-block is linked": "",
    "Allows displaying one point for every *n* frames on the path. Mostly useful when you enable the frame number display (see below), to avoid cluttering the 3D Viewport": "",
    "Allows managing UI translations directly from within Blender (update main po-files, update scripts' translations, etc.)": "",
    "Allows other chains to see propagated twist and scale via *Merge Parent Rotation and Scale* when their controls are merged into this chain, instead of it being completely local to this chain": "",
    "Allows specifying the type of rotation input to use, including different :term:`Euler` orders, :term:`Quaternion`, and other :ref:`Rotation Channel Modes <drivers-variables-rotation-modes>`. Defaults to using the :term:`Euler` order of the constraint owner": "",
    "Allows specifying which :term:`Euler` order to use during the copy operation. Defaults to the order of the owner": "",
    "Allows specifying which :term:`Euler` order to use when applying the limits. Defaults to the order of the owner": "",
    "Allows to add a typical glue constraints with specific *Influence*, as if it were at the start of the ORG bone constraint stack": "",
    "Allows to control the relation between the *Factor Start, End* (number between 0 and 1) and the rendered start and end point of the spline's geometry": "",
    "Allows you to control the grid size of :doc:`UDIM </modeling/meshes/uv/workflows/udims>` tiles": "",
    "Allows you to offset the \"floor\" plane from the target's origin, by the given number of units. Use it e.g. to account for the distance from a foot bone to the surface of the foot's mesh": "",
    "Allows you to search for a property by its name. The results will be highlighted with there corresponding panel also highlighted and expanded. The search also works across multiple `Tabs`_; graying out tabs with no search results. You can start a search using :kbd:`Ctrl-F` or clear a search with :kbd:`Alt-F`. This filter is useful if you do not remember where a property is within the Properties": "",
    "Allows you to write a custom :doc:`Tooltip </getting_started/help>` for your property": "",
    "Already made strokes can not be selected in Draw Mode, for editing strokes you must use the :doc:`Edit Mode </grease_pencil/modes/edit/introduction>` or :doc:`Sculpt Mode </grease_pencil/modes/sculpting/introduction>`": "",
    "Also called acceleration, it is set to automatic BSP (Binary Space Partitioning) by the exporter as it's generally the most efficient (POV-Ray 3.7 only) but other acceleration methods are available in POV-Ray": "",
    "Also known as colorfulness, saturation is the quantity of hue in the color (from desaturated -- a shade of gray -- to saturated -- brighter colors)": "",
    "Also see :doc:`/editors/image/navigating` in the Image editor": "",
    "Also, note that since these are NLA strips, you can reuse these as normal NLA strips simply by un-muting (and renaming) the NLA track they live in. You may also want to move it above all the other stashed-action tracks": "",
    "Also, read on for examples of the Darken and Contrast Enhancement curves, :doc:`here </compositing/types/color/mix>`": "",
    "Also, use :kbd:`Shift-Ctrl-RMB` to show a menu of inputs and outputs to make a more accurate connection. This is useful when working with a large node tree, since you can easily make connections without having to zoom in and out a lot": "",
    "Alternatively you can force this operation selecting a pairs of faces (see hint below for other ways of joining)": "",
    "Alternatively you can zoom out using the :kbd:`MMB`": "",
    "Alternatively, a list with free shortcuts is available for quick access of keys from the *Quick Type* selector": "",
    "Alternatively, use the `Quality <https://wiki.povray.org/content/Reference:Tracing_Options#Quality_Settings>`__ command line switches ``+q1`` to ``+q11``. These allow you to easily disable most of the CPU-intensive features": "",
    "Alternatively, you can choose which faces to smooth by entering *Edit Mode*, then selecting some faces and picking *Shade Smooth* from the *Face Menu*": "",
    "Alternatively, you can map this action to :kbd:`Spacebar` in the Preferences. Then you'll be able use :kbd:`Spacebar` like a modifier key (similar to pressing :kbd:`Ctrl` or :kbd:`Shift`)": "",
    "Alters how the radius of a beveled curve is calculated. The effects are easier to see after :ref:`increasing the radius <modeling-curve-radius>`": "",
    "Alters the :ref:`resolution <bpy.types.Curve.resolution_u>` of each segment by changing the number of subdivisions": "",
    "Although F-curves are very similar to :ref:`curve-bezier`, there are some important differences": "",
    "Although usually associated with bones, Damped Track can align objects to point to (and follow) other objects or bones. It is important to note that the constraint aligns the origin's axes to point to the target's origin point. This is illustrated in the following figure. In each case the objects are set as Damped Track to +X": "",
    "Amount of memory in megabytes to allow for caching images during playback. Zero disables (clamping to a fixed number of frames instead)": "",
    "Amount of thickness reduction when the stroke is perpendicular to the *Angle* value": "",
    "Amount of transparency (alpha) to apply from the border of the point to the center. Works only when the brush is using stroke materials of *Dot* or *Box* style": "",
    "Amplitude: 10 (horizontal)": "",
    "Amplitude: 10 (vertical)": "",
    "Amplitude: 30 (horizontal)": "",
    "Amplitude: 30 (vertical)": "",
    "An \"armature\" is a type of object used for rigging. A rig is the controls and strings that move a marionette (puppet). Armature object borrows many ideas from real-world skeletons": "",
    "An 'extreme' state, or some other purpose as needed": "",
    "An **animation** :doc:`F-Curve </editors/graph_editor/fcurves/introduction>` that maps the output of the driver configuration to the final value to apply to the driven property": "",
    "An *Attribute Sample Texture* node can be added quickly by dragging a texture data-block into the node editor": "",
    "An *Inner Miter* is formed when the angle between two beveled edges is less than 180 degrees. This option specifies the pattern Blender uses at an inner miter. The options are the same as for Outer Miter, except that *Patch* makes no sense and is therefore omitted. Inner miters are shown in the following diagram, where two inner miters are on the vertical surfaces": "",
    "An *Object Info* node can be added quickly by dragging an object into the node editor": "",
    "An *attribute* is a generic term to describe data stored per-element in a geometry data-block. For example, every vertex can have an associated number or vector. Attributes can be altered by the nodes in the *Attribute* category, but also some other nodes can change the values of specific attributes": "",
    "An :ref:`ui-eyedropper` to sample a color or gradient from the interface to be used in the color ramp": "",
    "An :term:`Object` that is affected by its :term:`Parent`": "",
    "An :term:`Object` without any :term:`Vertices`, :term:`Edges <Edge>` or :term:`Faces <Face>`": "",
    "An XYZ :term:`Euler` rotation built from the normal attribute for convenience": "",
    "An add-on will typically register operators, panels, menu items, etc, but it's worth noting that *any* script can do this, when executed from the Text editor or even the interactive console -- there is nothing inherently different about an add-on that allows it to integrate with Blender, such functionality is just provided by the :mod:`blender_api:bpy` module for any script to access": "",
    "An arbitrary Python expression that can refer to the *Driver Variables* by name. See `Expressions`_": "",
    "An attribute is data stored per mesh element. Every attribute has a data type, domain and name. This panel only lists generic attributes which excludes all the built-in attributes like ``position`` and other attributes like vertex groups": "",
    "An easy and effective method to do this operation is to select on the mesh the corresponding edge loop in Edit Mode and use the *Cursor to Selection* snap. Then you can snap the bone to the corresponding loop using the *Selection to Cursor* snap": "",
    "An eight-sided figure commonly used to depict the :term:`Bones <Bone>` of an :term:`Armature`": "",
    "An empty can also be used as a target for normal, or bone constraints. This gives the user far more control; for instance, a rig can easily be set up to enable a camera to point towards an empty using the *Track to* constraint": "",
    "An empty can only be edited in Object Mode, which includes its transformation and parenting properties. For other tools see the :doc:`Object section </scene_layout/object/index>`": "",
    "An example of an SVG result produced by the Freestyle SVG Exporter. Model by `Julien Deswaef <https://github.com/xuv>`__": "",
    "An existing Blender object, which is using its own data, or linked data (data owned and controlled by another Blender object)": "",
    "An extended version is available from the authors Github as well as the `documentation <https://github.com/s-leger/archipack/wiki>`__": "",
    "An extra sibling bone of the target, positioned same as the child in rest pose and using :doc:`Copy Transforms </animation/constraints/transform/copy_transforms>` in *World Space* from the child": "",
    "An identifier for each point used for stability when the mesh is deformed, used in the :doc:`/modeling/geometry_nodes/attribute/attribute_randomize` and :doc:`/modeling/geometry_nodes/point/point_instance` nodes": "",
    "An index can be specify for any object or material in the scene. The Object Index can be set in :menuselection:`Properties --> Object Properties --> Relations --> Pass Index` and :menuselection:`Material --> Settings --> Pass Index` for the Material Index. To be accessible after rendering, *Object Index* or *Material Index* render pass has to be enabled": "",
    "An intra-frame video compression scheme, used by many digital camcorders back in the days. It uses the discrete cosine transform (DCT, similar algorithm to JPEG) to compress video on a frame-by-frame basis. Audio is stored uncompressed. This container enforces the video codec, you can only define quality parameters": "",
    "An object or *unconnected* bone can be moved around the scene along the X, Y and Z axes. This constraint restricts the amount of allowed translations along each axis, through lower and upper bounds": "",
    "An optional attribute of the *Target Geometry* that will be interpolated at the hit points. The resulting values are stored in the output attribute named by *Hit Attribute*": "",
    "An optional mask of area(s) to always *exclude* from the output. This is removed from the chroma key generated matte": "",
    "An optional mask of area(s) to always *include* in the output. This is merged with the chroma key generated matte": "",
    "An overview of existing keyframes can be seen via the :doc:`Dope Sheet </editors/dope_sheet/index>` editor": "",
    "And *Length* control displaying of the paths of tracks. The ways tracks are moving can be visible looking at only one frame. It helps to determine if a track jumps from its position or not": "",
    "And hence the new bone will **not** be connected to any bone": "",
    "And of course, it's also not possible to have the Sequencer timeline or the Preview alone in fullscreen (:kbd:`Ctrl-Spacebar`); eventually on a second monitor": "",
    "And the \"end joint\" named *tip* or *tail*": "",
    "Animation (keyframe, shape key, and skinning)": "",
    "Animation is typically achieved with the use of :doc:`keyframes </animation/keyframes/introduction>`": "",
    "Animation support is minimal currently, we read all curves as if they were 'baked' ones (i.e. a set of close keyframes with linear interpolation)": "",
    "Animations (FBX AnimStacks, Blender actions) **are not linked** to their object, because there is no real way to know which stack to use as 'active' action for a given object, mesh or bone. This may be enhanced to be smarter in the future, but it's not really considered urgent, so for now you'll have to link actions to objects manually": "",
    "Annotation Layer": "",
    "Another add-ons directory which is used for community maintained add-ons (must be manually created)": "",
    "Another example is: when you select the root of a bone connected to its parent, you also implicitly select the tip of its parent (and vice versa)": "",
    "Another selector below allows you to choose one of the most common paper sizes quickly. If you need something else, choose *User Defined* and set the dimensions manually": "",
    "Another source is Wikipedia. Suppose you want to render the `Barcelona Pavilion <https://en.wikipedia.org/wiki/Barcelona_Pavilion>`__ by Mies van der Rohe. You can copy the coordinates from the article and paste them into Blender": "",
    "Another thing is the camera sensor size and its influence on camera lens. You can set the sensor size so you can fit a real life cameras (default in Blender is 32 × 18), the best practice in this case is using horizontal fit for the camera (Nuke is using this as a default). While importing the camera from a chan file you have to remember to set the same sensor size as you had in Nuke (or other software that this camera has been exported)": "",
    "Another way to affect normals is to set a *Face Strength* on the faces of the model. The Face Strength can be either *Weak*, *Medium*, or *Strong*. The idea is that the :doc:`/modeling/modifiers/modify/weighted_normal` can be set to pay attention to the Face Strength as follows: When combining the normals that meet at a vertex, only the faces with the strongest Face Strength will contribute to the final value": "",
    "Another way to improve performance is by using :ref:`Strip Proxies <bpy.types.SequenceProxy>`. These are used to cache images or movies in a file that is easier to playback by reducing the image quality by either decreasing the resolution and/or compressing the image": "",
    "Another way to transform a linked object locally is with the use of :doc:`Collection Instancing </scene_layout/object/properties/instancing/collection>`. Instead of linking objects directly, it is often more useful to link in *collections*, which can be assigned to empties and moved, while maintaining the link to the original file": "",
    "Any UVs that lie outside the (0 to 1) range will be clipped to that range by being moved to the UV space border it is closest to": "",
    "Any detected corner with an angle above the specified amount will create a sharp (non-aligned) handle": "",
    "Appending data you already have linked will add objects/collections to the scene, but will keep them linked (and un-editable)": "",
    "Application templates can be selected from the splash screen or :menuselection:`File --> New` submenu. When there are no templates found the menu will not be displayed on the splash screen": "",
    "Applies :doc:`color transform </render/color_management>` to the saved image": "",
    "Applies :doc:`color transform </render/color_management>` when displaying this image on the screen": "",
    "Applies a fixed offset (does not scale by the curve radius)": "",
    "Applies all modifiers on all selected objects in 3D Viewport. This option is also available in the *Apply* menu": "",
    "Applies both the *Toggle Hidden Node Sockets* and *Hide* operations": "",
    "Applies the *Lens Distortion* settings to the viewport image in order to display the footage undistorted. It is only a preview option, which does not actually change the footage itself": "",
    "Applies the distortion model for annotation strokes (available in distortion mode only). This option also helps to perform manual calibration. A more detailed description of this process will be added later": "",
    "Applies the position of the bone after :doc:`/animation/constraints/index`; allowing the constraints to be deleted and the bones will remain in their constrained positions": "",
    "Apply selected vertex locations to all other :doc:`shape keys </animation/shape_keys/index>`": "",
    "Apply the Rotation using :kbd:`Ctrl-A` and choosing *Rotation*": "",
    "Apply the modifier can help to obtain a better performance (more FPS) while animating": "",
    "Apply various kinds of erosion to an A.N.T. Landscape grid, also available in the *Weights* menu in Weight Paint Mode": "",
    "Applying a constraint that is not first in the stack will ignore the stack order (it will be applied as if it was the first one), and may produce undesired results": "",
    "Area boundaries are indicated by rounded corners (yellow highlights)": "",
    "Area controls, see the :doc:`user interface </interface/window_system/areas>` documentation for more information": "",
    "Areas can be customized to match specific tasks called :doc:`Workspaces </interface/window_system/workspaces>`, which can then be named and saved for later use": "",
    "Arguments are case sensitive! ``-F`` and ``-f`` are not the same": "",
    "Armature Deform Parenting is a way of creating and setting up an :doc:`Armature Modifier </modeling/modifiers/deform/armature>`": "",
    "Armature deformation *(also called skinning)*": "",
    "Armature instances **are not supported**": "",
    "Armatures mimic real skeletons. They are made out of bones, which are (by default) rigid elements. But you have more possibilities than with real skeletons: In addition to the \"natural\" rotation of bones, you can also move and even scale them! And your bones do not have to be connected to each other; they can be completely free if you want. However, the most natural and useful setups imply that some bones are related to others, forming so-called \"chains of bones\", which create some sort of \"limbs\" in your armature, as detailed in `Chains of Bones`_": "",
    "Array of three (floating-point) values": "",
    "As POV-Ray ``background{}`` if flat colored": "",
    "As a last resort you can add comment (which is not shown in the HTML page, but useful for other editors)::": "",
    "As a rule of thumb, GPUs like bigger tiles (256 × 256 usually) and CPUs like smaller ones (often 32 square), thus the two target values are stored separately in case you switch between them often": "",
    "As a way of communicating to an artist who is painting your UV Texture for you, Blender has a tool called *UV Layout* (:menuselection:`UV Editor --> UV --> Export UV Layout`) that saves an image as a ``Targa`` (``.tga``), ``EPS``, or ``SVG`` format for the object you have selected": "",
    "As an example, let us assume you have defined an *Object* action (it can be assigned to any object, or even no object at all), and have mapped it on your owner through an *Action* constraint, so that moving the target in the (0.0 to 2.0) range along its X axis maps the action content on the owner in the (0 to 100) frame range. This will mean that when the target's *X* property is 0.0 the owner will be as if in frame 0 of the linked action; with the target's *X* property at 1.0 the owner will be as if in frame 50 of the linked action, etc": "",
    "As an example, the rotation of Object 1 can be controlled by the scale of Object 2. It is then said that the scale of Object 2 *drives* the rotation of Object 1": "",
    "As an example: If you have created a material that you would like to use with different inputs e.g. diffuse color: red plastic, green plastic. You could create different materials with *Make Single User* for each different color with a copy of the tree part describing the plastic material. If you like to edit the material you would need to redo the edit on all materials. A better method of reuse is to create node groups, exposing only the variable inputs (e.g. diffuse color)": "",
    "As armatures are designed to be posed, either for a static or animated scene, they have a specific state, called \"rest position\". This is the armature's default \"shape\", the default position/rotation/scale of its bones, as set in *Edit Mode*": "",
    "As bones behave like objects in *Pose Mode*, they can also be constrained. This is why the *Constraints* tab is shown in both *Object Mode* and *Edit Mode*. This panel contains the constraints *of the active bone* (its name is displayed at the top of the panel, in the *To Bone:...* static text field)": "",
    "As covered in `Life Time`_, data-blocks are typically removed when they are no longer used. They can also be manually *unlinked* or *deleted*": "",
    "As explained before, the *Screw* tool generates clean and simple meshes to deal with; they are light, well-connected and are created with very predictable results. This is due to the Blender calculations taking into account not only the height of the vector, but also its starting angle. It means that Blender will connect the vertices with each other in a way that they follow a continuous cycle along the extruded generated profile": "",
    "As in mesh editing, by pressing :kbd:`Shift-D` the selected bones will be duplicated. The duplicates become the selected elements and they are placed in select mode, so you can move them wherever you like": "",
    "As in the :doc:`Timeline </editors/timeline>`, you can change the current frame by :kbd:`LMB`-dragging in the scrubbing area at the top of the editor": "",
    "As mentioned before in :doc:`Vertex Groups </modeling/meshes/properties/vertex_groups/index>` each entry in a vertex group also contains a weight value in the range of (0.0 to 1.0). Blender provides a *Vertex Weights* panel from where you can get (and edit) information about the weight values of each vertex of a mesh. That is: to which vertex groups the vertex is assigned with which weight value": "",
    "As mentioned, Blender's fundamental unit of time is the \"frame\", which usually lasts just a fraction of a second, depending on the *frame rate* of the scene. As animation is composed of incremental changes spanning multiple frames, usually these properties are **not** manually modified *frame-by-frame*, because:": "",
    "As noted above, you may optionally have an ``__init__.py`` in your app template. This has the following advantages:": "",
    "As pointed out before by default, even though visually constrained, and except for the negative values, the owner can still have scales out of bounds (as shown by the *Transform* panel). When you enable this checkbox, this is no longer possible, the owner transform properties are also limited by the constraint. However, note that, the constraint does not directly modify the scale values: you have to scale its owner one way or another for this to take effect": "",
    "As pointed out before by default, even though visually constrained, the owner can still have coordinates out of bounds (as shown by the *Transform* panel). Well, when you enable this checkbox, this is no longer possible -- the owner's transform properties are also limited by the constraint. However, note that, the constraint does not directly modify the coordinates: you have to select its owner one way or another for this to take effect..": "",
    "As previously noted, bones' transformations are performed based on the *Rest Position* of the armature, which is its state as defined in *Edit Mode*. This means that in rest position, in *Pose Mode*, each bone has a scale of 1.0, and null rotation and position (as you can see it in the *Transform* panel, in the 3D Viewport's Sidebar)": "",
    "As seen by the yellow highlighted areas in the image above, besides the snap target, additional controls are available to alter snap behavior. These options vary between mode (Object and Edit) as well as Snap Element. The four options available are:": "",
    "As shown in the picture above, when the bone is halfway up, both *Key 1* and *Key 2* have an influence. It is a matter of preference if *Key 1* should be at its maximum *Value* before *Key 2* starts to become active, or how much they should overlap. This example shows a seamless blend": "",
    "As soon as you alter one of the colors, it is switched to the *Custom Set* option": "",
    "As the hook moves, it pulls points from the strokes with it. You can think of it as animated :doc:`Proportional Editing </editors/3dview/controls/proportional_editing>`": "",
    "As the tip of the new bone becomes the active element, you can repeat these :kbd:`Ctrl-RMB` clicks several times, to consecutively add several bones to the end of the same chain": "",
    "As usual, pressing, dragging and releasing :kbd:`LMB` selects text. Pressing :kbd:`RMB` opens the context menu": "",
    "As well as expressions, you can specify numbers and units. If no unit is given, then a default unit is applied. The unit system can be changed in :ref:`scene settings <data-scenes-props-units>`": "",
    "As with a normal render, you can abort it with :kbd:`Esc`": "",
    "As with any constraint, you can key (i.e. animate) its Influence setting. This allows the object which has a Child Of constraint upon it to change over time which target object will be considered the parent, and therefore have influence over it": "",
    "As with any other object, you edit your armature in *Edit Mode* :kbd:`Tab`": "",
    "As you can see in Fig. :ref:`fig-mesh-screw-start-mesh`, Blender follows the basic angular vector of the profile, and the profile basic angle determines whether the extruded subsequent configured turns will open or close the resulting mesh following this angle. The vector of the extrusion angle is determined by the starting and ending vertex of the profile": "",
    "As you can see, the Screw spindles are perfectly assembled with each other, and they follow a straight line from top to bottom. You can also change the clockwise and counterclockwise direction using this example, to create right and left screw spindles. At this point, you can give the screw another dimension, changing the *Center* of the spin extrusion, making it more suitable to your needs or calculating a perfect screw and merging its vertices with a cylinder, modeling its head, etc": "",
    "As you know, bones can have two types of relationships: They can be parented, and in addition connected. Parented bones behave in *Edit Mode* exactly as if they had no relations. They can be moved, rotated, scaled, etc. without affecting their descendants. However, connected bones must always have parent's tips connected to child's roots, so by transforming a bone, you will affect all its connected parent/children/siblings": "",
    "Assigning :term:`Vertices` to a :term:`Vertex Group` with a weight of 0.0 - 1.0": "",
    "Assigning weight to the points is primarily used for rigging strokes in cut-out animation, where the vertex groups are used to define the relative bone influences on the strokes. See :doc:`Using Vertex Group </sculpt_paint/weight_paint/usage>` for more information": "",
    "Assigns new images for every mesh, but only one if *Shared Tex Space* is enabled": "",
    "Assigns or clears a collection's :ref:`color tag <scene_layout-collections-color-tagging>` for the selected collection": "",
    "At the bottom of the :menuselection:`Render --> Performance panel` are the target tile sizes. The best tile size will be calculated and the add-on will attempt to stick as close to the target as possible": "",
    "At this point, you can save this blend-file to recycle the generated Screw for another exercise; click with :kbd:`LMB` on *File* -- it is in the header of the Info editor (at the top left side), and choose *Save as*. You can name it e.g. \"screw hardware example.blend\"": "",
    "At this point, you can save this blend-file to reuse the Spring for another exercise; :kbd:`LMB` click on *File*, located in the header of the Info editor, (at the top left side), and choose *Save as*. You can name it e.g. \"screw spring example.blend\"": "",
    "At this stage naming the newly added armature \"meta-rig\" is a good idea. You can do it at any time (or not at all) but it's suggested to do it before going on so it will always be clear on which armature you have to work when editing the meta-rig structure": "",
    "Atmospheric media (volume fog)": "",
    "Atomic Blender (PDB/XYZ) is interesting for scientists, who want to visualize their atomic structures described in PDB or XYZ files with Blender. Thanks to Blender, fancy graphics of molecules, crystal structures, surfaces, nanoparticles, clusters and complex atomic arrangements can be obtained. Such graphics meet the standards of top-level journals, which have a high impact factor. See `Examples`_ at the end of this page": "",
    "Attribute Search": "",
    "Audio-Video Interlaced (AVI) uncompressed frames": "",
    "Auto Clamped (default)": "",
    "Auto Keyframe is the record button in the *Timeline* header. Auto Keyframe adds keyframes automatically to the set frame if the value for transform type properties changes": "",
    "Auto resyncing can be disabled in the :doc:`Experimental Preferences </editors/preferences/experimental>`": "",
    "Automatic Control Merging": "",
    "Automatic IK is a tool for quick posing, when enabled, translating a bone will activate inverse kinematics and rotate the parent bone, and the parent's parent, and so on, to follow the selected bone. The IK chain can only extend from a child to a parent bone if the child is *connected* to it": "",
    "Automatic handles clamped to prevent overshoots and changes in the curve direction between keyframes (S-shapes)": "",
    "Automatically looks for :doc:`UDIM </modeling/meshes/uv/workflows/udims>` tiles in the directory of the selected image; if matches are found they are loaded into Blender as UDIMs. This works by detecting if the filename has a ``.xxxx`` (four digit number) before the file extension": "",
    "Automatically looks for image sequences in the selected images (based on the file name). Disable this when you do want to get single images that are part of a sequence": "",
    "Automatically use *GLSL* which runs on the GPU for performance but falls back to the CPU for large images which might be slow when loaded with the GPU": "",
    "Available in :doc:`Action </editors/dope_sheet/action>` and :doc:`Shape Key </editors/dope_sheet/shape_key>` modes. Converts selected scene markers in pose markers, assigning them to the active action": "",
    "Available in :doc:`Action </editors/dope_sheet/action>` and :doc:`Shape Key </editors/dope_sheet/shape_key>` modes. Shows pose markers owned by the active action instead of the scene ones": "",
    "Avoid heavily wrapped text (i.e. sentences can have their own lines)": "",
    "Axon D": "",
    "B-Bones have two sets of the Bendy Bone properties -- one for Edit Mode (i.e. the Rest Pose/Base Rig) and another for Pose Mode -- adding or multiplying together their values to get the final transforms": "",
    "Bakes Line Art strokes for active Grease Pencil object within the *start*, *end* frame range in scene. Bake Line Art (All) bakes all Grease Pencil objects that contains at least one Line Art modifier. After baking, baked Line Art modifiers will be deactivated automatically": "",
    "Bart Crouch, Alexander Nedovizin, Paul Kotelevets (concept design), Adrian Rutkowski": "",
    "Based on the wonderful code by Thomas Luft and his original `IvyGen program <http://graphics.uni-konstanz.de/~luft/ivy_generator/>`__": "",
    "Basic move, rotate and scale transformations for selected points/strokes. See :doc:`Move, Rotate, Scale Basics </modeling/meshes/editing/mesh/transform/basic>` for more information": "",
    "Basically this allow you to choose the wanted solution error and get it within a single click, even with poor tracks (stemming from for example the automatic detected feature)": "",
    "Basically, a bone controls a geometry when vertices \"follow\" the bone. This is like how the muscles and skin of your finger follow your finger-bone when you move a finger": "",
    "Basis is the name given to the first (top-most) key in the stack": "",
    "Basis is the name given to the first (topmost) key in the stack": "",
    "Be sure that you have the right privileges for running the executable accessing the path defined. On Windows for instance, if the option *\"Run this program as an administrator\"* is enabled for the executable, it will lead to a failure to open the editor due to a limitation within the OS User Account Control. Running a program with elevated privileges is potentially dangerous!": "",
    "Because of some limitations in Blender the weight values assigned to the Bevel modifier might be slightly altered (by about 0.01) when this option is enabled": "",
    "Because the nets are not consisting only of the real faces, but also of the gluing tabs around, they cannot be positioned by the internal Blender tool (*Pack Islands*). Therefore, a standalone algorithm had to be written": "",
    "Because the output geometry is only a set of instanced objects or collections, the *Attribute* nodes will not work on the output of this node. The ``position``, ``rotation``, and ``scale`` of individual points should be adjusted before this node": "",
    "Before Blender handles an armature for mirroring or flipping, it first removes the number extension, e.g. \".001\"": "",
    "Before Current Frame :kbd:`[`": "",
    "Before Original (Rotation)": "",
    "Before UI update (3D cursor on the left)": "",
    "Before confirming you can use :kbd:`E` to extrude the end point of the arc to generate multiple connected arcs": "",
    "Before confirming you can use :kbd:`E` to extrude the end point of the curve to generate multiple connected curves": "",
    "Before confirming you can use :kbd:`E` to extrude the end point of the line to generate multiple connected lines": "",
    "Before using this node, :ref:`plane track <clip-tracking-plane>` for the footage should be made in the *Movie Clip Editor*": "",
    "Before using this node, one has to calculate the lens distortion of the clip. This can be done by adjusting K1, K2 and K3 values in :menuselection:`Movie Clip Editor --> Properties --> Lens`. For more information on how to edit those values, `check this out <https://blender.stackexchange.com/questions/15620>`__": "",
    "Before/After Current Frame :kbd:`[`, :kbd:`]`": "",
    "Before/After Mode": "",
    "Before/After Original (Aligned)": "",
    "Before/After Original (Full)": "",
    "Before/After Original (Split Channels)": "",
    "Begin by selecting all faces you want to unwrap. In the 3D Viewport, select :menuselection:`UV --> Unwrap` or :kbd:`U` and select Unwrap. You can also do this from the UV Editor with :menuselection:`UV --> Unwrap` or :kbd:`U`. This method will unwrap all faces and reset previous work. The UVs menu will appear in the UV Editor after unwrapping has been performed once": "",
    "Being freely available from the start, even while it was closed source, considerably helped Blender's adoption by the community. A large, stable, and active community of users has gathered around Blender since 1998. The community showed its support for Blender in 2002 when they helped raise €100,000 in seven weeks to enable Blender to go Open Source under the `GNU GPL License <https://www.gnu.org/licenses/gpl.html>`__": "",
    "Below are several examples illustrating the various possibilities of the *Subdivide* and *Subdivide Multi* tools. Note the selection after subdivision": "",
    "Bend :kbd:`Shift-W`": "",
    "Bend Rotation Axis (Automatic, X, Y, Z, -X, -Y, -Z)": "",
    "Bending the Profiles using the Spring Example": "",
    "Bendy Bones (B-Bones) are an easy way to replace long chains of many small rigid bones. A common use case for curved bones is to model spine columns or facial bones": "",
    "Bendy Bones Flexible Tweaking": "",
    "Besides being split into two settings, in all other respects, this setting is treated the same as the :ref:`render output path <render-tab-output>`": "",
    "Besides standard markers, *pose markers* are another type of markers, which are specific to armatures and shape keys. They are used to denote poses in the Action Editor mode and Shape Keys Editor of Dope Sheet": "",
    "Bevel/Taper Curve, by Cmomoney": "",
    "Binding the Geometry to the Rig": "",
    "BioVision Motion Capture (BVH)": "",
    "Bitflag Groups": "",
    "Black Level :guilabel:`Compositor Only`": "",
    "Blend File (the whole content of a blend-file, only available when linking or appending data-blocks)": "",
    "Blend In, Out": "",
    "Blend in the shape from a :doc:`shape key </animation/shape_keys/index>`": "",
    "Blend-File Preview": "",
    "Blend-files can also be opened by dragging and dropping blend-files into the Blender window. This method also allows to :doc:`link/append </files/linked_libraries/index>` the file": "",
    "Blend-files in these folders will *not* automatically run Python scripts. This can be used to define where blend-files from untrusted sources are kept": "",
    "Blender *World* gets exported:": "",
    "Blender 2.7x": "",
    "Blender 2.9 -- Refining 2.8": "",
    "Blender ID Authentication": "",
    "Blender Provided Functions": "",
    "Blender allows for most of its interface color settings to be changed to suit the needs of the user. If you find that the colors you see on screen do not match those mentioned in the Manual then it could be that your default theme has been altered. Creating a new theme or selecting/altering a pre-existing one can be done by selecting the :doc:`Preferences </editors/preferences/index>` editor and clicking on the *Themes* tab": "",
    "Blender allows you to copy and paste a pose, either through the *Pose* menu, or by using hotkeys": "",
    "Blender allows you to give to each bone of an armature a specific shape (in *Object Mode* and *Pose Mode*), using another object as \"template\". In order to be visible the *Shapes* checkbox has to be enabled (:menuselection:`Armature --> Viewport Display` panel)": "",
    "Blender also has :ref:`painting-sculpting-index` that contains brushes and tools for proportionally editing a mesh without seeing the individual vertices": "",
    "Blender also makes heavy use of keyboard shortcuts to speed up work. These can also be customized in the :ref:`Keymap Editor <prefs-input-keymap-editor>`": "",
    "Blender can be configured to work with pointing devices which do not have an :kbd:`MMB`. The functionality of the three mouse buttons by holding :kbd:`Alt-LMB`": "",
    "Blender can use information stored in a variety of other format files which are created by other graphics programs. See :doc:`Import/Export </files/import_export>`": "",
    "Blender does a best effort on importing lights from a dae-file. If a Blender profile is detected for lights, all values from these will be used instead. This ensures full re-import from a Blender exported dae-file. ``<extra>`` support has been added in Blender 2.57": "",
    "Blender for macOS are distributed on disk images (dmg-files). To mount the disk image double-click on the dmg-file. Then drag ``Blender.app`` into the Applications folder": "",
    "Blender has a *Text Editor* among its editor types, accessible via the *Editor type* menu, or the shortcut :kbd:`Shift-F11`": "",
    "Blender has the ability to encapsulate (incorporate) various kinds of data within the blend-file that is normally saved outside of the blend-file. For example, an image texture that is an external image file can be put \"inside\" the blend-file. This allows sharing a full project as a single file, instead of e.g. an archive containing the blend-file and all its dependencies": "",
    "Blender includes a node-based texture generation system, which enables textures creation by combining colors, patterns and other textures in the same way as shader writing with :doc:`material nodes </render/shader_nodes/index>`": "",
    "Blender is a fully integrated 3D content creation suite, offering a broad range of essential tools, including :doc:`Modeling </modeling/introduction>`, :doc:`Rendering </render/introduction>`, :doc:`Animation & Rigging </animation/introduction>`, :doc:`Video Editing </video_editing/index>`, :doc:`VFX </movie_clip/index>`, :doc:`Compositing </compositing/introduction>`, :doc:`Texturing </editors/uv/introduction>`, and many types of :doc:`Simulations </physics/introduction>`": "",
    "Blender is released approximately every three months. You can keep up to date with the latest changes through the `release notes <https://www.blender.org/download/releases/>`__": "",
    "Blender itself is released under the `GNU General Public License <https://www.gnu.org/licenses/gpl-3.0.html>`__. More info `blender.org/about/license <https://www.blender.org/about/license/>`__": "",
    "Blender now only supports complex node-based shading. FBX having a fixed pipeline-like support of materials, this add-on uses the :doc:`generic wrapper </addons/import_export/node_shaders_info>` featured by Blender to convert between both": "",
    "Blender now only supports complex node-based shading. OBJ having a fixed pipeline-like support of materials, this add-on uses the :doc:`generic wrapper </addons/import_export/node_shaders_info>` featured by Blender to convert between both": "",
    "Blender offers a variety of different binary packages to choose from depending on their level of stability. Each package has the trade off of newest feature versus stability. The package that is right for you depends on your requirements for those two. A studio for example might want to have *long-term support*, while a hobbyist may want newer features, while others may just want to test upcoming features. Each package described below has something just right for everyone": "",
    "Blender offers both :ref:`curve-bezier` and :ref:`curve-nurbs`. Both Bézier curves and NURBS curves and surfaces are defined in terms of a set of \"control points\" (or \"control vertices\") which define a \"control polygon\"": "",
    "Blender offers three ways to export videos, in the *File Format* selector of the *Output* properties:": "",
    "Blender operation results or warnings, such as after saving a file. They disappears after a short time. Click this label to show the full message in the :doc:`Info Editor </editors/info_editor>`": "",
    "Blender saves by default a small preview of current scene in the blend-file. This will show in the *Thumbnail* view of the :doc:`File Browser </editors/file_browser>`": "",
    "Blender treats the bone as a section of a Bézier curve passing through the bones' joints. Each of the *Segments* will bend and roll to follow this invisible curve representing a tessellated point of the Bézier curve. The control points at each end of the curve are the endpoints of the bone. The shape of the B-Bones can be controlled using a series of properties or indirectly through the neighboring bones (i.e. first child and parent). The properties construct handles on either end of the bone to control the curvature": "",
    "Blender uses (0 to 1.0) values to express colors for RGB and HSV colors": "",
    "Blender uses Y forward, Z up (since the front view looks along the +Y direction). For example, it is common for applications to use Y as the up axis, in that case -Z forward, Y up is needed": "",
    "Blender uses a right-angled \"Cartesian\" coordinate system with the Z axis pointing upwards": "",
    "Blender will automatically generate previews for some type of data, mainly the ones related to shading (like images, textures, materials, lights and world shaders)": "",
    "Blender will try to recover the last session based on temporary files. See :doc:`/troubleshooting/recover`": "",
    "Blender's 'Layout' Workspace with four editors": "",
    "Blender's Directory Layout": "",
    "Blender's Modes": "",
    "Blender's default Screen Layout. Topbar (blue), Areas (green) and Status Bar (red)": "",
    "Blender's default startup shows the \"Layout\" workspace in the main area. This workspace is a general workspace to preview your scene and objects and contains the following :doc:`/editors/index`:": "",
    "BlenderKit Login Panel": "",
    "BlenderKit Profile Panel": "",
    "Blinn (not perfectly matched)": "",
    "Blob Sphere": "",
    "Blur Effect samples (Samples: 8)": "",
    "Blur X, Y": "",
    "Blur X, Z": "",
    "Bone Group :guilabel:`Pose Mode Only`": "",
    "Bone Groups can be added and deleted as done in the general Bone Group panel by clicking on the ``+`` or ``-`` buttons. All Bone Groups can be deleted at once by clicking on the specials menu": "",
    "Bone Positioning Guide": "",
    "Bone Selection Sets": "",
    "Bone State Colors": "",
    "Bone.005 parented and connected to Bone.002, using :kbd:`Ctrl-P 1` in 3D Viewport": "",
    "Bone.005 re-parented to Bone.002, but not connected to it (same result, using either :kbd:`Ctrl-P 2` in 3D Viewport, or the Bones tab settings)": "",
    "Bones **only**, when enabled, this option will make the constrained bone use the \"object\" part of the linked action, instead of the \"same-named pose\" part. This allows you to apply the action of an object to a bone": "",
    "Bones Influence": "",
    "Bones are chained by linking the tip of the parent to the root of the child. Root and tip can be *connected*, i.e. they are always exactly at the same point; or they can be *free*, like in a standard parent-child object relationship": "",
    "Bones are the base elements of armatures. The visualization of bones can be set in the Armatures :doc:`/animation/armatures/properties/display`": "",
    "Bones belonging to multiple groups is possible with the *Selection Sets* add-on": "",
    "Bones do not inherit a curve's :ref:`tilt <modeling-curve-tilt>` value to control their roll": "",
    "Bones have an extra \"mirror extruding\" tool, called by pressing :kbd:`Shift-E`. By default, it behaves exactly like the standard extrusion. But once you have enabled :ref:`bpy.types.Armature.use_mirror_x` editing option, each extruded tip will produce *two new bones*, having the same name except for the \"_L\"/ \"_R\" suffix (for left/right, see the :ref:`naming conventions <armature-editing-naming-conventions>`). The \"_L\" bone behaves like the single one produced by the default extrusion -- you can move, rotate or scale it exactly the same way. The \"_R\" bone is its mirror counterpart (along the armature's local X axis), see Fig. :ref:`fig-rig-bone-mirror`": "",
    "Bones only -- By default, you get the tips' paths. By changing this setting to Tails, you will get the paths of the bone's roots (remember that in Blender UI, bones' roots are called \"heads\"...). You have to *Calculate Paths* again if you modify this setting, to update the paths in the 3D Viewport": "",
    "Bones would need to get a correction to their orientation (FBX bones seems to be -X aligned, Blender's are Y aligned), this does not affect skinning or animation, but imported bones in other applications will look wrong": "",
    "Bones' relationships are crucial (see :ref:`Bone Parenting <bpy.types.EditBone.parent>`)": "",
    "Boolean (0=False, 1=True)": "",
    "Boolean (0=Rotational Pole, 1=Standard pole vector)": "",
    "Boolean (pink)": "",
    "Boolean output attribute that is true for each ray which has hit the *Target Geometry*": "",
    "Border Axis Range :kbd:`Alt-B`": "",
    "Both :doc:`Shade Smooth and Flat </scene_layout/object/editing/shading>` are also available in Object Mode and function the same way": "",
    "Both :kbd:`LMB` and :kbd:`RMB` clicks work. Holding :kbd:`Shift` will extend the items selection": "",
    "Both parts of a handle always point to the previous handle or the next handle which allows you to create curves or sections thereof made of straight lines or with sharp corners. Vector handles convert to *Free* handles when moved": "",
    "Both root and tip (the \"joints\") define the bone by their respective position": "",
    "Bottom :kbd:`Ctrl-End`": "",
    "Bottom :kbd:`Shift-Ctrl-End`": "",
    "Bottom Height / Top Height": "",
    "Bottom Lip Influence": "",
    "Boundary :kbd:`B`": "",
    "Bounding Method": "",
    "Box Deform": "",
    "Box Deselect: (:kbd:`Ctrl-LMB` drag) or :kbd:`B` (:kbd:`Shift-LMB` drag)": "",
    "Box Select Pinned :kbd:`Ctrl-B`": "",
    "Box Select: (:kbd:`LMB` drag) or :kbd:`B` (:kbd:`LMB` drag)": "",
    "Box Selecting": "",
    "Box/Circle/All/None/Invert Select": "",
    "Braid by Jared Forsyth": "",
    "Branch Distribution": "",
    "Branch Growth": "",
    "Branch Radius": "",
    "Branch Rings": "",
    "Branch Splitting": "",
    "Breadcrumbs": "",
    "Breakdown (small cyan diamond)": "",
    "Bricks 1, Bricks 2": "",
    "Bridge shares its settings with the *Loft* tool, so changing a setting for one of the tools, will also change it for the other tool": "",
    "Broken Library": "",
    "Browsing inside other blend-files, when appending or linking data-blocks, see :doc:`Linked Libraries </files/linked_libraries/index>`": "",
    "Brush Boolean": "",
    "Brush Pack Installer": "",
    "Brush Type :kbd:`T`": "",
    "Brush Types": "",
    "Brush size can be affected by enabling the pressure sensitivity icon, if you are using a :ref:`Graphics Tablet <hardware-tablet>`": "",
    "Bsurfaces GPL Edition": "",
    "Building the Manual": "",
    "Building your own meta-rig from scratch requires an armature object to work with. Just add a single bone from the *Add* menu": "",
    "Built-In Attributes": "",
    "Built-in Function Modifier": "",
    "Built-in attribute describing vertex or point locations, in the modifier object's transform space. Any node that changes the location of points will adjust this attribute, like the :doc:`Transform </modeling/geometry_nodes/geometry/transform>` and :doc:`Point Translate </modeling/geometry_nodes/point/point_translate>` nodes": "",
    "Bundled blend-files ``startup.blend`` and ``userpref.blend`` are considered *Factory Settings* and are never overwritten": "",
    "But if the *Copy* option is enabled, the exporter will create copies of the images instead and place the copies besides the export file. In that case the file references are made relative": "",
    "Button Context Menu": "",
    "By Layer": "",
    "By Layer and DXF Type": "",
    "By Layer and DXF-Type and Blocks": "",
    "By QCD Slots (Q key icon)": "",
    "By Selected (box icon)": "",
    "By activating the mask toggle (mask icon) next to the layer name or using the checkbox on the masks panel header the layer becomes prepared to be masked by other layer(s)": "",
    "By activating this, the file region in the File Browser will only show appropriate files (i.e. blend-files when loading a complete Blender setting). The selection of file types may be changed in the file region": "",
    "By adding a :doc:`driver </animation/drivers/index>` or setting :doc:`keyframes </animation/keyframes/introduction>` to *Evaluation Time* you can create an animation": "",
    "By clicking directly on the collection names, it \"isolates\" the collection by hiding all other collections, and showing the direct parents and all the children of the selected collection": "",
    "By clicking on a bone's body, you will select it (and hence you will implicitly select its root and tip)": "",
    "By default Blender looks in several directories (platform dependent) for scripts. By setting a user script path in the preferences an additional directory is used. This can be used to store your own scripts and add-ons independently of the current Blender version": "",
    "By default Blender uses the :kbd:`LMB` to select items in the Blender window. Alternatively, the :kbd:`RMB` can be used instead by changing the :doc:`Preferences </editors/preferences/keymap>`. Blender has several selecting tools that can be used across the different editors": "",
    "By default a scene contains one camera. However, a scene can contain more than one camera, but only one of them will be used at a time. So you will only need to add a new camera if you are making cuts between them. See :ref:`Animating Cameras <bpy.ops.marker.camera_bind>`": "",
    "By default only the temporary viewport visibility is enabled. The other options can be enabled in the *Restriction Toggles* option in the Outliner `filter`_": "",
    "By default the depth of the geometry under the cursor is used, this can be disabled using the *Cursor Surface Project* toggle in the :doc:`Preferences </editors/preferences/editing>`": "",
    "By default there are only four crypto layers available as inputs to the Cryptomatte node. You can add or remove layer inputs through :menuselection:`Sidebar --> Item --> Properties --> Add/Remove Crypto Layer`. These operators will add/remove layers from the bottom of the pass inputs": "",
    "By default this is set to *Internal* which uses Blender's built-in :ref:`animation player <render-output-animation_player>`": "",
    "By default, both values are set to 0, which disables the mapping (i.e. the owner just gets the properties defined at frame 0 of the linked action...)": "",
    "By default, once the object has reached one end of its target curve, it will be constrained there. When the *Cyclic* option is enabled, as soon as it reaches one end of the curve, it is instantaneously moved to its other end. This is of course primarily designed for closed curves (e.g. circles), as this allows your owner to go around it over and over": "",
    "By default, selecting data-blocks in the Outliner will select the respective objects, bones, and sequences in the 3D Viewport and Video Sequencer. Selections in the 3D Viewport and Video Sequencer will be synced to each Outliner. To disable selection syncing, turn off the toggle in the :ref:`filter <editors-outliner-interface-filter>` popover": "",
    "By default, the *Frame Range* is set to start at frame 1 and end at frame 250. You can change the frame range in the top right of the Timeline header, or in the Output Properties": "",
    "By default, the *Min* and *Max* values bound the input and output values; all values outside these ranges are clipped to them. When you enable this button, the *Min* and *Max* values are no longer strict limits, but rather \"markers\" defining a proportional (linear) mapping between input and corresponding output values. Let us illustrate that with two graphs Fig. :ref:`fig-constraints-transformation-extrapolate`. In these pictures, the input range (in abscissa) is set to (1.0 to 4.0), and its corresponding output range (in ordinate), to (1.0 to 2.0). The yellow curve represents the mapping between input and output": "",
    "By default, the North points to the Y axis in the scene (to the top of the screen in top view). But sometimes, you may have modeled it in another orientation. In that case, you may enter a *North Offset*, to change the orientation of the scene. *Show North* toggles a dashed line pointing to the North in the 3D Viewport, to help you visualize the cardinal directions": "",
    "By default, the Target will use the :term:`Object Origin` as the target point": "",
    "By default, the owner's *Up* axis is (as much as possible) aligned with the global Z axis, during the tracking rotations. When this button is enabled, the *Up* axis will be (as much as possible) aligned with the target's local Z axis?": "",
    "By default, there are two control points: one at (0.0, 0.0) and one at (1.0, 1.0), meaning the input is mapped directly to the output (unchanged)": "",
    "By default, this add-on automatically saves your current file before opening the linked library or returning to the original file. This can be disabled using the *Autosave* toggle in the Edit Linked Library panel of the Sidebar": "",
    "By default, when you parent your owner to your target, the target becomes the origin of the owner's space. This means that the location, rotation and scale of the owner are offset by the same properties of the target. In other words, the owner is transformed when you parent it to your target. This might not be desired! So, if you want to restore your owner to its before-parenting state, click on the *Set Inverse* button": "",
    "By default, you move the markers in one-frame steps, but if you hold :kbd:`Ctrl`, the markers will move in steps corresponding to 1 second (according to the scene's *FPS*)": "",
    "By double-clicking on an item, you can edit its name via a text field. This can also be achieved by pressing :kbd:`Ctrl-LMB` over it": "",
    "By enabling :ref:`Lock Camera to View <3dview-lock-camera-to-view>` in the View panel of the Sidebar region, while in camera view, you can navigate the 3D Viewport as usual, while remaining in camera view. Controls are exactly the same as when normally moving in 3D": "",
    "Bézier Circle 0.0 extrude (Edit Mode)": "",
    "Bézier Curve with straight line segments (auto handles)": "",
    "Bézier U": "",
    "Bézier curve with straight line segments (auto handles)": "",
    "C (Combined RGB), R (Red), G (Green), B (Blue)": "",
    "Calculates tiles around each of the nine zones defined by the *rule of thirds*": "",
    "Camera Response Function (CRF) (Post)": "",
    "Camera: ``POINT`` or ``VIEW`` or ``VPORT`` or (wip: ``INSERT(ATTRIB+XDATA)``)": "",
    "Cameras (perspective cameras only at the moment, not orthogonal ones)": "",
    "Can be used within bone chains, e.g. tentacles, in order to propagate lengthwise scaling as lengthwise, and sideways as sideways, no matter how the tentacle bends. Similar to using *None* with :doc:`Copy Scale </animation/constraints/transform/copy_scale>` from parent": "",
    "Canceling the extrude action causes the newly created bones to snap back to the source position, (creating zero length bones). These will be removed when exiting Edit Mode, however, they can cause confusion and it's unlikely you want to keep them. If you realize the problem immediately, undo the extrude action": "",
    "Cancels the file selection (and the underlying operation), and closes the File Browser. Using the *Back to Previous* button in the :doc:`Topbar </interface/window_system/topbar>` will have the same effect": "",
    "Causes :kbd:`Tab` to open a pie menu (swaps :kbd:`Tab` and :kbd:`Ctrl-Tab`)": "",
    "Causes selection shortcut :kbd:`A` to deselect all when any selection exists": "",
    "Causes the *Start* and *End Frames*, above, to be reset to the first and last keyframed frames of the Action": "",
    "Causes the deformed object to be scaled by the set curve radius. Utilized when using a curve as a path or when using the :doc:`/modeling/modifiers/deform/curve`": "",
    "Causing the object to move based on the movement of another object (e.g. its parent, hook, armature, etc.)": "",
    "Causing the object to move based on the movement of another object (e.g. its parent, hook, armature, etc.). Useful for cut-out animation for example": "",
    "Center of the *2D Cursor*. *Playhead* + *Cursor*": "",
    "Certain modeling techniques, such as :doc:`extruding a profile along a path </modeling/curves/properties/geometry>`, are possible only using curves. On the other hand, when using curves, vertex-level control is more difficult and if fine control is necessary, :doc:`mesh editing </modeling/meshes/editing/introduction>` may be a better modeling option": "",
    "Chain Priority": "",
    "Chains of bones are a particularly important topic in :doc:`posing </animation/armatures/posing/index>` (especially with the standard *forward* kinematics versus \"automatic\" *inverse* kinematics posing techniques). You create/edit them in *Edit Mode*, but except in case of connected bones, their relationships have no effect on bone transformations in this mode (i.e. transforming a parent bone will not affect its children)": "",
    "Change Steps and Turns as you like. Fig. :ref:`fig-mesh-screw-generated-mesh` shows you an example of the results": "",
    "Change from perspective to orthographic view using shortcut :kbd:`Numpad5`": "",
    "Change the :doc:`Object Type Visibility </editors/3dview/display/visibility>` and selectability of objects in the 3D Viewport": "",
    "Change the :doc:`shading </editors/3dview/display/shading>` of the 3D Viewport": "",
    "Change the type of selected node(s) to any other type. Hit :kbd:`Shift-S` and you'll get the menu ordered exactly the same as :menuselection:`Add --> Node` menu. Choose the new type": "",
    "Change the view from *User Orthographic* to *Front Orthographic*, using the shortcut :kbd:`Numpad1`. You will see the X (red) and Z (blue) coordinate lines": "",
    "Change the way how :doc:`gizmos </editors/3dview/display/gizmo>` are displayed in the 3D Viewport": "",
    "Change the way how :doc:`overlays </editors/3dview/display/overlays>` are displayed in the 3D Viewport": "",
    "Changes all text to be in lower case, e.g. ``CUBE.001`` becomes ``cube.001``": "",
    "Changes all text to be in title case, e.g. ``living room`` becomes ``Living Room``": "",
    "Changes all text to be in upper case, e.g. ``cube.001`` becomes ``CUBE.001``": "",
    "Changes the computing device the :doc:`Cycles </render/cycles/index>` render engine uses to render images. Cycles can use either the CPU or certain GPUs to render images, for more information see the :doc:`GPU Rendering </render/cycles/gpu_rendering>` page": "",
    "Changes the order of the operations when using *Difference* to determine which side is kept": "",
    "Changes the random seed of the *Fractal* noise function, producing a different result for each seed value": "",
    "Changes the smoothness of the curve along its length. This is only relevant if *Handle Type* is set to Auto": "",
    "Changing the default startup file can be done via :menuselection:`File --> Defaults --> Save Startup File` See :ref:`Startup File <startup-file>`": "",
    "Channels (gray)": "",
    "Check *Clear Constraints*": "",
    "Check out the `User Stories page <https://www.blender.org/about/user-stories/>`__ on the Blender website for more examples": "",
    "Check the :doc:`Downloading Blender </getting_started/installing/index>` page to find the minimum requirements and where to get Blender (if you have not done so yet)": "",
    "Child Of Control": "",
    "Choose POV-Ray 3.7 from render engine selector. Then you can render as usual with the *Render* button": "",
    "Choose between a light or dark theme for Blender. Themes can be customized more in the :doc:`Preferences </editors/preferences/themes>`": "",
    "Choose between spherical or flat. (May not work for all object types.)": "",
    "Choose either *NURBS*, *Mesh* or *Metaballs* for the atoms. For option *Mesh* the *Azimuth* and *Zenith* values can be chosen. Metaballs can lead to some fancy effects: for instance, if enough large, their shapes melt together showing some kind of surface effect": "",
    "Choose settings from the Auto Mirror panel in the :menuselection:`Sidebar --> Edit tab`": "",
    "Choose the color format to save the image (or video) to. Note that *RGBA* is not available for all image formats, check the list above for details": "",
    "Choose this option if you have already created (and weighted) all the vertex groups the mesh requires": "",
    "Choose whether the :doc:`Status Bar </interface/window_system/status_bar>` at the bottom of the window should be displayed": "",
    "Choose whether to batch export groups or scenes to files. Note, when Group/Scene is enabled, you cannot use the animation option *Current Action* since it uses scene data and groups are not attached to any scenes. Also note, when Group/Scene is enabled you must include the armature objects in the group for animated actions to work": "",
    "Choose which type of :term:`Color Space` you prefer. It will show when clicking :kbd:`LMB` on any color field": "",
    "Chooses the domain of the attribute if it exists already, otherwise it uses the *point* domain": "",
    "Class 1 is the \"equilateral triangle\". Class 2 is the \"cube\"": "",
    "Clear some data-block types' previews (you can choose which in its options), in one or more blend-files on your drive. You should not use this operator on the file currently opened in Blender": "",
    "Clears \"disabled\" tag from all F-curves to get broken F-curves working again": "",
    "Clears baked line art frames within the scene frame range for active Grease Pencil object. Clear Baked Line Art (All) applies the same operation for all Grease Pencil objects that contains at least one Line Art modifier": "",
    "Clears paths on all objects/bones or just the selected ones when holding :kbd:`Shift`": "",
    "Clears the link. :kbd:`Shift-LMB` to set the users to zero allowing the data to be fully deleted from the blend-file": "",
    "Click :kbd:`LMB` in a closed stroke area. The tool will automatically calculate the boundary and create a new closed stroke filled with the material selected": "",
    "Click :kbd:`LMB` on the marker's triangle to select it. Use :kbd:`Shift-LMB` to select multiple markers": "",
    "Click :kbd:`LMB` or :kbd:`RMB` on the desired node, press :kbd:`Shift-D` and move the mouse away to see the duplicate of the selected node appearing under the mouse pointer": "",
    "Click :kbd:`LMB` or press :kbd:`Spacebar` to keep the current view and exit fly navigation. In case you want to go back from where you started, press :kbd:`Esc` or :kbd:`RMB`": "",
    "Click Screw and adjust the *Steps* and *Turns* as you like and you have a nice spring, but now here comes the interesting part!": "",
    "Click and drag to box select UV coordinates. Alternatively, use :kbd:`B` to start :ref:`box selection <tool-select-box>`": "",
    "Click and drag to box select multiple keyframes at once. You can hold :kbd:`Shift` to extend or :kbd:`Ctrl` to subtract from the current selection": "",
    "Click and drag to box select multiple nodes. Alternatively, :kbd:`B` starts the bounding box selection process as well": "",
    "Click and drag to remove lines. The eraser has a *Radius* setting found in :menuselection:`Tool Settings --> Eraser`": "",
    "Click and hold :kbd:`LMB` or use the :kbd:`Pen` tip to delete strokes on the viewport": "",
    "Click and hold :kbd:`LMB` or use the pen tip to make free-hand drawing on the viewport": "",
    "Click and hold :kbd:`LMB` or use the pen tip to paint onto the stroke points": "",
    "Click and release immediately to reset view (free navigation only)": "",
    "Click multiple times to create multiple connected lines. The current polygon is finished when :kbd:`Esc` is pressed": "",
    "Click on a key to select it. Hold :kbd:`Shift` to extend the current selection": "",
    "Click on the *Add sample* button": "",
    "Click on the *Add* button to add a new workspace": "",
    "Click on the midpoint of a created ruler to convert it to a protractor. Move this midpoint to set the vertex of the angle. Holding down :kbd:`Ctrl` enables snap to edges and vertices. Move the endpoints to change the angle size": "",
    "Click on the sign-up button to create a new account and activate it by pressing *Log in* directly in BlenderKit settings. It will direct you to log in through our website": "",
    "Click on the tabs titles to switch between the workspaces. To cycle between workspaces use :kbd:`Ctrl-PageUp` and :kbd:`Ctrl-PageDown`. Double click to rename the workspace": "",
    "Click the *Reset Timing* button": "",
    "Click the *Show filtering options* button (triangle on bottom left) to show or hide filter option panel": "",
    "Click the :ref:`Run Script button <editors-text-run-script>`, all objects in the active scene are moved by 1.0 unit": "",
    "Click the ``X`` button on the right to remove the reference": "",
    "Clicking :kbd:`F` with only one bone joint selected will create a bone from the selected joint to the 3D cursor position, and it will not parent it to any bone in the armature": "",
    "Clicking on the decorator dot icon will add a :doc:`Keyframe </animation/keyframes/index>` to that property. Clicking the rhombus icon again will remove the keyframe. A solid rhombus icon indicates there is a keyframe on the current frame, while a non-solid rhombus icon indicates that the property has a keyframe on another frame. Clicking the non-solid rhombus icon will add a keyframe to the current property value and frame": "",
    "Clicking with :kbd:`LMB` in the sphere and dragging the mouse cursor lets the user change the direction by rotating the sphere": "",
    "Clip objects based on what is visible in other side views. (Requires *Box* to be enabled.)": "",
    "Close Area": "",
    "Closes Blender and the file is saved into ``quit.blend``": "",
    "Closing the *Console Window* will also close Blender, losing any unsaved work": "",
    "Collada can be extended with tool specific data (profiles). Blender has its own (unofficial) profile that allows to export rig information into the Collada file. Later It can be used to reconstruct the rig when it should ever be necessary to import a dae file back into Blender": "",
    "Collada only records \"joints\" which is mostly similar to Blender's bone heads. But when you import a Collada file then the bone head/tail are not defined. This does not matter for connected bones where the bone parent only has one child. In that case the parent bone's end location is adjusted to the child's joint position. But especially for unconnected bones and for bones with more than one child a problem arises": "",
    "Collada supports two types of transformation matrix specifications. Either as ``<Matrix>`` or as a set of transformation decompositions (for move, rotate and scale). Note that the exporter will not strictly follow this option setting, but will rather take it as a hint to use the option if ever possible. This is so because some of the exported data types have specific rules about how the transformation matrix has to be exported. This is ongoing development and a less ambiguous method may be provided in the future": "",
    "Color Balance (Post)": "",
    "Color data can be applied directly to an object's vertices rather than using a texture or a material. Colors can are painted onto vertices in :doc:`Vertex Paint </sculpt_paint/vertex_paint/index>` mode": "",
    "Color for X, Y, or Z animation curves (location, scale or rotation) is the same as the color for the X, Y, and Z axis": "",
    "Color space used for images which contains non-color data (e.g. normal maps)": "",
    "Colors special words, in the `Main View`_, that are used in the Python programming language": "",
    "Combines location, rotation and scale components of the transformation separately, similar to a sequence of three :doc:`Copy Location </animation/constraints/transform/copy_location>`, :doc:`Copy Rotation </animation/constraints/transform/copy_rotation>` and :doc:`Copy Scale </animation/constraints/transform/copy_scale>` (with Offset) constraints bundled together in one operation; the result may be slightly different in case of sheared inputs": "",
    "Comma separated list of add-ons (no spaces)": "",
    "Compare to :term:`World Space`": "",
    "Comparison between image output and original image (see Viewer nodes carefully)": "",
    "Conceptually, grouping nodes allows you to specify a *set* of nodes that you can treat as though it were \"just one node\". Node groups are similar to functions in programming, they can be reused in many places in a node tree and can be customized by changing the \"parameters\" of the node group": "",
    "Configure the driver functions so that the *Value* of the shape keys (Y axis) is as desired for the bone's height (X axis)": "",
    "Configure the driver to be the *Averaged Value* of a *Transform Channel* of the first object": "",
    "Connect Matching Ends": "",
    "Connect With Mirror": "",
    "Connected bones cannot be translated in Pose Mode. You can scale the parent bones to match the general length and then refine child bones scale. For more detailed information on armature modes please refer to the :doc:`armatures section </animation/armatures/bones/editing/introduction>`": "",
    "Connected bones have another specificity: they cannot be moved. Indeed, as their root must be at their parent's tip, if you do not move the parent, you cannot move the child's root, but only its tip, which leads to a child rotation. This is exactly what happens, when you press :kbd:`G` with a connected bone selected, Blender automatically switches to rotation operation": "",
    "Connects two disconnected control points. The selection must be loose points, or the first/last point of a curve, then press :kbd:`F`. If the points belong to different curves, these are joined by a segment to become a single curve": "",
    "Consider a node setup for green screen removal, using a :doc:`Color Key </compositing/types/matte/color_key>`:": "",
    "Considering the upsides and downsides of each mode, *Continuous Acceleration* should be better suited for limited animation, which uses a small number of interpolated keys with minimal manual polish. In case of highly polished high key rate animation, the benefits of smoothing may not outweigh the workflow disruption from more extensive change propagation": "",
    "Constraining bones can be used to control their degree of freedom in their pose transformations, using e.g. the *Limit* constraints. You can also use constraints to make a bone track another object/bone (inside the same object, or in another armature), etc. And the :ref:`inverse kinematics feature <bone-constraints-inverse-kinematics>` is also mainly available through the *IK Solver* constraint, which is specific to bones": "",
    "Constraints are a way to control an object's properties (e.g. its location, rotation, scale), using either plain static values (like the :doc:`\"limit\" ones </animation/constraints/transform/limit_location>`), or another object, called \"target\" (like e.g. the :doc:`\"copy\" ones </animation/constraints/transform/copy_location>`)": "",
    "Constraints need a frame of reference in order to function. This frame of reference is called the \"space\" of the constraint. Choosing one space vs. another will change this frame of reference and substantially alter the behavior of a constraint": "",
    "Constraints, in Blender, work with :term:`Objects <Object>` and :term:`Bones <Bone>`. Read about using constraints in rigging in the :doc:`Armature chapter </animation/armatures/posing/bone_constraints/index>`": "",
    "Container for a type (mesh, curve, surface, metaball, text, armature, lattice, empty, camera, light) and basic 3D transform data (:term:`Object Origin`)": "",
    "Contains recently accessed folders. The ``X`` button to the right allows you to fully erase this list": "",
    "Contains tools for :doc:`Unwrapping Meshes </modeling/meshes/uv/unwrapping/index>` and :doc:`Editing UVs </modeling/meshes/uv/editing>`": "",
    "Contains tools for :ref:`selecting <object-select-menu>` objects": "",
    "Context menus are pop-ups opened with the :kbd:`Menu` key for editors and :kbd:`RMB` for properties. Context menu contents depend on the location of the mouse pointer": "",
    "Context-sensitive access to the `Python API Reference <https://docs.blender.org/api/current/>`__": "",
    "Control the :term:`Anti-Aliasing` for higher quality rendering": "",
    "Control the focal length of the 3D Viewport camera in millimeters, unlike a :doc:`rendering camera </render/cameras>`": "",
    "Control the offset position (inner or outer) for duplicate strokes": "",
    "Controls how much color bleed from the key color is removed from the input image: 0 means no despilling, 1 means all possible spilling will be removed. The underlying implementation is the same as adjusting the *Unspill* amount of the :doc:`Color Spill Node </compositing/types/matte/color_spill>`": "",
    "Controls how much each application of the brush affects the model. For example, higher values cause the *Randomize* brush to add noise to the strokes more quickly, and cause the *Smooth* brush to soften the strokes more quickly": "",
    "Controls how much the matte is feathered inwards (negative number) or outwards (positive number)": "",
    "Controls how often the input device is read to generate points on the stroke. Higher values give a higher precision (more points) but produce an irregular stroke, while lower values give a lower precision (fewer points) but produce a soften stroke. (0 disabled extra input device samples.)": "",
    "Controls how open boundaries (and corners) are smoothed": "",
    "Controls how smooth edges should be with :ref:`modifiers-generate-subsurf-creases`": "",
    "Controls how the normals (visualized as arrows) twist around each control point -- so it is only relevant with 3D curves! The tilt will be interpolated from point to point (you can check it with the normals)": "",
    "Controls the \"goal weight\" of selected control points, which is used when a curve has :doc:`Soft Body </physics/soft_body/index>` physics, forcing the curve to \"stick\" to their original positions, based on the weight": "",
    "Controls the :doc:`snapping tools </editors/3dview/controls/snapping>` that help with transforming and modeling objects": "",
    "Controls the action of :kbd:`Spacebar`. These and other shortcuts can be modified in the :doc:`keymap preferences </editors/preferences/keymap>`": "",
    "Controls the behavior of :ref:`automatic curve handles <editors-graph-fcurves-settings-handles>` for newly created F-curves": "",
    "Controls the collection's interactions with the :doc:`View Layer </render/layers/introduction>`": "",
    "Controls the default :ref:`Handle <editors-graph-fcurves-settings-handles>` for newly created F-curves": "",
    "Controls the default :ref:`Interpolation <editors-graph-fcurves-settings-interpolation>` for newly created keyframes": "",
    "Controls the direction of the line and distance between the vertices. This is only available when the mode is set to *Offset*": "",
    "Controls the layers :ref:`Opacity <bpy.types.GPencilLayer.opacity>`": "",
    "Controls the opacity of unselected :doc:`F-Curves </editors/graph_editor/fcurves/index>` against the background of the Graph Editor": "",
    "Controls the percentage of affect the constraint has on the object. See :ref:`common constraint properties <bpy.types.constraint.influence>` for more information": "",
    "Controls the visible thickness of the bone segments when the armature is rendered in the *B-Bones* mode": "",
    "Controls the width of the extrusion/bevel along the \"spinal\" curve. The radius will be interpolated from point to point (you can check it with the normals)": "",
    "Controls when a speaker plays a sound clip. :menuselection:`Add --> Sound Clip`": "",
    "Controls which mouse button, either right or left, is used to select items in Blender. If *Left* is selected the :kbd:`RMB` will be a context sensitive menu, if *Right* is selected the :kbd:`LMB` will place the 3D Cursor": "",
    "Controls which plane will be the \"floor\". The names of the buttons correspond, indeed, to the *normal* to this plane (e.g. enabling Z means \"XY plane\", etc.). By default, these normals are aligned with the *global* axes. However, if you enable *Use Rotation* (see above), they will be aligned with the *local target's axes*. As the constraint does not only define an uncrossable plane, but also a side of it which is forbidden to the owner, you can choose which side by enabling either the positive or negative normal axis... e.g. by default Z, the owner is stuck in the positive Z coordinates": "",
    "Conversely, you may define the current pose as the new rest pose (i.e. \"apply\" current transformations to the *Edit Mode*). When you do so, the skinned objects/geometry is **also** reset to its default, undeformed state, which generally means you will have to skin it again": "",
    "Convert the USD mesh ``displayColor`` values to Blender mesh vertex colors": "",
    "Converts a :doc:`Proxy </files/linked_libraries/library_proxies>` to a local override. This operator is used to help convert older blend-files to the new override system": "",
    "Converts each frame of a mesh animation within a selected frame range to a Grease Pencil object keyframed strokes. The *Bake Action* tool computes the final animation of the selected objects with all those modifiers, drivers, and constraints applied, and keyframes the result": "",
    "Converts foreground image to :term:`Premultiplied Alpha` format": "",
    "Converts from :term:`Premultiplied Alpha` to :term:`Straight Alpha`": "",
    "Converts from :term:`Straight Alpha` to :term:`Premultiplied Alpha`": "",
    "Converts indentation characters *To Spaces* or *To Tabs*": "",
    "Converts the selected :doc:`Proxy </files/linked_libraries/library_proxies>` data-block to an :doc:`override </files/linked_libraries/library_overrides>` and its hierarchy of dependencies. See also, :ref:`bpy.ops.object.convert_proxy_to_override`": "",
    "Converts the text file to a :doc:`Text Object </modeling/texts/index>` either as *One Object* or *One Object Per Line*": "",
    "Copies the actual location of the bone (as seen in the screen) to the selected bones": "",
    "Copies the actual rotation of the bone (as seen in the screen) to the selected bones": "",
    "Copies the actual size of the bone (as seen in the screen) to the selected bones": "",
    "Copies the color of the :term:`Active` node and applies it to all selected nodes": "",
    "Copies the constraint from the :term:`Active` object to all selected objects": "",
    "Copies the location coordinate (as seen in the transform panel) to the selected bones": "",
    "Copies the rotation coordinate (as seen in the transform panel) to the selected bones": "",
    "Copies the scale coordinate (as seen in the transform panel) to the selected bones": "",
    "Copy All Layers to Selected": "",
    "Copy All Materials to Selected": "",
    "Copy Layer to Selected": "",
    "Copy all vertex groups to other selected objects provided they have matching indices (typically this is true for copies of the mesh which are only deformed and not otherwise edited)": "",
    "Copy labels all selected nodes based on various criteria. Labels can be copied from labels (names) of active node :kbd:`Shift-V`, or from names (labels) of nodes that are linked to selected ones or from the names of sockets that the selected nodes are linked to. All options will be revealed in submenu after hitting :kbd:`Shift-C`": "",
    "Copy the render resolution and aspect ratio settings. Beware of side effects if you modify the aspect of your render (e.g. switching from: 4/3 to 16/9...)": "",
    "Copy the render scale setting (below resolution controls, in *Dimensions* panel). Highly useful to do preview renders!": "",
    "Corner detection and rounding off (set to 0). Notice how corners are smoothed because they are treated as artifacts": "",
    "Correspond to the respective *Bake Type* options. They both render all the materials and illumination: *Full Render* renders the model only, while *Selected to Active* projects other nearby selected objects onto the model. It may be helpful for creating patterns such as fur or leaves procedurally": "",
    "Create Bézier curves, with free \"aligned\" handles (i.e. also behaving like polylines)": "",
    "Create Collection": "",
    "Create NURBS 3D curves of order 2 (i.e. behaving like polylines)": "",
    "Create Orientation :ref:`bpy.ops.screen.redo_last` panel": "",
    "Create a custom function to get the square of a value (i.e. *value*\\ :sup:`2`). Adding the function to the *Driver Namespace* allows it to be used from driver expressions. The *Driver Namespace* has a list of built-in functions for use in driver expressions, as well as constants such as π and e. These can be inspected via the Python Console::": "",
    "Create a deformation box around Grease Pencil strokes. Press :kbd:`Ctrl-T` to launch the deformation mode": "",
    "Create an empty directory in a location of your choice (e.g. ``my_scripts``)": "",
    "Create an entry for the language in the html menu by opening file ``./resources/theme/js/version_switch.js`` (assuming you are at the ``blender_docs`` subdirectory)": "",
    "Create an outset rather than an inset. Causes the geometry to be created surrounding selection (instead of within)": "",
    "Create subdivision surface modifiers based on the USD ``SubdivisionScheme`` attribute": "",
    "Created by the :doc:`Point Distribute Node </modeling/geometry_nodes/point/point_distribute>` to provide stability when the shape of the input mesh changes. The values are large, with no order. The attribute values are used by nodes that generate randomness, like the :doc:`Attribute Randomize Node </modeling/geometry_nodes/attribute/attribute_randomize>`": "",
    "Creates a :doc:`Grease Pencil </grease_pencil/index>` object using the currently selected image as a source": "",
    "Creates a new :doc:`collection instance </scene_layout/object/properties/instancing/collection>`": "",
    "Creates a new :ref:`image-generated` Image": "",
    "Creates a new driver using this property as input, and copies it to the clipboard. Use *Paste Driver* to add the driver to a different property, or *Paste Driver Variables* to extend an existing driver with a new input variable": "",
    "Creates a new material for the plane with a :doc:`Principled BSDF </render/shader_nodes/shader/principled>` shader node with default settings as the main component. The base color of the Principled BSDF node comes from an Image Texture node that is linked to the imported image": "",
    "Creates a new material for the plane with an :doc:`Emission shader </render/shader_nodes/shader/emission>` node as the main component. The base color of the node comes from an Image Texture node that is linked to the imported image. The strength can be set": "",
    "Creates a node group from the selected nodes, see :ref:`bpy.ops.node.group_make` for more information": "",
    "Creates an image with support for :doc:`/modeling/meshes/uv/workflows/udims`. This option creates the first ``1001`` tile; more tiles can be added later in the *UDIM Tiles* panel": "",
    "Creates automatic linear interpolation between keyframes. The segments remain linear when keyframe centers are moved. However, when the handles are moved, the handle type switches to *Free*": "",
    "Creates one object for every independent (disconnected) fragment of the original mesh": "",
    "Creating a :term:`Parent`-:term:`Child` relationship between two :term:`objects <Object>`": "",
    "Cryptomatte sidecars (metadata files) are not supported": "",
    "Cube Projection maps the mesh onto the faces of a cube, which is then unfolded. It projects the mesh onto six separate planes, creating six UV islands. In the UV editor, these will appear overlapped, but can be moved. See :doc:`Editing UVs </modeling/meshes/uv/editing>`": "",
    "Currently only fluid simulations (not meshes in general) have explicit vertex velocities. This is the most important case for exporting velocities, though, as the baked mesh changes topology all the time, and thus computing the velocities at import time in a post-processing step is hard": "",
    "Cursor warping is only supported by *relative* input devices (mouse, trackball, trackpad)": "",
    "Curve NURBS: ``curved-POLYLINE``": "",
    "Curve Spiral": "",
    "Curve objects that are made of multiple distinct curves can be separated into their own objects by selecting the desired segments and pressing :kbd:`P`. Note, if there is only one curve in a Curve object, *Separate* will create a new Curve object with no control points": "",
    "Curve selection in *Edit Mode* has fewer options than with meshes. Mainly this is, because there is only one selectable element type, the control points (no select mode needed here...). These points are a bit more complex than simple vertices, however, especially for Bézier curves, as there is the central vertex, and its two handles..": "",
    "Curve: ``LINE``\\ s or ``POLYLINE``": "",
    "Curves and :doc:`Surfaces </modeling/surfaces/introduction>` are particular types of Blender objects. They are expressed by mathematical functions (interpolation) rather than linear interpolation between a series of points": "",
    "Curves ends are straight lines (linear), as defined by the slope of their first and last keyframes": "",
    "Custom Rigging": "",
    "Custom Root Bone": "",
    "Custom properties are a way to store your own data in Blender's data-blocks. It can be used for rigging (where bones and objects can have custom properties driving other properties), and Python scripts, where it's common to define new settings not available in Blender. It is also possible to access custom properties from materials via the :doc:`Attribute Node </render/shader_nodes/input/attribute>`": "",
    "Custom properties can be accessed in a similar way to `dictionaries <https://docs.python.org/3/tutorial/datastructures.html#dictionaries>`__, with the constraints that keys can only be strings, and values can only be strings, numbers, arrays of such, or nested properties": "",
    "DPX as well as Cineon only stores and converts the \"visible\" color range of values between 0.0 and 1.0 (as a result of rendering or composite)": "",
    "DXF Blocks can be imported as linked objects or group instances. Linked objects use parenting for DXF sub-blocks (blocks in blocks)": "",
    "DXF layers are reflected as Blender groups. This importer uses a general purpose DXF library called \"dxfgrabber\"": "",
    "DXF line attributes *thickness* and *width* have an effect on line in Z and X/Y direction respectively. A straight line might be turned to a cube by its attributes for instance. Therefore, in Blender these attributes are represented with curve extrusion, bevel and taper objects": "",
    "Dany Lebel (Axon D)": "",
    "Data-block selector for the :doc:`material </grease_pencil/materials/introduction>`": "",
    "Data-block selector for the :doc:`material </grease_pencil/materials/introduction>`. Except for the *Erase* tool of course": "",
    "Data-blocks are discussed further in the :doc:`Data System chapter </files/data_blocks>`": "",
    "Data-blocks beginning with a ``.`` can be selected by typing in the ``.`` characters. When explicitly written, the setting to hide these data-blocks is ignored": "",
    "Data-blocks can be dragged and dropped to manage data relations in the Outliner. To begin a drag and drop, :kbd:`LMB` click and drag from the name or icon of a data-block": "",
    "Dataset Region": "",
    "Decomposes the rotation into two parts: a :term:`Swing` rotation that aims the specified axis in its final direction, followed by a :term:`Twist <Swing>` rotation around that axis. This is often necessary for driving corrective :doc:`Shape Keys </animation/shape_keys/index>` and bones for organic joint rotation": "",
    "Decorators are small buttons that appear to the right of other buttons and show the state of the property. Decorators may appear next to number fields, menus, and checkboxes to indicate the property can be :doc:`animated </animation/index>`": "",
    "Default location to browse for :doc:`text object </modeling/texts/index>` font files": "",
    "Default preferences are managed from the :menuselection:`☰` menu in the preferences window": "",
    "Default value for :ref:`Compress file <files-blend-compress>` when saving blend-files": "",
    "Default value for :ref:`Load UI <file-load-ui>` when loading blend-files": "",
    "Default value for :ref:`Relative Paths <files-blend-relative_paths>` when loading external files such as images, sounds, and linked libraries. It will be ignored if a path is already set": "",
    "Default values are used as the basis of :ref:`NLA blending <bpy.types.AnimData.action_blend_type>`, and a nonsensical default (e.g. 0 for a property used for scaling) on a property intended for being keyframed is likely to cause issues": "",
    "Define borders of the crop region; *Left* or *Right* can vary between 0 and the width of the image. *Up* or *Down* can vary between 0 and the height of the image": "",
    "Defines a color to be used in the inner part of the brushes circle when in Sculpt Mode, and it is placed as an overlay to the brush, representing the focal point of the brush influence. The overlay color is visible only when the overlay visibility is selected (clicking at the *eye* to set its visibility), and the transparency of the overlay is controlled by the alpha slider located at the :menuselection:`Tool tab --> Display panel` in the Sidebar": "",
    "Defines how :term:`Faces <Face>` are shaded. Faces can be either solid (faces are rendered flat) or smooth (faces are smoothed by interpolating the normal on every point of the face)": "",
    "Defines how markers are displayed in the editor. Settings can be found in the :ref:`Clip Display <clip-editor-clip-display-label>` pop-over": "",
    "Defines how to align the *Dots* and *Squares* along the drawing path and with the object's rotation": "",
    "Defines the View Layer to use for the Grease Pencil layer. If empty, the layer will be included in all View Layers. This is useful to separate drawings parts for :doc:`compositing </compositing/introduction>`": "",
    "Defines the appended data-block as :ref:`Protected <data-system-datablock-fake-user>`": "",
    "Defines the start and the end of midtones range, i.e. values where the whole tonal range is divided into the highlights, midtones and shadows (there is also a smooth transition between the ranges of width 0.2 units)": "",
    "Defines the tint gradient color for mixing with the original vertex color. For controls see :ref:`ui-color-ramp-widget`": "",
    "Defines the type of :doc:`IK solver </animation/armatures/posing/bone_constraints/inverse_kinematics/introduction>` used in your animation": "",
    "Defines the upper-bound for the frame range within which keyframes will be affected (with the lower bound being the current frame)": "",
    "Defines what time range (around the cursor) will be displayed when the *View Frame* :kbd:`Numpad0` is performed": "",
    "Defines which proxy image resolution is used for display. If *Render Undistorted* is set, then images created from undistorted frames are used. If there are no generated proxies, render size is set to \"No proxy, full render\", and if render undistorted is enabled, undistortion will happen automatically on frame refresh": "",
    "Deform mesh as you want (do not remove or add vertices)": "",
    "Deformation Bridge": "",
    "Deforming meshes; here the topology of the mesh does not change, but the locations of the vertices change over time. Examples are animated characters or bouncing (but not cracking) objects": "",
    "Delete keyframes on the current frame for the properties in the active *Keying Set*": "",
    "Delete selected: :kbd:`X` or :kbd:`Delete`": "",
    "Deletes a defined percentage of keyframes, the amount of keyframes to delete is define by the *Remove* property": "",
    "Deletes everything between the cursor and the beginning of the previous word (separated by periods). If the cursor is in the middle of a word, deletes everything to the beginning of the current word": "",
    "Deletes keyframes which only allowing the F-curve to change by a defined amount. The amount of change is controlled by the *Max Error Margin* which controls how much the new decimated curve is allowed to deviate from the original": "",
    "Deletes the local :doc:`override </files/linked_libraries/library_overrides>` (including its hierarchy of override dependencies) and relinks its users to the linked data-blocks": "",
    "Deletes the whole channel from the current action (i.e. unlink the underlying F-curve data-block from this action data-block)": "",
    "Deleting a data-block directly erases it from the blend-file, automatically unlinking it from all of its users. This can be achieved by :kbd:`Shift-LMB` on the \"X\" icon next to its name": "",
    "Deleting some data-blocks can lead to deletion of some of its users, which would become invalid without them. The main example is that object-data deletion (like mesh, curve, camera...) will also delete all objects using it": "",
    "Depending on *Split Eyelid Follow Slider*, specifies the default values for the split follow sliders, or fixed factors to be multiplied with the single common follow influence slider value": "",
    "Depending on the Render passes that are enabled, other sockets are available. See :doc:`render passes </render/layers/passes>`": "",
    "Depending on the type of object you are trying to model, there are different types of modeling :doc:`modes </editors/3dview/modes>`. Since modes are not specific to modeling they are covered in different parts of the manual": "",
    "Derivative of ``limbs.paw`` with extended IK suitable for use in front paws. The additional IK limits the degree of change in the angle between shin and paw bones (2nd and 3rd) as the main IK control moves and rotates": "",
    "Derivative of ``limbs.paw`` with extended IK suitable for use in rear paws. The additional IK tries to maintain thigh and paw bones (1st and 3rd) in a nearly parallel orientation as the main IK control moves and rotates": "",
    "Description of the PDB file format: `Wikipedia <https://en.wikipedia.org/wiki/Protein_Data_Bank_(file_format)>`__ and `RCSB <https://www.rcsb.org/pdb/static.do?p=file_formats/pdb/index.html>`__": "",
    "Description of the XYZ file format: `Wikipedia <https://en.wikipedia.org/wiki/XYZ_file_format>`__ and `Open Babel <https://openbabel.org/docs/dev/FileFormats/XYZ_cartesian_coordinates_format.html>`__": "",
    "Deselect All: :kbd:`Alt-A`": "",
    "Deselect all vertices using the shortcut :kbd:`Alt-A`": "",
    "Desired occlusion level to be selected as line art result. A value of 0 means visible lines (no occlusion). A value of 1 means selecting lines that have been occluded by exactly one layer of faces": "",
    "Detect corners to help preserve the original shape. Setting *Corner Rounding* to 0 means no corner detection and no corner rounding will take place. The higher the value the better corners will be preserved, i.e. resemble original image": "",
    "Determine the :term:`Luminance` threshold above which strokes are generated": "",
    "Determines how the number of vertices is chosen. This is only available when the mode is set to *End Points*": "",
    "Determines the highest values that are considered to be background objects. (Which is supposed to be -- relatively -- dark: from 0.0 to this value.)": "",
    "Determines the highest values that are considered to be background objects. (Which is supposed to be -- relatively -- low values: from 0.0 to this value.)": "",
    "Determines the lowest values that are considered foreground. (Which is supposed to be -- relatively -- high values: from this value to 1.0.)": "",
    "Determines the lowest values that are considered foreground. (Which is supposed to be -- relatively -- light: from this value to 1.0.)": "",
    "Determines the origin point to use for the creation of the lines. Applies only for *Circular* and *Radial* guides": "",
    "Determines the whether to use *Viewport* or *Render* visibility of collection, modifiers, or any other property that can be set for both the *Viewport* and *Render*": "",
    "Determines which :doc:`Layers </grease_pencil/properties/layers>` are used for boundary strokes": "",
    "Developer documentation is available on the `Blender Wiki <https://wiki.blender.org/wiki/Process/Addons/Rigify>`__": "",
    "Developers can search the code for ``G.debug_value`` to find other possible uses for this operator": "",
    "Diameter of the *3D Viewport Axis* widget": "",
    "Difference :kbd:`Shift-Ctrl-NumpadMinus`": "",
    "Different methods of easing interpolations for F-curve segment. The \"Robert Penner easing equations\" (basically, equations which define some preset ways that one keyframe transitions to another) which reduce the amount of manual work (inserting and tweaking keyframes) to achieve certain common effects. For example, snappy movements": "",
    "Dilate": "",
    "Direction of the input device that gives the maximum thickness to the stroke (0° for horizontal)": "",
    "Direction the line is going in. The length of this vector does not matter. This is only available in the *Direction* mode": "",
    "Directory for user data files (icons, translations, ..)": "",
    "Disable Channel Setting: :kbd:`Alt-W`": "",
    "Disable Masks in Render": "",
    "Disable Viewports. (Disables the collection in all view layers -- affects 3D Viewport -- chaining.)": "",
    "Disable automatic Python script execution (pydrivers & startup scripts)": "",
    "Disable with ``-Y`` or ``--disable-autoexec``": "",
    "Disables mouse grab (to interact with a debugger in some cases)": "",
    "Disabling a constraint is useful for turning off a constraint without losing all of its settings. Disabling means you can enable the constraint at a later time with the settings intact. Disabling is similar to setting the :ref:`Influence <bpy.types.constraint.influence>` to 0.0": "",
    "Disabling this avoids generating the actual custom pivot control, effectively turning this rig type into a version of `basic.super_copy`_ with parent switching support and a different widget": "",
    "Discard QCD History. (Discards previous QCD slot states)": "",
    "Disk (to emulate a perfect circle), Triangle (3 blades), Square (4 blades), Pentagon (5 blades), Hexagon (6 blades), Heptagon (7 blades) or Octagon (8 blades)": "",
    "Display F-curves using :term:`Anti-Aliasing` and other effects (disable for a better performance)": "",
    "Display of active elements in Object Mode where the active element (cube) is a lighter orange": "",
    "Display of this information can be disabled via the *Show Handles and Interpolation* option of the Dope Sheet's :ref:`View Menu <dope-sheet-view-menu>`": "",
    "Display overlays with smooth wire, without this wires will be rendered aliased. To increase the visibility you can disable this and *Edit Mode*, since edges do not blend into other shaded regions": "",
    "Display paths of points within a fixed number of frames around the current frame. When you enable this button, you get paths for a given number of frames before and after the current one (again, as with ghosts)": "",
    "Display settings for Edit Lines in *Edit Mode* and *Sculpt Mode*": "",
    "Display the :ref:`splash` when starting Blender": "",
    "Display the depth from the camera, from Clip Start to Clip End, as specified in the :doc:`Camera settings </render/cameras>`": "",
    "Display the material in the materials *Preview* panel before adding it to the object": "",
    "Display the name and type of the current view in the top left corner of the 3D Viewport. For example: \"User Perspective\" or \"Top Orthographic\"": "",
    "Displays a grid which is originally orthographic, but is affected by the distortion model (available in distortion mode only). This grid can be used for manual calibration -- distorted lines of grids are equal to straight lines in the footage": "",
    "Displays a list of :ref:`recently <other-file-open-options>` saved blend-files to open": "",
    "Displays a popover window that allows editing the custom expression and input variables of the driver without opening the full *Drivers Editor*": "",
    "Displays a warning at the top right of the *3D Viewport*, when moving objects, if *Auto Keyframe* is on": "",
    "Displays information such as track name and status of the track (if it is keyframed, disabled, tracked or estimated). Names and status for selected tracks are displayed": "",
    "Displays the internal name of the linked Data-Block, which can be edited as a regular text field. If a name is already assigned, Blender will add a digit to the name like \".001\"": "",
    "Displays the metadata if they were set in the render tab's :doc:`/render/output/properties/metadata` panel": "",
    "Displays the number of :term:`data users <Data User>` of the data. Clicking on user count button will make it a single-user copy, with it linked only to the active object/object's data": "",
    "Displays the text file's line numbers on the left of the `Main View`_": "",
    "Disregards the current name replacing it with the \"new\" name": "",
    "Distance threshold after which selection is made (zero disables)": "",
    "Do not confuse these two constraints. Both of them constraint the location of their owner along a curve, but *Follow Path* is an \"animation-only\" constraint, inasmuch as the position of the owner along the curve is determined by the time (i.e. current frame), whereas the :doc:`Clamp To </animation/constraints/tracking/clamp_to>` *constraint* determines the position of its owner along the curve using one of its location properties' values": "",
    "Do not confuse this \"basic\" object parenting with the one that defines the :ref:`chains of bones <armature-bone-chain>` inside of an armature. This constraint is used to parent an object to a bone (the so-called :doc:`object skinning </scene_layout/object/editing/parent>`), or even bones to bones. But do not try to use it to define chains of bones": "",
    "Do not embed video tutorials as a means of explaining a feature, the writing itself should explain it adequately. (Though you may include a link to the video at the bottom of the page under the heading ``Tutorials``)": "",
    "Do not import invisible USD primitives. Only applies to primitives with a non-animated `visibility <https://graphics.pixar.com/usd/docs/USD-Glossary.html#USDGlossary-Visibility>`__ attribute. Primitives with animated visibility will always be imported": "",
    "Do not mistake this tool with the :ref:`smooth shading <modeling-meshes-editing-normals-shading>` options, they do not work the same! This tool modifies the mesh itself, to reduce its sharpness, whereas *Set Smooth*, *Auto Smooth*, ... only control the way the mesh is shaded, creating an *illusion* of softness, but without modifying the mesh at all": "",
    "Do not use animated ``.gif`` files, these are hard to maintain, can be distracting and are usually large in file size. Instead use a video if needed (see `Videos`_ below)": "",
    "Do not use native pixel size, for high resolution displays (MacBook ``Retina``)": "",
    "Do the following: Select the whole atomic structure with the mouse then use :ref:`bpy.ops.object.duplicates_make_real`. With this you produce real independent objects! In the Outliner delete the remaining instancing vertices structures, named like \"Carbon\", \"Hydrogen\", etc": "",
    "Documentation can be found in the :doc:`Compositing </compositing/index>` section": "",
    "Documentation is in the :doc:`Render </render/shader_nodes/index>` section": "",
    "Does the same as *Hook to New Object*, but instead of hooking the vertices to a new empty, it hooks them to the selected object (if it exists). There should be only one selected object (besides the mesh being edited)": "",
    "Does the same as *Hook to New Object*, but it sets the last selected bone in the also selected armature as a target": "",
    "Domain that the attribute is transferred to. For example, it is possible to transfer a point attribute from one geometry to the face domain of another geometry. In *Auto* mode, the node tries to guess the domain based on what domain the attribute belongs to": "",
    "Double :kbd:`Alt-LMB`": "",
    "Double :kbd:`LMB`": "",
    "Double :kbd:`LMB`-click to rename the collection": "",
    "Download the Linux version for your architecture and uncompress the file to the desired location (e.g. ``~/software`` or ``/usr/local``)": "",
    "Download the `Steam client <https://store.steampowered.com/>`__ for your operating system. Once installed, open the client and login to your Steam account, or create one if you haven't already. Once logged in, navigate to the *Store* tab, search for \"Blender\", and press the green installation button. Blender should now be available in the *Library* tab of the Steam client": "",
    "Drag *Evaluation Time* to see how the shapes succeed one to the next": "",
    "Dragging :kbd:`LMB` on an object will move it. To confirm this (and other) transform, an :kbd:`LMB` is necessary by default. When this option is activated, the release of :kbd:`LMB` acts as confirmation of the transform": "",
    "Dragging from an area corner **outward** will *join* two areas. The area that will be closed shows a dark overlay. You can select which area will be closed by moving the mouse over areas. Release the :kbd:`LMB` to complete the join. If you press :kbd:`Esc` or :kbd:`RMB` before releasing the mouse, the operation will be canceled": "",
    "Dragging object data-blocks from the Outliner to the :doc:`3D Viewport </editors/3dview/index>` creates a :doc:`duplicate </scene_layout/object/editing/duplicate>` of the object. Dragging *object data* data-blocks from the Outliner to the 3D Viewport creates a :doc:`linked duplicate </scene_layout/object/editing/duplicate_linked>` of the object": "",
    "Dragging with :kbd:`LMB` over the headers will expand or collapse many at once": "",
    "Dragging with :kbd:`LMB` starts a :ref:`box selection <tool-select-box>`": "",
    "Draw Mode is selected with the *Mode* menu in the 3D Viewport header. Once Draw Mode is activated, the Toolbar of the 3D Viewport will change to Draw Mode specific panels. Also a circle with the same color as the active material will appear and follow the location of the cursor in the 3D Viewport": "",
    "Draw annotations on an imaginary plane that goes through the :doc:`/editors/3dview/3d_cursor` and is aligned to your view": "",
    "Draw brushes are the special type of brushes that uses Grease Pencil for drawing tools. The brush can be changed in the Tool Settings. The different draw brushes (pencil, Ink, marker, etc.) are settings variations of the same *Draw Brush*. You can create many brushes, each with unique settings to get different artistic result while drawing": "",
    "Drawing one frame at a time (traditional animation)": "",
    "Drivers should access object data via *Driver Variables*, rather than direct references in the Python expression, in order for dependencies to be correctly tracked": "",
    "Due to lack of global cache at the moment, each Line Art modifier will run the entire occlusion calculation for itself. So if you have multiple line art modifiers to select different parts of the scene (to apply different styles, etc.), the evaluation will take much longer. There are plans to remedy this in the future, but this is a known limitation for now": "",
    "Due to limits of this node, it is not recommended to rush pre-production rendering under the guise of \"fixing it later\"": "",
    "Duplicates the selected elements, without creating any connections with the rest of the strokes (unlike *Extrude*, for example), and places the duplicate at the location of the original elements": "",
    "During pasting, on the other hand, bone selection has no importance. The copied pose is applied on a per-name basis (i.e. if you had a ``forearm`` bone selected when you copied the pose, the ``forearm`` bone of the current posed armature will get its pose when you paste it -- and if there is no such named bone, nothing will happen...)": "",
    "During the UV unwrapping process, you tell Blender exactly how to map the faces of your object (in this case, a box) to a flat image in the UV Editor. You have complete freedom in how to do this. (Continuing our previous example, imagine that, having initially laid the box flat on the tabletop, you now cut it into smaller pieces, somehow stretch and/or shrink those pieces, and then arrange them in some way upon a photograph that is also lying on that tabletop.)": "",
    "Dynamic Context Menu provides access to many of the menus found in the 3D Viewport's header. It also packs a few features of its own, such as the Cursor menu. Access Menu Search, Tools, Animation, Quick Favorites, Modifiers, Collections and more. It is context sensitive for the 3D Viewport's modes and object sensitive based on object selected in Edit Mode. This add-on pairs well with the :doc:`/addons/interface/brush_menus`": "",
    "EC": "",
    "Each Action data-block forms a top-level channel (see below). Note that an object can have several *Constraint* (one per animated constraint) and *Pose* (for armatures, one per animated bone) F-curve data-blocks, and hence an action can have several of these channels": "",
    "Each armature has 32 :ref:`Layers <bpy.types.Armature.layers>` to organize armatures by \"regrouping\" them into sets of bones. Only bones in active layers will be visible/editable, but they will always be effective (i.e. move objects or deform geometry), whether in an active layer or not. This tool changes which layers are visible in the 3D Viewport. To show several layers at once, :kbd:`Shift-LMB` on the desired layers to view. To move bones to a given layer, use :ref:`bpy.ops.armature.bone_layers`": "",
    "Each armature has 32 layers to organize armatures by \"regrouping\" them into sets of bones. Only bones in active layers will be visible/editable, but they will always be effective (i.e. move objects or deform geometry), whether in an active layer or not. This property changes which layers are visible in the 3D Viewport. To show several layers at once, :kbd:`Shift-LMB` on the desired layers to view. To move bones to a given layer, use :ref:`bpy.ops.armature.bone_layers`": "",
    "Each color that belongs to the palette is presented in a list. Clicking on a color will change the brush's primary *Color* to that color": "",
    "Each crypto layer will be given its own render pass; each of these render passes must be connected to one of these crypto layer inputs. By default there are only four layers, see `Adding/Removing Layers`_ to add more": "",
    "Each editor has a specific purpose, so the main region and the availability of additional regions are different between editors. See specific documentation about each editor in the :doc:`Editors </editors/index>` chapter": "",
    "Each frame is stored in a separate file. How to :ref:`image-formats-open-sequence`": "",
    "Each item on the menu will copy some attributes from the *active* (last selected object) to all the other *selected* items:": "",
    "Each mode is designed to edit an aspect of the selected object. See Tab. :ref:`tab-view3d-modes` below for details": "",
    "Each property has a channel which it is recorded to, for example, ``Cube.location.x`` is recorded to Channel X Location. The *X location* and *Y location* properties can be shared across multiple objects, if all objects have *X location* and *Y location* properties beneath them": "",
    "Each row in the *Outliner* shows a data-block. You can :kbd:`LMB` click the disclosure triangle to the left of a name to expand the current data-block and see what other data-blocks it contains. Holding :kbd:`Shift` when clicking on the disclosure triangle will expand child data-blocks recursively. :kbd:`LMB` Clicking and dragging along disclosure triangles will expand or collapse multiple data-blocks": "",
    "Each shape defines how the object's shape will be at *Evaluation Time* specified in its *Value*": "",
    "Each texture defined with texture nodes can have several outputs, which can then be used for different things. For example, a texture that defines both a diffuse (color) map and a normal map. This can be done by:": "",
    "Edges and vertices not belonging to any face (wire)": "",
    "Edges connected to three or more faces (interior faces)": "",
    "Edges meet at a sharp point but in addition, two extra vertices are introduced near the point so that the edges and faces at the vertex may be less pinched together than what occurs in the *Sharp* case. The *Spread* slider controls how far the new vertices are from the intersection": "",
    "Edges with a Freestyle Mark (:menuselection:`Edge --> Mark Freestyle Edge`) will be highlighted in the net with a user-defined color and drawing style. This is helpful especially when used on flat edges, which would normally not be drawn at all. If you draw a shape with the *Knife* tool and then mark some of the edges as Freestyle ones, you can make a simple line drawing on the model": "",
    "Edit Mode (Vertex or Edge select modes)": "",
    "Edit mesh vertex/edge/face toggle (:kbd:`Shift` extends, :kbd:`Ctrl` expands)": "",
    "Editor Layout": "",
    "Either in only *the first* or in *all frames*, the atomic structure is put into the origin (0.0, 0.0, 0.0) of the 3D world": "",
    "Empty Displays settings can be accessed from :menuselection:`Properties --> Object Data --> Empty` panel": "",
    "Empty used as a hook to manipulate a vertex group (right eye of the monkey)": "",
    "Empty: ``POINT`` or (wip: ``INSERT``)": "",
    "Enable :menuselection:`Edit --> Interface --> Translation`, and choose the *Language* and what to translate from *Interface*, *Tooltips* and *New Data*": "",
    "Enable :ref:`Developer Extras <prefs-interface-dev-extras>`": "",
    "Enable All QCD Slots Isolated. (Enables all QCD slots and disables any non QCD slots)": "",
    "Enable Channel Setting: :kbd:`Shift-Ctrl-W`": "",
    "Enable automatic Python script execution (default)": "",
    "Enable debug messages for virtual reality contexts. Enables the OpenXR API validation layer, (OpenXR) debug messages and general information prints": "",
    "Enable event simulation testing feature ``bpy.types.Window.event_simulate``": "",
    "Enable interface text :term:`Anti-Aliasing`. When disabled, texts are rendered using straight text rendering (filling only absolute pixels)": "",
    "Enable logging categories, taking a single comma separated argument. Multiple categories can be matched using a ``.*`` suffix, so ``--log \"wm.*\"`` logs every kind of window-manager message. Sub-string can be matched using a ``*`` prefix and suffix, so ``--log \"*undo*\"`` logs every kind of undo-related message. Use \"^\" prefix to ignore, so ``--log \"*,^wm.operator.*\"`` logs all except for ``wm.operators.*`` Use \"*\" to log everything": "",
    "Enable or disable selection (to make an object \"unselectable\" in the 3D Viewport)": "",
    "Enable or disable slider projection mode. When on, distortion is only applied horizontally. Disables *Jitter* and *Fit*": "",
    "Enable overrides in this section to change the color of individual elements in the QCD Move Widget (colors default to the current theme)": "",
    "Enable the *Developer Extras* Option in :menuselection:`Preferences --> Interface --> Display` panel, a checkbox will appear in :menuselection:`Display & Shading Menu --> Viewport Overlay --> Developer --> Indices`": "",
    "Enable with ``-y`` or ``--enable-autoexec``": "",
    "Enable/disable a channel's setting (selected in the menu that pops up)": "",
    "Enables *Auto Keyframe* by default for new scenes": "",
    "Enables :doc:`Auto Save </troubleshooting/recover>`. Tells Blender to *automatically* save a backup copy of your work-in-progress files to the :ref:`temp-dir`": "",
    "Enables library overrides automatic resync detection and process on file load. Disable when dealing with older blend-files that need manual Resync (Enforce) handling": "",
    "Enables limits that the *Property Value* slider can be adjusted to without having to input the value numerically": "",
    "Enables the automation on the selected axis. Multiple axis or none can be selected holding :kbd:`Shift-LMB`. When enabled the controls of the last bones will copy the rotations from the previous ones. The option is accessible in the controls of the final rig as a Copy Rotation constraint and can be disabled even after rig is generated, or at animation time": "",
    "Enables/disables drawing in the :doc:`View Layer </scene_layout/view_layers/index>`": "",
    "Enabling alteration of the degree of influence this strip has as a keyframable value. If influence isn't animated, the strips will fade linearly, during the overlap. These can be found in the Dope Sheet or Graph Editors under the *NLA Control Curves* and look like group channels. They appear before all the groups or F-curves for that channel": "",
    "Enabling previews adds 65536 bytes to the size of each blend-file (unless it is compressed)": "",
    "End option processing, following arguments passed unchanged. Access via Python's ``sys.argv``": "",
    "Enlarge (positive numbers) or shrink (negative numbers) the matte by the specified number of pixels. This is similar to using the :doc:`Dilate/Erode Node </compositing/types/filter/dilate_erode>` on the matte": "",
    "Enter :kbd:`Ctrl-X` to quit": "",
    "Enter :kbd:`Y` to save the modified buffer": "",
    "Enter Edit Mode and select the new shape key in the properties panel. Adjust the vertices as desired. Select the *Basis* key to toggle between the original mesh and your edits. (Note: be careful to apply edits only to your shape and not to the original mesh or other existing keys.)": "",
    "Enter Object Mode and with the object selected: :menuselection:`Sidebar --> Create --> Ivy Generator panel` adjust settings and choose *Add New Ivy*": "",
    "Enter the following in a command line (effective at next login):": "",
    "Enter the meta-rig Pose Mode. Rotate, scale, and translate the bones in the correct position. When bones are in correct positions (always staying in Pose Mode) use :menuselection:`Apply --> Apply Pose As Rest Pose`": "",
    "Entering :kbd:`Tab` in the Text Editor adds the appropriate number of spaces instead of using characters": "",
    "Entire curve smoothed over 20 times by holding :kbd:`Shift-R` to repeat last step": "",
    "Envelopes is the most general skinning method. It works with all available object types for skinning (meshes, lattices, curves, surfaces and texts). It is based on proximity between bones and their geometry, each bone having two different areas of influence, shown in the *Envelope* visualization:": "",
    "Environment variables (``TEMP`` on Windows, ``TMP`` & ``TMP_DIR`` on other platforms)": "",
    "Equation in the form :math:`y = (Ax + B)(Cx + D)`": "",
    "Equation in the form :math:`y = x^1 + x^2 + ... + x^n`": "",
    "Erase brushes are the special types of brushes that uses Grease Pencil for *Erase* tools. The brush can be changed in the Tool Settings. Soft and hard eraser brushes are settings variations of the same *Erase Brush*. You can create many brushes, each with unique settings to get different effects while erasing. The *Erase Brush* has also other two special eraser types: point and stroke": "",
    "Euler orders in Blender are most intuitive when read backwards: *XYZ Euler* is similar to rotating around *Local Z* using the *Rotate* tool in the 3D Viewport, followed by *Local Y* and then *Local X*": "",
    "Evaluating both owner and target in a :ref:`Custom Space <rigging-constraints-interface-common-space-types>` using the root bone or any other suitable parent bone will automatically scale the effective distance with the relevant part of the rig": "",
    "Evaluation time (in seconds)": "",
    "Even if any type of object seems to be accepted by the *Object* field (meshes, curves, even metas...), only meshes really work. All other types just make the bone invisible": "",
    "Even though it might be used for completely static purposes, posing is heavily connected with animation features and techniques. So if you are not familiar at all with animation in Blender, it might be a good idea to read the :doc:`animation chapter </animation/index>` first, and then come back here": "",
    "Even though it might not be in red state (UI refresh problems...), this constraint is obviously not functional when this field does not contain a valid action": "",
    "Even with the *Proportional Size* set to it's minimum, it will extrude the selected face as well as the new geometry and they will be layered on top of each other": "",
    "Every Editor in Blender is divided into Regions. Regions can have smaller structuring elements like :doc:`tabs and panels </interface/window_system/tabs_panels>` with buttons, controls and widgets placed within them": "",
    "Every data-block has its usage counted (reference count), when there is more than one, you can see the number of current users of a data-block to the right of its name in the interface. Blender follows the general rule that unused data is eventually removed": "",
    "Every island of selected vertices (connected by selected edges) will merge on its own median center, leaving one vertex per island": "",
    "Every layer correspond to a channel in the Dope Sheet editor (in Grease Pencil mode). See :doc:`Dope Sheet </editors/dope_sheet/grease_pencil>` for more information": "",
    "Exactly like standard children objects. You can modify this behavior on a per-bone basis, using the Relations panel in the *Bones* tab:": "",
    "Example OSL shaders which can be accessed from :menuselection:`Text Editor --> Templates --> Open Shading Language`": "",
    "Example command line arguments that load Blender with a custom application template (replace ``my_app_template`` with the name of your own template):": "",
    "Example from the `Mango Open Movie <https://mango.blender.org/>`__, Tears of Steel": "",
    "Example node setup showing \"Darken\", \"Enhance Contrast\" and \"Mix\" nodes for composition": "",
    "Example scripts which can be accessed from :menuselection:`Text Editor --> Templates --> Python`": "",
    "Example: ``self.location.x`` applied to the Y rotation property of the same object will make the object tumble when moving": "",
    "Exclude Checkbox. (Excludes the collection from the current view layer -- affects both 3D Viewport and render -- non-chaining.)": "",
    "Excludes the collection from the current view layer -- affects both 3D Viewport and render -- non-chaining": "",
    "Execute an operator based on its name (:ref:`Developer Extras <prefs-interface-dev-extras>` only)": "",
    "Executes the text as a Python script :kbd:`Alt-P`. See `Template Menu`_": "",
    "Executes the text as a Python script, see `Running Scripts`_ for more information": "",
    "Experiment with posing the armature and observe the deformation at the joint. To fix intersection problems or angles that look unsatisfactory, you can associate a :doc:`Shape Key </animation/shape_keys/index>` with a pose": "",
    "Explicit conversion requires the use of a conversion node for example the :doc:`/render/shader_nodes/converter/shader_to_rgb` node or the :doc:`/render/shader_nodes/converter/rgb_to_bw` node. The :doc:`/render/shader_nodes/converter/math` node also contains some functions to convert between degrees and radians": "",
    "Explicitly specifies the :term:`Euler` rotation order to use": "",
    "Export NURBS 3D geometry (``BODY``, ``REGION``, ``PLANESURFACE``, ``SURFACE``, ``3DSOLID``) to ACIS-Sat files, since this is the format AutoCAD stores NURBS to DXF. You are going to be notified about the amount of stored ``.sat``/``.sab`` files": "",
    "Export keying set to a Python script ``File.py``. To re-add the keying set from the ``File.py``, open then run the ``File.py`` from the Text Editor": "",
    "Exporter Limitations": "",
    "Exporting to USD Files": "",
    "Expressions beginning with ``#`` have a special use. Instead of evaluating the value and discarding the expression, a driver is added to the property with the expression entered": "",
    "Extend the selection one data-block at a time using :kbd:`Ctrl-LMB`. Each data-block added to the selection this way will be made the active data-block": "",
    "Extends the 'Make Edge/Face' functionality": "",
    "Extensions (listed below)": "",
    "External data, like texture images and other resources, can be stored inside the blend-file (packed) or as separate files (unpacked). Blender keeps track of all unpacked resources via a relative or absolute path. See :ref:`pack or unpack external Data <pack-unpack-data>`": "",
    "Extracts a :ref:`Color Palette <ui-color-palette>` from the image for use by other tools": "",
    "Extrapolate disabled: the output values are bounded inside the (1.0 to 2.0) range": "",
    "Extrapolate enabled: the output values are \"free\" to proportionally follow the input ones": "",
    "Extras (custom properties)": "",
    "Extrude edges as individual edges, use :kbd:`Alt-E` to access the *Extrude Edges*": "",
    "Extrude vertices as individual vertices, use :kbd:`Alt-E` to access *Extrude Vertices*": "",
    "Extruded by 0.5 (Object Mode)": "",
    "Eyeball and Iris Deforms": "",
    "Eyelid Detach Option": "",
    "Eyelids Follow Default": "",
    "F2 (also known as the 'spider-script') extends Blender native functionality of creating faces. It allows you to create a face from a single vertex selection or a single edge selection, while retaining all the built-in functionality": "",
    "Face Corner domain attributes are associated with the corners of the faces of the mesh. An example is the ``UVMap`` attribute": "",
    "Face Maps create custom gizmos to deform meshes by assigning faces to *Face Maps*. They can be used to rig quickly within Object Mode and without making complicated rigging setups. Face Maps are currently not fully implemented in Blender and require add-ons to take full advantage of this feature": "",
    "Face where, if lines were drawn from each vertex to every other vertex, all lines would remain in the face. Opposite of a :term:`Concave Face`": "",
    "Faces with no areas (faces on a point or thin faces)": "",
    "Factor Start/End": "",
    "Factor to unfocus the *HDRI Environment*, note that this does not change the diffusion of the lighting, only the appearance of the colors": "",
    "Falloff Along Chain Curve": "",
    "Falloff type for *Smoothness*, changes the shape of the profile": "",
    "Fast fake caustics (somewhat like Blender Ray Transparency)": "",
    "Fat edges (larger *Edge Kernel Radius*, like 8 / smaller *Edge Kernel Tolerance*, like 0.05) will capture more edge detail, but may also produce a halo around the subject. The halo can be adjusted with *Feather* controls along with *Dilate/Erode*": "",
    "Fig. :ref:`fig-mesh-screw-ramp` shows an example using a different profile, but maintaining the beginning and ending vertices at the same position. The generated mesh looks like a medieval ramp!": "",
    "Figure 1 shows the combined Sequencer & Preview View Type. It looks very much alike the default Video Editing Workspace (but without the File Browser, Properties and Timeline editor). It is however only one instance of the Video Sequence Editor with the View Type Sequencer & Preview, while the workspace contains two instances. As a result the combi-view has only one sidebar and one toolbar with all the tools and properties of both view types": "",
    "File Format & Output (file path, format, compression settings, etc.)": "",
    "File Packing, supports file contents being packed into the blend-file (**not** applicable for most data-blocks which have no file reference)": "",
    "Fill brushes are the special type of brushes that uses Grease Pencil for the *Fill* tools. The brush can be changed in the Tool Settings. The different fill brushes are settings variations of the same *Fill Brush*. You can create many brushes, each with unique settings to get different result when filling areas": "",
    "Fill determines the way a curve is displayed when it is beveled (see below for details on Beveling). When set to *Half* the curve is displayed as half a cylinder": "",
    "Fill with a single :term:`N-gon`": "",
    "Fills the curve after applying all modifications that might deform the curve (i.e. shape keys and modifiers)": "",
    "Filter collections by selected objects (show only collections that contain the selected objects)": "",
    "Filter collections by those designated as QCD slots (show only collections that correspond to a QCD slot). Shown only if QCD is enabled in the preferences": "",
    "Filter items by name. The wildcard ``*`` will match anything, e.g. ``bl*er`` will match both ``blender`` and ``blogger``. There is always an implicit wildcard at start and end of the search text, so ``blender`` will also match ``test_blender_file.blend``. This field can also be used to filter some specific file extension (e.g. ``.png`` will list all PNG files)": "",
    "Filters the effect of the brush over the strokes. Applies to *Smooth* and *Randomize* brushes only": "",
    "Filters which :doc:`Add-ons </addons/index>` are enabled in the active workspace. Keeping the checkbox in the header enables all global add-ons, enabling the checkbox allows you to individually enable add-ons from the list": "",
    "Finalize the positioning by taking care of bone rolls (the X axis is set as bend axis)": "",
    "Finally, set *Target* to the curve that should control the curve": "",
    "Finally, set the *Target* field to the curve that should control the curve": "",
    "Finally, you can edit in the *Transform* panel in the Sidebar region the positions and radius of both joints of the active selected bone, as well as its :ref:`roll rotation <armature-bone-roll>`": "",
    "Find the table for the languages in ``var all_langs = {..};``": "",
    "Finger axis alignment can be easily be made consistent by selecting all the finger bones and recalculating the bone rolls :menuselection:`Recalculate Roll --> Global -Z Axis`": "",
    "First of all, the File Browser has the option **Trusted Source** which you can use on a case-by-case basis to control auto execution. However, you may forget to set this, or open a file without going through the File Browser -- so you can change the default (described next)": "",
    "First person :ref:`Fly/walk Navigation <3dview-fly-walk>`": "",
    "First you should give your bones meaningful base-names, like \"leg\", \"arm\", \"finger\", \"back\", \"foot\", etc": "",
    "First, go to menu :menuselection:`File --> New --> 2D Animation` to start with a new 2D animation template. The template is ready to quick start your animation with a Grease Pencil object already created, Onion Skinning activated, Auto Keyframe enabled and in camera view": "",
    "Firstly, the algorithm assigns every edge a \"priority\", depending on its angle and length. Edges with higher priority will more probably be cut apart in the final net. Shorter edges have higher priority (they are easier to glue on) and sharper angles too (that makes the net easier to visually understand)": "",
    "Fixed keyframe interpolation (set in :menuselection:`Key --> Interpolation Mode`)": "",
    "Flatten the *Bézier* handles for the selected keyframes": "",
    "Flattens the mesh surface by cutting along :doc:`seams </modeling/meshes/uv/unwrapping/seams>`. Useful for organic shapes": "",
    "Following video is a small animation of a solar system created using (among a few others) the previously described technique:": "",
    "For \"Continue trace\" is able to recover the point at which your last render stopped and continue it from there (even if you switched off your computer)": "",
    "For *Actions* the X axis represents time, the Y axis represents the value to set the property": "",
    "For *Armatures*, this will display the object keyframes, and the keyframes for the active and selected pose bones": "",
    "For *faces* the transformation occurs around the median of the vertices of the selected face": "",
    "For :ref:`rendering animation <command_line-render>`": "",
    "For DXF files with a block being referenced many times, this option allows to insert the same block many times with one instanced-face object instead of with one object for each time the block needs to be inserted. Unfortunately this works only for block inserts that are uniformly scaled. Non-uniformly scaled block inserts are being imported as defined in *Blocks As*": "",
    "For Grease Pencil Weight Paint modes each brush type is exposed as a tool, the brush can be changed in the Tool Settings. See :doc:`Brush </grease_pencil/modes/weight_paint/tool_settings/brush>` for more information": "",
    "For Grease Pencil sculpt modes each brush type is exposed as a tool, the brush can be changed in the Tool Settings. See :doc:`Brush </grease_pencil/modes/sculpting/tool_settings/brush>` for more information": "",
    "For Linux users, you will have to check with your distribution's software center for a version of Poedit. This editor is only a recommendation. There are others, such as Kate and Kwrite, that could offer syntax highlighting and basic tools for text editing, e.g. letter case transposes. Other platforms can use some text editors supporting the syntax highlighting for PO files, or allowing you to create a custom one (such as Notepad++ on Windows)": "",
    "For Python development, to see the output of the ``print()`` function": "",
    "For a complete overview of animation in Blender please refer to the :doc:`Animation & Rigging </animation/index>` chapter": "",
    "For a given incident vector A, surface normal B and ratio of indices of refraction (IOR) refract outputs the refraction vector R": "",
    "For a given incident vector A, surface normal B and ratio of indices of refraction (IOR), refract outputs the refraction vector R": "",
    "For a great simplification of the process, all nets are packed into (smallest possible) bounding rectangles. These are then ordered by size (largest first) and in this order the algorithm tries to position them on a page. The positions tested for the lower left corner are given by an n × n grid resulting from all the corners of islands already positioned. A position is accepted or rejected by checking overlaps with each of the islands' bounding rectangles": "",
    "For a rough rule of thumb, values within -5,000/+5,000 are typically reliable (range of 10,000). Internally *single precision* floating-point calculations are used": "",
    "For a seamless blend where there is overlap, *Key 1* should have a *Value* of 0.0 when the bone is at the bottom and increase linearly to 1.0 until the bone is past the midpoint height. *Key 2* should have a value of 0.0 before the midpoint height and then increase at the same rate than *Key 1* until reaching *Value* 1.0 when the bone is at maximum height": "",
    "For accuracy you should use two perpendicular orthogonal 3D Viewports, i.e. any combination of top :kbd:`Numpad7`, front :kbd:`Numpad1` and side :kbd:`Numpad3`. That way you can control the positioning along two axes in one view and determine depth in the second view": "",
    "For all selected objects, removes all empty and unused material slots (not assigned to any polygons). Due to Blender's current limitations, available only in Object Mode (the option will be grayed out in Edit Mode)": "",
    "For all the scenarios listed above (not all were listed, mind you...) the ``bpy`` module provides functionality to access and modify data": "",
    "For an illustrated explanation of all the tool settings visit the `script home page <https://sites.google.com/site/bartiuscrouch/looptools>`__": "",
    "For automation and batch processing which require launching Blender with different :doc:`arguments </advanced/command_line/arguments>`": "",
    "For bone motion paths, it searches the whole Action for keyframes instead of in groups with matching name only (this is slower)": "",
    "For bone nodes which are leaf nodes in the armature tree, or if a bone has more than one child, a Blender profile for tip with an ``<extra>`` tag, is added for those joint nodes. To correctly derive the bone-to-tail location on re-import": "",
    "For compositing and rendering, :term:`Premultiplied Alpha` is the standard in Blender. Render layers will be premultiplied alpha, and images loaded into rendering or compositing will be converted to this": "",
    "For control of the curve, it is recommended that hooks (in particular, Bone Hooks) are used to control the control points of the curve, with one hook per control point. In general, only a few control points should be needed for the curve (e.g. one for every 3-5 bones offers decent control)": "",
    "For controls see :ref:`ui-color-ramp-widget`": "",
    "For curves using a *Taper Object*, this option defines how the effective curve radius is computed from the Taper Object": "",
    "For curves using a Taper Object and with modifications to the *Start/End Bevel Factor* the *Map Taper* option will apply the taper to the beveled part of the curve (not the whole curve)": "",
    "For descriptions of the different marker tools see :ref:`Editing Markers <animation-markers-editing>`": "",
    "For descriptions of the different marker tools, see :ref:`Editing Markers <animation-markers-editing>`": "",
    "For deselecting items, use :kbd:`MMB`, or :kbd:`Shift-LMB`. To move the selection area hold :kbd:`Ctrl-Spacebar` while moving the cursor": "",
    "For docs on extending menus, see: :class:`blender_api:bpy.types.Menu`": "",
    "For each merged control, one of the chains is selected as the owner, based on heuristic factors like parent depth from root, presence of ``.T``/``.B`` ``.L``/``.R`` symmetry markers, and even alphabetical order as the last resort. This can be overridden by an explicit priority setting in cases when it guesses wrong": "",
    "For each selected control point, if *all* points linked to this point are selected, keep this one selected. Otherwise, deselect it": "",
    "For each selected control point, select *all* its linked points (i.e. one or two...)": "",
    "For each selected point, if *all* points linked to this point are selected, keep this one selected. Otherwise, deselect it": "",
    "For each selected point, select *all* its linked points (i.e. one or two...)": "",
    "For example if you are animating a rocket launch, it will be the Z axis because the main direction of the launch path is up. The default *Auto* option chooses the axis which the curve is longest in (or X if they are equal). This is usually the best option": "",
    "For example, a human elbow cannot rotate backward (unless the character has broken their arm), nor to the sides, and its forward and roll rotations are limited in a given range. (E.g. depending on the rest position of your elbow, it may be from (0 to 160) or from (-45 to 135).)": "",
    "For example, color and float sockets can both be placed into one another. Once a socket conversion is made data may be lost and cannot be retrieved later down the node tree. Implicit socket conversion can sometimes change the data units as well. When plugging a *Value* input node into an angle socket will default to use radians regardless of the scene :ref:`bpy.types.UnitSettings`. This happens because the value node has no unit while the angle input does": "",
    "For example, if you have *Mesh* checked, then a full copy of the mesh data is created with the new object, and each mesh will behave independently of the duplicate. If you leave the mesh box unchecked then when you change the mesh of one object, the change will be mirrored in the duplicate object": "",
    "For example, if you have an armature which consists of three bones named \"BoneA\", \"BoneB\" and \"BoneC\" and cube mesh called \"Cube\". If you parent the cube to the armature, the cube will get three new vertex groups created on it called \"BoneA\", \"BoneB\" and \"BoneC\". Notice that each vertex group is empty": "",
    "For example, if your last operation was a rotation in *Object Mode*, Blender will show you the last value changed for the angle (see Fig. :ref:`fig-interface-redo-last-object-mode` left), where you can change your action back completely by typing :kbd:`Numpad0`. There are other useful options, based on the operator, and you cannot only Undo actions, but change them completely using the available options": "",
    "For example, the *Inverse* selection option :kbd:`Ctrl-I` inverts the selection of bones' joints, not of bones (see *Inverse selection*)": "",
    "For example, when you press :kbd:`X`, during the execution of the operation, it will constrain the transformation to the *Global* X axis. But if you press :kbd:`X` a second time it will constrain to your *Transform Orientation*\\ 's X axis": "",
    "For general terminology, consider defining a ``:term:`` in the :doc:`glossary </glossary/index>`": "",
    "For historical reasons, the *Mix* mode defaults to *Add* for location and rotation, and *Replace* for scale": "",
    "For image textures (read POV-Ray 3.7 docs before using since it generally needs not be used)": "",
    "For instance, it is common to set the first and last keyframe of an Action to be the same keyframes. The problem with this is if you loop the animation, there is a slight hitch where the same keyframes are played twice. To fix this, simply reduce the *End Frame*": "",
    "For instances when you duplicate the object (with holding :kbd:`Alt`)": "",
    "For instructions on how to add, remove and manipulate the nodes in the tree, see the :doc:`nodes </interface/controls/nodes/index>` reference": "",
    "For loft you can use the same input method as for *Bridge*: selecting groups of faces, or selecting (closed) loops. You can mix input methods. Contrary to Bridge, you can select more than two input groups, and have them bridged consecutively": "",
    "For more control chose *Constant*, that consider a domain in which X and Y go from 0.0 to 1.0": "",
    "For more detailed information on armature display modes please refer to the :doc:`Display panel page </animation/armatures/properties/display>`": "",
    "For more detailed information on bones and rolls refer to the :doc:`Bone Structure </animation/armatures/bones/structure>` and :ref:`armature-bone-roll`": "",
    "For more details on armatures usage, see the :doc:`armature section </animation/armatures/index>`": "",
    "For more information and the description of the other marker tools, see :ref:`Editing Markers <animation-markers-editing>`": "",
    "For more information on how the various data types are handled, see the following descriptions of the `Import Options`_": "",
    "For more practical examples, see :ref:`how to combine shape keys and drivers <shapekey-driver-example>`": "",
    "For more tips, see the :doc:`Positioning Guide </addons/rigging/rigify/bone_positioning>`": "",
    "For most simple 3D models, Blender has an automatic set of unwrapping algorithms that you can easily apply. For more complex 3D models, regular Cubic, Cylindrical or Spherical mapping, is usually not sufficient. For even and accurate projection, use :doc:`seams </modeling/meshes/uv/unwrapping/seams>` to guide the UV mapping. This can be used to apply textures to arbitrary and complex shapes, like human heads or animals. Often these textures are painted images, created in applications like the Gimp, Krita, or your favorite painting application": "",
    "For obvious reasons, a property represented by a curve cannot have more than **one** value at a given time, hence:": "",
    "For operations besides *Equal* and *Not Equal*, the input attributes are converted implicitly to the float data type. For the equality operations on vectors, the distance between the vector inputs is used": "",
    "For operations that are capable of using the :term:`Alpha Channel`, another slider \"A\" is added": "",
    "For optimal deformations, it is recommended that the bones are roughly the same length, and that they are not too long, to facilitate a better fit to the curve. Also, bones should ideally be created in a way that follows the shape of the curve in its 'rest pose' shape, to minimize the problems in areas where the curve has sharp bends which may be especially noticeable when stretching is disabled": "",
    "For option *Ionic radii*, the charge state can be chosen and the radii of selected objects are instantaneously changed. Select one type of atom (e.g. only all hydrogen ones) and then apply the charge state. Changes only apply if a charge state of an atom is available": "",
    "For options see :ref:`bpy.ops.wm.save_as_mainfile`": "",
    "For performance reasons it is best to use the `Simple Expressions`_ subset as much as possible": "",
    "For point cloud objects, every attribute has the *point* domain": "",
    "For precise control of the keyframe position and value, you can set values in the *Active Keyframe* of the Sidebar region": "",
    "For procedural modeling using :doc:`/modeling/geometry_nodes/index`": "",
    "For quadrangular meshes *Quad* option is preferable": "",
    "For rotation channels, specifies the type of rotation data to use, including different explicit :term:`Euler` orders. Defaults to using the Euler order of the target. See `Rotation Channel Modes`_": "",
    "For rotation, allows specifying which :term:`Euler` order to use during evaluation of the constraint. Defaults to using the order of the constraint owner": "",
    "For soft edges, pass the output mask through a slight :doc:`Blur node </compositing/types/filter/blur_node>`": "",
    "For soft edges, pass the output mask through a slight :doc:`Blur node </compositing/types/filter/blur_node>`. For a vignette, pass the output of this through a heavy blur": "",
    "For spreadsheet column types besides Boolean columns and name or \"string\" columns, it is possible to choose which operation to filter with": "",
    "For technical reasons modes other than *After Original (Full)* and *After Original (Aligned)* may not work as expected for constraints on *objects* (not bones) without a parent": "",
    "For text fields with an icon and pop-ups, see :ref:`ui-data-id`": "",
    "For the curve controls see: :ref:`Curve widget <ui-curve-widget>`": "",
    "For the list of available samples, see the :doc:`Rig Types </addons/rigging/rigify/rig_types/index>` page": "",
    "For the most part, *Viewport Render* uses the current viewport settings. Some settings are located in the render panel of the render engine that is used to render the view": "",
    "For the precise list of options, see :doc:`Spline IK </animation/constraints/tracking/spline_ik>` constraint. This section is intended to introduce the workflow": "",
    "For this example the model was shot against a *white* background. Using the Luminance Key node, we get a matte out where the background is white, and the model is black; the opposite of what we want. If we wanted to use the matte, we have to switch the white and the black. How to do this? Color Ramp node to the rescue -- we set the left color to White Alpha 1.0, and the right color to be Black Alpha 0.0. Thus, when the Color Ramp gets in black, it spits out white, and vice versa. The reversed mask is shown; its white outline is usable as an alpha mask now": "",
    "For this operator to work properly, it is crucial that **all** the collections needed by the character are children of the root (linked and instantiated) one. Otherwise, some won't be automatically overridden, and manual work will be needed to fix the override": "",
    "For transform mode, default to :ref:`transform-numeric-input-advanced`, otherwise :ref:`transform-numeric-input-simple` is used": "",
    "For types other than *Automatic*, a bone to use as handle has to be manually selected. Switching to a custom handle type without selecting a bone can be used to effectively disable the handle": "",
    "For vertex-only bevels, the Offset and Depth types measure from the original vertex, and the Width type is measured from a new vertex to the center of the new face (as half the amount)": "",
    "For vertex-only bevels, the Offset and Depth types measure from the original vertex. The Width type is measured from a new vertex to the center of the new face (as half the *Width*)": "",
    "For video editing, a proxy is a smaller version of the original file, typically using an optimized video codec and lower resolution version (faster to load) that stands in for the main image or video": "",
    "For visually distinguishing regular keyframes from different animation events or states (extremes, breakdowns, or other in-betweens) there is the possibility of applying different colors on them for visualization": "",
    "Force sound system to a specific device. ``None`` ``SDL`` ``OpenAL`` ``CoreAudio`` ``JACK`` ``PulseAudio`` ``WASAPI``": "",
    "Forces subdivide to create triangles or quads instead of n-gons (see examples below). This mode doesn't allow the use of *Straight Cut* on quad corners": "",
    "Forces the constraint to take the target's rotation into account. This allows you to have a \"floor\" plane of any orientation you like, not just the global XY, XZ and YZ ones..": "",
    "Forces the edge loop to match the shape of the adjacent edge loop. You can flip to the opposite vertex using :kbd:`F`. Use :kbd:`Alt-Wheel` to change the control edge": "",
    "Formats that can be compiled into Blender, not available on all systems: ``HDR`` ``TIFF`` ``OPEN_EXR`` ``OPEN_EXR_MULTILAYER`` ``MPEG`` ``CINEON`` ``DPX`` ``DDS`` ``JP2``": "",
    "Four vector inputs to define the plane warping. (Z component of vector inputs is ignored.)": "",
    "Frame, Value": "",
    "From 2009 to August 2011": "",
    "From left to right, four *Auto Clamped* keys, one *Vector*, and the rest are *Automatic*": "",
    "From the 3D Viewport select :kbd:`Shift-LMB` all vertices that you want to add to the group": "",
    "From the `Alembic home page <https://www.alembic.io/>`__:": "",
    "Frozen status: ``LAYER_frozen``": "",
    "Full description of the settings for the spline IK can be found on the :doc:`Spline IK </animation/constraints/tracking/spline_ik>` page": "",
    "Fully rigified armature animations (referring to the Rigify add-on). For export of rigified armature animations:": "",
    "Functionalized [5]helicene molecules on the NaCl(001) surface (Clemens Barth et al. -- `Link to publication <https://doi.org/10.1021/jp501738c>`__)": "",
    "Further comprehensive documentation can be found in the co-author's `Github repository <https://github.com/ChrisHinde/MaterialUtilities/blob/master/README.md>`__": "",
    "Furthermore you can also animate a few properties of each constraint using animation curves: e.g. you can animate the *Influence* of a constraint. It is used to first let the camera follow the moon, then the earth, and finally using two *Copy Location* constraints with *Offset* set": "",
    "Fuzzy/Multi-Word name filtering matches word snippets/partial words, instead of having to match everything. It breaks down the search text based on white-space placement. e.g. \"lo ro\" will filter all location and rotation, while \"lc rt\" will *not* work": "",
    "Generally, **you should always translate exactly what is in the text**, and avoid providing updates or extra information": "",
    "Generate Control": "",
    "Generate Deform Bone": "",
    "Generate automatic weight for armatures (requires an Armature modifier)": "",
    "Generate some data-block types' previews (you can choose which in its options), in one or more blend-files on your drive. You should not use this operator on the file currently opened in Blender": "",
    "Generates a default UV unwrapping of new geometry. This will be defined in the first UV layer (which will get added if needed)": "",
    "Generates a simple tongue, extracted from the original PitchiPoy ``super_face`` rig": "",
    "Generic B-Bone Chain": "",
    "Geometry 2 is subtracted from geometry 1 (everything outside of geometry 2 is kept)": "",
    "Geometry Processing": "",
    "Gives a list of different :ref:`objects types <objects-types>` that can be added to a scene": "",
    "Global illumination: Radiosity (indirect lighting), photons caustics (reflect/refract), mesh lights": "",
    "Glue Mode": "",
    "Go into Edit Mode and select the vertices you want to relax. To execute the script either :menuselection:`Context Menu --> Relax` or use :menuselection:`Mesh --> Vertices --> Relax` instead": "",
    "Go into any paint mode (Image Painting, Texture Paint, Vertex Paint, Weight Paint) and look for the Palette panel corresponding to that mode": "",
    "Go to the *Display* panel *Custom Shape* field and select the 3D object previously created in the scene; in this example we are using a cube and a cone. You can optionally set the *At* field to another bone": "",
    "Go to the bottom of the file, and enter ``/Applications/Blender.app/Contents/MacOS``": "",
    "Gradient plate generated by *Keying Screen*": "",
    "Graph Editor's :ref:`graph-view-menu`": "",
    "Graphics tablets, however, typically use *absolute* positioning, this feature is disabled when a tablet is being used": "",
    "Grease Pencil has its own mode in the Dope Sheet to work with keyframes. See Grease Pencil mode in the :doc:`Dope Sheet </editors/dope_sheet/grease_pencil>` section for more information. There are also several tools on the Stroke menu to work with keyframes and strokes. See :doc:`Animation tools </grease_pencil/animation/tools>` for more information": "",
    "Grease Pencil materials are data-blocks that can be :doc:`assigned </render/materials/assignment>` to one or more objects, and different materials can be assigned to different strokes": "",
    "Grease Pencil materials can be created in the :doc:`Material properties </editors/properties_editor>` as any other materials in Blender. See :doc:`Material assignment </render/materials/assignment>` for more information": "",
    "Grease Pencil materials use a special :doc:`shader </grease_pencil/materials/properties>` that define the appearance of the surface of the stroke and fill": "",
    "Grease Pencil object has three main basic components: *points*, *edit lines* and *strokes*": "",
    "Grease Pencil objects each have a list of 2D layers for grouping and arranging strokes in a :ref:`List view <ui-list-view>`. Any stroke can only belong to a single 2D layer. There is always only one active layer in the list (the selected one). When you draw, the new strokes are added to the active layer. By default the view order of the layers in the viewport is top to bottom": "",
    "Grease Pencil stores \"dynamic\" data, i.e. how fast strokes are drawn. When converting to curve, this data can be used to create an *Evaluate Time* F-curve (in other words, a path animation), that can be used e.g. to control another object's position along that curve (*Follow Path* constraint, or, through a driver, *Curve* modifier). So this allows you to reproduce your drawing movements": "",
    "Group: ``BLOCK`` and ``INSERT``": "",
    "Groups (green)": "",
    "Guides are drawing aids that make it easier to create different types of strokes. The Guides can be activated with the button next to the selector (grid icon)": "",
    "HH": "",
    "Hair (exported as curves, and limited to parent strands)": "",
    "Handle smoothing mode comparison. Yellow: *None*, Cyan: *Continuous Acceleration*": "",
    "Handle smoothing modes. Yellow: *None*, Cyan: *Continuous Acceleration*": "",
    "Handle types are a property of :ref:`Bézier curves <curve-bezier>` and can be used to alter features of the curve. For example, switching to *Vector handles* can be used to create curves with sharp corners. Read the :ref:`Bézier curves <curve-bezier-handle-type>` page for more details": "",
    "Has a similar effect as the similar named option of the *Unfold* tool, but not the same. It will create a new UV map that exactly reflects the placement of all the model's islands. Unfortunately, islands from all pages are placed on top of each other, and it is quite impossible to tell them apart": "",
    "Have a basic understanding of classes (object orientation) in Python": "",
    "Have an understanding of Python primitive types (integer, Boolean, string, list, tuple, dictionary, and set)": "",
    "Having at least one vector line, you can add other closed support profiles that will follow this vector during the extrusions (see `Limitations`_). The direction of the extrusions is calculated by two determinant factors, the point of view in Global Space and the position of the cursor in the 3D Viewport using Global coordinates. The profile and the vector must be fully selected in *Edit Mode* before you click the *Screw* button (see `Limitations`_). When you have the vector for the open profile and the other closed profiles selected, click the *Screw* button": "",
    "Having dozens of markers scattered throughout your scene's time will not help you much unless you know what they stand for. You can name a marker by selecting it, pressing :kbd:`Ctrl-M`, typing the name, and pressing the OK button": "",
    "Header (green), Main region (yellow), Toolbar (blue), Sidebar (red) and Adjust Last Operation panel (pink)": "",
    "Header (red), Preview (yellow), Sequencer (blue), Properties (gray), Panels & Tabs (yellow), Toolbar (purple)": "",
    "Height of the ellipse as a fraction of the total image *width*, not height. Equal *Width* and *Height* values with produce a circle": "",
    "Held key (the two keyframes are identical)": "",
    "Help *(context sensitive)*": "",
    "Here are nodes to move points along the normals of a mesh or points from the :doc:`Point Distribute </modeling/geometry_nodes/point/point_distribute>` node. First the normal attribute is moved to the *point* domain. Then it is normalized, the length is changed, and it is added to the position. The *Factor* input could instead be an attribute to vary the displacement per point": "",
    "Here are some common steps for using the *Measure* tool:": "",
    "Here are some preferences that you may wish to set initially. The full list and explanation of the Preferences are documented in the section :doc:`Preferences </editors/preferences/index>`": "",
    "Here is a simple \"hand writing\" video created with curves converted from sketch data:": "",
    "Here is a small node tree showing the effects of two other common uses for the RGB Curve: *Darken* and *Contrast Enhancement*. You can see the effect each curve has independently, and the combined effect when they are *mixed* equally": "",
    "Here we talk of *scale*, not of *size*! Indeed, you can have two objects, one much bigger than the other, and yet both of them have the same scale. This is also true with bones: in *Pose Mode*, they all have a unitary scale when they are in rest position, represented by their visible length": "",
    "Here you can see the *Keyframes* (diamond shapes), *Playhead* (blue handle), *Scrollbar* (along the bottom)": "",
    "Here you can specify a curve object (opened or closed) which will be extruded along the curve. If your object's :ref:`shape <bpy.types.Curve.dimensions>` is 3D, it will be projected to its local XY plane before the extrusion. You can check how the projected Object looks like by switching its shape to 2D": "",
    "Here you find the menus, a first group of controls related to the editor \"mode\", a second one concerning the action data-blocks, and a few other tools (like the copy/paste buttons, and snapping type)": "",
    "Hexadecimal (Hex) values are expressed as ``RRGGBB``. Shorthand hex colors are also supported as ``RGB``, e.g. dark-yellow ``FFCC00``, can be written as ``FC0``": "",
    "Hide System Bookmarks in the *File Browser*": "",
    "Hide files which start with ``.`` on File Browsers and ID selector": "",
    "Hide points from the end of each stroke to the start, from last to first stroke. (Simulating lines being erased.)": "",
    "Hide points in the order they occur in each stroke, from first to last stroke. (Simulating ink fading or vanishing after getting drawn.)": "",
    "Hide the *Recent* panel of the :doc:`File Browser </editors/file_browser>` which displays recently accessed folders": "",
    "Hides all collections except the selected collection and any parent collections (if any exist)": "",
    "Hides the channel(s)/curve (Graph editor only)": "",
    "Hold :kbd:`Ctrl` to constraint axis": "",
    "Hold :kbd:`Ctrl` to rotate with 45° degree steps": "",
    "Hold :kbd:`Ctrl` to snap to the discrete steps while dragging or :kbd:`Shift` for precision input": "",
    "Hold down :kbd:`Shift` while using the numpad to set the view axis": "",
    "Holding :kbd:`Alt` while selecting a UV component selects a loop of edges that are connected in a line end-to-end, passing through the edge under the mouse pointer. Holding :kbd:`Shift-Alt` while clicking adds to the current selection": "",
    "Holding :kbd:`Ctrl` allows to move incrementally": "",
    "Holding :kbd:`Ctrl` isolates the object or collection, so they are the only ones with its value set": "",
    "Holding :kbd:`Ctrl` shows the other side of the same axis:": "",
    "Holding :kbd:`Ctrl` while moving enables snap to edges and vertices. A small circle appears when the end point is snapped to a vertex or edge. This way you can place the endpoints more accurately": "",
    "Holding :kbd:`Shift` aligns the view relative to the active selection. So you can for example, view a rotated objects side, or align the view to the active face in mesh Edit Mode": "",
    "Holding :kbd:`Shift` allows to make a rebool": "",
    "Holding :kbd:`Shift` sets or unsets the value to all its child collections or objects": "",
    "Holding :kbd:`Shift` while moving lets you measure the distance between faces. This works well only with parallel faces, e.g. walls": "",
    "Holding down :kbd:`Shift-Ctrl` further selects/deselects all files in between": "",
    "Holding down :kbd:`Shift` *after* you :kbd:`LMB` the gizmo handle will constrain the action to smaller increments. Holding down :kbd:`Shift` *before* you :kbd:`LMB` click on one of the handles will cause the gizmo action to be performed relative to the other two axes. See :ref:`view3d-transform-plane-lock`": "",
    "Holding down :kbd:`Shift` while doing this does not deselect anything so it extends to the selection, plus it allows to deselect files by navigating into a block of already selected ones (minimum two files in sequence)": "",
    "Holdout. (Masks out the collection from the view layer -- affects render -- non-chaining.)": "",
    "Holes can have a limit for the number of sides (so only quads or tris are filled in for example)": "",
    "Horizontal green lines mark the use of non-Bézier :ref:`Interpolation <editors-graph-fcurves-settings-interpolation>`. The line is dimmed in summary rows if not all grouped channels have the same interpolation": "",
    "Hover the mouse over the properties, then press :kbd:`K`, to add *Add All to Keying Set*": "",
    "Hovering over a property and pressing :kbd:`I` or with the context menu by :kbd:`RMB` a property and choose *Insert Keyframe* from the menu": "",
    "However, after editing the armature, or when using :term:`Euler Rotation`, you may want to set the bone roll": "",
    "However, if the bone is used as a target rather than to deform geometry, only *Armature* and *Copy Transforms* constraints will use the full transformation including roll and scale": "",
    "However, if you want a particular version to be registered with your computer then simply run ``blender -r`` from the :doc:`Command Line </advanced/command_line/arguments>`": "",
    "However, there is one more feature with 3D curves: the *Tilt* of the control points (see above). It will make the ribbon twist around the curve to create a Möbius strip, for example": "",
    "I merged and converted two old scripts, to let you make corrective shape keys. The first `script <http://www.apexbow.com/randd.html>`__ was created by Tal Trachtman in 2007 and the second one I believe was done by Brecht. That one works with any combination of modifiers, but it is very slow (like three minutes for a mesh with 4,000 points). The other one works only with objects that have no more than one armature": "",
    "I wrote it as I often have tens of scenes all edited/gathered in a single \"main\" scene sequence. When I want to make preview renders of that main scene, I had to manually set all other scenes' preview scale -- long and boring. And even worse, I often forgot to put them back to full resolution before final rendering!": "",
    "ID Type + Channel name (X Location)": "",
    "ID of the Armature bone. For example: \"Bone\", \"Bone.002\", \"Arm.r\". This option is for armatures": "",
    "IK is mostly done with bone constraints although there is also a simple :ref:`bpy.types.Pose.use_auto_ik` feature in Pose Mode. They work by the same method but the constraints offer more options and control. Please refer to the following pages for details about these constraints:": "",
    "If *Create Tabs* is disabled, the same format is used for labels along each of the related edges, inside the net. This method is designed for modeling from hard and/or thick materials, for which sticking tabs are quite pointless. If *Create Numbers* is disabled, the labels are omitted; this may be necessary for highly detailed models": "",
    "If *Match Output* is off, then a target vertex group has to be specified. If there are multiple weight groups copied into target, then the highest weight value is copied into it": "",
    "If *Premultiply* is not zero, *Convert Premultiplied* will be ignored": "",
    "If *Show Pose Markers* is checked, a pose marker and a new pose in the :doc:`Pose Library </animation/armatures/properties/pose_library>` are added": "",
    "If *UVs* is ticked in the :ref:`bpy.ops.screen.redo_last` panel, the UV mapping coordinates, if existing, will be corrected to avoid image distortion": "",
    "If Pyproj is available the DXF importer shows a selection of national coordinate systems but lets the user also to enter a custom EPSG / SRID code. It also stores the SRID as a custom property to the Blender scene. If a scene has already such an SRID property the coordinates are being converted from your DXF file to target coordinate system and therefore you **must** specify an SRID for the DXF file. If no SRID custom property is available the scene SRID is by default the same as the DXF SRID": "",
    "If a bone is visualized as *Envelope*, in *Edit Mode* and in *Pose Mode* you can see the area of influence, which depends on:": "",
    "If a pose is added, a :ref:`pose marker <marker-pose-add>` is created. The :ref:`Whole Character keying set <whole-character-keying-set>` is used to determine which bones to key. If any bones are selected, only keyframes for those bones are added, otherwise all bones in the keying set are keyed. Bones that are ignored by the *Whole Character* keying set are always ignored, regardless of their selection state": "",
    "If a property is being :doc:`driven </animation/drivers/index>` by another property then the decorator shows the driver icon": "",
    "If all the control points have the same *Weight* then each effectively cancels each other out. It is the difference in the weights that cause the curve to move towards or away from a control point": "",
    "If at least one bone is selected, :kbd:`Ctrl-RMB`-clicking adds a new bone": "",
    "If both *Merged Objects* and *Represent Line Thickness/Width* are activated the object merging needs to be extended to separate all lines width different thickness and width. With *Merge by Attributes* this separation option is also available without the actual representation of line thickness and width": "",
    "If both Z values are equal, it will use the foreground image. Whichever Z value is less decides which image pixel is used. See :term:`Z-buffer`": "",
    "If enabled you can set the *Time Alignment*": "",
    "If enabled, the *Roll Out* value of the *Start Handle* bone (connected parent by default) will be implicitly added to the *Roll In* setting of the current bone": "",
    "If enabled, the final Scale and/or Ease values are multiplied by the corresponding local scale channels of the handle bone. This step is applied independently of *Scale Easing* and doesn't interact with it, i.e. enabling *Y* and *Scale Easing* doesn't replace the *Ease* toggle. These toggles are a more efficient replacement for up to eight trivial drivers passing segment scale data from the handle bones into the B-Bone option properties": "",
    "If enabled, the final easing values are implicitly multiplied by the corresponding *Scale Y* values": "",
    "If enabled, when entering *Edit Mode* the active shape key will **not** take maximum influence as is default. Instead, the current blend of shape keys will be visible and can be edited from that state": "",
    "If for some reason you want to set the tile size to exactly the target, resulting in perfectly square tiles but probably some rectangular ones on the edges, disable *Consistent Tiles*": "",
    "If it is necessary to relocate a blend-file relative to its linked resources, use Blender's File :ref:`Save As <bpy.ops.wm.save_mainfile>` function which has an option to *Remap Relative* file links": "",
    "If it says *Solve Camera Motion* instead of *Solve Object Motion* then go into the :menuselection:`Movie Clip Editor --> Sidebar region --> Objects` and switch it from the camera, to an object": "",
    "If mapping multiple meshes, this option creates a new UV map for each mesh. See :ref:`uv-maps-panel`": "",
    "If multiple Composite nodes are added, only the active one (last selected, indicated by a red header) will be used": "",
    "If no paths have been calculated, Calculate Paths will create a new motion path in cache based on the options specified in the pop-up menu or the :ref:`bpy.ops.screen.redo_last` panel. If a path has already been calculated, Update Paths will update the path shape to the current animation. To change the frame range of the calculated path, you need to delete the path and calculate it again": "",
    "If pole vector switch is set to 1 (standard pole), then this value defines the pole's parenting. If Pole Following is set to 1 then the pole vector will be parented to the limb, if set to 0 will instead follow the root. This properties also depends on the IK follow control. When the general IK follow is set to 0, then the pole vector following will have no effect": "",
    "If printed document gets cropped around the page borders, it means you should increase the *Margin* setting during export": "",
    "If the *Import USD Preview* option is enabled, the material blend method will automatically be set based on the ``opacity`` and ``opacityThreshold`` shader inputs, allowing for visualization of transparent objects": "",
    "If the :ref:`iTaSC IK Solver <rigging-armatures_posing_bone-constraints_ik_model_itasc>` is used, the IK Solver Constraint changes to add these addition parameters": "",
    "If the Add-on does not activate when enabled, check the :doc:`Console window </advanced/command_line/introduction>` for any errors that may have occurred": "",
    "If the Aim tracking or 2D rig are not functioning, check that you have \"Auto Run Python Scripts\" enabled in the Preferences :menuselection:`Preferences --> Save & Load --> Auto Run Python Scripts`": "",
    "If the Target field links to a :term:`Mesh` or :term:`Lattice` object, a :term:`Vertex Group` field will appear. Enter the name of a vertex group and the constraint will target the median point of this vertex group instead of the object's origin": "",
    "If the Target field links to an :term:`Armature`, a :term:`Bone` field will appear along with a *Head/Tail* slider. Enter the name of a bone and the constraint will target the bone instead of the entire armature object origin": "",
    "If the USD material has a `USD Preview Surface <https://graphics.pixar.com/usd/docs/UsdPreviewSurface-Proposal.html>`__ shader source, the :ref:`render-materials-settings-viewport-display` color, metallic, and roughness are set to the corresponding USD Preview Surface input values": "",
    "If the UV map is larger than the (0 to 1) range, the entire map will be scaled to fit inside": "",
    "If the active element is a *bone*:": "",
    "If the active element is a *connected root*:": "",
    "If the active element is a *disconnected root*:": "",
    "If the active element is a *tip*:": "",
    "If the arrays are present, then those arrays will be used instead of the current rest pose/bind pose. Those two arrays are either created by a previous Collada import (see `Collada Importer`_ below), or they can be created manually, or by an add-on (script based)": "",
    "If the attributes don't exist yet, a default value is used, which can depend on the situation. For example, in the :doc:`Point Instance Node </modeling/geometry_nodes/point/point_instance>`, the default value for ``scale`` is a unit scale of (1, 1, 1), but the default value for new attributes in the \"attribute\" nodes is zero": "",
    "If the defaults values (speed, mouse sensitivity, etc...) need adjustments for your project, in the :doc:`Preferences </editors/preferences/index>`": "",
    "If the face is a quad, and the edges are neighbors, we have *three* possible behaviors, depending on the setting of *Corner Cut Type* (the select menu next to the *Subdivide* button, in *Mesh Tools* panel). See below for details": "",
    "If the face is a quad, first the two opposite edges are subdivided as described above. Then, the \"middle\" edge is subdivided, affecting its new \"sub-quad\" as described above for only one edge": "",
    "If the generated rig doesn't fit all the features you need or, for example, you decide to add something more to your character (like a sixth arm or a tail), you can re-generate your rig without losing your previously generated features and your animation data": "",
    "If the language you want to translate has not been started by someone else already and you wish to create a set of new files for the desired language, say 'fr' (French), then you must first use the environment you have created, as guided in :ref:`Getting Started <about-getting-started>`, in particular :doc:`/about/contribute/install/index` and :doc:`/about/contribute/build` sections": "",
    "If the meta-rig contains a bone called \"root\", it is used as the root control bone instead of creating a new one. This allows changing the rest position of the root bone, assigning a custom widget, or adding custom properties to the bone": "",
    "If the new orientation is given an existing name, a suffix will be added to it to avoid overwriting the old one, unless *Overwrite Previous* is checked, in which case it will be overwritten": "",
    "If the option is disabled, then children will only be connected to parents, if the parent has only one child. But see the *Auto Connect* option below": "",
    "If the original file path still exists, mark it as unpacked. Note that it won't be automatically reloaded from the drive. *(differs)* or *(identical)* show difference status between the packed version and the one on-drive": "",
    "If the selected object in the *Name* field is a mesh or a lattice, an additional field is displayed where a vertex group can be selected": "",
    "If the selected object in the *Name* field is an armature, a new field is displayed offering the choice to specify an individual bone by entering its name in the *Bone* data ID": "",
    "If the viewport camera is not aligned, the view is named \"User\" plus the perspective of the viewport camera": "",
    "If there are multiple ways to create a new quad, the position of the mouse cursor is taken into account. Of the multiple new faces which are possible, the one which will be closest to the mouse cursor (in 2D screen space) is the one which will be created": "",
    "If there are problems with the edges of the matte, it may help to start with adjusting the *Edge Kernel* parameters before adjusting feathering. Detected edges are not subject to *Clip Black* / *Clip White* thresholds to preserve fine edge detail. You can check edge detection by connecting a :doc:`Viewer Node </compositing/types/output/viewer>` to the *Edges* output": "",
    "If there is a lower or upper case \"L\", \"R\", \"left\" or \"right\", Blender handles the counterpart correctly. See below for a list of valid separators. Pick one and stick to it as close as possible when rigging; it will pay off": "",
    "If there is a matching ``.MTL`` for the OBJ then its materials will be imported too": "",
    "If there is a specific package for your distribution, you may choose what is preferable and most convenient, otherwise, the official binary is available on `blender.org <https://www.blender.org/download/>`__": "",
    "If there is any problem with the selection or profiles, the tool will warn you with the error message: ``\"You have to select a string of connected vertices too\"`` as seen in Fig. :ref:`fig-mesh-screw-error-info` and Fig. :ref:`fig-mesh-screw-error-popup`, both in the :doc:`Status Bar </interface/window_system/status_bar>` and at the place where you clicked to start performing the operation (when you click the Screw Button)": "",
    "If there is no filter selected *Affect Position* is the default behavior": "",
    "If this option is enabled, the variable ``self`` can be used for drivers to reference their own data. Useful for objects and bones to avoid having creating a *Driver Variable* pointing to itself": "",
    "If using a *Scripted Expression* Driver Type that doesn't follow the :ref:`Simple Expressions <drivers-simple-expressions>` subset, you will have to open the file as *Trusted Source*, or set *Auto Run Python Scripts* in :menuselection:`Preferences --> Save & Load --> Blender Files`": "",
    "If we define the rotation using interactive rotations (with the rotation gizmo), the values of X, Y and Z will not exceed 1.0 in absolute value, and W will be comprised between 0 and 180 degrees": "",
    "If you are going to add or overhaul a section, be sure to check carefully that it does not already exist. In some places, the docs are so disorganized that sections may be duplicated or in a strange location. In the case that you find a duplicate or out of place section, `create a task <https://developer.blender.org/maniphest/task/edit/form/default/?project=PHID-PROJ-c4nvvrxuczix2326vlti>`__ explaining the issue, and optionally include a revision (actual changes)": "",
    "If you are have trouble accessing the add-on in the interface: You may need to set the :menuselection:`Preferences --> Keymaps --> Spacebar Action` to *Tools* and save your preferences": "",
    "If you are in *Edit Mode*, Blender will also change its contents based on your last action taken. In the second example (on the right), the last operation was a Move in Object Mode; but a *Scale* on a Face in Edit Mode, and, as you can see, the contents of *Adjust Last Operation* are different, because of the mode (Edit Mode) (See Fig. :ref:`fig-interface-redo-last-edit-mode` right)": "",
    "If you are in doubt about functionality that you wish to document, you should pose your questions to the Blender developers responsible for that area or ask at the unofficial user support channel in the ``#docs`` or ``#blender-coders`` channel in :ref:`blender-chat`": "",
    "If you are interested in this area, read into :class:`blender_api:mathutils.Vector` -- there are many handy utility functions such as getting the angle between vectors, cross product, dot products as well as more advanced functions in :mod:`blender_api:mathutils.geometry` such as Bézier spline interpolation and ray-triangle intersection": "",
    "If you are making multiple actions for the same object, press the shield button for each action. This will give the actions a *Fake User* and will make Blender save the unlinked actions": "",
    "If you are missing an input device such as a mouse or numpad you can change Blender's :doc:`keymap </interface/keymap/blender_default>` to emulate these devices. Settings to enable this can be found in the :doc:`Input Preferences </editors/preferences/input>`": "",
    "If you are unhappy with the generated net, you can edit it manually. For this, you have to execute the *Unfold* tool first (available Mesh tab in the Properties). Edges that will be cut in order to flatten the mesh must be marked as Edit Mode seams. You can use *Clear Seam* and *Mark Seam* tools to organize them as you wish, or use the helper button *Clear All Seams* in Object Mode to start from scratch. When you export the model, it will use all the given seams and add some more cuts if necessary": "",
    "If you are using :doc:`Render Passes </render/layers/passes>`, use this menu to select which pass is displayed": "",
    "If you are using :doc:`View Layers </render/layers/index>`, use this menu to select which layer is displayed": "",
    "If you bind a key to a tool which is part of a group, you can enable the *Cycle* option in the keymap editor. Successive presses will cycle through the tools in that group": "",
    "If you choose the same axis for *Tracking Axis* and *Locked Axis*, the constraint will no longer be functional (red state)": "",
    "If you choose the same axis for *Tracking Axis* and *Up*, the constraint will not be functional anymore (red state)": "",
    "If you choose to export an SVG file, you get several options how to attach the images. All the options are explained in more detail `Properties`_": "",
    "If you delete a bone in a chain, its child(ren) will be automatically re-parented to its own parent, but **not** connected, to avoid deforming the whole armature": "",
    "If you do not have a 3 button mouse, you will need to emulate it by checking the option in the :doc:`Preferences </editors/preferences/input>`": "",
    "If you do not have a middle mouse button, you can enable :menuselection:`Preferences --> Input --> Mouse --> Emulate 3 Button Mouse`": "",
    "If you do not have a numeric Numpad on the side of your keyboard, you may want to emulate one (uses the numbers at the top of the keyboard instead, however, removes quick access to layer visibility)": "",
    "If you do not want your owner to move along the path, you can give to the target curve a flat *Speed* F-curve (its value will control the position of the owner along the path)": "",
    "If you don't need pixel-perfect cropping, check *Relative* so that you do not have to consider the exact dimensions of the input image": "",
    "If you find that your playback speed suffers from this being enabled (it should only really be an issue when working with lots of objects in the scene), you can turn this off": "",
    "If you get lost in 3D space, which is not uncommon, two hotkeys will help you: :kbd:`Home` changes the view so that you can see all objects :menuselection:`View --> Frame All`, while :kbd:`NumpadPeriod` zooms the view to the currently selected objects when in perspective mode :menuselection:`View --> Frame Selected`": "",
    "If you had defined vertex groups using same names as skinned bones, their content will be completely overridden by both *Automatic* and *Envelope Weights*. In this case *With Empty Groups* could be used instead": "",
    "If you have Blender installed in your ``PATH`` (usually when Blender is installed through a distribution package), you can simply run:": "",
    "If you have a bone that has a copy on the other side (a pair), like an arm, give it one of the following separators:": "",
    "If you have a compact keyboard without a separate number pad, enable :menuselection:`Preferences --> Input --> Keyboard --> Emulate Numpad`": "",
    "If you have a large gap in an area that you want fill, you can use boundary strokes, a temporary auxiliary lines for closing open shapes. To create a boundary stroke use :kbd:`Alt-LMB` and draw a line to close the desired area": "",
    "If you have a large number of vertex groups and you want to see more than a few groups, you can :kbd:`LMB` on the small drag handle to make the vertex groups list larger or smaller": "",
    "If you have a mouse with less than three buttons or a keyboard without a numpad, see the :doc:`Keyboard and Mouse </getting_started/configuration/hardware>` page of the manual to learn how to use them with Blender": "",
    "If you have created or deleted files, you will need to run ``svn add /path/to/file`` or ``svn rm /path/to/file`` before creating the diff. To see a list of affected files, run ``svn status``": "",
    "If you have for example all deform weight groups unlocked and all other vertex groups locked, then you can safely select *Deform* from the Filter row and use all available tools from the Weight Table again": "",
    "If you have only the deform bones selected check *Only Selected*. This will give smaller dae. Otherwise uncheck *Only Selected*": "",
    "If you have trouble understanding the buttons of this constraint, read the tooltips, they are pretty good. If you do not know where your object's axes are, enable *Axis* in :menuselection:`Properties --> Armature --> Viewport Display`. Or, if you are working with bones, turn on the *Axes* in the armature's *Viewport Display* panel": "",
    "If you include a source node in your group, you will end up having the source node appearing *twice*: once inside the group, and once outside the group in the new material node tree": "",
    "If you modify the code and distribute the modified version, you must license your modifications available under the GPL (or a compatible license)": "",
    "If you need to do this often, you can add this directory to your ``PATH``": "",
    "If you need to generate more than one rig in the scene or update a specific one (when there are more than one in the same file), follow the instructions in the `Advanced Rig Generation`_ section": "",
    "If you need to remove the custom shape of the bone, just right-click in the *Custom Shape* field and select *Reset to default value* in the pop-up menu": "",
    "If you select a directory and hit :kbd:`Return`, you will go into that directory (and highlighting 'parent' ``..`` entry will bring you up one level)": "",
    "If you select an island and enable the *Highlight Selected Island* button (and the mesh you unfolded is the active one), the island will be highlighted in orange in the 3D Viewport. Using the slider below, you can change the opacity of the highlight": "",
    "If you select values that are above or below the actual keyframe count of the Action, then the :ref:`F-curve Extrapolation <editors-graph-fcurves-settings-extrapolation>` will be applied": "",
    "If you trust the source of your blend-files, you can enable *Auto Run Python Scripts*. This option is meant to protect you from malicious Python scripts that someone can include inside a blend-file. This would not happen by accident, many users leave this option on to automatically run scripts often used in advanced rigs (such as \"Rigify\" that controls the skeleton of a human rig)": "",
    "If you try moving the strip, while in *Tweak Mode*, you will notice that the keys will go along with it. On occasion, you will prefer the keys to remain on their original frames, regardless of where the strip is. To do so, hit the *unpin* icon, next to the strip": "",
    "If you want the envelope setting to be used instantly, bind the Armature Modifier to *Bone Envelopes*": "",
    "If you want to be able to rotate each view, you can uncheck the *Locked* option": "",
    "If you want to convert your sketch to a mesh, simply choose *NURBS* first, and then convert the created curve to a mesh": "",
    "If you want to do a compositing operation with straight alpha, the *Alpha Convert* node can be used. Typically this would be a color correction operation where it might give better results working on RGB channels without alpha. If the alpha is converted to straight in the Compositor, it should be converted back to premultiplied before the *Composite Output* node, otherwise some artifacts might occur": "",
    "If you want to have the default values (NURBS spheres and specific element colors and sizes) of selected atoms push the *Default* button": "",
    "If you want to pass an additional parameter into the group, a socket must be added to the *Group Input* node. Therefore drag a connection from the hollow socket on the right side of the *Group Input* node to the desired input socket on the node requiring an input. The process is similar for the *Group Output* regarding data you want to be made available outside the group": "",
    "If you want to restore the default settings for a keymap, just click on the *Restore* button at the top right of this keymap": "",
    "If you want to scale all the face bones at once, consider scaling the face master bone in Pose Mode (see Pose Mode matching method). The face master bone is placed in the same position of the head bone. To select it easily, hide all other bone layers": "",
    "If you want to set options per file, you can disable *Run Immediately*, during setup and select ``demo.py`` text data-block. This file has one line per file and settings can be edited and saved with the blend-file. When ``demo.py`` is present you only have to go to :menuselection:`File --> Demo Mode (Start)`": "",
    "If you want to show defects like vacancies in an atomic structure, use an 'X' for the element name in the PDB or XYZ file. A defect is shown in the form of a cube": "",
    "If you want to stop Demo Mode, you can press :kbd:`Esc` and continue using Blender. To enable again there are three buttons at the right hand side of the file menu to navigate *Prev*/*Pause*/*Next*": "",
    "If you want to undo your last action, just press :kbd:`Ctrl-Z`": "",
    "If you want to use an image that is tileable, the surface will be covered in a smooth repetition of that image, with the image skewed to fit the shape of each individual face. Use this unwrapping option to reset the map and undo any unwrapping (go back to the start)": "",
    "If you want to warp text, you will need to convert it from a text object to mesh using :ref:`object-convert-to`": "",
    "If you want to work on a blend-file using your own defaults, start a fresh Blender, open the File Browser and turn off the *Load UI* button, and open the desired file": "",
    "If you were to take a pair of scissors and cut a seam or fold of the box, you would be able to lay it flat on a tabletop. As you are looking down at the box on the table, we could say that U is the left-right direction, and V is the up-down direction. This image is thus in two dimensions (2D). We use U and V to refer to these \"texture-space coordinates\" instead of the normal X and Y, which are always used (along with Z) to refer to the three-dimensional space (3D)": "",
    "If you wish to define rotations above 180° (e.g. to define multiple revolutions), you will need to edit the W value directly, but as soon as you perform an interactive rotation, that value will be adjusted again. Same thing goes for axis values": "",
    "If you wish to save these as your preferences, run *Save Preferences* manually": "",
    "If you wish to switch cameras during an animation, you can do this with the *Add Marker and Bind* button. This uses Blender's built-in camera binding tool to a Timeline marker. When pressed, it will add a marker to the Timeline and bind it to the camera controlled by the selected rig. Go to another frame, select a different camera rig and press it again. Now you have two markers and when you scrub the Timeline you will see the active camera switch accordingly. (Repeat this process as many times as needed). These markers can then also be dragged around in the Timeline to change the frame at which they will switch": "",
    "If your animation has sound, this option plays bits of the sound wave while you move the Playhead with :kbd:`LMB` or keyboard arrows": "",
    "If your eye has a spherical shape you can define its pivot by entering Edit Mode. Select two opposite vertices on the center meridian -- or the opposite poles -- and snapping the cursor to selection by pressing :menuselection:`Snap --> Cursor To Selected`. If your eye is a complete sphere and its location it's not applied, then you can just use its center of mass": "",
    "If your input device has no middle button, you can hold :kbd:`Shift-Alt` while dragging with :kbd:`LMB`": "",
    "If your mesh is symmetrical, in *Object Mode*, you can mirror the shape keys on the X axis. This will not work unless the mesh vertices are perfectly symmetrical. Use the :menuselection:`Mesh --> Symmetrize` tool in *Edit Mode*": "",
    "Image Threshold": "",
    "Images into the :ref:`editors-3dview-index` (to set as background or apply as material texture)": "",
    "Implements a skin system :ref:`parent controller <rigify.rigs.skin.skin_parents>` that manages one or more loops of mouth skin chains in response to the movement of jaw and mouth controls": "",
    "Implements a skin system :ref:`parent controller <rigify.rigs.skin.skin_parents>` that manages two skin chains for the top and bottom eyelids in addition to generating the eye rotation mechanism": "",
    "Import Instance Proxies": "",
    "Import cameras (perspective and orthographic)": "",
    "Import curve primitives, including USD basis and NURBS curves. (Note that support for Bézier basis is not yet fully implemented.)": "",
    "Import materials. See also the experimental *Import USD Preview* option": "",
    "Import sequentially numbers images as an animated :doc:`image sequence </video_editing/sequencer/strips/image>` instead of separate planes. They will be imported as a *Clip* texture on a single plane. The frame range will automatically be set but can be changed later": "",
    "Important: So far only lat/lon to X/Y conversion is supported. If you have a DXF file with Euclidean coordinates that refer to another lat/lon center the conversion is not (yet) supported": "",
    "Imported actions are linked to their related object, bone or shape key, on a 'first one wins' basis. If you export a set of them for a single object, you'll have to reassign them yourself": "",
    "Importing USD Files": "",
    "Importing opens a File Browser to select a ``.py`` file to add to the list of keymap presets": "",
    "Importing very large OBJ-files (over a few 100mb), can use a lot of RAM": "",
    "Imports or exports bvh-files or files with BioVision Hierarchical data or data of a skeleton (rig) including its animation. Useful for importing data from motion capture devices": "",
    "In *Edit Mode*, you always see armatures in their rest position, in *Object Mode* and *Pose Mode*, by default, you see them in *Pose Position* (i.e. as it was transformed in the *Pose Mode*). If you want to see it in the rest position in all modes, select *Rest Position*": "",
    "In *Edit Mode*, you can control the bone roll (i.e. the rotation around the Y axis of the bone)": "",
    "In *Edit Mode*, you will always see your armature in rest position, whereas in *Object Mode* and *Pose Mode*, you usually get the current \"pose\" of the armature (unless you enable the *Rest Position* button of the *Armature* panel)": "",
    "In *Even* mode, the tool shows the position along the length of the currently selected edge which is marked in yellow, from the vertex that has an enlarged red marker. Movement of the sliding edge loop is restricted to this length. As you move the mouse the length indicator in the header changes showing where along the length of the edge you are": "",
    "In *Object Mode* the *Circle Select* operates on objects by their origins": "",
    "In *Object Mode* the *Lasso Select* operates on objects by their origins": "",
    "In *Object Mode*, add a new shape key via the *Shape Key* panel with the ``+`` button": "",
    "In *Object Mode*, this is equivalent to *Local* orientation": "",
    "In *Object Mode*, transformation takes place relative to the location of the objects origin (indicated by the yellow circle), and the size of objects is not taken into account. The image below shows the results of using the *Bounding Box* as the pivot point in some situations": "",
    "In *Parallelogram* mode, the relative X difference between the top and bottom edge. In *Trapezoid* mode, the amount to move the top edge in the positive X axis": "",
    "In *Pose Mode*, bones behave like objects. So the transform actions (move, rotate, scale, etc.) are very similar to the same ones in Object Mode (all available ones are regrouped in the :menuselection:`Pose --> Transform` submenu). However, there are some important specificities:": "",
    "In 3D space sometimes is difficult to assess on which plane are you drawing. The Canvas is a display overlay helper that shows a grid at the current *Drawing Plane*. You can enable the Canvas visualization in the :ref:`Viewport Overlays <3dview-overlay-grease-pencil>`": "",
    "In Absolute mode: Value is the *Evaluation Time* at which the shape will have maximum influence": "",
    "In Blender you can reuse the same mesh for multiple objects. This is named \"object instantiation\". When you enable this option, then Blender will propagate object instantiation to the Collada file": "",
    "In Blender, the RGB and HSV/HSL values are in Scene Linear color space, and are therefore not :term:`Gamma` corrected. On the contrary, *Hex* are automatically :term:`Gamma` corrected for the :term:`sRGB Color Space <Color Space>`. For more information, see :doc:`Color Management </render/color_management>`": "",
    "In Edit Mode only, there is also a *Measurement* setting in the *Viewport Overlays* popover. Edge length, edge angle, face area and face angle can be displayed through this setting": "",
    "In Edit Mode, the median point is determined via the part of the selection that has the most elements. For example, in the Fig. :ref:`fig-view3d-median-point-edit-mode`, when there are two cubes with an equal number of vertices, the median point lies directly between the two cubes. But if you subdivide one cube multiple times so that it has many more vertices, you can see that the median point has shifted to the region with the most vertices": "",
    "In Fig. :ref:`fig-curves-extrude-taper1` you can clearly see the effect the left taper curve has on the right curve object. Here the left taper curve is closer to the object origin and that results in a smaller curve object to the right": "",
    "In Fig. :ref:`fig-curves-extrude-taper2` a control point in the taper curve to the left is moved away from the origin and that gives a wider result to the curve object on the right": "",
    "In Fig. :ref:`fig-curves-extrude-taper3` we see the use of a more irregular taper curve applied to a curve circle": "",
    "In Fig. :ref:`fig-mesh-deform-mirror-cursor` the pivot point is the *3D Cursor*, the transformation orientation is *Local*, a.k.a. the object space, and the axis of transformation is X": "",
    "In Fig. :ref:`fig-mesh-deform-mirror-origins` the pivot point default to median point of the selection of vertices in *Edit Mode*. This is a special case of the *Edit Mode* as explained on the :doc:`pivot point page </editors/3dview/controls/pivot_point/index>`": "",
    "In Fig. :ref:`fig-rig-bone-intro-bbone` we connected three bones, each one made of five segments": "",
    "In Grease Pencil the :doc:`brush </grease_pencil/modes/draw/tools/index>` settings together with the material used will define the look and feel of the final strokes": "",
    "In Object Mode, Blender only considers the object origins when determining the median point. This can lead to some counter-intuitive results. In the Fig. :ref:`fig-view3d-median-point-object-mode` below, you can see that the median point is between the object origins and can be nowhere near the objects' mesh (geometric center)": "",
    "In Object Mode, the *Add* menu provides three different Grease Pencil primitives with preset materials and 2D layers:": "",
    "In Object/Edit Mode, the *Add Curve* menu, provides five different curve primitives:": "",
    "In POV-Ray, \"Radiosity\" is diffuse interreflection which has nothing to do with vertex color based radiosity. In fact, it is more similar to final gathering of irradiance samples and provides a noise free indirect light": "",
    "In a 3D Viewport, select the desired bones, and press :kbd:`Alt-P` (or :menuselection:`Armature --> Parent --> Clear Parent...`). In the small *Clear Parent* menu that pops up, choose *Clear Parent* to completely free all selected bones, or *Disconnect Bone* if you just want to break their connections": "",
    "In a :ref:`List view <ui-list-view>` of layers affected by a layer mask. See :doc:`Masks </grease_pencil/properties/masks>` for more information": "",
    "In a previous version it was necessary to *Set* the tile size, however it is now done automatically. After enabling the add-on, you can probably forget about tile sizes altogether, though some strange resolutions cannot have nice consistent tile sizes and you may wish to set it manually": "",
    "In addition to insetting, it is often useful to raise or lower the inset polygon (perpendicular to the inset plane), so a parameter to do that is included also": "",
    "In addition to the basic geometric primitives, Blender has a number of script generated meshes to offer as pre-installed add-ons. These are available when enabled in the :doc:`Preferences </editors/preferences/addons>` (select the Category *Add Mesh*, then check any desired items)": "",
    "In addition to the five preset options, you can define your own custom orientation (see `Custom Orientations`_ below)": "",
    "In addition to these modes, there is an option, *Use Curve Radius*. When this option is enabled, the average radius of the radii of the points on the curve where the joints of each bone are placed, are used to derive X and Z scaling factors. This allows the scaling effects, determined using the modes above, to be tweaked as necessary for artistic control": "",
    "In addition to those set for the *Affected* option, also set all the rest of the faces of the model to have strength *Strong*": "",
    "In addition to those set for the *New* case, also set the faces adjacent to new faces to have strength *Strong*": "",
    "In addition, in *Pose Mode* it is possible to restrict changes in position, rotation and scale by axis on each bone in the armature": "",
    "In any POV-Ray scene you can use the ``#include`` directive to add items from an external POV-Ray file. It's like the import function in Python. The files to be included have ``.inc`` as their name extension. Then in the replacement field, you can type in any of the declared names available in the include file. \"Out of the box\", POV-Ray ships with a lot of include files. So you can use them for your textures, but you can also use them for some of their elements. For instance a very often used include file is one that allows to call colors by their names instead of numbers called ``colors.inc``, so the previous example could also be written:": "",
    "In armature Edit Mode, add a new bone extruded from Bone 1, in the position at which Bone 2 should have the shape key active. This type of bones usually follow a naming convention such as \"TAR-\" (target) or \"COR-\" (corrective)": "",
    "In axis-angle and quaternion modes we can lock rotations in interactive modes in a per component basis, instead of doing it by axis. To do so we can activate this locking ability using the lock buttons next to the corresponding *Rotation* transform buttons": "",
    "In both of these cases (Push Down and Stash), once the action has been added to the NLA stack, it is cleared/unassigned from the active action slot (i.e. it cannot be edited anymore from the Action/Graph Editors, unless you enter \"Tweak Mode\" on the corresponding strips later)": "",
    "In case Pyproj is not available the DXF importer will only use its built-in lat/lon to X/Y converter. For conversion the \"transverse Mercator\" projection is applied that inputs a lat/lon coordinate to be used as the center of the projection. The lat/lon coordinate is being added to your scene as a custom property. Subsequent imports will convert any lat/lon coordinates to the same georeference": "",
    "In case you are wondering, you cannot just press :kbd:`X` to solve this as you would in mesh editing, because extrusion selects the newly created tips, and as explained below the Delete tool ignores bones' joints. To get rid of these extruded bones without undoing, you would have to move the tips, then select the bones and :ref:`delete <bpy.ops.armature.delete>` them": "",
    "In case you have broken links in a blend-file, this can help you to fix the problem. A File Browser will show up. Select the desired directory (or a file within that directory), and a search will be performed in it, recursively in all contained directories. Every missing file found in the search will be recovered. Those recoveries will be done as absolute paths, so if you want to have relative paths you will need to select *Make All Paths Relative*": "",
    "In case you have moved the cursor by clicking anywhere in the screen, again place the cursor at the Center, using the shortcut :kbd:`Shift-S` choosing *Cursor to World Origin* or the Transform panel, placing the cursor at (0, 0, 0) typing directly into the Cursor 3D Location": "",
    "In case you need to compile your own binary refer to `this post <https://blenderartists.org/forum/showthread.php?323358-DXF-Importer&p=2664492&viewfull=1#post2664492>`__ on Blender Artists": "",
    "In case your armature can be mirrored in half (i.e. it is bilaterally symmetrical), it is worthwhile to stick to a left/right naming convention. This will enable you to use some tools that will probably save you time and effort (like the *X-Axis Mirror* editing tool)": "",
    "In color theory, primaries (often known as primary colors) are the abstract lights, using an absolute model, that make up a :term:`Color Space`": "",
    "In contrast with the :doc:`Sequencer View </editors/video_sequencer/sequencer/index>` example, both the Toolbar and Sidebar are expanded in figure 1. The gizmos however are unique for the Preview": "",
    "In general, the options *Sector* and *Radius* determine the precision and dimension of the sticks, respectively. Option *Smooth* always means that a Smooth operator is applied on the sticks. Option *Color* means that the stick is divided into two parts, showing the colors of the respective two atoms which it connects": "",
    "In its *Thumbnail* display mode, the File Browser supports many types of previews. These include:": "",
    "In order for the Sun to be placed correctly, you need to choose a place on Earth where the scene is located. This place is represented by two coordinates, *Longitude* (East / West) and *Latitude* (North / South). They are expressed in degrees, from -180° to +180° for the longitude, and from -90° to 90° for the latitude. The coordinates match those found on such databases as OpenStreetMap or Google Maps. You may enter and animate them manually, or paste them in": "",
    "In order to author the shape key on top of the armature deformation, enable both *Edit Mode Display* and *Cage Editing* in the Armature modifier. :menuselection:`Properties --> Modifiers tab --> Armature Modifier --> Header`": "",
    "In order to save a custom brush in a blend-user, enable *Fake User*": "",
    "In order to use the Bone Groups in the *Rigify Layer Names* fields, *Rigify Bone Groups* must be set through the specific panel. Usually this panel is displayed just above Rigify Layer Names panel": "",
    "In real CMOS cameras the sensor is read out with scanlines and hence different scanlines are sampled at a different moment in time. This, for example, make vertical straight lines being curved when doing a horizontal camera pan. See also `Rolling Shutter <https://en.wikipedia.org/wiki/Rolling_shutter>`__ on Wikipedia": "",
    "In some Data IDs there is an :ref:`ui-eyedropper` available through the pipette icon on the right side": "",
    "In some cases, especially with older blend-files that were saved with 'broken' (non-hierarchy-matching) overrides, a regular resync itself cannot rebuild properly the override as expected (e.g. some objects might go missing). To solve this issue, this operator rebuilds the local override from its linked reference, as well as its hierarchy of dependencies, enforcing that hierarchy to match the linked data (i.e. ignoring existing overrides on data-blocks properties). This is similar to a regular resync but is a more forceful resync, at the cost of a potential loss of some overrides on ID pointers properties": "",
    "In the *3D Viewport*, select the bone and *then* its future parent, and press :kbd:`Ctrl-P` (or :menuselection:`Armature --> Parent --> Make Parent...`). In the small *Make Parent* menu that pops up, choose *Connected* if you want the child to be connected to its parent, else click on *Keep Offset*. If you have selected more than two bones, they will all be parented to the last selected one. If you only select one already-parented bone, or all selected bones are already parented to the last selected one, your only choice is to connect them, if not already done. If you select only one non-parented bone, you will get the *Need selected bone(s)* error message..": "",
    "In the *3D Viewport*, use the menu :menuselection:`Armature --> Move Bone To Layer` or :menuselection:`Pose --> Move Bone To Layer` or press :kbd:`M` to show the usual pop-up layers menu. Note that this way, you assign the same layers to all selected bones": "",
    "In the *Append/Link* case, showing the content of the whole blend-file will allow you to link different types of data-blocks in a single operation": "",
    "In the *Checkout directory* field, enter: ``C:\\blender_docs``": "",
    "In the *Location* panel, enter *Latitude* and *Longitude* coordinates corresponding to the location you wish to simulate. A simpler way is to go to an online map such as OpenStreetMap, copy the coordinates from there, and paste them into the *Enter Coordinates* field. They will be parsed automatically": "",
    "In the *Modifiers* tab, add a *Generator* of type *Extended Polynomial* for both drivers": "",
    "In the *Properties*, Bones tab, for each selected bone, you can select its parent in the *Parent* data ID to the upper right corner of its Relations panel. If you want them to be connected, just enable the checkbox to the right of the list": "",
    "In the *Quaternion* mode the channels are converted to weighted angles in the same way as the swing angles of the :ref:`Swing and X/Y/Z Twist <drivers-variables-rotation-modes>` modes": "",
    "In the *Toolbar* are settings for *Vector* offset, *Proportional Editing*, *Duplication Mode*, and *Axis Constraints*": "",
    "In the *URL of repository* field, enter: ``https://svn.blender.org/svnroot/bf-manual/trunk/blender_docs``": "",
    "In the 3D Viewport draw a ball on the upper left corner with the Draw Tool (extreme)": "",
    "In the 3D Viewport press :kbd:`Alt-I` to remove keys from selected objects on the current frame": "",
    "In the 3D Viewport, :kbd:`Shift-A` to add a new bone to your armature": "",
    "In the 3D Viewport, pressing :kbd:`I` will bring up a menu to choose what to add a keyframe to": "",
    "In the 3D Viewport, sketches on the active layer can be converted to geometry, based on the current view settings, by transforming the points recorded when drawing (which make up the strokes) into 3D space. Currently, all points will be used, so it may be necessary to simplify or subdivide parts of the created geometry for standard use. Sketches can currently be converted into curves in Object Mode": "",
    "In the 3D Viewport, using the :menuselection:`Pose --> Bone Groups` menu entries, and/or the *Bone Groups* pop-up menu :kbd:`Ctrl-G`, you can:": "",
    "In the :doc:`File Browser </editors/file_browser>`, navigate to the external source blend-file and select the data-block you want to reuse": "",
    "In the :doc:`Motion Paths </animation/motion_paths>` panel you can enable visualization of the motion path your skeleton leaves when animated": "",
    "In the :doc:`Preferences editor </editors/preferences/navigation>` select the navigation method you want to use as default when invoking the View Navigation operator. Alternatively you can call the individual methods from the :menuselection:`View --> Navigation` menu": "",
    "In the :menuselection:`3D Viewport --> Sidebar --> Create tab` press the *Create* button to run the script": "",
    "In the :menuselection:`Properties --> Light tab` you can further edit the properties of your lights": "",
    "In the :menuselection:`Text Editor --> Sidebar` on the left find the Edit Operator panel and press the *Edit Operator* button. A searchable menu will show up. Scroll down until the operator is found. Enter the keywords in the search field to narrow down the available options. The source file containing the operator will open pointing to it's line": "",
    "In the :ref:`Data-Block menu <ui-data-block>` you find predefined Brush presets. And you can create your own custom presets as needed": "",
    "In the :term:`Quaternion` representation the *swing* rotation always has 0 as the X/Y/Z component corresponding to the selected axis, while *twist* always has 0 as the other two components": "",
    "In the Dope Sheet's *Mask Mode* mask shape keyframes can be selected and edited. All Mask data-blocks in the blend-file are shown": "",
    "In the Drivers tab, select the *Averaged Value* of the rotation of the bone you are posing": "",
    "In the Drivers tab, select the *Averaged Value* of the rotational difference between the bone you are rotating and the target bone. A rotational difference is the minimum angle between two objects in World Space. It is therefore important that the bones have the same root, so that the only thing affecting the angle between the bones is the rotation of one of them. When the deformation bone (Bone 2) reaches the target rotation (TAR-Bone 2) the rotational difference will be 0°": "",
    "In the Graph Editor, Dope Sheet, NLA Editor, Timeline, and Video Sequence Editor, you can also select all markers with :kbd:`A` while hovering the mouse over the marker row, and apply selection tools on them like Box Select, etc. (as usual, :kbd:`LMB` to select, :kbd:`RMB` to deselect). The corresponding options are found in the Select menu of these editors": "",
    "In the Preferences, there is the toggle to :ref:`Auto Run Python Scripts <prefs-auto-execution>`. This means the **Trusted Source** option in the File Browser will be enabled by default, and scripts can run when blend-files are loaded without using the File Browser. Once enabled you have the option to exclude certain directories, a typical configuration would be to trust all paths except for the download directory": "",
    "In the Properties, *Bones* tab, for each selected bone, you can select no parent in the *Parent* data ID of its Relations panel, to free it completely. If you just want to disconnect it from its parent, disable the *Connected* checkbox": "",
    "In the Properties, use the \"layer buttons\" of each selected bone Relations panel (*Bones* tab) to control in which layer(s) it lays": "",
    "In the Tool Settings select the brush to use with the tool. The Erase tool uses :ref:`Erase Brush <grease_pencil-draw-brushes-erase>` types (soft, point and stroke)": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Arc tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Box tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Circle tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Curve tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Draw tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Fill tool uses *Fill Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the Tool Settings select the brush, material and color type to use with the tool. The Line tool uses *Draw Brush* types. See :ref:`grease-pencil-draw-common-options` for more information": "",
    "In the UI there are a variety of tools in each category, most tools have a tooltip to provide some usage information to help users understand each tools basic requirements. The most significant hotkey is in Edit Mode double :kbd:`RMB` brings up the Vertex/Edge/Face menus depending on vertex/edge/face selection mode. Menu Integration is main tools into the Edit Mode context menu, selection tools into the Edit Mode select menu": "",
    "In the armature properties click on the *Generate* button to generate the rig": "",
    "In the case of a color image, you need to split it into separate RGB channels using *Separate/Combine RGBA* nodes and perform this operation on each channel independently": "",
    "In the example above, the alpha channel of the swirl image is ignored. Instead, a :doc:`Time node </compositing/types/input/time>` introduces a factor from 0.0 to 1.0 over 60 frames, or about 2 seconds, to the Set Alpha node. Note that the time curve is exponentially-shaped, so that the overall blackness will fade in slowly and then accelerate toward the end. The Set Alpha node does not need an input image; instead, the flat (shadeless) black color is used. The Set Alpha Node uses the input factor and color to create a black image that has an alpha set which goes from 0.0 to 1.0 over 60 frames, or completely transparent to completely opaque. Think of alpha as a multiplier for how vivid you can see that pixel. These two images are combined by the Alpha Over node completely (a *Factor* of 1.0) to produce the composite image. The Set Alpha node will thus, depending on the frame being rendered, produce a black image that has some amount of transparency. Setup and animate, and you have an image sequence that fades to black over a two-second period": "",
    "In the example above, the render output from two scenes are mixed using the Z Combine node, one from a sphere of size 1.3, and the other a cube of size 1.0. The sphere and square are located at the same place. The cube is tipped forward, so the corner in the center is closer to the camera than the sphere surface; so Z Combine chooses to use the cube's pixels. But the sphere is slightly larger (a size of 1.3 versus 1.0), so it does not fit totally inside the cube. At some point, as the cube's sides recede back away from the camera, the sphere's sides are closer. When this happens, Z Combine uses the sphere's pixels to form the resulting picture": "",
    "In the example below, a new object mode :class:`blender_api:bpy.types.KeyMap` is added, then a :class:`blender_api:bpy.types.KeyMapItem` is added to the keymap which references our newly added operator, using :kbd:`Shift-Ctrl-T` as the key shortcut to activate it. ::": "",
    "In the example below, we have overlaid a grid pattern on top of the two heads after they have been rendered. During rendering, we enabled the UV layer in the Properties :menuselection:`Render Layer --> Passes`. Using a Mix node (\"Overlay\" in figure), we mix that new UV texture over the original face. We can use this grid texture to help in any motion tracking that we need to do": "",
    "In the example below, you can see the pass output on the right side. On the left side you can see a couple of objects that were selected through the *Cryptomatte* node. Notice how the cube on the left has a sphere-shaped cut-out from a sphere that was not selected in the node": "",
    "In the example images below, we duplicated a *Monkey* mesh, and then we moved the object a bit. Using repeat :kbd:`Shift-R`, the *Monkey* was also duplicated and moved": "",
    "In the example tree to the right, use the *Alpha* value of the Set Alpha node to give a desired degree of colorization. Thread the input image and the Set Alpha node into an Alpha Over node to colorize any black-and-white image in this manner": "",
    "In the figure below, from left to right shows: \"Basis\", \"Key 1\", \"Key 2\" and mix (\"Key 1\" ``1.0`` and \"Key 2\" ``0.8``) shape keys in Object Mode": "",
    "In the following example the *Value Node* is used to control multiple values at once, this makes the node a useful organizational tool": "",
    "In the header of the 3D Viewport, navigate to :menuselection:`Select --> Select All by Trait --> Ungrouped Vertices`": "",
    "In the image below, the right cylinder is scaled along the Z axis. When the *Proportional Editing* is enabled, the adjacent cylinders are also within the tool's radius of influence": "",
    "In the map above, a black-and-white swirl image, which is lacking an alpha channel, is fed into the Color Ramp node as a *Factor*": "",
    "In the next example, the *Factor* is used to make a \"Fade In\" effect. This effect can be animated by adding a *Time* node inputted in the *Factor* socket as shown below. Over the course of 30 frames, the *Alpha Over* node outputs an image that starts with the pure background image, and the title slowly appearing": "",
    "In the next section we will cover the menu types and how to use the parameters to \"design\" your mesh": "",
    "In the node tree below, *Color Ramp* node is used to add an alpha channel to the black-and-white swirl image. Then *Alpha Over* node is used to overlay it on top of another image": "",
    "In the past, Blender has used right-click-select to have a more clear distinction between selection and action. In this mode, the :kbd:`RMB` (Right Mouse Button) is generally used for selection and the :kbd:`LMB` (Left Mouse Button) initiates or confirms actions": "",
    "In the search bar in the top-right, type \"Power Sequencer\"": "",
    "In the simple, non-recursive method, POV-Ray initially traces one ray per pixel. If the color of a pixel differs from its neighbors (to the left or above) by at least the set threshold value, then the pixel is supersampled by casting a given, fixed number of additional rays. The default threshold is 0.3 but it may be changed using this ``Antialias_Threshold=n.n`` option": "",
    "In the supported editors, if at least one is created, markers are visualized in a separate row at their bottom. This area can be disabled per editor via the :menuselection:`View --> Show Markers` menu option": "",
    "In the text view properties option, you can chose to render 3D View and/or text. Enable *Both*": "",
    "In this context the grid does not mean the visual grid cue displayed. Snapping will use the resolution of the displayed grid, but all transformations are relative to the initial position (before the snap operation)": "",
    "In this example, you will learn how to create a simple Screw Tip (like the ones used for wood; as shown in the example at the beginning of this page). To make this new example as short as possible, it will recycle the last example (again)": "",
    "In this first example, we take the Alpha channel and blur it, and then combine it back with the colors. When placed in a scene, the edges of it will blend in, instead of having a hard edge. This is almost like :term:`Anti-Aliasing` but in a three-dimensional sense. Use this node setup, when adding CG elements to live action to remove any hard edges. Animating this effect on a broader scale will make the object appear to \"phase\" in and out, as an \"out-of-phase\" time-traveling sync effect": "",
    "In this image you can easily see that the shape and size of the marked face in 3D space is different in UV space. This difference is caused by the \"stretching\" (technically called mapping) of the 3D part (XYZ) onto a 2D plane (i.e. the UV map)": "",
    "In this mode, rotations are also defined by four values (X, Y, Z and W). X, Y and Z also define an axis, and W an angle, but it does it quite differently from axis-angle. The important thing here is the relation between all four values": "",
    "In this space type the world is the frame of reference for the object (or bone). Location is relative to the world origin. Rotation and Scale are oriented to the world axes. Transformations to the object, the object's parent and any other constraints higher up in the constraint stack are all taken into account": "",
    "Include primitives with `purpose <https://graphics.pixar.com/usd/docs/USD-Glossary.html#USDGlossary-Purpose>`__ ``guide``": "",
    "Include primitives with purpose ``proxy``": "",
    "Include primitives with purpose ``render``": "",
    "Increasing the start value to 0.5 will start the geometry at 50% of the distance from the start of the curve (in effect shortening the curve). Decreasing the end value by 0.25 will start the geometry at 25% of the distance from the end of the curve (again, shortening the curve)": "",
    "Incrementally refits the curve (gives best results)": "",
    "Independently for each axis (X, Y, and Z) the min and max number fields control the lower and upper bounds of the input value range. Note that if a min value is higher than its corresponding max value, the constraint behaves as if it had the same value as the max one": "",
    "Index of the active color stop (shown as a dashed line). Allows you to change the active color when colors may be too close to easily select with the cursor": "",
    "Index of the material to use on duplicated strokes (0 use strokes original materials)": "",
    "Index of the pose to apply (-2 for no change, -1 to use the active pose)": "",
    "Indicates numeric value's information. It can either be a single numerical value or a so-called \"value map\". (You can think of a value map as a gray-scale map where the different amount of bright/dark reflects the value for each point.) If a single value is used as an input for a \"value map\" socket, all points of the map are set to this same value. Common use: Alpha maps and value options for a node": "",
    "Indirect Only. (Makes the collection only contribute indirectly (shadows/reflections) to the render for the current view layer -- affects render -- non-chaining -- *Cycles only*.)": "",
    "Individual node links can be muted with :ref:`bpy.ops.node.links_mute`": "",
    "Initially this contains the :doc:`startup scene </editors/3dview/startup_scene>` included with Blender. This can be replaced by your own customized setup": "",
    "Input Scale :math:`s`": "",
    "Input for the \"Vector\" render pass. See :doc:`Cycles render passes </render/layers/passes>`": "",
    "Input of the displacement map. If the a color output is implicitly converted in the vector input, the first channel (red) value determines displacement along X axis. The second channel (green) the displacement along Y axis. If the input is a grayscale image, where both the channel values are equal, the input image will be displaced equally in both X and Y directions": "",
    "Input vector :math:`A = \\begin{pmatrix} A_x \\ A_y \\ A_z \\end{pmatrix}`": "",
    "Input vector :math:`B = \\begin{pmatrix} B_x \\ B_y \\ B_z \\end{pmatrix}`": "",
    "Input vectors for the *Points* mode": "",
    "Insert Keyframe :kbd:`I` can be used for creating blank Grease Pencil frames at a particular frame. It will create blank frames if *Additive Drawing* is disabled, otherwise it will make a copy of the active frame on that layer, and use that": "",
    "Insert keyframes on the current frame for the properties in the active *Keying Set*": "",
    "Inserts a keyframe to the active F-curve at the mouse position. The newly added keyframes will be selected, making it easier to quickly tweak the newly added keyframes. All previously selected keyframes are kept selected by using :kbd:`Shift-Ctrl-RMB`": "",
    "Inside Blender, the data file needs to be loaded first. The colors and radii are changed after executing *Apply*. Note that only selected atoms are changed": "",
    "Install TortoiseSVN with the installation wizard. When choosing which features will be installed, it is recommended that you enable *command line client tools* to give you access to SVN from the command line (there is no harm in doing this, and it may be helpful if you ever run into any trouble)": "",
    "Install a new :ref:`application template <app_templates>`": "",
    "Install included Grease Pencil `textured brush pack <https://cloud.blender.org/p/gallery/5f235cc297f8815e74ffb90b>`__ (made by Daniel Martinez Lara). This is available in Draw Mode in the :ref:`Brushes panel <grease-pencil-draw-common-options>`": "",
    "Installation: Download (`Windows <https://github.com/pyproj4/pyproj>`__, `macOS <https://archive.arch.ethz.ch/ia/wp-content/uploads/2013/11/pyproj.zip>`__) Pyproj and copy it to your": "",
    "Instanced objects -- At the moment instanced objects are only written in static scenes (when animation is disabled)": "",
    "Instancing frame: auto-instanced or (wip: ``INSERT``)": "",
    "Instancing group: auto-instanced or (wip: ``INSERT``)": "",
    "Instancing vert: auto-instanced or (wip: ``INSERT``)": "",
    "Instead of dealing with individual mesh elements, supports sculpting with brushes *(not covered in this chapter)*": "",
    "Instead of deleting the default keymap to create your custom one, you can just add a new *Preset* for both the mouse and keyboard": "",
    "Instead of increasing the range of accepted shades to be masked out, the Keying Screen node lets you change what shade of green (or other color) to used for different parts of the image": "",
    "Instead of showing Blender's user interface, this runs Blender as an animation player, to view movies and image sequences rendered in Blender (ignored if ``-b`` is set)": "",
    "Integrates well with the :doc:`Dynamic Context Menu </addons/interface/context_menu>` add-on": "",
    "Interactively add a :ref:`UV sphere mesh object <bpy.ops.mesh.primitive_uv_sphere_add>`": "",
    "Interactively add a :ref:`cone mesh object <bpy.ops.mesh.primitive_cone_add>`": "",
    "Interactively add a :ref:`cube mesh object <bpy.ops.mesh.primitive_cube_add>`": "",
    "Interactively add a :ref:`cylinder mesh object <bpy.ops.mesh.primitive_cylinder_add>`": "",
    "Interactively add an :ref:`Icosphere mesh object <bpy.ops.mesh.primitive_ico_sphere_add>`": "",
    "Interactively browse poses in the 3D Viewport. After running the operator, cycle through poses using the :kbd:`Left` and :kbd:`Right` arrow keys. The name of the pose being previewed is displayed in the header region. After the desired pose is selected using :kbd:`Return` or :kbd:`LMB` to make it the active pose; to cancel browsing, use :kbd:`Esc` or :kbd:`RMB`": "",
    "Interactively define frame range used for playback. Allows you to define a temporary preview range to use for animation playback (this is the same thing as the *Playback Range* option of the :ref:`Timeline editor header <animation-editors-timeline-headercontrols>`)": "",
    "Interactively places new points with :kbd:`Ctrl-RMB` at the cursor position. With the selection it deals in same manner as the *Extrude Curve and Move* tool": "",
    "Interactively removes twists from the curve. This is useful if a curve has noticeable \"kinks\" from over twisting; which can be possible when converting meshes to curves": "",
    "Internal :doc:`Data-blocks </files/data_blocks>`": "",
    "Interpolate strokes between the previous and next keyframe by adding *multiple* keyframes. A breakdown keyframe will be added on every frame between the previous and next keyframe": "",
    "Interpolate strokes between the previous and next keyframe by adding *multiple* keyframes. When you are on a frame between two keyframes and click the sequence button a breakdown keyframe will be added on every frame between the previous and next keyframe": "",
    "Interpolation, Extrapolation and Handle Type can also be changed from the :doc:`Dope Sheet </editors/dope_sheet/index>` editor": "",
    "Intersection with Contour": "",
    "Introduction by Brendon Murphy (Blender 2.6/7 series)": "",
    "Inverse Kinematics (IK) simplifies the animation process, and makes it possible to make more advanced animations with lesser effort": "",
    "Invert filtering (inverts the collections shown in the tree view so that what is shown is hidden and what was hidden is shown)": "",
    "Inverts the Zoom direction for *Dolly* and *Continue* zooming": "",
    "Inverts the influence set by the vertex group defined in previous setting (i.e. reverses the weight values of this group)": "",
    "Is identical to scaling the input to zero on local Z when the orientation is set to normal (so :kbd:`G Z Z 0`). It's mainly included for making an easy comparison between the flatten methods": "",
    "Is what was originally mapped to :kbd:`Ctrl-C` before installing the add-on": "",
    "Issues that are known to the developers and are not going to be resolved before the next release can be documented as *Known Limitations*. In some cases, it may be best to include them in the :doc:`troubleshooting </troubleshooting/index>` section": "",
    "It also excludes the active bone in the automatic weight calculation when the mesh is parented to the armature using the *Armature Deform* tool with the *With Automatic Weights* option": "",
    "It also includes tools for manipulating *Keyframes*, *Keying Sets*, and *Markers*": "",
    "It contains the input (from target) settings": "",
    "It contains the output (to owner) settings": "",
    "It could be used for complex camera traveling, a train on its rails and most other vehicles can also use \"invisible\" tracks, the links of a bicycle chain, etc": "",
    "It creates a 2D monkey head. The Monkey's name is \"Suzanne\" and is Blender's mascot. 2D Suzanne is very useful as a standard test": "",
    "It gives you a slightly simplified view of the F-curve data-blocks (somewhat similar to F-curve shown without handles). The editor can list all Action data-blocks of an object at once": "",
    "It has an Object Data data-block, that can be edited in *Edit Mode*": "",
    "It is a good practice to save the chan files with it's rotations order and sensor size stored in a file name (i.e. ``camera_for_shot_ZXY_36x24.chan``) so you don't have to look for those values in old files": "",
    "It is a priority value between 0 and 1 that can be set per object in the *Object* properties tab for Radiosity to cast more rays at objects that require them most. Touch this rather carefully when trying to improve render times": "",
    "It is also important to note that this vector is related to the same height vector axis used for the extrusion and you have created a parallel line with the Z axis, so, the sensibility of this vector is in practical sense reactive only to negative and positive values because it is aligned with the extrusion axis. Blender will clamp the positive and negative to its maximum values to make the extrusion follow a direction, even if the profile starts reverted. The same rule applies to other global axes when creating the object for the *Screw* tool; this means if you create your object using the Top View with a straight parallel line following another axis (for the Top View, the Y axis), the vector that gives the height for extrusion will also change abruptly from negative to positive and vice versa to give the extrusion a direction, and you will have to tweak the corresponding axis accordingly to achieve the clockwise and counterclockwise effect": "",
    "It is also possible to add the new driver variable to an existing driver using the :ref:`Paste Driver Variables <drivers-variables>` button in the editor panel": "",
    "It is also possible to select/deselect files by \"walking\" through them using the arrow keys:": "",
    "It is also possible, in the source (library) blend-file, to protect some bone layers from being editable in proxies. This helps keeping complex rigs usage sensible, by only exposing some 'public' bone layers as editable by users": "",
    "It is also useful to be able to add/remove objects from the collection (from within the library blend-file) without having to manage re-linking of multiple objects": "",
    "It is cross platform, with an OpenGL GUI that is uniform on all major platforms (and customizable with Python scripts)": "",
    "It is interesting to note that even though the constraint limits the visual and rendered location of its owner, its owner's data-block still allows (by default) the object or bone to have coordinates outside the minimum and maximum ranges. This can be seen in its *Transform* panel": "",
    "It is interesting to note that even though the constraint limits the visual and rendered rotations of its owner, its owner's data-block still allows (by default) the object or bone to have rotation values outside the minimum and maximum ranges. This can be seen in the *Transform* panel. When an owner is rotated and attempted to be rotated outside the limit boundaries, it will be constrained to those boundaries visually and when rendered, but internally, its rotation values will still be changed beyond the limits. If the constraint is removed, its ex-owner will seem to jump to its internally specified rotation": "",
    "It is interesting to note that even though the constraint limits the visual and rendered scale of its owner, its owner's data-block still allows (by default) the object or bone to have scale values outside the minimum and maximum ranges (as long as they remain positive!). This can be seen in its *Transform* panel. When an owner is scaled and attempted to be moved outside the limit boundaries, it will be constrained to those boundaries visually and when rendered, but internally, its coordinates will still be changed beyond the limits. If the constraint is removed, its ex-owner will seem to jump to its internally-specified scale": "",
    "It is only useful for the parts of geometry that are \"shared\", influenced by more than one bone (generally, at the joints...) -- a bone with a high weight will have more influence on the result than one with a low weight... Note that when set to 0.0, it has the same effect as disabling the *Deform* option": "",
    "It is perfectly suited for automatically tracked movies, with many tracks (motion flow like solving). Even a bad track may have a good influence with the correct weight": "",
    "It is possible that this node will put out a value set that has values beyond the normal range, i.e. values greater than one and less than zero. If you will be using the output to mix with other images in the normal range, you should clamp the values using the Map Value node (with the Min and Max enabled), or put through a Color Ramp node (with all normal defaults)": "",
    "It is possible to add as many rigs as your scene needs. The *Make Camera Active* will appear if the camera attached to the selected rig is **not** the active camera. By pressing this, it will make this camera the active one": "",
    "It is possible to add multiple Viewer nodes, though only the active one (last selected, indicated by a red header) will be shown on the backdrop or in the Image editor": "",
    "It is possible to change the shape (sphere, cube, icosphere, etc.) and material of the atoms. First, select your atoms in the 3D Viewport or the Outliner": "",
    "It is possible to convert standard markers into pose markers with :menuselection:`Marker --> Make Markers Local`. Note that the original marker will be gone. If you want to keep it, make a duplicate before you convert": "",
    "It is possible to copy frames from one layer to another, or from object to object, using the *Copy* and *Paste* tools in the *Key* menu. Note that keyframes will be pasted into selected layers, so make sure you have a destination layer selected": "",
    "It is possible to have a separation between the *High* and *Low* values to allow for a gradient of transparency between foreground and background objects": "",
    "It is recommended to pay attention to image resolution and color depth when mixing and matching images. :term:`Aliasing`, color *flatness*, or distorted images can all be traced to mixing inappropriate resolutions and color depths": "",
    "It is sometimes possible to end up with a lot of data-blocks which have old and unused Animation Data containers still attached. This most commonly happens when doing motion graphics work (i.e. when some linked-in objects may have previously been used to develop a set of reusable assets), and is particularly distracting in the NLA Editor": "",
    "It is uses `Open Image Denoise <https://www.openimagedenoise.org/>`__, which transforms noisy images into clean images with machine learning": "",
    "It is valid for two bones to refer to each other as handles -- this correlation is applied in connected chains with *Automatic* handles": "",
    "It synchronizes the horizontal panning and scale of the current editor with the other editors (Graph, Dope Sheet, NLA and Sequencer) when this option is set. That way you always have these editors showing the same section of frames": "",
    "It will enter and exit Tweak Mode as usual, but will also make sure that the action can be edited in isolation (by flagging the NLA track that the action strip comes from as being \"solo\"). This is useful for editing stashed actions, without the rest of the NLA Stack interfering": "",
    "It will place the remaining vertex at the location of the first one selected. Only available in *Vertex* select mode": "",
    "It will place the remaining vertex at the location of the last one selected (the active one). Only available in *Vertex* select mode": "",
    "It would be very difficult to get smooth variations of the property (unless you compute mathematical functions and type a precise value for each frame, which would be crazy)": "",
    "It's advisable to add a :term:`Fake User` to your materials and to save your blend-file before use": "",
    "It's also more difficult to add a small window. One common used technique in the workspace is to replace the file browser window (temporarily) with another editor, eg. dope sheet": "",
    "It's best to set up your materials first. Add two different materials to your mesh (two materials slots)": "",
    "It's equivalent to the *Recenter* button of the specific Hook Modifier (chosen from the hook list)": "",
    "It's equivalent to the *Reset* button of the specific Hook Modifier (chosen from the hook list)": "",
    "It's often useful to disable this so reference images don't *get in the way* when viewing a model": "",
    "It's possible to configure a single key to perform multiple operations using *Click* event instead of *Press*. Then you may bind *Drag* to a separate action": "",
    "It's useful at this point to read the *Usage Information* at the top of the panel": "",
    "Its location (as shown in the *Transform* panel) is used as an offset from its normal position on the path. E.g. if you have an owner with the (1.0, 1.0, 0.0) location, it will be one unit away from its normal position on the curve, along the X and Y axis. Hence, if you want your owner *on* its target path, clear its location :kbd:`Alt-G`!": "",
    "Joins adjacent triangles into quads. Has all the same properties as the *Tris to Quads* operator (angle limit, compare UVs, etc.)": "",
    "Jump -- only available if *Gravity* is on": "",
    "Jump To :kbd:`Ctrl-J`": "",
    "Jump to Next Keyframe (|next|) :kbd:`Up`": "",
    "Jump to Previous Keyframe (|previous|) :kbd:`Down`": "",
    "Jumps up a node group level, see :ref:`bpy.ops.node.tree_path_parent` for more information": "",
    "Just after creating the orientation, the *Create Orientation* :ref:`bpy.ops.screen.redo_last` panel gives a few options:": "",
    "Just below the header is a list of icons and text items which show the owner of the properties being edited, together with some dependency context if needed. In the example above, the material \"Material\" is used by the active object \"Cube\"": "",
    "Just create the curve, without any animation data (hence all following options will be hidden)": "",
    "Just creates the net on a white background (this used to be called \"Pure Net\"). The remaining options invoke texture baking and therefore are noticeable slower": "",
    "Keep a :ref:`backup version <prefs-save_load-backups>` (``blend1-file``) of the files when saving with generated previews": "",
    "Keep in mind that along with the rig, Rigify generates also a ``rig_ui`` Python script which controls the UI in the 3D Viewport. This Python script will be named accordingly with the specified rig name": "",
    "Keeping aligned the mid bones in \"brow\", \"brow.b\", \"lid.t\", \"lid.t\" and cheek will give better results after rig generation": "",
    "Keeps Python's ``sys.stdin`` rather than setting it to None": "",
    "Keeps the data-block saved in the blend-file, even if it has no :term:`Real User`. When activated an \"F\" will be shown before the name in the list": "",
    "Keeps the track from having an effect on the animation. (Mute only applies when *Solo* is not used.) All strips in that track are shown as being muted (dashed outline)": "",
    "Keyframe interpolation is represented and controlled by :doc:`animation curves </editors/graph_editor/fcurves/introduction>`, also known as :term:`F-Curves <F-Curve>`. These curves can be viewed and modified via the :doc:`Graph Editor </editors/graph_editor/index>`": "",
    "Keyframes can be edited in two editors. To do so go to either the :doc:`Graph Editor </editors/graph_editor/index>` or the :doc:`Dope Sheet </editors/dope_sheet/index>`": "",
    "Keyframes can be snapped to different properties by using the *Snap Keys* tool": "",
    "Keying sets are a collection of animated properties that are used to animate and keyframe multiple properties at the same time. For example, using keying sets you can press :kbd:`I` in the 3D Viewport, Blender will add keyframes for all the properties in the active keying set. There are some built-in keying sets and, also custom keying sets called *Absolute Keying Sets*. To select and use a keying set, set the *Active Keying Set* in the :ref:`Keying popover <timeline-keying>` in the Timeline header, or the Keying Set panel, or press :kbd:`Shift-Ctrl-Alt-I` in the 3D Viewport": "",
    "Keymaps may define their own preferences, these are predefined adjustments to the keymap you can make without having to manually adjust individual keymap items which can cause problems with newer `Blender Versions`_": "",
    "Keystrokes held longer than this will dismiss the menu on release (in 1/100ths of a second)": "",
    "Knife projection is a non-interactive tool where you can use objects to cookie-cut into the mesh rather than hand drawing the line. The outline of selected objects that *are not* in Edit Mode are used to cut the mesh along the view axis of objects that are in Edit Mode. Afterwards the resulting geometry inside the cutters outline will be selected. Outlines can be a wireframe or boundary edges (i.e. the unconnected edges of a mesh)": "",
    "Lattice -- or commonly called deformation cage outside of Blender. A lattice consists of a three-dimensional non-renderable grid of vertices. Its main use is to apply a deformation to the object it controls with a :doc:`/modeling/modifiers/deform/lattice`. If the object is parented with *Lattice Deform* a Lattice Modifier is automatically applied": "",
    "Layers can also be used together with Modifiers to only affects part of your drawing. See :doc:`Modifiers </grease_pencil/modifiers/introduction>` for more information": "",
    "Learn more about :ref:`Auto-Keyframing <bpy.types.ToolSettings.use_keyframe_insert_auto>`": "",
    "Left/Right Handle Type": "",
    "Left/right separators can be either the second position \"L\\ **_**\\ calfbone\" or last-but-one \"calfbone\\ **.**\\R\"": "",
    "Length Modifier": "",
    "Length of individual edges. The node tries to fit as many vertices as possible between the start and end point. The exact end point might not be hit. This is only available when the mode is set to *End Points* and the count mode is set to *Resolution*": "",
    "Length of the poly spline. This is only available in the *Direction* mode": "",
    "Let us animate a solar system with the *Copy Location* constraint and its *Offset* option. You can make the owner, called \"moon\", describe perfect circles centered on the world origin (using e.g. *Location X/Y* sine and cosine F-curves, see :ref:`bpy.types.FModifierFunctionGenerator`). Then copy the location of a target \"earth\" with the *Offset* checkbox enabled to model a satellite in a (simplified) orbit around its planet. Repeat these steps for more planets circling around its center star \"sun\"": "",
    "Let us take the best real-world equivalent: a compass. It can rotate to point in the general direction of its target (the magnetic North, or a neighbor magnet), but it cannot point *directly at it*, because it spins like a wheel on an axle. If a compass is sitting on a table and there is a magnet directly above it, the compass cannot point to it. If we move the magnet more to one side of the compass, it still cannot point *at* the target, but it can point in the general direction of the target, and still obey its restrictions of the axle": "",
    "Let us taper a simple curve circle extruded object using a taper curve. Add a curve, then exit *Edit Mode*. Add another one (a closed one, like a circle); call it \"BevelCurve\", and enter its name in the *Bevel Object* field of the first curve (*Curve* tab). We now have a pipe. Add a third curve while in *Object Mode* and call it \"TaperCurve\". Adjust the left control point by raising it up about 5 units": "",
    "Lets list all the contents of ``bpy.app`` module": "",
    "Lets you define a keyboard or mouse shortcut for an operation. To define the shortcut you must first move the mouse cursor over the button that pops up. When \"Press a key\" appears you must press and/or click the desired shortcut. Press :kbd:`Esc` to cancel": "",
    "Lets you pick the first and second color component. The shape can be selected by the `Types`_": "",
    "Lets you propagate the operation to the symmetrical elements of the mesh (if present, in local X direction)": "",
    "Lets you select the group that will become the active one (menu only)": "",
    "Library Overrides is a system designed to replace and supersede :doc:`Proxies </files/linked_libraries/library_proxies>`. Most types of linked data-blocks can be overridden, and the properties of those overrides can then be edited. When the library data changes, unmodified properties of the overridden one will be updated accordingly": "",
    "Light (all types except area lights)": "",
    "Light Intensity Scale": "",
    "Light: ``POINT`` or (wip: ``INSERT(ATTRIB+XDATA)``)": "",
    "Lights disabled (left) and enabled (right)": "",
    "Like all curves in Blender, the curve of the *Curve Widget* is controlled using *control points*": "",
    "Like other elements in Blender, curve control points and handles can be moved, rotated, or scaled as described in :doc:`Basic Transformations </scene_layout/object/editing/transform/introduction>`": "",
    "Like other elements in Blender, keyframes can be moved, rotated, or scaled as described in :doc:`Basic Transformations </scene_layout/object/editing/transform/introduction>`": "",
    "Like other elements in Blender, points and strokes can be moved :kbd:`G`, rotated :kbd:`R` or scaled :kbd:`S` as described in the :doc:`Basic Transformations </scene_layout/object/editing/transform/introduction>` section. When in *Edit Mode*, :doc:`Proportional Editing </editors/3dview/controls/proportional_editing>` is also available for the transformation actions": "",
    "Like other objects, curves have textures spaces which can be :ref:`edited <properties-texture-space-editing>`": "",
    "Like the :doc:`/modeling/modifiers/generate/edge_split`, the *Edge Split* node splits and duplicates edges within a mesh, breaking 'links' between faces around those split edges": "",
    "Limbs: Keep the legs as straight as possible in the front view (Rigify human works better in predictable cases). Give the knee and the elbow a slight bend angle (Rigify needs to know where your knee/elbow is pointing)": "",
    "Limit by the maximum of the other two channels other than the *Key Channel*": "",
    "Limit by the maximum of the selected *Limiting Channel*": "",
    "Limit the maximum resolution for pictures used in textured display to save memory. The limit options are specified in a square of pixels (e.g: the option 256 means a texture of 256×256 pixels). This is useful for game engineers, whereas the texture limit matches paging blocks of the textures in the target graphic card memory": "",
    "Limited only by your imagination (and some cool math limitations)": "",
    "Limits POV-Ray to using only one single render thread. (Likewise, ``+WT2`` would instruct POV-Ray to use two render threads.)": "",
    "Limits for the volume preservation to a minimum and maximum scaling each by a *Bulge* factor": "",
    "Limits the colors affected by the glow light. (A value of 1 means no colors affected.)": "",
    "Limits the output to the range (0.0 to 1.0). See :term:`Clamp`": "",
    "Line Art will still load and calculate the entire visible scene to produce correct occlusion result, unless specified to do otherwise in object or collection Line Art *Usage* property": "",
    "Linear 709 (full range). Blender native linear space": "",
    "Link to the image file using a :ref:`relative file path <files-blend-relative_paths>`": "",
    "Links data from an external blend-file (library) to the current scene. The edition of that data is only possible in the external library. *Link* and *Append* are used to load in only selected parts from another file. See :doc:`Linked Libraries </files/linked_libraries/index>`": "",
    "Links to the official web site. The same links can be found in the :ref:`help-menu` of the :doc:`Topbar </interface/window_system/topbar>`": "",
    "List all objects whose :ref:`Selectability <bpy.types.Collection.hide_select>` option is enabled": "",
    "List the object children. If the *Collections* option is enabled, you will see the object children even if the children are not in the collection. Yet the Outliner shows them as a dashed line": "",
    "List the objects and collections under the :doc:`collection hierarchy </scene_layout/collections/index>` of the scene. Objects may appear in more than one collection": "",
    "List the objects based on there state or restrictions. The results can be inverted using the *Invert* button": "",
    "Lists :doc:`data-blocks </files/data_blocks>` which are unused and/or will be lost when the file is reloaded. It includes data-blocks which have only a fake user. You can add/remove Fake User by clicking on cross/tick icon in the right side of the Outliner editor": "",
    "Lists data, images and videos, that are used by the :doc:`Video Sequencer </video_editing/index>`": "",
    "Lists every :doc:`data-block </files/data_blocks>` along with any properties that they might have": "",
    "Lists only the active (often last selected) object": "",
    "Lists the object(s) that are currently selected in the 3D Viewport. See :doc:`selecting in the 3D Viewport </scene_layout/object/selecting>` for more information": "",
    "Load the current scene's render layers from disk cache, if available. This can be used to save RAM while rendering because the render layers do not have to be saved in RAM. And also for recovering some information from a fail render. For this to work, :ref:`Save Buffers <bpy.types.RenderSettings.use_save_buffers>` must be enabled": "",
    "Load the image as having only a :term:`Bit Depth` of 16 bits per channel instead of 32 bits which saves memory": "",
    "Loads an external text file that is selected via the :doc:`File Browser </editors/file_browser>`": "",
    "Located in the 3D Viewport :kbd:`Shift-Q` hotkey": "",
    "Located in the :menuselection:`3D Viewport --> Add --> Curve` menu": "",
    "Located in the :menuselection:`3D Viewport --> Add --> Curve`": "",
    "Located in the :menuselection:`3D Viewport --> Add --> Light menu`": "",
    "Located in the :menuselection:`3D Viewport --> Add --> Mesh menu`": "",
    "Located in the :menuselection:`3D Viewport --> Add --> Mesh` menu": "",
    "Located in the :menuselection:`3D Viewport --> Operator`": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> Animate tab`": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> Color Palette or Weight Palette` depending on the mode. Located in the :menuselection:`Image editor --> Sidebar --> Color Palette` while in Paint Mode": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> Create tab`": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> Create` tab": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> Edit tab`": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> View tab`": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> View tab`. The MeasureIt Tools panel is described below": "",
    "Located in the :menuselection:`3D Viewport --> Sidebar --> View`. This add-on is split over two panels": "",
    "Located in the :menuselection:`Properties --> Armature --> Selection Sets`": "",
    "Located in the :menuselection:`Properties --> Materials --> Material Library VX`": "",
    "Located in the :menuselection:`Properties --> Materials --> Specials`": "",
    "Located in the :menuselection:`Properties --> Object Data --> Shape Keys Specials`": "",
    "Located in the :menuselection:`Properties --> Scene --> Blend Info panel`": "",
    "Located in the :menuselection:`Properties --> World --> Sun Position panel`": "",
    "Located in the :menuselection:`Python Console --> Header --> Icon Viewer`": "",
    "Located in the :menuselection:`Text Editor --> Sidebar --> Icon Viewer`": "",
    "Located in the :menuselection:`node editors --> Sidebar --> Arrange tab`": "",
    "Location of configuration and run-time data (for self-contained bundle)": "",
    "Location of configuration files (typically in the user's home directory)": "",
    "Location of run-time data for system wide installation (may be read-only)": "",
    "Lock selected: :kbd:`Tab`": "",
    "Lock the center of the view to the position of the 3D cursor. It is only available when *Lock to Object* is not active": "",
    "Locked Influence": "",
    "Locked status: ``LAYER_locked``": "",
    "Look at Fig. :ref:`fig-rig-bone-intro-same`, we can see how the bones' segments smoothly \"blend\" into each other, even for roll": "",
    "Look in the *Outliner*, with display mode set to *Blender File*, to see all your linked and appended data-blocks": "",
    "Lower distance from Reference Value for ``1:1`` default influence": "",
    "Magnet icon in the 3D Viewport header (blue when enabled)": "",
    "Main global render settings for instance can be changed in the Render tab. But there are also properties for environment, material (textures), object, etc. all accessible in other tabs depending on the selected object (geometry, camera, light...)": "",
    "Maintain :kbd:`Ctrl-Alt-MMB` to rotate view (customizable in add-on preferences)": "",
    "Make a ``.bat`` (Windows) or ``.sh`` (Linux) file for command line rendering": "",
    "Make a local :doc:`override </files/linked_libraries/library_overrides>` of this linked data-block, and its hierarchy of dependencies": "",
    "Make a local :doc:`override </files/linked_libraries/library_overrides>` of this linked data-block": "",
    "Make all paths to external files :ref:`files-blend-relative_paths` to current blend-file": "",
    "Make links between the nodes without having to precisely select the sockets. Just drag from one node to another while holding :kbd:`Ctrl-RMB`. The nodes nearest the mouse are used, so you don't even have to click on one precisely": "",
    "Make sure the cursor is in the world origin with :kbd:`Shift-C`": "",
    "Make the channel always visible regardless of the current selection (Graph editor only)": "",
    "Makes it easier to export models in exact scale (if you set the *Model Scale* slider to 1)": "",
    "Makes the NURBS curve act like a Bézier curve. The NURBS control points act like *Free* handles of Bézier curve. Depending on the *Order*, 3 or 4 control points form one curve segment. *Cyclic* and *Endpoint* must be disabled for this option to work": "",
    "Makes the collection only contribute indirectly (shadows/reflections) to the render for the current view layer -- affects render -- non-chaining -- *Cycles only*": "",
    "Makes the constraint \"real\" by applying any transformations caused by the constraint to make the original object to match the results of the constraint and deletes the constraint": "",
    "Makes the curve contact the end control points. *Cyclic* must be disabled for this option to work": "",
    "Makes the layer visible in the viewport only if it has a keyframe in the actual frame. This helps for example when you are in the inking process using the *Fill* tool and want to only see the strokes that are in the actual frame to avoid fill in unwanted regions": "",
    "Makes the object *Active* after it is loaded": "",
    "Manifold meshes, also called 'water-tight' meshes, define a closed non-self-intersecting volume (see also :term:`Non-manifold`). A manifold mesh is a mesh in which the structure of the connected faces in a closed volume will always point the normals (and their surfaces) to the outside or to the inside of the mesh without any overlaps. If you recalculate those normals, they will always point at a predictable direction (to the outside or to the inside of the volume). When working with non-closed volumes, a manifold mesh is a mesh in which the normals will always define two different and non-consecutive surfaces. A manifold mesh will always define an even number of non-overlapped surfaces": "",
    "Manually adjust the driver curve handles so that the shape key *Value* (Y axis) is 1.0 when the rotational difference (X axis) is 0°. The *Value* should be 0.0 when the arm is extended, at which point the rotational difference should be around 90° or more (in radians)": "",
    "Manually set points in the driver curve by selecting a handle and dragging it or inserting values in the *F-Curve* tab. The Y axis represents the shape key *Value*, which should go from 0.0 to 1.0. The X axis is usually the frame, but for this driver it represents the rotation value in radians. You can have more than two points in the curve and tweak the transitions with the handles in the curve view (:kbd:`G` to move)": "",
    "Many Window Managers default to :kbd:`Alt-LMB` for moving windows, which is a shortcut that Blender uses to simulate a three button mouse. You can either have this feature disabled :menuselection:`Preferences --> Input --> Emulate 3 Button Mouse` or you can change the Window Manager settings to use the *Meta* key instead (also called *Super* or *Windows key*):": "",
    "Many desktop environments support the ability to \"Run in terminal\"": "",
    "Many drivers don't use their :doc:`F-Curve </editors/graph_editor/fcurves/introduction>` component, so this reduced interface is sufficient": "",
    "Many molecules can be downloaded from the `RCSB site <https://www.rcsb.org/>`__ (go to 'Download')": "",
    "Many more usage scenarios are possible. Actually you can use vertex groups for whatever makes sense to you. In some contexts vertex groups can also be automatically generated (e.g. for rigged objects). However, in this section we will focus on manually created (user-defined) vertex groups": "",
    "Map UVs will take the images aspect ratio into consideration. If an image has already been mapped to the :term:`Texture Space` that is non-square, the projection will take this into account and distort the mapping to appear correct": "",
    "Maps the start and end factor to the number of subdivisions of a spline (U resolution)": "",
    "Margin to use for :ref:`offsetting nodes <editors-nodes-usage-auto-offset>`": "",
    "Mark newly created :ref:`End Caps <bpy.ops.gpencil.stroke_caps_set>` as *Flat*": "",
    "Mark: :kbd:`Ctrl-B` Clear: :kbd:`Ctrl-Alt-B`": "",
    "Masks out the collection from the view layer -- affects render -- non-chaining": "",
    "Material properties such as filtering, emission, translucency, subsurface scattering, glass fog (tinted absorption), blurry/glossy reflections..": "",
    "Material: ``LAYER``, ``COLOR`` and ``STYLE`` properties": "",
    "Materials (Principled BSDF) and Shadeless (Unlit)": "",
    "Materials Utilities/Specials is designed to help with batch materials tasks. The add-on works in either Eevee or Cycles renderers. Common tasks are available from the :kbd:`Shift-Q` pop-up menu and also the Materials Specials menu": "",
    "Materials slots in the :ref:`List view <ui-list-view>` also have some extra controls that help to work with materials while drawing or editing lines": "",
    "Mathematically, the swing angles are computed from quaternion components, using :math:`2 \\arccos(w)` for *W* and :math:`2 \\arcsin(x)` etc. for the others. The component of the swing rotation that corresponds to the twist axis is always 0, and is replaced by the twist angle": "",
    "Max size of a tile (smaller values give a better distribution of multiple threads, but more overhead)": "",
    "Maximize/Full Screen Area": "",
    "Maximum Extreme keyframe (visible if :menuselection:`View --> Show Curve Extremes` are enabled)": "",
    "Maximum distance a ray can travel before being considered \"no hit\"": "",
    "Maximum memory usage in Mb (0 is unlimited)": "",
    "Maximum number of frames that the build effect can run for. (Unless another Grease Pencil keyframe occurs before this time has elapsed.)": "",
    "May be useful at the base of an appendage in order to reallocate squash and stretch between axes based on the difference in rest pose orientations of the parent and child. It behaves closest to *Full* while suppressing shear": "",
    "Media files into the :ref:`editors-sequencer-index`": "",
    "Menu for :doc:`Editing Nodes </interface/controls/nodes/editing>`": "",
    "Menu for :doc:`Selecting Nodes </interface/controls/nodes/selecting>`": "",
    "Menu for adding new :doc:`Geometry Nodes </modeling/geometry_nodes/index>`": "",
    "Menu of material tools (assign, select...) in the 3D Viewport": "",
    "Menu of operators for :doc:`Editing Movie Clips </movie_clip/tracking/clip/editing/clip>`": "",
    "Menu of operators for :doc:`Selecting Markers </movie_clip/tracking/clip/selecting>`": "",
    "Merge Down :kbd:`Shift-Ctrl-M`": "",
    "Merge Using Z-Combine Node": "",
    "Merge by Distance is a useful tool to simplify a mesh by merging the selected vertices that are closer than a specified distance to each other. An alternative way to simplify a mesh is to use the :doc:`Decimate Modifier </modeling/modifiers/generate/decimate>`": "",
    "Merge outputs of two nodes using a Mix node or Mix Shader node by dragging from one node to another while holding down :kbd:`Alt-RMB`. A Mix node or Mix Shader node will be added and the outputs of the nodes will be connected to it": "",
    "Mesh Edit Mode :kbd:`F`": "",
    "Mesh Edit Tool adds several tools to Blender that are not available in the built-in tools or provide different methods for similar tasks. Each Menu: Vertex, Edge, Face and Utility is a sub panel that is closed by default in the :menuselection:`Sidebar --> Edit tab`. The Icons in the closed panel headers contain some new/different selection tools and Edit Mode vertex/edge/face selection modes for quick access to some tools, before opening the sub panels": "",
    "Mesh Modeling typically begins with a :doc:`Mesh Primitive </modeling/meshes/primitives>` shape (e.g. circle, cube, cylinder...). From there you might begin editing to create a larger, more complex shape": "",
    "Mesh data is copied from surrounding geometry (UVs, vertex colors, multi-res, all layers), since manually creating this data is very time-consuming": "",
    "Mesh data is exported as ``<polylist>``, ``<lines>`` and ``<vertices>``": "",
    "Mesh edge: ``LINE``": "",
    "Mesh edit :ref:`Select Edge Loops <bpy.ops.mesh.loop_multi_select>`": "",
    "Mesh edit :ref:`Select Shortest Path <bpy.ops.mesh.shortest_path_select>`": "",
    "Mesh element that defines a piece of surface. It consists of three or more :term:`Edges <Edge>`": "",
    "Mesh face: ``POLYFACE`` or ``3DFACE``": "",
    "Mesh objects can have different types of custom data attached to them. This data is mostly used internally and can be exported by some :doc:`exporters </files/import_export>`. See :doc:`/modeling/meshes/properties/custom_data` for more information": "",
    "Mesh objects, in particular meshes that have been modeled to represent organic objects, often have geometry that is not particularly uniform. This can cause problems if the object needs to be :ref:`rigged <animation-rigging>` or just needs simpler geometry for workflows such as 3D printing. Remeshing is a technique that rebuilds the geometry with a more uniform topology. Remeshing can either add or remove the amount of topology depending on the defined resolution. Remeshing is especially useful for :doc:`sculpting </sculpt_paint/sculpting/index>`, to generate better topology after blocking out the initial shape": "",
    "Mesh vertex: ``POINT``": "",
    "Meshes (of different kinds, see below)": "",
    "Method to mix the alpha with the input *Image*": "",
    "Methods for splitting the polygons into triangles. (Inherited from the *Triangulate Faces* tool.)": "",
    "Methods for splitting the quads into triangles. (Inherited from the *Triangulate Faces* tool.)": "",
    "Mickael Lozac'h et al. -- `Link to publication <https://doi.org/10.1002/ese3.174>`__": "",
    "Middle Control Position": "",
    "Minimum Extreme keyframe (visible if :menuselection:`View --> Show Curve Extremes` are enabled)": "",
    "Minimum and maximum range for the influence value of the active shape key. Blender can extrapolate results when the *Value* goes lower than 0.0 or above 1.0": "",
    "Minimum number of vertices a face must have to be triangulated. For example, setting this value to 5, will prevent triangulation of :term:`Quads <Quad>` and only triangulate :term:`N-gons <N-gon>`": "",
    "Minimum radius when the minimum pressure is applied (also the minimum when tapering)": "",
    "Mirror Of Control": "",
    "Mirror With Parents": "",
    "Mirrors weights and/or flips group names. See :ref:`Mirror Vertex Group <bpy.ops.object.vertex_group_mirror>` for more information": "",
    "Mix between using :term:`Premultiplied Alpha` or :term:`Straight Alpha`": "",
    "Mode for the :term:`Interpolation` between the current and next keyframe": "",
    "Mode switching pie menu (toggles Pose Mode for armatures)": "",
    "Mode: Color (Black lines)": "",
    "Mode: Luminance (Glow Under)": "",
    "Modifier (optionally)": "",
    "Modifying multiple items values at once (objects, bones... etc)": "",
    "Modules for ``addons_contrib`` to use (added to Python's ``sys.path``)": "",
    "Modules for add-ons to use (added to Python's ``sys.path``)": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Category:Command-Line_and_INI-File_Options>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Documentation:Tutorial_Section_3.3#Gamma_Handling>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/HowTo:Use_radiosity>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Blob>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Box>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Cone>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Cylinder>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Finish#Diffuse>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Height_Field>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Isosurface>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Lathe>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Parametric>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Plane>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Prism>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Rainbow>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Sphere>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Sphere_Sweep>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Superquadric_Ellipsoid>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Torus>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Tracing_Options#Anti-Aliasing_Options>`__": "",
    "More details on `POV-Ray Wiki <https://wiki.povray.org/content/Reference:Tracing_Options#BSP_Bounding>`__": "",
    "More information on the add-ons to import/export these file types can be found in the :ref:`add-ons section <addons-io>`": "",
    "More is written on this topic here: :ref:`Directory Layout <blender-directory-layout>`": "",
    "Moreover, the local space for these actions is the bone's own one (visible when you enable the *Axes* option of the *Armature* panel). This is especially important when using axis locking, for example, there is no specific \"bone roll\" tool in *Pose Mode*, as you can rotate around the bone's main axis just by locking on the local Y axis :kbd:`R Y Y`... This also works with several bones selected; each one is locked to its own local axis!": "",
    "Most :ref:`headers <ui-region-header>` exhibit a set of menus, located at the start of the header. Header menus are used to configure the editor and access tools. All menu entries show the relevant shortcut keys, if any": "",
    "Most Shrinkwrap types support an additional setting to control how the owner is moved to the target point selected by the methods described above. Some of the choices only differ if *Distance* is not zero": "",
    "Most bones' properties (except the transform ones) are regrouped in each bone's panels, in the *Bones* tab in *Edit Mode*. Let us detail them": "",
    "Most codecs can only compress the RGB or YUV :term:`Color Space`, but some support the Alpha channel as well. Codecs that support RGBA include:": "",
    "Most numerical values are restricted by \"soft limit\" and \"hard limit\" value ranges. Changing values by dragging with the mouse is restricted to the \"soft limit\" value range. Input via keyboard will allow the use of wider value ranges, but never wider than the \"hard limit\"": "",
    "Most of the document's appearance can be customized during export (see below). However, the default style is supposed to be familiar to paper modelers: dashed lines represent folding outwards, dash-dotted lines inwards (i.e., to form concave shapes). Boundary of each part of the net is rendered in solid lines. Sticking tabs have a grayish fill color to be distinguishable from other parts of the net": "",
    "Mouse click and drag *(optionally map drag direction to different actions)*": "",
    "Move a constraint up or down in the :doc:`constraint stack </animation/constraints/interface/stack>`. Since the stack is evaluated from top to bottom, moving a constraint in the stack can significantly affect the final outcome of the stack": "",
    "Move a single node by clicking and dragging it around. A node can be clicked almost anywhere to start dragging. Multiple nodes can be moved after pressing :kbd:`G`": "",
    "Move all selected elements to the beginning (or end, if *Reverse* enabled), without affecting their relative orders. Warning: This option will also affect **unselected** elements' indices!": "",
    "Move down -- only available if *Gravity* off": "",
    "Move the upper vertex and move a bit to the left, but no more than you have moved the last vertex. (See Fig. :ref:`fig-mesh-screw-start`.)": "",
    "Move this circle three units on the X axis to the left; you can use the shortcut :kbd:`Ctrl` while selecting with the mouse using the standard transform widgets (clicking on the red arrow shown with the object and moving while using shortcut :kbd:`Ctrl` until the info in the bottom left corner of the 3D Viewport displays ``D. -3.0000 (3.0000) Global``), or press the shortcut :kbd:`G X Minus 3` and :kbd:`Return`. You can use the Transform panel, and type :kbd:`Minus 3` and :kbd:`Return` in the Location too. (See the Fig. :ref:`fig-mesh-screw-circle`.)": "",
    "Move this vertex using the shortcut :kbd:`G X Minus 1` and :kbd:`Return`. See Fig. :ref:`fig-mesh-screw-spindle`": "",
    "Move to frame 12 and draw a squashed ball in the bottom center (breakdown)": "",
    "Move to frame 24 and draw a ball in the top right corner of the 3D Viewport (extreme)": "",
    "Move to next folder (in navigation history)": "",
    "Move to previous folder (in navigation history)": "",
    "Move up -- only available if *Gravity* off": "",
    "Movement from a 3D mouse (:term:`NDOF`) device": "",
    "Moves the active element (vertex in Edit Mode, object in Object Mode) to the target": "",
    "Moves the camera forwards and backwards. You can zoom in and out by holding down :kbd:`Ctrl` and dragging :kbd:`MMB`. To zoom in with discrete steps, use the hotkeys :kbd:`NumpadPlus` and :kbd:`NumpadMinus`. If you have a wheel mouse, you can zoom by rotating the :kbd:`Wheel`": "",
    "Moves the cursor to the specified frame (X value) and value (Y value)": "",
    "Moves the origin of the object back to the spot set in the Movie Clip Editor :menuselection:`Toolbar --> Solve --> Orientation --> Set Origin`": "",
    "Moves the view up, down, left and right. To pan the view, hold down :kbd:`Shift` and drag :kbd:`MMB` in the 3D Viewport. For discrete steps, use the hotkeys :kbd:`Ctrl-Numpad8`, :kbd:`Ctrl-Numpad2`, :kbd:`Ctrl-Numpad4` and :kbd:`Ctrl-Numpad6` as with orbiting (note: you can replace :kbd:`Ctrl` with :kbd:`Shift`)": "",
    "Moving up from the initial click point or to the right will zoom out, moving down or to the left will zoom in. The further away you move, the faster the zoom movement will be. The directions can be altered by the *Vertical* and *Horizontal* radio buttons and the *Invert Zoom Direction* option": "",
    "Multi Select/Deselect: :kbd:`Shift-LMB`": "",
    "Multiple Array modifiers may be active for an object at the same time (e.g. to create complex three-dimensional constructs)": "",
    "Multiple character types can be removed at once by :kbd:`Shift-LMB` on the types": "",
    "Multiple independent overrides of a same linked data (e.g. having the same character multiple times in the same scene)": "",
    "Multiple output nodes can exist in a node texture, however, only one of them is active. The active one is set in the Texture Panel in the *Output* selector": "",
    "Multiple snapping modes can be enabled at once by :kbd:`Shift-LMB` the different snapping elements": "",
    "Multiplier for the points' radii (set from the stroke's width)": "",
    "Multiply the input images RGBA channels by the *Alpha* input value. In this cases, the output is using :term:`Premultiplied Alpha`": "",
    "N-gon faces (everything except triangles) that are not perfectly flat": "",
    "N.U.R.B.S. is the abbreviation for Non-Uniform Rational B-Splines. One of the major differences between Bézier objects and NURBS objects is that Bézier curves are approximations. For example, a Bézier circle is an *approximation* of a circle, whereas a NURBS circle is an *exact* circle. NURBS theory can be a *very* complicated topic. For an introduction, please consult the `Wikipedia page <https://en.wikipedia.org/wiki/NURBS>`__": "",
    "NURBS spline control points are different than other spline types because they have a special weight property. This weight property controls how much influence the control point has on the surface. This weight should not be confused with the :ref:`Goal Weight <curves-weight>`, which is used only for soft body simulations. The NURBS control point weight can be adjusted in the *W* number field of the :doc:`Transform panel </modeling/curves/editing/transform_panel>`": "",
    "Name of the :ref:`volume grid <bpy.types.VolumeGrids>` attribute the mesh is created from": "",
    "Name of the active :doc:`Collection </scene_layout/collections/index>`": "",
    "Name of the attribute where the computed result is stored. If an attribute with this name does not exist yet, a new attribute with the same data type as the *Attribute* is used. If it does exist, the values of the existing attribute are overridden": "",
    "Navigate into the directory and :kbd:`LMB` click and drag over a range of names to highlight multiple files. You can page down and continue :kbd:`Shift-LMB` click-dragging to add more to the selection": "",
    "Negative scaling, (e.g. negative local Y on the taper curve) is possible as well. However, rendering artifacts may appear": "",
    "New application templates can be installed from the :ref:`topbar-app_menu`. If you would like to keep the current application template active on restarting Blender, save your preferences": "",
    "New/Add (files icon)": "",
    "Newly added collections types are available in :menuselection:`Add --> Collection Instance` in the 3D Viewport": "",
    "No Audio support (audio strips can still be loaded normally)": "",
    "Node Warnings": "",
    "Node configuration with *Keying Screen*'s generated gradient plate connected to the Color input of the Keying node": "",
    "Nodes are added via the *Add* menu or using the :kbd:`Shift-A` shortcut": "",
    "Nodes can be used to change an object's geometry in a more complex way than regular modifiers. To use them add a :doc:`Geometry Nodes Modifier </modeling/modifiers/generate/geometry_nodes>`": "",
    "Nodes that can operate on different geometry types (volume, mesh)": "",
    "Non-Manifold meshes essentially define geometry which cannot exist in the real world. This kind of geometry is not suitable for several types of operations, especially those where knowing the volume (inside/outside) of the object is important (refraction, fluids, Boolean operations, or 3D printing, to name a few). A non-manifold mesh is a mesh in which the structure of a non-overlapped surface (based on its connected faces) will not determine the inside or the outside of a volume based on its normals, defining a single surface for both sides, but ended with flipped normals. When working with non-closed volumes, a non-manifold mesh will always determine at least one discontinuity in the normal directions, either by an inversion of a connected loop, or by an odd number of surfaces. A non-manifold mesh will always define an odd number of surfaces": "",
    "None (default, shows only the current directory content)": "",
    "Normal (edge) beveling only works on edges that have exactly two faces attached to them. Vertex beveling has no such restriction": "",
    "Normal cylinders are used. For each bond, one individual cylinder is used. If option *One Object* is activated, about *No* sticks are joined into one mesh object. This makes displaying the sticks very fast. However, individual sticks do not exist anymore": "",
    "Normalize Opacity": "",
    "Normalize Thickness": "",
    "Normally all bones copied from the meta-rig are prefixed with ``ORG-`` and placed on an invisible layer. This precludes their use as controls or deforming bones, which makes it difficult to transfer complex fully custom rigging verbatim from the meta-rig": "",
    "Normally the arc turns through a clamped rotation angle with the selected elements extended along a tangent line beyond that (see above left). When the clamp is deactivated, the arc continues around aligning the selected elements into a circle (right)": "",
    "Normally you save your work in a blend-file, but you can export some or all of your work to a format that can be processed by other graphics programs. See :doc:`Import/Export </files/import_export>`": "",
    "Normally, to unwrap a cylinder (tube) as if you slit it lengthwise and folded it flat, Blender wants the view to be vertical, with the tube standing \"up\". Different views will project the tube onto the UV map differently, skewing the image if used. However, you can set the axis on which the calculation is done manually": "",
    "Normals can be assigned to vertices, faces and modulated across a surface using :term:`Normal Mapping`": "",
    "Note also that you can use the :doc:`pose library feature </animation/armatures/properties/pose_library>` to create/edit a *Pose* action data-block... just remember that in this situation, there is one pose per frame!": "",
    "Note that *Auto Keyframe* only works for transform properties (objects and bones), in the 3D Viewport (i.e. you can't use it e.g. to animate the colors of a material in the Properties...)": "",
    "Note that Bone.001 roll angle is not visible (except by its XZ axes)": "",
    "Note that Chan saves only the raw property values (``rotation_x``, ``rotation_y``, ``rotation_z``, etc.), so you have to mind the rotation order. In other words -- the rotation orders during export and import must be the same (both are being set in the File Browser while importing/exporting)": "",
    "Note that SSS in POV-Ray (called SSLT) is very sensitive and will give different results if the mesh normals are smooth shaded or flat": "",
    "Note that Vertex Paint works in sRGB :term:`space <Color Space>` and the RGB representation of the same colors will be different between the paint tools and the materials that are in linear space": "",
    "Note that all examples above are also valid with the left/right part placed before the name. You can only use the short \"L\"/ \"R\" code if you use a separator (e.g. \"handL\"/ \"handR\" will not work!)": "",
    "Note that armature editing details are explained in the :doc:`armatures editing section </animation/armatures/bones/editing/index>`": "",
    "Note that both tools only work on the vertex groups currently displayed in the Weights Table. So if for example only the *Deform weights* are displayed, then Normalize and Copy only affect the Deform bones": "",
    "Note that dependencies for properties accessed via ``self`` may not be fully tracked": "",
    "Note that duplicated elements belong to the same :doc:`vertex groups </modeling/meshes/properties/vertex_groups/index>` as the \"original\" ones. The same goes for the :ref:`material indices <bi-multiple-materials>`, the edge's *Sharp* and *Seam* marks, and probably for the other vertex/edge/face properties..": "",
    "Note that even if the constraint accepts the *Mesh* action type, only the *Object*, *Pose* and *Constraint* types are really working, as constraints can only affect objects' or bones' transform properties, and not meshes' shapes. Also note that only the object transformation (location, rotation, scale) is affected by the action, if the action contains keyframes for other properties they are ignored, as constraints do not influence those": "",
    "Note that geometry nodes does not always produce e.g. vertex groups if a node like :doc:`Join Geometry </modeling/geometry_nodes/geometry/join_geometry>` is used. Similarly, if the data type of a vertex group attribute is changed from the initial \"Float\" type, the attribute will no longer be a vertex group": "",
    "Note that hidden bones are specific to a mode, i.e. you can hide some bones in *Edit Mode*, they will still be visible in *Pose Mode*, and vice versa. Hidden bones in *Pose Mode* are also invisible in *Object Mode*. And in *Edit Mode*, the bone to hide must be fully selected, not just its root or tip": "",
    "Note that in *Envelope* visualization, :kbd:`Alt-S` does not clear the scale, but rather scales the *Distance* influence area of the selected bones. (This is also available through the :menuselection:`Pose --> Scale Envelope Distance` menu entry, which is only effective in *Envelope* visualization, even though it is always available...)": "",
    "Note that removing weight assignments is not available for locked vertex groups. The *Remove* button is grayed out in that case": "",
    "Note that support for Bézier basis is not yet fully implemented": "",
    "Note that the \"copy\" is left exactly at the same position as the original, so you must move it :kbd:`G` to see it clearly..": "",
    "Note that the functions go outside the range [0.0, 1.0] for the shape keys' *Value*, but that has no effect because *Value* is clamped in a *Range* in the *Shape Keys* panel": "",
    "Note that the open line is always extruded, so if you only use it to \"guide\" the screw, you will have to delete it after the tool completion (use linked-selection, :kbd:`Ctrl-L`, to select the whole extrusion of the open line)": "",
    "Note that unlike most other duplications in Blender, the names of the duplicated markers are not altered at all (no ``.001`` numeric counter append)": "",
    "Note that weight assignment is not available for locked vertex groups. The *Assign* button is grayed out in that case": "",
    "Note that you also need to keyframe Evaluation Time for the Path. Select the path, go to the *Path Animation* panel in the curve properties, set the overall frame to the first frame of the path (e.g. frame 1), set the value of Evaluation time to the first frame of the path (e.g. 1), right-click on Evaluation time, select create keyframe, set the overall frame to the last frame of the path (e.g. frame 100), set the value of Evaluation time to the last frame of the path (e.g. 100), right-click on Evaluation time, select create keyframe": "",
    "Note that you can only join curves of the same type (i.e. Bézier with Bézier, NURBS with NURBS). Additionally, you can close a curve by toggling cyclic": "",
    "Note that, this 'solar' system is not realistic at all (the wrong scale, the earth is rotating in the wrong direction around the sun, ...)": "",
    "Note that, when you resize a bone (either by directly scaling it, or by moving one of its joints), Blender automatically adjusts the end-radii of its envelope proportionally to the size of the modification. Therefore, it is advisable to place all the bones first, and only then edit their properties": "",
    "Note the *Convert Premultiply* checkbox is enabled, since as the foreground used a PNG image that has straight alpha": "",
    "Note, unlike creating n-gons, *Fill* supports holes": "",
    "Note: to parent the mesh to the armature: select the mesh first, then the armature and use :kbd:`Ctrl-P` to parent with auto weights": "",
    "Notice how the keymap item can have a ``total`` setting different than the default set by the operator, this allows you to have multiple keys accessing the same operator with different settings": "",
    "Notice the green output above the prompt where you enabled auto-completion. What you see is the result of auto completion listing. In the above listing all are module attributed names, but if you see any name end with ``(``, then that is a function": "",
    "Notice this add-on does not do anything related to Blender (the :mod:`blender_api:bpy` module is not imported for example)": "",
    "Now enter *Edit Mode* using shortcut :kbd:`Tab`": "",
    "Now return to the Object tab, and edit the first curve's *Taper Object* field in the Geometry panel to reference the new taper curve which we called \"TaperCurve\". When you hit enter the taper curve is applied immediately, with the results shown in Fig. :ref:`fig-curves-extrude-taper-curve`": "",
    "Now the add-on will be installed, however not automatically enabled. The search field will be set to the add-on's name (to avoid having to look for it), Enable the add-on by checking the enable checkbox": "",
    "Now the add-on will be listed and you can enable it by pressing the checkbox, if you want it to be enabled on restart, press *Save as Default*. The operator can be run in the same way as described in the :ref:`previous section <advanced-scripting-write-the-add-on-simple>`": "",
    "Now to mix, we do not really need the *Alpha Over* node; we can just use the mask as our Factor input. In this kinda weird case, we can use the matte directly; we just switch the input nodes. As you can see, since the matte is white (1.0) where we do not want to use the model picture, we feed the background photo to the bottom socket (recall the Mix node uses the top socket where the factor is 0.0, and the bottom socket where the factor is 1.0). Feeding our original photo into the top socket means it will be used where the Luminance Key node has spit out Black. Voilà, our model is teleported from Atlanta to aboard a cruise ship docked in Miami": "",
    "Now when you install add-ons you can select the *Target Path* when installing 3rd party scripts. Blender will copy newly installed add-ons under the directory selected in your Preferences": "",
    "Now you can perform a rotation around the axis in the middle (e.g. in *XYZ Euler* mode that is the Y axis), and see how easy it is to end up having a gimbal with just two axes. In the specific case of the *XYZ Euler* mode with gimbal lock, a rotation around the X axis will have the same effect as rotating around the Z axis, meaning, in practice, that no X axis rotations can be performed": "",
    "Now, click with the :kbd:`LMB` on the middle vertex": "",
    "Now, type ``bpy.`` and then press :kbd:`Tab` and you will see the Console auto-complete feature in action": "",
    "Number keys or numpad can be used to access menu items. (Where :kbd:`1` is the first menu item, :kbd:`2` the second, etc. For larger menus :kbd:`Alt-1` the 11th... up to :kbd:`Alt-0` the 20th.)": "",
    "Number of Blur samples (0 disabled the blur effect)": "",
    "Number of blur samples (0 disabled the blur effect)": "",
    "Number of files displayed in :menuselection:`File --> Open Recent`": "",
    "Number of frames to show before and after the current frame (only for *Around Current Frame* Onion-skinning method)": "",
    "Number of points generated along each curve segment (between two handles) if *Adaptive Resolution* is disabled": "",
    "Number of segments for the main ring of the torus. If you think of a torus as a \"spin\" operation around an axis, this is how many steps are in the spin": "",
    "Number of versions created (for backup) when saving newer versions of a file": "",
    "NumpadAsterisk": "",
    "NumpadDelete": "",
    "NumpadMinus": "",
    "NumpadPeriod": "",
    "NumpadPlus": "",
    "NumpadSlash": "",
    "OBJ's export using Unix line endings ``\\n`` even on windows, if you open the files in a text editor it must recognize ``\\n`` line endings": "",
    "OCIO": "",
    "Object Mode :doc:`Randomize Transform </scene_layout/object/editing/transform/randomize>`": "",
    "Object data-blocks appear in alphabetical order, so that it is easier to find where they occur (as well as helping to keep the animation of related objects together)": "",
    "Object matrix: extrusion (``210-group``), rotation, elevation": "",
    "Object/Collection": "",
    "Objects can be moved to collections by dropping on the name or contents of a collection. To link an object to a collection, hold :kbd:`Ctrl` while dropping. To set parent-child relations between objects, drop an object onto another object while holding :kbd:`Shift`": "",
    "Objects can be removed from Local View by selecting them and using the *Remove from Local View* operator. This will move the selected object back to global view and all other objects will remain in local view. If the last remaining object is removed, the local view will be left empty and you will have to exit local view to see any objects": "",
    "Objects can only use one *Action* at a time for editing. The :doc:`NLA Editor </editors/nla/index>` is used to blend multiple actions together": "",
    "Objects data-blocks appear in alphabetical order, so that it is easier to find where they occur (as well as helping to keep the animation of related objects together in the NLA editor for instance)": "",
    "Objects data-blocks appear in alphabetical order, so that it is easier to find where they occur (as well as helping to keep the animation of related objects together in the NLA for instance)": "",
    "Objects have a set of more advanced actions to become single-user, see :ref:`their documentation <bpy.ops.object.make_single_user>`": "",
    "Objects in these collections only contribute to indirect light -- *Cycles only*": "",
    "Objects scaled by the curve radius. See :doc:`Curve Editing </modeling/curves/properties/geometry>`": "",
    "Obviously, you have to be in *Edit Mode* or *Pose Mode* to move bones between layers. Note that as with objects, bones can lay in several layers at once, just use the usual :kbd:`Shift-LMB` clicks... First of all, you have to select the chosen bone(s)!": "",
    "Of course, don't forget to `download <http://www.povray.org/download/>`__ and install POV-Ray itself!": "",
    "Offset the image origin (where 1.0 represents the width/height of the image)": "",
    "Offsets keyframes in default animation playback direction (left to right)": "",
    "Offsets keyframes in inverse animation playback direction (right to left)": "",
    "Often referring to an object being circular. This term is often associated with :term:`Curve`": "",
    "On Microsoft Windows you can simply open the ``make.bat`` file to easily run the command without having to open the Command Prompt and typing commands": "",
    "On activation a ``register`` function is called, ``unregister`` is called when another template is selected": "",
    "On channels headers you can have another column with number fields or sliders, allowing you to change the value on the current keyframes, or to add new keyframes. See :ref:`graph-view-menu` for how to show these sliders": "",
    "On more complex models (like seen in the sphere above) there pops up an issue where the faces cannot be cut, but instead they are stretched in order to make them flat. This helps making easier UV maps, but sometimes adds distortion to the final mapped texture": "",
    "On rendering animations (or single frames via command line), Blender saves the same image also as a JPEG, for quick preview or download": "",
    "Once a frame node is placed, nodes can be added by dropping them onto the frame or by selecting the node(s) then the frame and using :kbd:`Ctrl-P`. This can be thought of as Parenting the selection to the frame": "",
    "Once a stroke has been converted to a curve, the data will be saved to the file. When Curve Editing is deactivated and the curve is changed, for example using :doc:`Sculpt Mode </grease_pencil/modes/sculpting/introduction>`, then the curve will be refitted once Curve Editing is activated again": "",
    "Once an armature is :doc:`skinned </animation/armatures/skinning/index>` by the needed object(s), you need a way to configure the armature into positions known as poses. Basically, by transforming the bones, you deform or transform the skinned object(s). However, you will notice that you cannot do this in *Edit Mode* -- remember that *Edit Mode* is used to edit the default, base, or \"rest\" position of an armature. You may also notice that you cannot use *Object Mode* either, as here you can only transform whole objects": "",
    "Once an edge is chosen via :kbd:`LMB`, you can move the mouse along the edge to determine where the new edge loop will be placed. This is identical to the :ref:`Edge Slide tool <modeling-meshes-editing-edge-slide>`. Clicking :kbd:`LMB` again confirms and makes the cut at the pre-visualized location, or clicking :kbd:`RMB` forces the cut to exactly 50%. This step is skipped when using multiple edge loops (see below)": "",
    "Once the *Unfold* tool is called, the model is split into flattened parts and these are presented in a list called *Islands* below. The list allows you to change the label of each island. If *Create Numbers* is enabled during export, abbreviations of these labels will be used to describe which tab should be sticked to which island. After running the *Unfold* tool, these island labels are recalculated so that as many faces as possible remain under the same label": "",
    "Once the installation has finished, create a new folder that will contain everything related to the Blender Manual. In this guide, we will use ``C:\\blender_docs``": "",
    "Once transforming a selection with Snapping on (not just when holding :kbd:`Ctrl`), you can press :kbd:`A` to mark the current snapping point, then proceed to mark as many other snapping points as you wish and the selection will be snapped to the average location of all the marked points": "",
    "Once you complete your work to the linked file, return to the Sidebar and click the *Return to Original File* button. In addition, the :kbd:`Shift-NumpadSlash` hotkey can be used to toggle between the linked file and the original (the *Local View* functionality is maintained for non-linked objects)": "",
    "Once you have a selection of one or more elements, you can move :kbd:`G`, rotate :kbd:`R` or scale :kbd:`S` them, like many other things in Blender, as described in the :doc:`Manipulation in 3D Space </scene_layout/object/editing/transform/introduction>` section. To move, rotate and scale selected components, either use the *Move*, *Rotate*, and *Scale* buttons, the :doc:`transform gizmos </editors/3dview/display/gizmo>`, or the shortcuts: :kbd:`G`, :kbd:`R`, and :kbd:`S` respectively": "",
    "Once you have chosen the Proxy/Timecode options, you need to use :menuselection:`Clip --> Proxy --> Rebuild Proxy and Timecode Indices` to generate the proxy clip and it will be available after Blender makes it": "",
    "Once you have one or more markers selected, press :kbd:`G`, while hovering with the mouse over the marker bar, to move them, and confirm the move with :kbd:`LMB` or :kbd:`Return` (as usual, cancel the move with :kbd:`RMB`, or :kbd:`Esc`). Or drag them with the :kbd:`LMB`": "",
    "Once you perform any other operation, Blender leaves the interactive mode and accepts all of the values. Because it is modal, you cannot return to the interactive mode after completing/leaving the operation or changing from *Edit Mode* to *Object Mode*. If you want to restart the operation from its beginning, you can press :kbd:`Ctrl-Z` at any time in *Edit Mode*": "",
    "Once you setup a ``demo.py`` you may want to move it to a different system. In this case the paths might not match up, if so update the ``search_path`` variable to point to the path on the new system. You can also set the ``search_path`` to use the directory of the current blend-file::": "",
    "One advantage of this mode is that animation curves are easy to understand and edit. However, special attention must be done when the middle axis approaches values close to 90° (or equivalent angles)": "",
    "One advantage of using the command line is that we do not need a graphical display (no need for X server on Linux for example) and consequently we can render via a remote shell (typically SSH)": "",
    "One benefit is that when you are working with *Clamp To*, it is easier to see what your owner will be doing; since you are working in the 3D Viewport, it will just be a lot more precise than sliding keys around on an F-curve and playing the animation over and over": "",
    "One cool thing about this algorithm is that if you move upwards or downwards (perpendicular to the inset plane) at a constant speed, you form 'roofs' with a fixed pitch": "",
    "One file can't play an animation then render, you need to copy the line in ``demo.py`` and set one mode to ``RENDER`` the other to ``PLAY``": "",
    "One important thing to understand about armature editing is that you edit the *rest position* of your armature, i.e. its \"default state\". An armature in its *rest position* has all bones with *no* rotation and scaled to 1.0 in their own local space": "",
    "One key element in traditional animation is the use of onion skinning. Grease Pencil offer a lot of flexibility and options for this tool. See :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>` for more information": "",
    "One of the characteristics of a NURBS object is the *knot vector*. This is a sequence of numbers used to determine the influence of the control points on the curve. While you cannot edit the knot vectors directly, you can influence them through the *Endpoint* and *Bézier* options in the Active Spline panel. Note that, the *Endpoint* and *Bézier* settings only apply to open NURBS curves": "",
    "One of the largest community forums is `Blender Artists <https://blenderartists.org/>`__, where Blender users gather to show off their creations, get feedback, ask and offer help and, in general, discuss Blender": "",
    "Only add, subtract, multiply and divide are suitable for :term:`Scene Referenced` images": "",
    "Only available for single edge loops. This matches the shape of the edge loop to one of the adjacent edge loops. (See :ref:`Edge Slide tool <modeling-meshes-editing-edge-slide>` for details.)": "",
    "Only deactivates the *Automatically Pack Resources* option": "",
    "Only exports objects that are not :doc:`hidden </scene_layout/object/editing/show_hide>`. Invisible parents of exported objects are exported as empty transforms": "",
    "Only shapes in the *Inner Mask* that overlap with the *Outer Mask* contribute to the gradient": "",
    "Only show file name in output (not the leading path)": "",
    "Only the *normals* of the new faces created from the extrusion will be flipped": "",
    "Only the first curve in a *Taper Object* is evaluated, even if you have several separated segments": "",
    "Only the selected bones are taken into account during copying (i.e. you copy only selected bones' pose)": "",
    "Only visible when :ref:`Developer Extras <prefs-interface-dev-extras>` are enabled": "",
    "Opacity Factor: 1.0 (original alpha)": "",
    "Opacity Factor: 2.0 (fully opaque)": "",
    "Opacity of the icons for selected (but not active) objects and unselected objects": "",
    "Open 2D Curve with :kbd:`Alt-C`, fill set to none, zero offset, 0.5 extrusion, 0.25 Bevel Depth, 10 Bevel resolution": "",
    "Open Blender and click on *File* located in the header of the Info editor again, choose *Open Recent* and select the file you saved for this exercise. All of the things will be placed exactly the way you saved before. Choose the last saved blend-file; in the last exercise, you gave it the name \"screw spring example.blend\"": "",
    "Open Blender and click on *File* located in the header of the Info editor again; choose *Open Recent* and the file saved for this exercise. All of the things will be placed exactly the way you saved before. Choose the last saved blend-file; from the last exercise, which is named \"screw hardware example.blend\"": "",
    "Open Text Block :kbd:`Alt-O`": "",
    "Open a pop-up panel (also known as a pop-over)": "",
    "Open a terminal or Command Prompt in the ``~/blender_docs`` directory and simply run::": "",
    "Open an image you would like to pixelate using an Image node. Add two Scale nodes between the input and output :menuselection:`Add --> Distort --> Scale`. Change the values of X and Y to 0.2 in the first scale box and to 5 in the second. The composited image will appear unchanged. Now add a Pixelate node between the two Scale nodes. The result will be a pixelated image": "",
    "Open the *Drivers Editor* and select the *Y Euler Rotation* property in the channels region": "",
    "Open the *File Paths* section of the *Preferences*": "",
    "Open the :menuselection:`Preferences --> Add-ons --> Install...` and select the file": "",
    "Open the :menuselection:`Properties --> World tab` and choose ``Dynamic_1`` in the World data-block menu": "",
    "Open the :ref:`Operator Search <bpy.ops.wm.search_operator>` menu and type in \"Move X by One\" (the ``bl_label``), then :kbd:`Return`": "",
    "Open the :ref:`splash`": "",
    "Open the DXF with a text editor (it has many thousands of lines) and make an educated guess looking at some coordinates. DXF works with \"group codes\", a name Autodesk invented for \"key\" as in key/value pairs. X has group code 10, Y has 20, Z has 30. If you find a pattern like:": "",
    "Open the Sidebar region and select the *Drivers* tab": "",
    "Open with lower left corner at ``<sx>``, ``<sy>`` and width and height as ``<w>``, ``<h>``": "",
    "Open with lower left corner at ``<sx>``, ``<sy>``": "",
    "Opening and saving blend-files is usually done using the :doc:`File Browser </editors/file_browser>`": "",
    "Opens a new window with the *Drivers Editor* and selects the driver associated with the property": "",
    "Opens a pop-up allowing you to add modifiers to the active F-curve. Settings for the :doc:`modifier </editors/graph_editor/fcurves/modifiers>` can be found in the :menuselection:`Sidebar --> Modifiers` tab": "",
    "Opens the :doc:`/editors/file_browser` to select a file from a drive": "",
    "Opens the :doc:`File Browser </editors/file_browser>`": "",
    "Opens the File Browser to specify file name and location of :ref:`save <bpy.ops.wm.save_mainfile>`": "",
    "Opens the fully featured :doc:`Drivers Editor </editors/drivers_editor>`. This button only appears in the popover version of the Drivers panel": "",
    "Opens up the :doc:`Menu Search </interface/controls/templates/operator_search>`. This option is good for someone who is new to Blender and is unfamiliar with its menus and shortcuts": "",
    "Opens up the :doc:`Menu Search </interface/controls/templates/operator_search>`. This option is good for someone who is new to Blender and is unfamiliar with the menus and shortcuts": "",
    "Operates the same as in :ref:`basic.raw_copy <rigify.rigs.basic.raw_copy>`, except all constraints are moved from ORG to the control bone": "",
    "Operator buttons perform an action when clicked with :kbd:`LMB`. Button may show an icon, text, or both": "",
    "Operators for adjusting properties begin with ``wm.context_``": "",
    "Opposite of *Difference* (everything *inside* of the target mesh is kept)": "",
    "Option between Frame and Animation. Frame will render a single frame, Animation will bundle all rendered frames into a single ``.svg`` file": "",
    "Option to automatically expand selection. See :ref:`Sticky Selection Mode <bpy.types.SpaceUVEditor.sticky_select_mode>` for more details": "",
    "Option to write long lists of coordinates in one line for easier browsing of the pov-file (and slightly faster parsing by the renderer)": "",
    "Optional :ref:`Specials <ui-specials-menu>` menu with tools to operate on list entries": "",
    "Optionally specifies layers for the middle control, falling back to *Primary Control Layers* if not set": "",
    "Options for the *Delete* pop-up menu:": "",
    "Options for the :doc:`annotation tool </interface/annotate_tool>`": "",
    "Options for the annotation tool. See :doc:`/interface/annotate_tool`": "",
    "Options related to the drawing style are packed in the *Colors and Style* subpanel. They should be quite self-explanatory": "",
    "Or if the *Emulate 3 button mouse* option is select in the Preferences you can press and hold :kbd:`Alt` while dragging :kbd:`LMB` in the viewport's area": "",
    "Or otherwise, clicking :menuselection:`File --> Import` from the Topbar menu": "",
    "Or, select one node with a single linked input -- :kbd:`Alt-S` will cycle the link through the available input sockets. Or, select one node with two linked inputs -- :kbd:`Alt-S` will swap the two links. If more than two inputs are linked, the two with matching types will be swapped (such as a Mix node's two color inputs)": "",
    "Orbit an object's position around a point with a custom *Scripted Expression*. The object's position will change when scrubbing the timeline. Using trigonometry, circular motion can be defined in 2D using the sine and cosine functions. (See `Unit Circle <https://en.wikipedia.org/wiki/Unit_circle>`__.) In this example, the current frame is used as the variable that induces the motion. ``frame`` is a :ref:`Simple Expression <drivers-simple-expressions>` that corresponds to ``bpy.context.scene.frame_current``": "",
    "Orients a vector A to point away from a surface B as defined by its normal C. Computes :math:`(dot(B, C) < 0) ? A : -A`": "",
    "Original image (Blend: Regular, Opacity: 1)": "",
    "Original introduction from Andy Houston (Blender 2.4 series)": "",
    "Orthographic view: The planes with distance of negative end and positive end from the focus point, in this case the *Start* is ignored": "",
    "Other keys are referred to by their names, such as :kbd:`Esc`, :kbd:`Tab`, :kbd:`F1` to :kbd:`F12`. Of special note are the arrow keys, :kbd:`Left`, :kbd:`Right` and so on": "",
    "Otherwise use the default domain (points)": "",
    "Our eye is used to perspective viewing because distant objects appear smaller. Orthographic projection often seems a bit odd at first, because objects stay the same size regardless of their distance. It is like viewing the scene from an infinitely distant point. Nevertheless, orthographic viewing is very useful, because it provides a more \"technical\" insight into the scene, making it easier to model and judge proportions": "",
    "Output Attribute storing interpolated values of the *Target Attribute* at the hit positions": "",
    "Output matte to use for checking the quality of the key, or to manually apply using a :doc:`Set Alpha Node </compositing/types/converter/set_alpha>` or :doc:`Mix Node </compositing/types/color/mix>`": "",
    "Output the points that make up the visible curve. This takes the built-in ``resolution`` attribute into account. It is the fastest method but in most cases the points will not have an equal distance": "",
    "Outputs 1.0 if the difference between the two input values is less than or equal to *Epsilon*": "",
    "Outputs a value between *Min* and *Max* based on the absolute difference between the input value and the nearest integer multiple of *Max* less than the value": "",
    "Outputs the `Inverse Tangent <https://en.wikipedia.org/wiki/Inverse_trigonometric_functions>`__ of the first value divided by the second value measured in radians": "",
    "Outputs the absolute positions of a marker at the given *Frame*": "",
    "Outputs the integer part of the *value*": "",
    "Outputs the positions of a marker relative to the markers of the given *Frame*": "",
    "Override the device that is used to render frames. Currently supported options are ``CPU``, ``CUDA``, ``OPTIX`` and ``OPENCL``. Additionally, you can use ``CUDA+CPU`` or ``OPENCL+CPU`` in order to use both CPU and GPU rendering": "",
    "Owner Orientation": "",
    "PKHG Face Extrude: by PKHG, based on Geodesic Domes add-on \"faces function\"": "",
    "POV": "",
    "POV items can be anything but for now only the equivalent of Blender materials can be replaced with this method. In POV-Ray, it is called ``texture {}`` don't get confused, it really includes all the material properties": "",
    "POV-Ray files are not just pure data files (unlike with most other renderers). They are programs, with loops, functions, etc. This means that no matter how many features this exporter could support, POV-Ray will always have much more under the hood": "",
    "POV-Ray is an SDL based (Scene Description Language) render engine with a long history that makes it very stable and feature rich. The latest version of POV-Ray 3.7 can be found at the `project site <http://www.povray.org/download/>`__": "",
    "Packs the image into the blend-file. See :ref:`pack-unpack-data`": "",
    "Painting needs paint brushes and Blender provides a Brush panel within the Toolbar when in *Weight Paint Mode*": "",
    "Pan the view vertically (values) or horizontally (time) with click and drag (:kbd:`MMB`)": "",
    "Pan the view vertically (values) or horizontally (time) with click and drag :kbd:`MMB`": "",
    "Panel layout (Blur effect as an example)": "",
    "Panel layout (Thickness modifier as an example)": "",
    "Parallel Guides (30° Angle)": "",
    "Parallelogram": "",
    "Parameters (POV-Ray names):": "",
    "Parametric position along the length of the curve that object following it should be at (the position is evaluated by dividing by the *Path Length* value). By default, it is linked to the global frame number, but could be keyframed to give more control over the path animation": "",
    "Parent Controllers": "",
    "Parenting: ``BLOCK`` and ``INSERT``": "",
    "Parts of the *Outer Mask* that touch the edge of the image are extended beyond the boundary of the image": "",
    "Parts of the *Outer Mask* that touch the edge of the image are treated as if they stop at the edge": "",
    "Paste the *X axis mirrored* buffered pose to the currently posed armature": "",
    "Pastes the points/strokes copied from the clipboard into the active layer. This is the default behavior and the mode used when using :menuselection:`Grease Pencil --> Paste`": "",
    "Path Mask": "",
    "PeerTube": "",
    "Perform a \"merge by distance\" operation when loading geometry into Line Art. The threshold of this operation is internally set to a value that is optimal for Line Art algorithm precision": "",
    "Performs Boolean operations with the selection on the unselected geometry. While the :doc:`/modeling/modifiers/generate/booleans` is useful for non-destructive edits, access to these operations with a tool in Edit Mode can be useful to quickly perform edits": "",
    "Performs the *Mirror Vertex Group* with the *Topology Mirror* option enabled": "",
    "Phong and Cook Torrance (both the same)": "",
    "Picking new locations for existing file paths (images, videos, fonts...)": "",
    "Pixelate": "",
    "Places the *2D Cursor* at the midpoint of the selected keyframes": "",
    "Play from ``<frame>``": "",
    "Play until ``<frame>``": "",
    "Play with the values of :math:`a` and :math:`b` so that the curves go from [0.0, 1.0] in the Y axis and from [0.0, 2.5] in the X axis. The curves should overlap in the mid area of the X axis and they should have the same slope (:math:`b`)": "",
    "Playback animation (reverse)": "",
    "Playback performance can be improved through several ways. The biggest impact on performance is to allow the Video Sequencer to cache the playback. There are two levels of cache, the first is a RAM cache, this is enabled by default but can be increased based on the amount of RAM available. The next level of cache is a disk cache which stores cached strips on disk. A disk cache can generally cache more than a RAM cache, but it can be slower. Both of these cache options can be configured in the :ref:`Preferences <prefs-system-sound>`": "",
    "Please check if the Documentation project is assigned in the tag's field in order to notify the team of your patch. You can also :ref:`contact <contribute-contact>` the team over the mailing list or :ref:`blender-chat`": "",
    "Please consider to join the effort and :ref:`Contribute to this Manual <about-user-contribute>`": "",
    "Please note that it is the shape of the active quad in UV space that is being followed, not its shape in 3D space. To get a clean 90-degree unwrap make sure the active quad is a rectangle in UV space before using \"Follow active quad\"": "",
    "Please note, the *Frequency* parameters have a high impact on object creation. To create a Geodesic Dome you must increase the *Frequency* or the default Triangle": "",
    "Please see `author's site <https://sites.google.com/site/aleonserra/home/scripts/matlib-vx-5-6>`__ for the older original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/3D_interaction/Align_Tools/>`__ for the archived original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/Modeling/Inset-Polygon/>`__ for the archived original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/Modeling/LoopTools/>`__ for the archived original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/Nodes/Nodes_Efficiency_Tools/>`__ for the archived original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/Object/CellFracture/>`__ for the archived original docs": "",
    "Please see the `old Wiki <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/Paint/Palettes/>`__ for the archived original docs": "",
    "Please, use the `Blender Artists forum <https://blenderartists.org/t/1197801>`__ for comments and questions": "",
    "Plurals of the names are recognized too, so ``meter`` and ``meters`` can both be used": "",
    "Point (Grease Pencil) and Vertex (meshes) are equivalent names": "",
    "Point (vertex), edge or face pointing upwards": "",
    "Point 1 - 4": "",
    "Pointcache (pc2)": "",
    "Points with a *Mask* attribute value of \"false\" will be moved to the first output": "",
    "Points with a *Mask* attribute value of \"true\" will be moved to the second output": "",
    "Poly Curves are used when :ref:`converting meshes to curves <bpy.ops.object.convert>`. Because they do not interpolate the shape, Poly splines are able to give an accurate representation of the original mesh object": "",
    "Popover menus are overlays. Like Select Menus, pop-up menus also include down arrow on the right side of menu button. However, pop-up menus allow more content to be shown, such as title, list options, buttons, sliders, etc. Popover menus group controls into a menu, which is automatically hidden when mouse pointer leaves menu boundaries (including a margin)": "",
    "Popular formats are enabled by default, other formats are also supported and distributed with Blender, these can be enabled in the Preferences through the use of :doc:`Add-ons </editors/preferences/addons>`": "",
    "Position of the center of the ellipse as a fraction of the total width or height. (0.5, 0.5 creates a centered ellipse; 0.0, 0.0 creates an ellipse with its center in the lower left.)": "",
    "Position of the last vertex. This is only available when the mode is set to *End Points*": "",
    "Position of the second control point. This is only available in the *Points* mode": "",
    "Position the eye bones in the eye pivot point facing right **toward** the face on the Y axis": "",
    "Possible values are *Key 1*: :math:`y = 0.0 + 0.6x` and *Key 2*: :math:`y = -0.5 + 0.6x`": "",
    "Post-processing methods that are executed on the strokes when you finished drawing, right after releasing the :kbd:`LMB` or :kbd:`Pen` tip. You can toggle the use of post-processing using the checkbox in the section panel header": "",
    "Precision (slow the momentum)": "",
    "Presets for the default :doc:`keymap </editors/preferences/keymap>` for Blender. Note that this manual assumes that you use the \"Blender\" keymap": "",
    "Press *Auto Mirror* and depending on the settings, your object will be in Edit Mode, with mirror set up for you": "",
    "Press :kbd:`A` to select/deselect all files in the directory": "",
    "Press :kbd:`Alt-A` to deselect all vertices": "",
    "Press :kbd:`Ctrl` and left-click :kbd:`LMB` near the circle, in more or less at the light gray line of the square above the circle, and, while still pressing :kbd:`Ctrl`, left-click :kbd:`LMB` again in the gray line below the circle. You have created two vertices and an edge, which Blender will use as the first height and angle vector": "",
    "Press :kbd:`Esc` or :kbd:`RMB` to cancel": "",
    "Press :kbd:`Esc` to cancel the menu, or move the mouse cursor far from the pop-up, or by :kbd:`LMB` clicking anywhere out of it": "",
    "Press :kbd:`G` and move the mouse (you can use :kbd:`X` twice or :kbd:`Y` to get pure-horizontal or pure-vertical sideways tracking)": "",
    "Press :kbd:`I` in the 3D Viewport. From the *Insert Keyframe* menu, select *LocRotScale*": "",
    "Press :kbd:`LMB` or :kbd:`Return` to enter value by typing it with keyboard": "",
    "Press :kbd:`Minus` while hovering over a number field to negate the value": "",
    "Press :kbd:`Numpad1` to see the world in Front view": "",
    "Press :kbd:`NumpadDelete` to see the armature at maximum zoom": "",
    "Press :kbd:`R` to enter object rotation mode. The default will be to rotate the camera in its local Z axis (the axis orthogonal to the camera view), which is the definition of a camera \"roll\"": "",
    "Press :kbd:`Return` or :kbd:`LMB` outside the field to apply the change": "",
    "Press :kbd:`Return` to activate the selected menu item": "",
    "Press :kbd:`Shift-W` :menuselection:`Toggle Bone Options --> Locked`": "",
    "Press :kbd:`Tab` to jump to the next field or :kbd:`Shift-Tab` to go to the previous field": "",
    "Press the *Armature Animation* checkbox to add the animation to the tree": "",
    "Press the *Fast Preview* checkbox to hide the leaves and bevel for fast animation playback in the viewport": "",
    "Press the *Leaf Animation* checkbox to add the animation to the leaves if you have them": "",
    "Press the *Make mesh* checkbox if you want to convert the curve to a mesh": "",
    "Press the *Prune* checkbox and you will see the prune object next to the tree": "",
    "Press the *Show Leaves* checkbox and you will see leaves on the tree": "",
    "Press the *Use Armature* checkbox to add the armature to the tree": "",
    "Press the shortcut :kbd:`A` to select all the vertices again": "",
    "Press the shortcut :kbd:`A` to select the remaining vertices": "",
    "Press the shortcut :kbd:`A` twice to deselect and select all": "",
    "Press the shortcut :kbd:`Alt-A` to deselect all vertices": "",
    "Press the shortcut :kbd:`B`, and Blender will change the cursor; you are now in box selection mode": "",
    "Press the shortcut :kbd:`Shift-S` and select *Cursor to Center*": "",
    "Pressing :kbd:`A` expands/collapses the panel under the mouse pointer": "",
    "Pressing :kbd:`Alt` opens a tool prompt, shown in the :doc:`Status Bar </interface/window_system/status_bar>`, for changing the active tool, pressing :kbd:`Alt` again closes the prompt": "",
    "Pressing :kbd:`G` twice enters either *Edge Slide* or *Vertex Slide* tool depending on the selection. You also have in *Edit Mode* an extra option when using these basic manipulations: the :doc:`Proportional Editing </editors/3dview/controls/proportional_editing>`": "",
    "Pressing :kbd:`X` or :kbd:`Delete` opens a pop-up menu from where you can delete the selected keyframes": "",
    "Prevent faces from joining when they don't share certain properties (material for e.g.)": "",
    "Previews of images and materials in the :doc:`File Browser </editors/file_browser>` are created on demand. To save these previews into your blend-file, enable this option (at the cost of increasing the size of your blend-file)": "",
    "Previous versions of the Blender Manual are made available under an `Open Content License <https://web.archive.org/web/19981206111937/http://www.opencontent.org/opl.shtml>`__ v2.26 -- v2.77": "",
    "Primary Control Layers": "",
    "Print this help text and exit (Windows only)": "",
    "Printers have a limited *wall-thickness* where very thin areas cannot be printed, this test uses ray casting and a distance range to the thickness of the geometry": "",
    "Prioritizes to connect black (foreground) components": "",
    "Prioritizes to connect the color (black or white) that occurs least frequently in the local neighborhood of the current position": "",
    "Prioritizes to connect the color (black or white) that occurs most frequently in the local neighborhood of the current position": "",
    "Prioritizes to connect white (background) components": "",
    "Problems (notice the edges?)": "",
    "Procedural textures (emulated from Blender and POV-Ray native)": "",
    "Processed image with the *Matte* applied to the images' :term:`Alpha Channel`": "",
    "Propagate Scale": "",
    "Propagate Twist": "",
    "Propagate to Controls": "",
    "Proportional Edit is a way of transforming selected elements (such as vertices) while having that transformation affect other nearby elements. For example, having the movement of a single vertex cause the movement of unselected vertices within a given range. Unselected vertices that are closer to the selected vertex will move more than those farther from it (i.e. they will move proportionally relative to the location of the selected element). Since Proportional Editing affects the nearby geometry, it is very useful when you need to smoothly deform the surface of a dense mesh": "",
    "Proportional Editing is typically used in *Edit Mode*, however, it can also be used in *Object Mode*. In *Object Mode* the tool works on entire objects rather than individual mesh components": "",
    "Provides the :term:`Quaternion` representation of the rotation": "",
    "Punctual lights (point, spot, and directional)": "",
    "Push (middle) vertices around the 3D cursor compared to Scale (right)": "",
    "Pyproj": "",
    "Python expressions can be used to *Drive* values and are often used in more advanced rigs and animations": "",
    "Python modules containing our core API and utility functions for other scripts to import (added to Python's ``sys.path``)": "",
    "Python scripts (including driver expressions) are not executed by default for security reasons. You may be working on projects where you only load files from trusted sources, making it more convenient to allow scripts to be executed automatically": "",
    "Quad View is different from :doc:`splitting the area </interface/window_system/areas>` and aligning the view manually. In Quad View, the four views are still part of a single 3D Viewport. So they share the same display options and layers": "",
    "Quadratic Bézier": "",
    "Quaternion values can be interpreted geometrically as defining a point on a unit sphere in 4D space. Moving along any *great circle* of the sphere represents rotating around a fixed axis, with one full circle matching two full rotations": "",
    "Quaternions are a number system extending the complex numbers. They represent a four component vector, whose components are called, in Blender, X, Y, Z and W. When rotating interactively in quaternion mode, the so called norm (length) of the quaternion will remain constant. By definition, the norm of a quaternion equals 1.0 (that's a **normalized** quaternion). When you select the quaternion mode in Blender, the XYZW components describe a normalized quaternion": "",
    "Quick access (favorites)": "",
    "R × A, G × A, B × A, A": "",
    "Radiance ``.hdr`` files store colors still in 8 bits per component, but with an additional (shared) 8-bit exponent value, making it 32 bits per pixel": "",
    "Radiance is a suite of tools for lighting simulation. Since Radiance had the first (and for a long time the only) HDR image format, this format is supported by many other software packages": "",
    "Radius to use when the maximum pressure is applied (or when a tablet is not used)": "",
    "Raises `Euler's number <https://en.wikipedia.org/wiki/E_(mathematical_constant)>`__ to the power of the value": "",
    "Randomizes indices of selected elements (*without* affecting those of unselected ones). The seed option allows you to get another randomization -- the same seed over the same mesh or set of selected elements will always give the same result!": "",
    "Randomizes the hue, saturation, and value of the stroke's :ref:`Color <grease-pencil-draw-color>`": "",
    "Rather than using ``bpy.context.scene``, we use the ``context.scene`` argument passed to ``execute()``. In most cases these will be the same. However in some cases, operators will be passed a custom context so script authors should prefer the ``context`` argument passed to operators": "",
    "Rather than using a radius only, the proportional falloff spreads via connected geometry. This means that you can proportionally edit the vertices in a finger of a hand without affecting the other fingers. While the other vertices are physically close (in 3D space), they are far away following the topological edge connections of the mesh. The icon will have a blue center when *Connected* is active. This mode is only available in *Edit Mode*": "",
    "Read from disk (Do not buffer)": "",
    "Read more about *Numpad Emulation* in the :doc:`Preferences </editors/preferences/input>`": "",
    "Read more about :doc:`Collections </scene_layout/collections/index>`": "",
    "Read more about :doc:`Pivot Points </editors/3dview/controls/pivot_point/index>`": "",
    "Reading data on demand isn't supported with compression *(this only impacts load time, once loaded there is no difference in memory use)*": "",
    "Reads all the current scene's render layers from cache, as needed. This can be used to save RAM while rendering because the render layers do not have to be saved in RAM. And also for recovering some information from a failed render. For this to work, :ref:`Save Buffers <bpy.types.RenderSettings.use_save_buffers>` must be enabled": "",
    "Rebuilds the local :doc:`override </files/linked_libraries/library_overrides>` from its linked reference, as well as its hierarchy of dependencies": "",
    "Rec Date": "",
    "Record Run is the timecode which usually is best to use, but if the source file is totally damaged, *Record Run No Gaps* will be the only chance of getting acceptable result": "",
    "Recursive node groups are prohibited for all the current node systems to prevent infinite recursion. A node group can never contain itself (or another group that contains it)": "",
    "Recursively chaining overrides (i.e. link and override overrides from another library file, etc.)": "",
    "Reduces the file size of the resulting blend-file but takes longer to save and load. This option is useful for distributing files online and saving drive space for large projects. But it can cause slowdowns when quitting Blender, or under normal operation when auto-saving backup files. See :ref:`files-linked_libraries-known_limitations-compression` for more information": "",
    "Refers to decomposition of an arbitrary rotation into a sequence of two single axis rotations: a *swing* rotation that aims a chosen axis in its final direction using the shortest possible rotation path, followed by a *twist* rotation around that axis": "",
    "Refers to the general color decomposition resulting in *Y* (Luminance) and *C* (Chrominance) channels, whereas the chrominance is represented by: U = ( Blue minus Luminance ) and V = ( Red minus Luminance )": "",
    "Refers to the reflection or transmission of a light ray upon interaction with a material. See also :doc:`Light Paths </render/cycles/render_settings/light_paths>`": "",
    "Reflective caustics using photons (high IOR or no mirror IOR for easier effect.)": "",
    "Refresh all data-block previews that can be automatically generated by Blender (shading-related ones), in the current blend-file. You still need to save the file if you want to write them to the drive": "",
    "Register blend-file extension, then exit (Windows only)": "",
    "Relative Mirror is not supported with `Auto IK`_ enabled": "",
    "Relative paths are the default but this can be changed in the :doc:`File </editors/preferences/file_paths>` tab of the *Preferences*": "",
    "Relax pose is somewhat related to the above topic, but it is only useful with keyframed bones. When you edit such a bone (and hence take it \"away\" from its \"keyed position\"), using this tool will progressively \"bring it back\" to its \"keyed position\", with smaller and smaller steps as it comes near it": "",
    "Relinks ``TARGET`` or any constraints with an empty target bone and no relink specification to reference the control located at the tail of the glue bone": "",
    "Reloading is useful if you changed something in the library blend-file and want to see those changes in your current blend-file without having to re-open it. You can reload and relocate a whole library from the context menu of the library items in the *Outliner*'s *Blender File* view,": "",
    "Relocating allows you to reload the library from a new file path. This can be used to either fix a broken linked library (e.g. because the library file was moved or renamed after linking from it), or to switch between different variations of a same set of data, in different library files": "",
    "Remap Users of a data-block to another one (of same type of course). This means you can e.g. replace all usages of a material or texture by another one": "",
    "Remember that most hotkeys affect the **active** area (the one that has focus), so check that the mouse cursor is in the area you want to work in before you use the hotkeys": "",
    "Remember that the essential idea is that a group should be a reusable, self-contained software component. Material node groups should **not** include:": "",
    "Remember that when selecting bones' joints, the tip of the parent bone is the \"same thing\" as the root of its children bones": "",
    "Remove Meta-Strips": "",
    "Remove all assigned vertices from the active group. The group is made empty. Note that the vertices may still be assigned to other vertex groups of the object. (Not available for locked groups.)": "",
    "Remove all unused data-blocks from both the current blend-file and any :doc:`Linked Data </files/linked_libraries/link_append>` including any indirectly used data-blocks i.e. those only used by unused data-blocks": "",
    "Remove all unused data-blocks from only :doc:`Linked Data </files/linked_libraries/link_append>` including any indirectly used data-blocks i.e. those only used by unused data-blocks": "",
    "Remove all unused data-blocks from the file (cannot be undone)": "",
    "Remove all vertex groups from the object that are *not* locked": "",
    "Remove the library override from the selected data-block and all its children and replace them with the original linked data-block. This will revert the *Make Library Override*": "",
    "Remove unused data-blocks from both the current blend-file and any :doc:`Linked Data </files/linked_libraries/link_append>` (cannot be undone). See the :ref:`Outliner <bpy.ops.outliner.orphans_purge>` for more information": "",
    "Remove unused data-blocks from only :doc:`Linked Data </files/linked_libraries/link_append>`": "",
    "Removes boundary strokes used by the *Fill* tool. See :doc:`Fill tool </grease_pencil/modes/draw/tools/fill>` for more information": "",
    "Removes edges sharing two faces (joining those faces)": "",
    "Removes newly selected items from the existing selection. Items can be removed from the selection by :kbd:`Shift-LMB` already selected items": "",
    "Removes shearing from the target transformation after the target space conversion, ensuring it consists purely of translation, rotation and scale. Note that :doc:`Copy Rotation </animation/constraints/transform/copy_rotation>` always does this": "",
    "Removes the chosen hook (from the displayed list) from the object. Which means that the specific Hook Modifier is removed from its modifier stack": "",
    "Removes the sculpting mask data layer. See :ref:`sculpt_mask_clear-data` for more information": "",
    "Removes the selected nodes from a group, see :ref:`bpy.ops.node.group_ungroup` for more information": "",
    "Removes/Decreases or adds/increases a trailing number to your file name (used e.g. to store different versions of a file)": "",
    "Rename the active object or node; see :ref:`Rename tool <tools_rename-active>` for more information": "",
    "Rename: :kbd:`Ctrl-LMB`": "",
    "Renames multiple data types at once; see :ref:`Batch Rename tool <bpy.ops.wm.batch_rename>` for more information": "",
    "Render frame ``<frame>`` and save it": "",
    "Render frames from start to end (inclusive)": "",
    "Render in the background (without UI)": "",
    "Render the 3D Viewport with :doc:`Eevee </render/eevee/index>` and an HDRI environment. This mode is particularly suited for previewing materials and texture painting. You can select different lighting conditions to test your materials": "",
    "Render the 3D Viewport with the scene *Render Engine*, for interactive rendering. By default the scene lights are used for lighting. An HDRI environment can be used as well, with the same options as Material Preview mode": "",
    "Render: :doc:`Eevee </render/eevee/index>`, :doc:`Cycles </render/cycles/render_settings/index>` or :doc:`Workbench </render/workbench/index>` settings": "",
    "Renderability. (Disables the collection from being rendered in all view layers -- affects render -- chaining.)": "",
    "Rendering multiple samples per pixel, for :term:`Anti-Aliasing`": "",
    "Reopens (reloads) the current buffer (all non-saved modifications are lost)": "",
    "Replace all selected assets with the last selected asset (active). If you use this option from the context menu, the target asset is downloaded and replaces selected assets": "",
    "Replace the inputs alpha channel with the *Alpha* input value. In this cases, the output is using :term:`Straight Alpha`": "",
    "Replacement for the default mono-space interface font *(used in the Text editor and Python Console)*": "",
    "Replaces the object hiding hotkeys with hotkeys to disable objects instead and adds these options to the :menuselection:`Object --> Show/Hide` menu": "",
    "Representation of alpha in the image file, to convert to and from when saving and loading the image. See :term:`Alpha Channel`": "",
    "Represents the *Evaluation Time* at which that shape key will be active": "",
    "Requirement: A chain of at least three connected bones (base system)": "",
    "Requirement: A chain of four connected bones (thigh, shin, foot, toe) with one unconnected child of the foot to be used as the heel pivot": "",
    "Requirement: A chain of four or five connected bones (thigh, shin, paw, *optional* digit, toe)": "",
    "Requirement: A chain of three connected bones (upper_arm, forearm, hand)": "",
    "Requirement: All the face bones bundled in the ``faces.super_face`` sample had to be present and child of the master bone that has the Rigify-type *face* property set": "",
    "Requirement: At least two bones child of the same parent. The property has to be set on the inner palm bones (think it as index's metacarpus), the rig control will appear on the last palm bone (think it as pinky's metacarpus)": "",
    "Reset the override to its original values. *Reset Library Override Hierarchy* will also reset the overrides of its child data-blocks": "",
    "Reset this local :doc:`override </files/linked_libraries/library_overrides>` to its linked values, as well as its hierarchy of dependencies. This allows you to update local overrides when the relationship between data-blocks changed in the linked library data": "",
    "Reset this local :doc:`override </files/linked_libraries/library_overrides>` to its linked values": "",
    "Resets the curve to default (removes all points added to the curve)": "",
    "Resizing regions works by dragging their border, the same way as :doc:`/interface/window_system/areas`": "",
    "Resolution U": "",
    "Resolution of 1": "",
    "Resolution of 12": "",
    "Restore the *Preview* panel": "",
    "Restrict the tool to a subset. See :ref:`The Subset Option <bpy.ops.object.vertex_group_levels>` about how subsets are defined": "",
    "Restricts the effect only to material that share the same material or material :ref:`Pass Index <bpy.types.MaterialGPencilStyle.pass_index>`": "",
    "Restricts the effect only to one layer or to any layers that share the same material :ref:`Pass Index <bpy.types.MaterialGPencilStyle.pass_index>`": "",
    "Result of bevel (one segment)": "",
    "Result of bevel (vertex only)": "",
    "Resulting knife projection (extruded after)": "",
    "Results with the nodes applied to an image from the `Mango Open Movie <https://mango.blender.org/>`__": "",
    "Retargeting, which is a way to apply motion-capture data (acquired from real world) to a rig, is available through add-ons and importers": "",
    "Returns the view alignment to the view align settings before use of *View Lock to Active*": "",
    "Reverse the direction of the points in the selected strokes (i.e. the start point will become the end one, and vice versa)": "",
    "Right-click-select (see :ref:`Select With Mouse Button <keymap-blender_default-prefs-select_with>` option) has the advantage that selection is possible without having to switch to the select tool": "",
    "Rigify allows third party developers to implement sub-add-ons, called *Feature Sets*, which can provide new :doc:`Meta-Rigs </addons/rigging/rigify/metarigs>` and :doc:`Rig Types </addons/rigging/rigify/rig_types/index>`. Similar to regular add-ons, they can be installed from zip-files through Rigify settings": "",
    "Rigify assumes that 1 unit corresponds to 1 meter. So a human is about 2 units tall. If your character is in a different scale and you are more familiar with modeling rather than rigging, it is suggested to scale it to Rigify dimensions before positioning the meta-rig bones. f you want to scale the character's geometry, we suggest you to first scale up the character in Object Mode, then apply the geometry scale with the *Apply Scale* tool": "",
    "Rigify build blocks can be mixed together to rig any character you want. If you need to build a character with five arms and one leg, Rigify can handle it for you creating all the required complex controls system (FK, IK, and all the relative snapping tools and the UI) in few seconds": "",
    "Rigify helps automate the creation of character rigs. It is based around a building-block approach, where you build complete rigs out of smaller rig parts (e.g. arms, legs, spines, fingers...). The rig parts are currently few in number, but as more rig parts are added to Rigify it should become more and more capable of rigging a large variety of characters and creatures": "",
    "Rigify stores all the information required to generate complex rig controls and mechanism in more simple armatures called \"meta-rigs\"": "",
    "Rim Effect samples (Mode: Add)": "",
    "Rip creates a \"hole\" in the mesh by making a copy of selected vertices and edges, still linked to the neighboring non-selected vertices, so that the new edges are borders of the faces on one side, and the old ones, borders of the faces on the other side of the rip": "",
    "Rip will only work when edges and/or vertices are selected. Using the tool when a face is selected (explicitly or implicitly), will return an error message *\"Cannot perform ripping with faces selected this way\"*. If your selection includes edges or vertices that are not \"between\" two faces :term:`Manifold`, it will also fail with the message *\"No proper selection or faces include\"*": "",
    "Roll In, Out": "",
    "Rotate around a pivot. Useful for rotating deformation or use with *Gap*": "",
    "Rotate every point in its local space as specified by its ``rotation`` attribute": "",
    "Rotate the selected keyframe *Bézier* handles": "",
    "Rotate the view around the point of interest. Click and drag :kbd:`MMB` on the viewport's area. If you start in the middle of the area and move up and down or left and right, the view is rotated around the middle of the area": "",
    "Rotate this circle using the shortcut :kbd:`R X 9 0` and :kbd:`Return`": "",
    "Rotates the points of *Dot* and *Square* strokes": "",
    "Rotates the vector about the *Center* input values with the *Rotation* input vector values to control the amount of rotation on each axis": "",
    "Rotates the vector about the *Center* with the *Rotation* input vector to control the amount of rotation on each axis": "",
    "Rotates the vector around any arbitrary axis defined by the *Axis* input vector attribute. The amount of rotation is defined by the *Angle* input attribute": "",
    "Rotates the vector around any arbitrary axis defined by the *Axis* input vector. The amount of rotation is defined by the *Angle* input": "",
    "Rotates the vector around the defined axis and the amount of rotation is defined by the *Angle* input": "",
    "Rotates the vector around the given axis. The amount of rotation is defined by the *Angle* input": "",
    "Rotates the view around a pivot point, :kbd:`Shift-MMB` is used for panning the view": "",
    "Rotating an edge clockwise (CW) or counterclockwise (CCW) spins an edge between two faces around their vertices. This is very useful for restructuring a mesh's topology": "",
    "Rotation (Object Mode, 60 degrees)": "",
    "Rotation around Individual Origins (middle) compared to the Median Point (right)": "",
    "Rotation method where rotations are defined by four values (X, Y, Z, and W). X, Y, and Z also define an :term:`Axis`, and W an angle, but it is quite different from :term:`Axis Angle`": "",
    "Rotation of individual faces around Individual Origins (middle) and the Median Point (right)": "",
    "Rotation step size in degrees, when :kbd:`Numpad4`, :kbd:`Numpad6`, :kbd:`Numpad8`, or :kbd:`Numpad2` are used to rotate the 3D Viewport": "",
    "Rounds the input value down to the nearest integer multiple of *Increment*": "",
    "Rules for assigning object color (for object and wireframe colors)": "",
    "Run *Trace Images to Grease Pencil*": "",
    "Run Discombobulator and press *Pick Doodad*": "",
    "Run in background (often used for UI-less rendering)": "",
    "Run the following command: ``sudo nano /etc/paths``": "",
    "Run the script (or save it and add it through the Preferences like before) and it will appear in the *Object* menu": "",
    "Run the text data-block as a Python script on loading the blend-file. Read more about the registration of Python modules in `API documentation <https://docs.blender.org/api/current/info_overview.html#registration>`__": "",
    "Same as *Animated Influence*, but with *Strip Time*": "",
    "Same as *Mirror Shape Key* though it detects the mirrored vertices based on the topology of the mesh. The mesh vertices do not have to be perfectly symmetrical for this action to work": "",
    "Same as *Pose as Rest Pose* but only applies to selected bones": "",
    "Same as *Radius Top* but for the bottom circle": "",
    "Same as `Boundary Strokes`_ but *Mode* is set to *All Frames*": "",
    "Same as above for sub menus (for example: :menuselection:`File --> Open Recent`)": "",
    "Samples a color from inside the Blender window using the :ref:`ui-eyedropper`": "",
    "Samples are taken only from the *next* frame, not the previous one. Therefore the blurred object will appear to be slightly ahead of how it would look without motion blur": "",
    "Samples will first be added to each control point, then if there are enough samples, they will be divided evenly between the edges. The *Sample Straight Edges* option toggles whether the samples are added to edges with sharp control points on either side. If there aren't enough samples to give each edge the same number of samples, they will just be added to the most curved edges. So it is recommended to use at least as many segments as there are control points": "",
    "Sampling and Alpha Transparency Mode options can be set in :menuselection:`Properties --> Render --> Sampling`. Make sure the Workbench or Eevee render engine is selected to see the appropriate values": "",
    "Save current blend-file over itself (if it was not saved yet, this will automatically switch to *Save As...*)": "",
    "Save the (rendered) image in a separate file": "",
    "Saves text as a new text file, a :doc:`File Browser </editors/file_browser>` is opened to select the directory to save the file along with giving the file a name and file extension": "",
    "Scalable Vector Graphics (.svg)": "",
    "Scale (Edit Mode, Resize face)": "",
    "Scale in the axis directions, only available if *Space* is set to *Relative* or *Absolute*": "",
    "Scale the view vertically or horizontally (:kbd:`Ctrl-MMB`)": "",
    "Scale the view vertically or horizontally :kbd:`Ctrl-MMB`": "",
    "Scaling around Individual Origins (middle) compared to the Median Point (right)": "",
    "Scaling factor for the motion vector (actually the \"shutter speed\" in frames)": "",
    "Scaling factors that adjust the thickness of each segment for the X and Z axes, or introduce non-uniform spacing along the Y axis. Similar to *Roll* it is interpolated per segment": "",
    "Scaling with non-touching faces around Individual Origins (middle) and the Median Point (right)": "",
    "Scans the :doc:`Add-on Directory </advanced/blender_directory_layout>` for new add-ons": "",
    "Scenes & Layers": "",
    "Scenes, Objects (dark blue)": "",
    "Screw tools :ref:`bpy.ops.screen.redo_last` panel (in Edit Mode)": "",
    "Sculpt Mode is selected from the *Mode* menu in the 3D Viewport header. Once Sculpt Mode is activated, the Toolbar of the 3D Viewport will change to Sculpt Mode specific panels. A red circle will appear and follow the location of the cursor in the 3D Viewport": "",
    "Seams are a way to create separations, \"islands\", in UV maps. See the :ref:`UV Mapping section <editors-uv-index>` for more details. These operators set or unset this mark for selected edges": "",
    "Search filter limiting the results (realistic, painted, polygonal, and other)": "",
    "Search for actions (:kbd:`Shift-Spacebar` for play)": "",
    "Search order: ``LOCAL, SYSTEM``": "",
    "Search order: ``LOCAL, USER, SYSTEM``": "",
    "Search order: ``LOCAL, USER``": "",
    "Search results must exactly match the case of the *Find* text": "",
    "Searches for instances of a text that occur after the cursor. Using the eyedropper icon will search for the currently selected text and sets the selection to the match. *Find Next* searches for the next instance of the text": "",
    "Searches for the text specified in *Find Text* and replaces it with the new text. Using the eyedropper icon will set the currently selected text as the replace text. *Replace* searches for the next match and replaces it. *Replace All* searches for the match and replaces all occurrences of the match with the new text": "",
    "Second, these tools will never \"go outside\" of a curve (they will never \"jump\" to another curve in the same object)": "",
    "Secondary Control Layers": "",
    "Secondary Influence Falloff": "",
    "Secondly, depending on which one is bigger, *Left* should be interpreted as *Right* and vice versa. If *Left* is greater than *Right* then both values are switched and *Left* gets the value of *Right* and vice versa. The same operation is done for *Up* and *Down*, where you can think of them as the top and bottom of the image": "",
    "See :doc:`/animation/drivers/drivers_panel`": "",
    "See :doc:`/editors/clip/display/clip_display`": "",
    "See :doc:`/editors/graph_editor/channels`": "",
    "See :doc:`/editors/image/image_settings`": "",
    "See :doc:`/files/blend/open_save`": "",
    "See :doc:`/files/media/image_formats`": "",
    "See :doc:`/getting_started/help`": "",
    "See :doc:`/interface/undo_redo`": "",
    "See :doc:`/modeling/meshes/tools/extrude_manifold`": "",
    "See :doc:`/modeling/meshes/tools/spin`": "",
    "See :doc:`2D Layers </grease_pencil/properties/layers>` for more information": "",
    "See :doc:`Attributes Reference </modeling/geometry_nodes/attributes_reference>` for more information": "",
    "See :doc:`Blend-files Previews </files/blend/previews>` for how to manage Blender data previews": "",
    "See :doc:`Command Line Arguments </advanced/command_line/arguments>` for a full list of arguments (for example to specify which scene to render, the end frame number, etc.), or simply run:": "",
    "See :doc:`Composite Node </compositing/types/output/composite>`": "",
    "See :doc:`Drawing Plane </grease_pencil/modes/draw/drawing_planes>` for more information": "",
    "See :doc:`Drawing Planes </grease_pencil/modes/draw/drawing_planes>` for more information": "",
    "See :doc:`F-Curve </editors/graph_editor/fcurves/index>`": "",
    "See :doc:`F-Curve </editors/graph_editor/fcurves/properties>`": "",
    "See :doc:`F-Curve Modifiers </editors/graph_editor/fcurves/modifiers>`": "",
    "See :doc:`F-Curves </editors/graph_editor/fcurves/index>`": "",
    "See :doc:`Guides </grease_pencil/modes/draw/guides>` for more information": "",
    "See :doc:`Here </render/materials/legacy_textures/types/blend>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/clouds>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/distorted_noise>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/magic>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/marble>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/musgrave>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/noise>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/stucci>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/voronoi>`": "",
    "See :doc:`Here </render/materials/legacy_textures/types/wood>`": "",
    "See :doc:`Keyframe Editing </animation/keyframes/editing>` for more information": "",
    "See :doc:`Launching from the terminal </advanced/command_line/launch/linux>`": "",
    "See :doc:`Linked libraries </files/linked_libraries/index>`": "",
    "See :doc:`Masking </movie_clip/masking/index>`": "",
    "See :doc:`Mesh Retopology </modeling/meshes/retopology>` for more information": "",
    "See :doc:`Mirror </modeling/meshes/editing/mesh/mirror>` for information on mirroring, which allows you to flip geometry across an axis": "",
    "See :doc:`Modifiers </grease_pencil/modifiers/introduction>` for more information": "",
    "See :doc:`Multi-View </render/output/properties/stereoscopy/index>`": "",
    "See :doc:`Multiframe </grease_pencil/multiframe>` for more information": "",
    "See :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>` for more information": "",
    "See :doc:`Pivot Points </editors/3dview/controls/pivot_point/index>`": "",
    "See :doc:`Proportional Editing </editors/3dview/controls/proportional_editing>`": "",
    "See :doc:`Sidebar Panels </editors/3dview/sidebar>` for more information": "",
    "See :doc:`Stroke Placement </grease_pencil/modes/draw/stroke_placement>` for more information": "",
    "See :doc:`Strokes </grease_pencil/properties/strokes>` for more information": "",
    "See :doc:`Toolbar </grease_pencil/modes/draw/tools>` for more details": "",
    "See :doc:`Transform Orientations </editors/3dview/controls/orientation>`": "",
    "See :mod:`blender_api:bpy.ops` for a list of operators (remove the ``bpy.`` prefix for the identifier)": "",
    "See :ref:`3dview-fly-walk`": "",
    "See :ref:`Blending <bpy.types.AnimData.action_blend_type>`": "",
    "See :ref:`Bridge Edge Loops <modeling-meshes-editing-bridge-edge-loops>`": "",
    "See :ref:`Command Line Launching <command_line-launch-index>` for specific instructions on launching Blender from the command line": "",
    "See :ref:`Common Object Options <object-common-options>`": "",
    "See :ref:`Common Options <spline-common-options>`": "",
    "See :ref:`Containers <files-video-containers>`": "",
    "See :ref:`Curve Editing <bpy.types.GreasePencil.edit_curve_resolution>` for more information": "",
    "See :ref:`Edge bevel weight <modeling-edges-bevel-weight>`": "",
    "See :ref:`Extrapolation <bpy.types.AnimData.action_extrapolation>`": "",
    "See :ref:`F-Curve Handles <editors-graph-fcurves-settings-handles>` for more information": "",
    "See :ref:`Handles & Interpolation Display <keyframe-handle-display>`": "",
    "See :ref:`Interpolate tool <tool-grease-pencil-draw-interpolate>` for more details": "",
    "See :ref:`Normal Properties <modeling_meshes_editing_normals_properties>` for more information": "",
    "See :ref:`Pie menu settings <prefs-pie-menu>`": "",
    "See :ref:`Render Region <editors-3dview-navigate-render-region>`": "",
    "See :ref:`Simple Expressions <drivers-simple-expressions>` for a comprehensive list of expressions that can be evaluated natively": "",
    "See :ref:`Submit Patches <contribute-patch_submit>`": "",
    "See :ref:`Timeline Keyframe Control <bpy.types.ToolSettings.use_keyframe_insert_auto>` for more info": "",
    "See :ref:`Troubleshooting Depth Buffer Glitches <troubleshooting-depth>` for more information": "",
    "See :ref:`X-Axis Mirror Pose Mode <bpy.types.Pose.use_mirror_x>`": "",
    "See :ref:`animation-shapekeys-relative-vs-absolute`": "",
    "See :ref:`blender-directory-layout` for details on script and configuration locations": "",
    "See :ref:`bpy.ops.mesh.extrude_edges_move`": "",
    "See :ref:`bpy.ops.mesh.extrude_vertices_move`": "",
    "See :ref:`bpy.ops.mesh.uvs_reverse`": "",
    "See :ref:`bpy.ops.mesh.uvs_rotate`": "",
    "See :ref:`bpy.ops.screen.area_dupli`": "",
    "See :ref:`bpy.ops.screen.screen_full_area`": "",
    "See :ref:`bpy.ops.view3d.edit_mesh_extrude_move_normal`": "",
    "See :ref:`bpy.ops.view3d.edit_mesh_extrude_move_shrink_fatten`": "",
    "See :ref:`editors-image-scopes` in the Image Editor": "",
    "See :ref:`files-blend-relative_paths`": "",
    "See :ref:`grease-pencil-modifier-influence-filters`": "",
    "See :ref:`mesh-faces-tristoquads`": "",
    "See :ref:`object-show-hide` in *Object Mode*. See also the :doc:`/modeling/curves/curve_display` panel": "",
    "See :ref:`prefs-index` for a complete list of options": "",
    "See :ref:`prefs-menu` for details": "",
    "See :ref:`render-cycles-reducing-noise-mis` and also `Importance sampling <https://en.wikipedia.org/wiki/Importance_sampling>`__ on Wikipedia": "",
    "See :ref:`tool-mesh-extrude_individual`": "",
    "See :ref:`tool-select-circle`": "",
    "See :term:`Alpha Channel`": "",
    "See :term:`Roughness Map`": "",
    "See :term:`World Space`": "",
    "See Fig. :ref:`fig-mesh-screw-interactive-panel`": "",
    "See Fig. :ref:`fig-mesh-screw-profile`": "",
    "See Fig. :ref:`fig-mesh-screw-start`": "",
    "See Graph Editor's :ref:`graph_editor-view-properties`": "",
    "See Graph editor's :ref:`graph-view-menu`": "",
    "See Save & Load :ref:`prefs-auto-execution` Preference": "",
    "See Timeline's :ref:`timeline-view-menu`": "",
    "See `Auto Completion`_ for more information": "",
    "See `Blender translation how-to <https://wiki.blender.org/wiki/Dev:Doc/How_to/Translate_Blender>`__ in the Wiki": "",
    "See `Driver Variables`_": "",
    "See `Movie`_ below": "",
    "See `this video <https://vimeo.com/132720942>`__ for an example of the Tissue add-on in action": "",
    "See about supported :doc:`/files/media/image_formats`": "",
    "See also :doc:`Boolean Modifier </modeling/modifiers/generate/booleans>`": "",
    "See also :doc:`Lattice Modifier </modeling/modifiers/deform/lattice>`": "",
    "See also :ref:`files-data_blocks-custom-properties`": "",
    "See also :ref:`selection states <object-active>`": "",
    "See also :term:`Display Referenced`": "",
    "See also :term:`Forward Kinematics`": "",
    "See also :term:`Inverse Kinematics`": "",
    "See also `Common`_ options": "",
    "See also `Gimbal lock <https://blender.stackexchange.com/questions/469>`__ on Stack Exchange": "",
    "See also `Random seed <https://en.wikipedia.org/wiki/Random_seed>`__ on Wikipedia": "",
    "See also the :doc:`Pivot Point </editors/3dview/controls/pivot_point/index>` docs": "",
    "See also: :ref:`Select Non-Manifold <bpy.ops.mesh.select_non_manifold>` tool": "",
    "See below for the result of using *Push/Pull* on a number of different elements": "",
    "See below for the result of using *Shear* on a number of different elements": "",
    "See the :doc:`Laplacian Smooth Modifier </modeling/modifiers/deform/laplacian_smooth>` for details": "",
    "See the :doc:`Markers page </animation/markers>` for more information": "",
    "See the :doc:`directory layout </advanced/blender_directory_layout>` section to see where your preferences are stored": "",
    "See the :ref:`default keymap preferences <keymap-blender_default-prefs>` for options available in the default keymap": "",
    "See the Fig. :ref:`fig-mesh-screw-circle`": "",
    "See the Outliner page for information about :ref:`Restrictions <editors-outliner-interface-restriction_columns>`": "",
    "See the `API documentation <https://docs.blender.org/api/current/info_quickstart.html#custom-properties>`__ for details": "",
    "See the `bpy.ops <https://docs.blender.org/api/current/bpy.ops.html>`__ API documentation for a list of all operators": "",
    "See the `overview on ReStructuredText <https://www.sphinx-doc.org/en/master/usage/restructuredtext/basics.html>`__ for more information on how to style the various elements of the documentation and on how to add lists, tables, pictures and code blocks. The `Sphinx reference <https://www.sphinx-doc.org/en/master/usage/restructuredtext/index.html>`__ provides more insight additional constructs": "",
    "See the `source code <https://developer.blender.org/diffusion/B/browse/master/source/blender/blenkernel/BKE_global.h>`__ for a description of what each value does": "",
    "See the different color picker types at the :doc:`Color picker </interface/controls/templates/color_picker>` page": "",
    "See the global brush settings for :doc:`Cursor </sculpt_paint/brush/cursor>` settings": "",
    "See the global brush settings for :doc:`Falloff </sculpt_paint/brush/falloff>` settings": "",
    "See the mip-map option present in the :doc:`System Preferences </editors/preferences/system>`": "",
    "See this `tutorial video <https://www.youtube.com/watch?v=Ly64vezt0Go>`__ on how to activate the add-on along with basic usage": "",
    "See this `tutorial video <https://www.youtube.com/watch?v=sgjx0ycmTAo>`__ on how to activate the add-on along with basic usage": "",
    "See this `tutorial video <https://www.youtube.com/watch?v=xlJ71XChDuY>`__ on how to activate the add-on along with basic usage": "",
    "See: :ref:`command_line-launch-index` for specific instructions on launching Blender from the command line": "",
    "Select \"Key 2\", the mesh will be changed to the rest shape": "",
    "Select :menuselection:`Armature --> Bone Settings --> Toggle a Setting`": "",
    "Select :menuselection:`Context Menu --> Subdivide`": "",
    "Select All QCD Objects. (Select all objects that belong to enabled QCD slots)": "",
    "Select All: :kbd:`A`": "",
    "Select Bake Action. (Open :doc:`/interface/controls/templates/operator_search` and type \"Bake Action\".)": "",
    "Select Mix nodes or Math nodes and change their blend mode or math operation at the same time. Use keys specified above. They will change the blend mode or operation accordingly to: Mix, Add, Subtract, Divide, Less than, Greater than. Use :kbd:`Alt-Up` or :kbd:`Alt-Down` to go through all available blend modes or math operations": "",
    "Select a collection of objects to be placed around the scene for visualization. Two options are available: `analemma`_ and `diurnal`_": "",
    "Select a posed character object and click on *Create duplicate for editing* in the shape keys panel. This will create a copy of the mesh that you can edit/sculpt": "",
    "Select a range of elements from the active element using :kbd:`Shift-LMB`. To select a range without deselecting the previous selection, use :kbd:`Shift-Ctrl-LMB`": "",
    "Select a view node with :kbd:`LMB` to switch between multiple viewer nodes. It is possible to automatically plug any other node into a Viewer node by pressing :kbd:`Shift-Ctrl-LMB` on it": "",
    "Select all keyframes in the channel: double :kbd:`LMB` on a channel header": "",
    "Select all to the right or left. Or hold :kbd:`Shift-Ctrl` and click on either side of the Playhead": "",
    "Select an object that is been linked from a separate blend-file. In the 3D Viewport's Sidebar, the Edit Linked Library panel will show a button labeled *Edit Linked Library*. Click this button to open the blend-file that the active object is linked from": "",
    "Select any shader node, :kbd:`Ctrl-T` and an image texture with nodes controlling coordinates will be added. If you select any texture node, only the Texture Coordinate and Mapping nodes will be added. A background shader will get an Environment Texture node with generated mapping": "",
    "Select bones aligned on the Y axis (along the bone's length)": "",
    "Select bones using the same shape object (in Pose Mode)": "",
    "Select bones with matching name prefix (separated by ``.``)": "",
    "Select bones with matching name suffix (separated by ``.``)": "",
    "Select channel (text in white/black): :kbd:`LMB`": "",
    "Select everything again with the shortcut :kbd:`A`. (See Fig. :ref:`fig-mesh-screw-profile`.)": "",
    "Select it and click the ``X`` button at the top right": "",
    "Select more than one bone, press :kbd:`Ctrl-C` to copy attributes from *active* (last selected bone) to all other *selected* bones. The following menu appears:": "",
    "Select more than one object, press :kbd:`Ctrl-C` to copy attributes from active to selected, you'll see the following menu:": "",
    "Select nodes and \"wrap\" them in Frame node by hitting :kbd:`Shift-P`. Immediately after that hit :kbd:`F6` to set the color and label of the Frame": "",
    "Select the *Viewport Overlays* popover from the header of the 3D Viewport. And there enable the *Vertex Group Weights* option. Now you can see the weights of the active vertex group displayed on the mesh surface": "",
    "Select the camera to which the motion is parented to (if empty, the active scene camera is used)": "",
    "Select the camera to which the motion is parented to (if left empty the active scene camera is used)": "",
    "Select the closest axis when placing objects (surface overrides)": "",
    "Select the group from the group list (make it the active group)": "",
    "Select the mesh and the deform bones. Then export to Collada while checking only selected option. (Selecting only the Mesh and bones is not strictly necessary. Selecting and export only selected will give smaller dae.)": "",
    "Select the monkey and :doc:`Clear Origin </scene_layout/object/editing/clear>` to reset its offset": "",
    "Select the scene within your blend-file. The scene information taken is the raw footage (pre-compositing and pre-sequencing)": "",
    "Select the shape key to deform from. This is called the *Reference Key* for that shape": "",
    "Select the type of image file to save (``.png``, ``.eps``, ``.svg``)": "",
    "Select the weight value from the eleven values. These can be adjusted with the *Weight* slider": "",
    "Select two nodes that have something linked to their outputs. :kbd:`Alt-S` will swap the outputs. What originally was linked to output of the first node will now be linked to output of the second node and vice versa": "",
    "Select your armature in Pose Mode and skin the selected or all bones with a per-bone mesh or whole cover. If bones in your rig give unwanted results, often scaling and re-positioning the bones in Edit Mode can help. If you are doing this to create your own \"Skinify Guy\", you can also delete bones. It will work with custom shapes but results may vary": "",
    "Select your sculpted copy and then the character object. Click on the little black arrow in the shape keys panel and choose one of the options shown in the image. If your object has only Armature modifiers, choose the faster method. If other (more complex?) modifiers are involved, or you want to incorporate dual quaternion skinning (now called *Preserve Volume* in the UI) you will have to use the slower method": "",
    "Selectability. (Disables selection for the collection in all view layers -- affects 3D Viewport -- chaining.)": "",
    "Selected Objects, + Object Data, + Materials, All (i.e. including all scenes)": "",
    "Selected keyframes can be mirrored over different properties using the *Mirror Keys* tool": "",
    "Selecting *Fit Inside* will calculate the circle in such a way that none of the vertices will be moved away from the center of the calculated circle. This is useful when you want to retain the topology of the surrounding mesh": "",
    "Selecting :doc:`points in between </grease_pencil/selecting>` is disabled while in curve editing is active": "",
    "Selecting a set of nodes, ending with the destination group node, and pressing :menuselection:`Node --> Group Insert` will move those nodes into that group. The moved nodes are collected into a group of their own to preserve their connection context, having their own group input and output nodes. The group's existing input and output nodes are updated with new sockets, if any, from the new nodes. The node group must be edited to contain a single *Group Input* and a single *Group Output* node": "",
    "Selecting both of its joints (root and tip)": "",
    "Selection in *Pose Mode* is very similar to the one in :doc:`Edit Mode </animation/armatures/bones/selecting>`, with a few deviations: You can only select *whole bones* in *Pose Mode*, not roots/tips..": "",
    "Selection is done with :kbd:`LMB` (and/or the :ref:`context menu <editors-outliner-editing-context_menu>`) on the row of a data-block. Single selections will also activate the data-block. The rows of selected data-blocks are highlighted blue, with the active data-block highlighted in a lighter blue": "",
    "Selection of different types of media. For controls see :ref:`ui-data-block`. For the options see :doc:`/editors/image/image_settings`": "",
    "Selection of the :term:`Color Space` used for interpolation": "",
    "Selection tools are available in the *Select Menu* in the header, and the shortcuts listed below": "",
    "Selector for each axis. See :ref:`fig-interpolation-type`": "",
    "Selects all :ref:`pinned <bpy.ops.uv.pin>` UVs": "",
    "Selects all bones whose name matches a given pattern. Supported wild-cards: \\* matches everything, ? matches any single character, [abc] matches characters in \"abc\", and [!abc] match any character not in \"abc\". As an example \\*house\\* matches any name that contains \"house\", while floor\\* matches any name starting with \"floor\"": "",
    "Selects all the bones in the chain which the active (last selected) bone belongs to": "",
    "Selects all vertices assigned to the chosen hook (from the hook list)": "",
    "Selects bones with a similar bone length (between tip and tail) under the specified *Threshold*": "",
    "Selects control points that have certain similar properties to the active one. The :ref:`bpy.ops.screen.redo_last` panel provides several selection options:": "",
    "Selects how the *Amount* value controls the size of the bevel. According to the selection, the amount is:": "",
    "Selects how the *Width* value controls the size of the bevel. According to the selection, the width is:": "",
    "Selects non-selected items and deselects existing selection. The selection can also be inverted by :kbd:`Ctrl-I`": "",
    "Selects similar nodes to the active node by their :doc:`properties </interface/controls/nodes/sidebar>`": "",
    "Selects the :term:`Color Space` for the number fields below": "",
    "Selects the linked data, see :ref:`bpy.ops.object.select_linked` for more information": "",
    "Selects the method used to compute :ref:`automatic Bézier handles <editors-graph-fcurves-settings-handles>` (*Automatic*, *Auto Clamped*, *Vector*)": "",
    "Separate all the strokes in the active layer into a new object. See :doc:`2D Layers </grease_pencil/properties/layers>` for more information": "",
    "Separated lines in DXF might be merged to one consecutive Blender poly curve. Similar to *Remove Doubles* but for curves": "",
    "Sequencer & Preview": "",
    "Sequencer View": "",
    "Sequencer preview is used to display result of rendering Sequencer timeline. This can be further configured to display output from certain channel, overlay or image analyzer (scope). You can adjust the view by zooming in with :kbd:`NumpadPlus` and zoom out with :kbd:`NumpadMinus`": "",
    "Set *Face Strength* on the faces involved in the bevel, according to the specified mode. This can be used in conjunction with a :doc:`Weight Normals Modifier </modeling/modifiers/modify/weighted_normal>` (with the *Face Influence* option checked)": "",
    "Set *Left* and *Down* to zero. Set *Right* and *Up* to one, or to the width and height of the input image. You should see now the entire input image in the backdrop. *Up* is thus interpreted as the top of the image. The origin of the image (0, 0) is at the bottom (down) left corner": "",
    "Set Edges Length: by \"Giuseppe De Marco [BlenderLab] inspired by NirenYang\"": "",
    "Set Material Blend": "",
    "Set Offset has been clicked again. As you can see, it does not gives the same result as in (Target/parent transformed). As noted above, use Set Inverse only once, before transforming your target/parent": "",
    "Set debug value of ``<value>`` on startup": "",
    "Set end to frame ``<frame>``, supports +/- for relative frames too": "",
    "Set frame step to ``<frame>``": "",
    "Set start to frame ``<frame>``, supports +/- for relative frames too": "",
    "Set the 'Chain Length' setting to the number of bones in the chain (starting from and including the selected bone) that should be influenced by the curve": "",
    "Set the *2D cursor* to the center of the selected curve handles": "",
    "Set the *Chain Length* setting to the number of bones in the chain (starting from and including the selected bone) that should be influenced by the curve": "",
    "Set the *Driver Type* to *Scripted Expression*": "",
    "Set the *Protected Layers* in the source file using the *Skeleton* panel of the *Armatures* properties. See :ref:`Armature Layers <bpy.types.Armature.layers>`": "",
    "Set the *Scripts* file path to point to your script directory (e.g. ``my_scripts``)": "",
    "Set the *Value* for \"Key 1\", \"Key 2\", etc. to see the transformation between the shape keys": "",
    "Set the ID Type and the *Object IDs* data path for the property": "",
    "Set the ``BLENDER_SYSTEM_DATAFILES`` environment variable": "",
    "Set the ``BLENDER_SYSTEM_PYTHON`` environment variable": "",
    "Set the ``BLENDER_SYSTEM_SCRIPTS`` environment variable": "",
    "Set the active scene ``<name>`` for rendering": "",
    "Set the application template (matching the directory name), use ``default`` for none": "",
    "Set the exit-code in [0..255] to exit if a Python exception is raised (only for scripts executed from the command line), zero disables": "",
    "Set the face strength of new faces along edges to *Medium*, and the face strength of new faces at vertices to *Weak*": "",
    "Set the logging verbosity level (higher for more details) defaults to 1, use -1 to log all levels": "",
    "Set the render format. Valid options are: ``TGA`` ``RAWTGA`` ``JPEG`` ``IRIS`` ``IRIZ`` ``AVIRAW`` ``AVIJPEG`` ``PNG`` ``BMP``": "",
    "Set the render path and file name. Use ``//`` at the start of the path to render relative to the blend-file": "",
    "Set the shape keys to *Relative* or *Absolute*. See :ref:`animation-shapekeys-relative-vs-absolute`": "",
    "Set the start frame to ``10`` and the end frame to ``500``": "",
    "Set waveform per strip configured with :ref:`Display Waveform <bpy.types.SoundSequence.show_waveform>`": "",
    "Set which QCD slot the collection corresponds to. (Shown only if QCD is enabled in the preferences.)": "",
    "Set which `Restriction Columns`_ should be visible": "",
    "Sets how many frames or keyframes, depending on the *Mode*, to show before and after the current frame": "",
    "Sets stroke start and end points to rounded (default)": "",
    "Sets the :ref:`active color <grease-pencil-vertex-paint-brush-color>` to all selected vertices": "",
    "Sets the :ref:`easing mode <editors-graph-fcurves-settings-easing>` of the selected keyframes": "",
    "Sets the :ref:`handle type <editors-graph-fcurves-settings-handles>` of the selected keyframes": "",
    "Sets the :ref:`interpolation mode <editors-graph-fcurves-settings-interpolation>` between the selected keyframes": "",
    "Sets the :ref:`keyframe-type` of the selected keyframes": "",
    "Sets the audio `sampling rate <https://en.wikipedia.org/wiki/Sampling_(signal_processing)#Sampling_rate>`__": "",
    "Sets the blur amount (increase to get more)": "",
    "Sets the color to use in the channel region of the :doc:`Dope Sheet </editors/dope_sheet/grease_pencil>`": "",
    "Sets the curve's :ref:`Weight <curves-weight>` for the selected control point to the specified value. If more than one control point is selected this will set the *Mean Weight*": "",
    "Sets the maximal width of the sticking tabs around islands. The actual size of each tab is adjusted to be at most half the length of the corresponding edge. In some special cases, tabs are made not to overlap with real faces, but it does not work reliably yet. If *Create Tabs* is disabled, this slider controls the size of numbers on edges": "",
    "Sets the radius of the tip of the cone. Which will create a frustum (a pyramid or cone with the top cut off). A value of 0 will produce a standard cone shape": "",
    "Sets the shadow rotation around the Grease Pencil object center or another object when *Use Object As Pivot* is enabled": "",
    "Sets up a :doc:`/grease_pencil/modifiers/generate/line_art` for the active collection by creating an \"empty\" Grease Pencil object with a Line Art modifier referencing each object in the collection": "",
    "Sets up a :doc:`/grease_pencil/modifiers/generate/line_art` for the active object by creating an \"empty\" Grease Pencil object with a Line Art modifier referencing the active object": "",
    "Sets up a :doc:`/grease_pencil/modifiers/generate/line_art` for the active scene by creating an \"empty\" Grease Pencil object with a Line Art modifier referencing each object in the scene": "",
    "Setting equal the min and max values of an axis locks the owner's scaling along that axis. Although this is possible, using the *Transformation Properties* axis locking feature is probably easier": "",
    "Setting equal the min and max values of an axis, locks the owner's movement along that axis... Although this is possible, using the *Transformation Properties* axis locking feature is probably easier!": "",
    "Setting equal the min and max values of an axis, locks the owner's rotation around that axis... Although this is possible, using the *Transformation Properties* axis locking feature is probably easier": "",
    "Setting it to *Parallel (all)*, will also include the vertices of all parallel loops": "",
    "Settings to control how the NDOF device is used while using :ref:`Walk/Fly Navigation <3dview-fly-walk>`": "",
    "Shape Keys can be used to transform one shape into another. See :doc:`/animation/shape_keys/shape_keys_panel` for more information": "",
    "Shape keys are authored in the :doc:`Shape Keys panel </animation/shape_keys/shape_keys_panel>` which is accessed in the Object Data tab of the Properties (e.g. the Mesh tab for mesh objects)": "",
    "Shape keys are used to deform objects into new shapes for animation. In other terminology, shape keys may be called \"morph targets\" or \"blend shapes\"": "",
    "Sharing meshes between objects (instances)": "",
    "Sharpen Corner": "",
    "Sharper detected edges (smaller *Edge Kernel Radius*, like 2 / larger *Edge Kernel Tolerance*, like 0.4) will create a sharper matte, but may loose some detail like stray hairs. A sharp matte is good, but disappearing or flickering hairs are distracting": "",
    "Shearing is a form of movement where parallel surfaces move past one another. During this transform, movement of the selected elements will occur along the horizontal axis of the current view. The axis location will be defined by the :doc:`Pivot Point </editors/3dview/controls/pivot_point/index>`. Everything that is \"above\" this axis will move (shear) in the same direction as your mouse pointer (but always parallel to the horizontal axis). Everything that is \"below\" the horizontal axis will move in the opposite direction": "",
    "Shifts the view towards the mouse, :kbd:`Shift-MMB` is used for orbiting the view": "",
    "Shot from `Spring <https://cloud.blender.org/films/spring/>`__ exported to USD and opened in USDView": "",
    "Show Hidden Files/Data-locks": "",
    "Show Recent Locations": "",
    "Show System Locations": "",
    "Show a back trace for each log message (debug builds only)": "",
    "Show additional items in the shading menu (:kbd:`Z` key)": "",
    "Show only the selected curve (and hide everything else)": "",
    "Show or Hide the settings of the constraint. Tidy up the :doc:`constraint stack </animation/constraints/interface/stack>` by hiding constraints that do not currently need attention. Constraints will continue to affect the scene even when hidden": "",
    "Show or hide the :ref:`Sidebar <ui-region-sidebar>`": "",
    "Show the Cycles rendering :doc:`Debug Panel </render/cycles/render_settings/debug>`": "",
    "Show the active shape in the 3D Viewport without blending. *Shape Key Lock* gets automatically enabled while the object is in *Edit Mode*": "",
    "Show the context menu for a data-block with :kbd:`RMB` on the icon or name. Depending on the type of the preselected data-block(s), you will have all or part of the following options:": "",
    "Show the gizmo to control the rotation. When you hover your mouse over the gizmo a highlighted circle will appear, clicking this will activate :ref:`trackball rotation <view3d-transform-trackball>`": "",
    "Show the scene using in solid mode. This mode utilized the Workbench engine to render the 3D Viewport. The :doc:`lighting </render/workbench/lighting>`, :doc:`color </render/workbench/color>` and :doc:`options </render/workbench/options>` can be found at Workbench render engine section": "",
    "Show the vertical *Cursor*": "",
    "Show the whole scene transparent. This is a shortcut to the :ref:`X-ray <3dview-shading-xray>` option inside the shading control": "",
    "Shown in brackets is the current frame. Followed by the path of the :ref:`active object <object-active>`. And optionally the selected :doc:`shape key </animation/shape_keys/index>` and in brackets (<>) the :doc:`/animation/markers` name on the current frame. The color of the Object Info is set by the :ref:`animation-state-colors` (keyframe only)": "",
    "Shows *everything* the *Outliner* can display (in all scenes, all view layers, etc.)": "",
    "Shows :doc:`Transform </scene_layout/object/editing/transform/introduction>` settings of the active objects": "",
    "Shows Frames in the range determined by the *Before*/*After* settings": "",
    "Shows Keyframes in the range determined by the *Before*/*After* settings": "",
    "Shows a ghosted image of strokes made in frames before and after the current frame. Onion skinning only works in the 3D Viewport and Sequencer. See the Grease Pencil documentation for an explanation of :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>`": "",
    "Shows a right margin to help keep line length at a reasonable length when scripting. The width of the margin is specified in *Margin Column*": "",
    "Shows an icon indicating the data-block type. It opens up the following pop-up menu. The data-block can be dragged from here e.g. to drag a material onto an object in the 3D Viewport or into a :ref:`ui-data-id` field": "",
    "Shows an indicator line that lets you select the area and position where to split. :kbd:`Tab` switches between vertical/horizontal": "",
    "Shows hidden files (starting with a ``.``)": "",
    "Shows how much of a difference there is between UV coordinates and 3D coordinates. Blue means low distortion, while Red means high distortion. Choose to display the distortion of *Angles* or the *Area*": "",
    "Shows only enabled add-ons for the current *Category*": "",
    "Shows overflow bars of \"extra\" content from either cutting or sliding strips": "",
    "Shows points in the order they occur in each stroke, from first to last stroke. (Simulating lines being drawn.)": "",
    "Shows the *Find & Replace* panel in the Sidebar": "",
    "Shows the :ref:`Name <bpy.types.Sequence.name>` on the strip": "",
    "Shows the data-block properties that are defined/controlled automatically (e.g. to make users of an overridden data-block point to the override data, not the original linked data)": "",
    "Shows the full scene by only displaying the edges of the objects (wireframes)": "",
    "Shows the location of the bounding box (right) pivot point compared to the median point (left)": "",
    "Shows what edges were detected on the matte. Useful for adjusting the *Edge Kernel Radius* and *Edge Kernel Tolerance*": "",
    "Shows you how much of a color is in an image, ignoring all colors except what is selected: makes a monochrome picture (style 'Black & Hue')": "",
    "Shows/Hides all items that are a member of the selected collection, include child collections, from the :doc:`View Layer </scene_layout/view_layers/index>`": "",
    "Shows/Hides the selected collection from the :doc:`View Layer </scene_layout/view_layers/index>`": "",
    "Sign up for an account at the `Blender ID site <https://id.blender.org/>`__ if you don't have an account yet": "",
    "Silently register blend-file extension, then exit (Windows only)": "",
    "Similar to \"2D Animation\" but contains a larger canvas": "",
    "Similar to *Compression* but is used for JPEG based file formats. The quality is a percentage, 0% being the maximum amount of compression and 100% is no compression": "",
    "Similar to *HSV* except the colors are represented as :term:`Hue`, :term:`Saturation`, and :term:`Luminance`": "",
    "Similar to *Parent*/*Child* but it keeps the active bone in the selection": "",
    "Similar to *Push Pose from Breakdown* but interpolates the pose to the rest position instead. Only one keyframe is needed for this tool unlike two for the other": "",
    "Similar to *Relax Pose to Breakdown* but works to bring the pose back to the rest position instead. Only one keyframe is needed for this tool unlike two for the other": "",
    "Similar to :doc:`vertex/edge selection </modeling/meshes/selecting/introduction>` in meshes, there are two ways to select whole bones in *Edit Mode*:": "",
    "Similar to `Project from View`_, but with *Scale to Bounds* and *Correct Aspect* activated": "",
    "Similar to circle (see above)": "",
    "Similar to circle (see above). When set to none, the created object will be a tube. Objects that can be created out of tubes include pipes or drinking glasses (the basic difference between a cylinder and a tube is that the former has closed ends)": "",
    "Similar to meshes splines have control points or vertices. Control points connect to other control points to form splines. Control points can be :doc:`selected </modeling/curves/selecting>` and transformed to alter the resulting shape of the spline": "",
    "Similar to the *Operator Cheat Sheet*, the script will produce a small memory leak (~0.03mb) when enabled by accessing the Operator attributes from Python. It is a conscious trade-off made by Blender developers, as the needed setting/call in the source C code for this purpose, would increase the size of every Python instance by 4 bytes. In case of complex scenes, the increased memory footprint would be nontrivial compared to the few usage cases where it is currently needed": "",
    "Similar to the *Quad from Vertex* functionality, this is based on open edges. The selected edge has to be connected to two open edges. The vertices that belong to these edges are used to create a new quad": "",
    "Similar to the :ref:`Stretch To <constraints-stretch-to-volume-preservation>` constraint": "",
    "Similarly, if its owner has an internal location that is beyond the limits, dragging it back into the limit area will appear to do nothing until the internal coordinates are back within the limit threshold (unless you enabled the *Affect Transform* option, see below)": "",
    "Similarly, if its owner has an internal rotation that is beyond the limit, rotating it back into the limit area will appear to do nothing until the internal rotation values are back within the limit threshold (unless you enabled the *Affect Transform* option, see below)": "",
    "Similarly, if its owner has an internal scale that is beyond the limits, scaling it back into the limit area will appear to do nothing until the internal scale values are back within the limit threshold (unless you enabled the *Affect Transform* option, see below, or your owner has some negative scale values)": "",
    "Similarly, when using a *Pose* action (which is obviously only meaningful and working when constraining a bone!), it is the bone's name that is used to determine which bone *channel's names* from the action to use (e.g. if the constrained bone is named \"arm\", it will use and only use the action's bone channel named \"arm\"...). Unfortunately, using a *Pose* action on a whole armature object (to affect all the keyed bones in the action at once) will not work..": "",
    "Similarly, when using the scale transform properties of the target as input, whatever the real values are, the constraint will always take their absolute values (i.e. invert negative ones)": "",
    "Simple Drivers can be configured from the pop-over that appears when adding a new Driver. When adding multiple Drivers or for more advanced configurations, it is useful to have open the :doc:`Drivers Editor </editors/drivers_editor>`": "",
    "Simple garbage mattes can be created with the :doc:`Box Mask </compositing/types/matte/box_mask>` or the :doc:`Ellipse Mask </compositing/types/matte/ellipse_mask>`. More complicated matte shapes using a :doc:`Double Edge Mask </compositing/types/matte/double_edge_mask>` or using a :doc:`Mask </compositing/types/input/mask>`": "",
    "Simply allows you to select more than one image and adds a node for each. (Useful for importing multiple render passes or renders for image stacking.)": "",
    "Simply copies the pose to the first keyframe after (but not including any keyframe on) the current frame": "",
    "Since all segments are still uniformly scaled in the Y direction to fit the actual length of the curve, only the ratio between *Scale In Y* and *Scale Out Y* actually matters": "",
    "Since many applications use a different axis for 'Up', there are axis conversion settings, Forward and Up axis -- By mapping these to different axis you can convert rotations between applications default up and forward axis": "",
    "Since scale is a multiplicative quantity, it should be combined using multiplication, and split into fractions or inverted via power. Thus the use of *Power* is more mathematically correct than *Influence*, which uses linear interpolation. The use of the *Additive* option is also not recommended": "",
    "Since this blending mode is based on using quaternion multiplication to calculate the Quaternion Rotation properties, it always drives all four channels during playback, and *Insert Single Keyframe* is forced to insert all four keys. Other types of channels can still be keyed individually": "",
    "Single (floating-point) value": "",
    "Single numerical value (floating-point)": "",
    "Single-bone rig type that copies the bone without the ``ORG-`` name prefix": "",
    "Single-bone rig type that creates a 'custom pivot' control for rotating and scaling its child sub-rigs": "",
    "Slice :kbd:`Shift-Ctrl-NumpadSlash`": "",
    "Slider (0= Root, 1=Limb)": "",
    "Slider (0=Free Lips, 1=Lips Sealed)": "",
    "Slider (0=Head Follows Torso, 1=Head Follows Neck)": "",
    "Slider (0=IK, 1=FK)": "",
    "Slider (0=Neck Follows Torso, 1=Neck Follows Chest)": "",
    "Slider (0=No stretching, 1=Full Stretch)": "",
    "Slider (0=locked eyelids, 1=automatic eyelids)": "",
    "Slider Root/Parent (0=Root, 1=Parent)": "",
    "Slides one or more edges across adjacent faces with a few restrictions involving the selection of edges (i.e. the selection *must* define a valid loop, see below)": "",
    "Smart UV Project, cuts the mesh based on an angle threshold (angular changes in your mesh). This gives you fine control over how automatic seams are be created. It is good method for simple and complex geometric forms, such as mechanical objects or architecture": "",
    "Smooth affect the point strength (opacity)": "",
    "Smoothing causes edge loops to be placed in an interpolated position, relative to the face it is added to, causing them to be shifted outwards or inwards by a given percentage, similar to the *Subdivide Smooth* tool. When not using smoothing, new vertices for the new edge loop are placed exactly on the pre-existing edges. This keeps subdivided faces flat, but can distort geometry, particularly when using :doc:`Subdivision Surfaces </modeling/modifiers/generate/subdivision_surface>`. Smoothing can help maintain the curvature of a surface once it is subdivided": "",
    "Smoothness of the *Blend Path* and *Blend Surface*": "",
    "Smudges colors by grabbing the colors under the brush and \"dragging\" them. This can be imagined as a finger painting tool": "",
    "Snap cursor to center (scene 0,0,0)": "",
    "Snap cursor to object center (selected)": "",
    "Snap target options become active when either *Vertex*, *Edge*, *Face*, or *Volume* is selected as the snap element. These determine what part of the selection snaps to the target objects": "",
    "Snap the selected keyframes to the *2D Cursor*": "",
    "Snap the selected keyframes to their nearest second individually, based on the *FPS* of the scene": "",
    "Snap to all types of geometry (vertices, edges, and faces)": "",
    "Snap to the snap target defined in the global :doc:`/editors/3dview/controls/snapping` controls": "",
    "Snaps to regions within the volume of the first object found below the mouse cursor. Unlike the other options, this one controls the depth (i.e. Z coordinates in current view space) of the transformed element. By toggling the button that appears to the right of the snap target menu (see below), target objects will be considered as a whole when determining the volume center": "",
    "So each node in a composite can operate on different sized images as defined by its inputs. Only the *Composite* output node has a fixed size, as defined by the settings in Properties :menuselection:`Render --> Dimensions`. The *Viewer* node always shows the size from its input, but when not linked (or linked to a value) it shows a small 320×256 pixel image": "",
    "So you should apply a *Limit Rotation* constraint to the forearm bone (as the elbow movement is the result of rotating the forearm bone around its root)": "",
    "So, armatures have a third mode dedicated to the process of posing known as *Pose Mode*. In rest position (as edited in *Edit Mode*), each bone has its own position/rotation/scale to neutral values (i.e. 0.0 for position and rotation, and 1.0 for scale). Hence, when you edit a bone in *Pose Mode*, you create an offset in the transform properties, from its rest position. This may seem quite similar if you have worked with :doc:`relative shape keys </animation/shape_keys/index>` or :ref:`Delta Transformations <bpy.types.Object.delta>`": "",
    "So, e.g. you can use the position of the target along the X axis to control the rotation of the owner around the Z axis, stating that 1 unit along the target X axis corresponds to 10 units around the owner Z axis. Typical uses for this include gears (see note below), and rotation based on location setups": "",
    "So, when posing a chain of bones, you should always edit its elements from the root bone to the tip bone. This process is known as :term:`Forward Kinematics` (FK). We will see in a :ref:`later page <bone-constraints-inverse-kinematics>` that Blender features another pose method, called :term:`Inverse Kinematics` (IK), which allows you to pose a whole chain just by moving its tip": "",
    "So, with this add-on, I just have to set the preview scale in the main scene, enable or disable :term:`Anti-Aliasing`, and hit *Copy Render Settings*!": "",
    "Socket Inspection": "",
    "Solar cell structure to underline the properties of silicon nanocrystals deposited by pulsed spray system (Mickael Lozac'h et al. -- `Link to publication <https://doi.org/10.1002/ese3.174>`__)": "",
    "Some add-ons may have their own preferences which can be found in the *Preferences* section of the add-on information box": "",
    "Some codecs impose limitations on output size, ``H.264``, for example requires both the height and width to be divisible by 2": "",
    "Some codecs, like H.264, are great for larger images. Codecs are used to encode and decode the movie, and so must be present on both the encoding machine (Blender) and the target machine. The results of the encoding are stored in a container file": "",
    "Some command line arguments can be passed to POV-Ray. Arguments are separated by spaces. Command line switches consist of a ``/`` (Slash), ``+`` (plus) or ``-`` (minus) sign, followed by one or more alphabetic characters and possibly a numeric value": "",
    "Some editors show a bar (on top/bottom of the editor area) that displays information about for example the active tool": "",
    "Some notes about PDB and XYZ files can also be found on one of the `developer's site <https://development.root-1.de/Atomic_Blender_PDB_XYZ.php>`__ and `remarks <https://development.root-1.de/Atomic_Blender_PDB_XYZ_Remarks.php>`__": "",
    "Some operations produce particularly useful results by using *Adjust Last Operation*. For example, adding a Circle in the 3D Viewport; if you reduce the *Vertices* to three, you get a perfect equilateral triangle": "",
    "Some options in the header will only show if compatible with the active `Display Mode`_": "",
    "Some other POV-Ray specific objects are also available: In POV-Ray a triangle mesh is just one primitive among many. You can explore the POV-Ray language by modifying the output file and with the same method, add these primitives by hand, or you can just pick some from the *Add* menu": "",
    "Some presets to radiosity are included, their names and settings are those of the ``rad_def`` include file shipped with POV-Ray, they set up the properties so you don't need to include the ``rad_def.inc`` in the exported pov-file, it's one of the many examples of what an interface like Blender can bring to all POV-Ray users who are not used to have one": "",
    "Some tools define gizmos (*Shear* and *Spin* for example) to help control the tool": "",
    "Some typically heavy external files, like videos from the :doc:`Sequence Editor </video_editing/introduction>` or :doc:`Movie Clips </editors/clip/introduction>`, cannot be packed in a blend-file": "",
    "Sometimes applying modifiers can fail for some objects. For instance, if the modifier is disabled (i.e. Boolean Modifier that doesn't have the Object field defined -- Mesh used for Boolean operation or objects that share linked data)": "",
    "Sometimes it's helpful to gain some extra horizontal space in the header by collapsing menus. This can be accessed from the header context menu, click :kbd:`RMB` on the header and select *Collapse Menus*": "",
    "Sometimes might want to have more control to blur the image. For instance, you may want to only blur one object while leaving everything else alone (or the other way around), or you want to blur the whole image uniformly all at once. The node, therefore, allows you to use something other than an actual Z-buffer as the Z input. For instance, you could connect an Image node and use a grayscale image where the color designates how much to blur the image at that point, where white is the maximum blur and black is no blur. Or, you could use a Time node to uniformly blur the image, where the time value controls the maximum blur for that frame. It may also be used to obtain a possibly slightly better DoF blur, by using a fake depth-shaded image instead of a Z-buffer. (A typical method to create the fake depth-shaded image is by using a linear blend texture for all objects in the scene or by using the \"fog/mist\" fake depth shading method.) This also has the advantage that the fake depth image can have :term:`Anti-Aliasing`, which is not possible with a real Z-buffer": "",
    "Sometimes the layers you are not working on can be a distraction. Activate *Fade Layers* in overlays to control the opacity of the non-active layers. See :doc:`Overlays </editors/3dview/display/overlays>` for more information": "",
    "Sometimes there is a :ref:`list <ui-list-view>` of applied data-blocks (such as a list of materials used on the object)": "",
    "Sometimes you may want to utilize files that either came from other 2D or 3D software, or you may want to use the things you have made in Blender and edit them in other software. Luckily, Blender offers a wide range of file formats (e.g. OBJ, FBX, 3DS, PLY, STL, etc.) that can be used to import and export": "",
    "Sort along the active view's X axis, from left to right by default (again, there is the *Reverse* option)": "",
    "Sort along the active view's Z axis, from farthest to nearest by default (use *Reverse* if you want it the other way)": "",
    "Sort faces, and faces only, from those having the lowest material's index to those having the highest. Order of faces inside each of those \"material groups\" remains unchanged. Note that the *Reverse* option only reverses the order of the materials, *not* the order of the faces inside them": "",
    "Sort from nearest to farthest away from the 3D cursor position (*Reverse* also available)": "",
    "Sorts items by one of the four proposed methods (alphabetically, by types, by dates, or by size):": "",
    "Source file of the active object. See also :doc:`/files/linked_libraries/index`": "",
    "Specifies how much the point is rotated around each axis. This input is only available when the rotation type is set to *Euler*": "",
    "Specifies how the keyframed transformation from the action is combined with the existing transformation. These modes are the same as in the :doc:`Copy Transforms </animation/constraints/transform/copy_transforms>` constraint": "",
    "Specifies that *Inverse Scale* or *Volume Preservation* should be applied on top of the original scaling of the bones, like in the Stretch To constraint": "",
    "Specifies the factor by which influence fades away with each successive lip loop (for bottom lip loops the blend moves away from inner bottom lip to full jaw influence)": "",
    "Specifies the type of data the property contains, which affects how it appears in the user interface. In order for this property to appear the *Property Value* must be a vector of floats. For either of the color subtypes to work the *Property Value* must be a vector with three or four values depending on the availability of an :term:`Alpha Channel`": "",
    "Specifies whether the ends of the chain should smoothly connect when merging controls with its ``.T``/``.B`` ``.L``/``.R`` symmetry counterpart. The relevant option must be enabled on both chains to work": "",
    "Specify the order of the polynomial, or the highest power of ``X`` for this polynomial. (Number of coefficients: 1.)": "",
    "Specify the render engine. Use ``-E help`` to list available engines": "",
    "Specular and diffuse toon (no edges yet)": "",
    "Spherical mappings is similar to cylinder but the difference is that a cylindrical mapping projects the UVs on a plane toward the cylinder shape, while a spherical map takes into account the sphere's curvature, and each latitude line becomes evenly spaced. *Sphere Projection* is useful for spherical shapes, like eyes, planets, etc": "",
    "Splash screen to override Blender's default artwork (not including header text). Note, this image must be a ``1000x500`` image": "",
    "Splines are a substructure of curves and are the individual elements that make curve objects. A curve object can be composed of several different splines, just like mesh objects can have different discontinuous meshes under the same object. A spline defines the shape of the curve and can be transformed by altering its `Control Points`_. Splines come in three distinct types, which are described in `Spline Types`_. Each spline type has a slightly different algorithm for computing how bends in the spline are represented": "",
    "Splines have their own separate properties from curves and can be altered by selecting the spline in Edit Mode and using the :doc:`Active Spline </modeling/curves/properties/active_spline>` panel": "",
    "Split Eyelid Follow Slider": "",
    "Split a chain at sharp \"turning\" points specified by this angle": "",
    "Split n-gons using an ear-clipping algorithm (gives similar results to the tessellation used for the viewport rendering)": "",
    "Splits (disconnects) the selected points from the rest of the stroke. The separated points are left exactly at the same position as the original points but they belong to a new stroke": "",
    "Splits (disconnects) the selection from the rest of the mesh. The border edge to any non-selected elements are duplicated": "",
    "Splits each selected faces into a triangle fan, creating a new center vertex and triangles between the original face edges and new center vertex. The *Offset* can be used to make spikes or depressions": "",
    "Splits the curve until the tolerance is met (gives a better drawing performance)": "",
    "Splitting an area will create a new area. Placing the mouse cursor in an area corner will change the cursor to a cross (+) to indicate that pressing down :kbd:`LMB` will activate splitting or joining operator. Dragging from area corner **inward** will *split* the area. You define the split direction by dragging either horizontally or vertically": "",
    "Stabilizes the footage according to the settings set in :menuselection:`Movie Clip Editor --> Properties --> Stabilization --> 2D Stabilization`. For more information, see :doc:`2D Stabilization </movie_clip/tracking/clip/sidebar/stabilization/index>`": "",
    "Standard conversion between spaces. See :ref:`common constraint properties <rigging-constraints-interface-common-space>` for more information": "",
    "Standard geometry input. The ``position``, ``rotation``, and ``scale`` attributes affect the transform of each instanced object": "",
    "Standard image output. (The image after distorting.)": "",
    "Stands for \"material capture\", using an image to represent a complete material including lighting and reflections": "",
    "Start Points": "",
    "Start by selecting the sun object and Environment Texture node. You can then synchronize them by enabling *Sync Sun to Texture*. Hovering any 3D Viewport will display the environment texture. Use the :kbd:`MMB` to pan, scroll wheel to zoom, and :kbd:`Ctrl-MMB` to set the exposure. Zoom and click the center of the sun in the texture. After that, the sun object will be locked to it": "",
    "Start in the :doc:`Movie Clip Editor </editors/clip/index>`. Open the Sidebar region and Toolbar to show tracking configuration. Tracks used for gradients are not useful for camera solving, because they do not track well. So create a new object track in the *Objects* selector. Place tracking markers on the clip to sample different parts of the backdrop": "",
    "Start simply. Get to know a single constraint inside and out. :doc:`/animation/constraints/transform/copy_location` is a good first constraint to explore it also has an animation example. Take the time to understand every fundamental concept behind it, and the other constraints will make far more sense": "",
    "Start with the console window open (ignored if ``-b`` is set), (Windows only)": "",
    "Starting and Ending frame of range of paths to display/calculate (not for *Around Current Frame* Onion-skinning method)": "",
    "Starting from the side view, place the main spine bones trying to use one bone for the rigid areas and two for the flexible ones. In addition to the main spine, the torso is provided with additional pelvis bones (to oppose the leg bending), two breast controls and two shoulder bones": "",
    "Starts playing through the :doc:`Timeline </editors/timeline>`, this option is good for animation or video editing work": "",
    "Starts playing through the :doc:`Timeline </editors/timeline>`, this option is good for animation or video editing": "",
    "Still in the interactive session of the *Screw* tool, you will see that the Z axis Value of the *Screw* panel is set to 1.000. :kbd:`LMB` click in the middle of the Value and set this value to -1.000. At first, the spring was being constructed in a counterclockwise direction, and you reverted the operation 180 degrees in the Z axis. This is because you have changed the angular vector of the height you have given to Blender to the opposite direction (remember, -90 to 90 = 180 degrees ?). See Fig. :ref:`fig-mesh-screw-clock`": "",
    "Still using the spring example, you can change the remaining vector for the angles that are not related to the extrusion axis of the spring. Bending the spring with the remaining vectors and creating a profile that will also open and/or close because of the change in starting angular vector values. What really is changed is the starting angle of the profile before the extrusions. It means that Blender will connect each of the circles inclined with the vector you have given. The images below show two bent meshes using the axis vectors and the spring example. See Fig. :ref:`fig-mesh-screw-angle`. These two meshes generated with the *Screw* tool were created using the Top Orthographic View": "",
    "Stochastic (Monte Carlo) Only available for UberPOV": "",
    "Straight segment (line) that connects two :term:`Vertices <Vertex>`, and can be part of a :term:`Face`": "",
    "Strength can be affected by enabling the pressure sensitivity icon, if you are using a :ref:`Graphics Tablet <hardware-tablet>`": "",
    "Strength of the noise effect over the point strength (opacity)": "",
    "Strength: 0 (original color)": "",
    "Strength: 1.0 (fully tinted)": "",
    "Stretch distorts the image so that it fits into the render size. Fit scales the image until the bigger axis \"fits\" into the render size. Crop cuts the image so that it is the same aspect ratio as the render size": "",
    "Stretches strip, another way of increasing the *Strip Extents: End Frame*, above": "",
    "Strictly speaking, the sum of all deform weights for any vertex of a mesh should be exactly 1.0. In Blender this constraint is a bit relaxed (see below). Nevertheless, deform groups should always be seen as related to each other. Hence, we have provided a filter that allows restricting the Vertex Weight panel to display only the deform bones of an object": "",
    "Strips any numerical characters from the name, e.g. ``cube.001`` becomes ``cube.``": "",
    "Strips any punctuation characters (``,.?!:;`` etc.) from the name, e.g. ``cube?`` becomes ``cube``": "",
    "Strips any space characters from the name, e.g. \"Living Room   \" becomes \"Living Room\"": "",
    "Stroke with original base material color (left) and with vertex painting (right)": "",
    "Strokes are drawn on the plane determined by the XY axes (top view)": "",
    "Strokes are drawn on the plane determined by the XZ axes (front view)": "",
    "Strokes are drawn on the plane determined by the YZ axes (side view)": "",
    "Studio Lights are used to illuminate the 3D Viewport during *Solid View* and will not be rendered. Unlike lights in the scene, the lighting direction follows the viewport orientation": "",
    "Style: Gradient (Linear)": "",
    "Style: Gradient (Radial)": "",
    "Subdividing an icosphere raises the vertex count very quickly even with few iterations (10 times creates 5,242,880 triangles), Adding such a dense mesh is a sure way to cause the program to crash": "",
    "Subdividing an icosphere raises the vertex count very quickly even with few iterations (10 times creates 5,242,880 triangles). Adding such a dense mesh is a sure way to cause the program to crash": "",
    "SubdivisionScheme": "",
    "Sun Beams is a 2D effect for simulating the effect of bright light getting scattered in a medium `(Crepuscular Rays) <https://en.wikipedia.org/wiki/Crepuscular_rays>`__. This phenomenon can be created by renderers, but full volumetric lighting is a rather arduous approach and takes a long time to render": "",
    "Sun Position allows positioning and animating the Sun (to a certain degree of accuracy), to simulate real-world natural lighting. It uses physical characteristics to position the Sun in the scene: geographic location, time and date. It is based on the Earth System Research Laboratory's `online calculator <https://gml.noaa.gov/grad/solcalc/>`__": "",
    "Support for blending mirrored locations from one side to the other (0.5 is an equal mix of both)": "",
    "Support for object (mesh, camera, light) transform animations. Only Euler rotations, which is the default option for Objects, can be exported. For armature bone animations, Euler and quaternion rotation types are supported": "",
    "Support for other hardware such as graphic tablets and 3D mice are covered later in :doc:`Configuring Hardware </getting_started/configuration/hardware>`": "",
    "Suppress Control": "",
    "Swirl Effect samples (with a Radius of 100 px)": "",
    "Switch back to *Object Mode*": "",
    "Switch the Outliner display mode to ``GROUPS`` (DXF layers are mapped to groups)": "",
    "Switch to *Edit Mode*, select \"Key 1\" in the *Shape Key* panel": "",
    "Switch to *Object Mode*": "",
    "Switch to *Pose Mode* :kbd:`Ctrl-Tab`": "",
    "Switch to Object Mode and deselect any objects except the one to be exported. Then execute *Export Paper Model* and in the File Browser switch the *Textures* selector to *From Materials*": "",
    "Switch to this :doc:`Mode </editors/3dview/modes>` when activating the workspace": "",
    "Switches the tail target to operate similarly to *Mirror With Parents*": "",
    "Switching the direction of a bone will generally break the chain(s) it belongs to. However, if you switch a whole (part of a) chain, the switched bones will still be parented/connected, but in \"reversed order\". See the Fig. :ref:`fig-rig-properties-switch`": "",
    "Sync Outliner selection to and from the :doc:`3D Viewport </editors/3dview/index>` and :doc:`Video Sequencer </video_editing/index>` editors. Disable to manage collections, object relations, and scene data without changing the selection state. Selection syncing is only available in Scenes, View Layer, and Video Sequencer display modes": "",
    "Sync tabs with the Outliner data-block selection. See :ref:`editors-outliner-properties-sync` for more information": "",
    "Syncs selection between the UV Editor and the 3D Viewport. See :ref:`Sync Selection <bpy.types.ToolSettings.use_uv_select_sync>` for more details": "",
    "Syncs the view position between side views. (Requires *Lock* to be enabled.)": "",
    "Syntax highlight detects ``pov/inc/mcr/ini`` extensions": "",
    "Tabs are used to control overlapping sections in the user interface. Contents of only one Tab is visible at a time. Tabs are listed in *Tab header*, which can be vertical or horizontal": "",
    "Tapering a curve causes it to get thinner towards one end. You can also alter the proportions of the Taper throughout the tapered object by moving/scaling/rotating the control points of the Taper Object. The taper curve is evaluated along the local X axis, using the local Y axis for width control. In order for this to work the Taper Object can only be another *open curve*": "",
    "Tapping :kbd:`Alt` shows a prompt in the Status Bar prompting a second keystroke to activate the tool": "",
    "Target Local With Parents": "",
    "Technique for rendering and displaying content on the screen. Blender uses two buffers (images) to render the interface, the content of one buffer is displayed while rendering occurs on the other buffer. When rendering is complete, the buffers are switched": "",
    "Teleport location at the cross-hair (offset by the *Camera Height* value set in the :doc:`Preferences </editors/preferences/index>`)": "",
    "Templates may be located in one of two locations within the ``scripts`` directory": "",
    "Text field for the current folder path. :kbd:`Tab` will auto-complete an existing path. If you type a nonexistent directory path, you will be prompted to create that new directory": "",
    "Text field to edit the file name and extension. When saving, if the background is red, a file with same name already exists in the folder. :kbd:`Tab` will auto-complete to existing names in the current directory": "",
    "Text fields show a rounded rectangular border, and optionally an icon and/or text inside the border. Text fields store text strings, and provide the means to edit text by :doc:`standard text editing shortcuts </interface/keymap/introduction>`": "",
    "Text: ``TEXT`` or (wip: ``MTEXT``)": "",
    "Texture Nodes are covered in the :doc:`UV editor </editors/texture_node/introduction>` docs": "",
    "Texture influence channels: Alpha, Diffuse, Bump, Specular, Mirror (uses same channel as specular)": "",
    "Texture influences currently exported are: Alpha, Diffuse, Bump, Specular, Mirror (uses same channel as specular). (No other channel because of POV-Ray non-uniform syntax for them.)": "",
    "That means for example that Blender 2.90 can be in Bcon3 (wrapping up), while Blender 2.91 is in Bcon1 (new features and changes)": "",
    "The \"BBone Shape\" :doc:`Keying Set </animation/keyframes/keying_sets>` includes all Bendy Bones properties": "",
    "The \"along bone\" axis is the Y one, and the shape object is always scaled so that one unit stretches along the whole bone length": "",
    "The \"body\" itself": "",
    "The \"empty\" is a single coordinate point with no additional geometry. Because an empty has no volume and surface, it cannot be rendered. Still it can be used as a handle for many purposes": "",
    "The \"length\" of the created path animation, in frames. In other words, the highest value of *Evaluation Time*": "",
    "The \"solved camera motion\" is where Blender reconstructs the position of the physical, real-world camera, when it filmed the video footage, relative to the thing being tracked": "",
    "The \"solved object motion\" is where Blender thinks the physical, real-world (tracked) object was, relative to the camera that filmed it": "",
    "The \"start joint\" named *root* or *head*": "",
    "The \"transform center\" of a given bone (i.e. its default pivot point, when it is the only selected one) is *its root*. Note by the way that some pivot point options seem to not work properly. In fact, except for the *3D Cursor* one, all others appear to always use the median point of the selection (and not e.g. the active bone's root when *Active Object* is selected, etc.)": "",
    "The \"upward-most\" local axis, i.e. the owner's axis to be aligned (as much as possible) with the global Z axis (or target Z axis, when the *Target* button is enabled)": "",
    "The **USER** path will use ``$XDG_CONFIG_HOME`` if it is set:": "",
    "The **X axis** maps to the output value of the driver configuration. The units depend on the setup": "",
    "The **Y axis** shows the value applied to the target property. The units depend on the property": "",
    "The **seed** is a number that represents the initial condition of a random generator, if you change its seed, it will produce a new sequence of pseudo-random numbers": "",
    "The *Action Editor* is where you can define and control :doc:`actions </animation/actions>`. It enables you to view and edit the F-curve data-blocks you defined as Actions in the *F-Curve editor*. So it takes place somewhere in between the low-level :doc:`F-Curves </editors/graph_editor/introduction>`, and the high-level :doc:`NLA editor </editors/nla/index>`": "",
    "The *Action* constraint is powerful. It allows you control an :doc:`Action </editors/dope_sheet/action>` using the transformations of another object": "",
    "The *Active Spline* panel is used in Edit Mode to control properties of the currently selected spline": "",
    "The *Active Tool* tab in the Properties": "",
    "The *Add DOF Empty* button will automatically add an empty at the location of the aim bone and make it the depth of field (DOF) object": "",
    "The *Add Default Ivy* operator will use the default parameters during creation. This will generate your initial Ivy Curve and Leaves. From here you can access the *Ivy* menu in the Sidebar. I suggest to make small changes and then press *Update Ivy* in the 3D Viewport operator": "",
    "The *Add-ons* section lets you manage secondary scripts, called \"Add-ons\" that extends Blender's functionality. In this section you can search, install, enable and disable Add-ons": "",
    "The *Adjust Last Operation* is a region that shows tool options when tools (operators) are run": "",
    "The *Adjust Last Operation* region can be hidden by :menuselection:`View --> Adjust Last Operation`": "",
    "The *Align Rotation to Vector* node rotates points into the given direction. It does so by modifying the ``rotation`` attribute": "",
    "The *Alpha Convert Node* converts the alpha channel interpretation of an image": "",
    "The *Alpha Over* node is designed to work with premultiplied alpha color format. Use this checkbox when you know that your image has :term:`Straight Alpha` color values, to perform the correct over operation. Result will still be premultiplied alpha": "",
    "The *Alpha Over* node is used to layer images on top of one another. Where the foreground image pixels have an alpha greater than 0, it will be overlaid over the background image": "",
    "The *Animation* section lets you manage settings related to :doc:`Animation </animation/index>`. This includes how editors look and also some different tools properties": "",
    "The *Arm Height* and *Arm Length* sliders at the bottom of the UI show the Y axis scale of the relevant bone. By default, both the height and the arm length are at 1 unit in size. These values only show in the interface when a crane rig is selected, they are also animatable": "",
    "The *Armature* Modifier is used for building skeletal systems for animating the poses of characters and anything else which needs to be posed": "",
    "The *Armature* tab in Properties contains various panels gathering the armature settings": "",
    "The *Array* modifier creates an array of copies of the base object, with each copy being offset from the previous one in any of a number of possible ways": "",
    "The *Assign* button only adds the currently selected vertices to the active group. Vertices already assigned to the group are not removed from the group": "",
    "The *Atomic Blender Utilities* panel makes your life easier during manipulating atoms of imported structures": "",
    "The *Atomic Blender Utilities* panel": "",
    "The *Attribute Combine XYZ Node* combines a vector attribute from individual components": "",
    "The *Attribute Curve Map* node maps an attribute to a new attribute based on a curve": "",
    "The *Attribute Fill* node sets the value for every element of the attribute with the input name to the input value": "",
    "The *Attribute Randomize* node replaces the values in an attribute with random values within the given range": "",
    "The *Attribute Remove* node removes a number of given attributes from each element of the given Geometry": "",
    "The *Attribute Sample Texture* node evaluates a texture for every point and stores the resulting colors in a new attribute. The mapping attribute can be anything that can be converted to a 3D vector. Typically, either the name of a UV map or the ``position`` attribute is used": "",
    "The *Attribute Separate XYZ Node* splits a vector into its individual components": "",
    "The *Attribute Transfer* node transfers an attribute from one geometry to another": "",
    "The *Attribute Vector Rotate Node* provides the ability to rotate a vector attribute around a pivot point (*Center*)": "",
    "The *Attributes* panel contains different hair characteristics such as the position and color of hair strands": "",
    "The *Auto* option selects between *Render* and *Play* option based on the window layout's use of image/node editors. If you are happy to use these settings on all files, you can leave the *Run Immediately* option enabled and confirm": "",
    "The *Average Scale* option retrieves the combined scale value, computed as the cubic root of the total change in volume. Unlike *X/Y/Z Scale*, this value can be negative if the object is flipped by negative scaling": "",
    "The *Axis* and *Axis Orthographic* cannot be the same axis, else the imaginary plane is dimensionless and the objects will disappear into a point": "",
    "The *Bake Sound to F-Curves* operator takes a sound file and uses its sound wave to create the animation data": "",
    "The *Base* raised to the power of *Exponent*": "",
    "The *Batch Rename* has several sub Operations to change the data names. The default operation is *Find/Replace* however, other operations can be added to change the data names further. Below all the operations gives a message in the status bar on how many data-blocks were renamed": "",
    "The *Batch Rename* operator can rename many data-block names at once. This uses a pop-up dialog with operations and their options to change the name. These actions are applied in order, from first to last": "",
    "The *Bend* tool can be used in any case where you might want to bend a shape in two with a gradual transition between both sides": "",
    "The *Bend*, *Shear*, *To Sphere*, *Extrude* and *Shrink Fatten* transform tools are described in the :doc:`Editing tools </grease_pencil/modes/edit/tools>` section": "",
    "The *Bevel Edges* tool works only on selected edges with exactly two adjacent faces. It will recognize any edges included in a vertex or face selection as well, and perform the bevel the same as if those edges were explicitly selected. In \"vertex only\" mode, the *Bevel Vertices* tool works on selected vertices instead of edges, and there is no requirement about having any adjacent faces. The *Bevel* tool smooths the edges and/or \"corners\" (vertices) by replacing them with faces making smooth profiles with a specified number of *segments* (see the options below for details about the bevel algorithm)": "",
    "The *Bevel* tool allows you to create chamfered or rounded corners on geometry. A bevel is an effect that smooths out edges and corners": "",
    "The *Bevel* tool rounds off edges or corners of a mesh at the point of the selected vertices. In \"vertex only\" mode, the *Bevel Vertices* tool works on selected vertices but the option to switch to *Bevel Edges* is available. By doing so, more vertices are added in order to smooth out profiles with a specified number of *segments* (see the options below for details about the bevel algorithm)": "",
    "The *Blur* Visual Effect applies a Gaussian blur to the object": "",
    "The *Bokeh Image* node generates a special input image for use with the :doc:`Bokeh Blur </compositing/types/filter/bokeh_blur>` filter node": "",
    "The *Boolean Math* node performs a basic logical operation between its inputs": "",
    "The *Boolean Node* allows you to cut, subtract, and join the geometry of two inputs. This node offers the same operations as the :doc:`Boolean modifier </modeling/modifiers/generate/booleans>`": "",
    "The *Bounding Box* node creates a cube with the minimum volume that encapsulates the geometry of the input. The node also can output the vector positions of the bounding dimensions": "",
    "The *Box Mask* node creates an image suitable for use as a simple matte": "",
    "The *Build* modifier make strokes appear or disappear in a frame range to create the effect of animating lines being drawn or erased": "",
    "The *Bézier Segment* node generates a 2D Bézier spline from the given control points and handles": "",
    "The *Camera Solver* constraint gives the owner of this constraint, the location and rotation of the \"solved camera motion\"": "",
    "The *Channel Key* node determines background objects from foreground objects by the difference in the selected channel's levels": "",
    "The *Chroma Key* node determines if a pixel is a foreground or background (and thereby should be transparent) based on its chroma values": "",
    "The *Circle* tool, click then move to change the radius (vertical axis) or rotation (horizontal axis)": "",
    "The *Clamp To* constraint clamps an object to a curve. The *Clamp To* constraint is very similar to the :doc:`Follow Path </animation/constraints/relationship/follow_path>` constraint, but instead of using the evaluation time of the target curve, *Clamp To* will get the actual location properties of its owner (those shown in the *Transform* panel), and judge where to put it by \"mapping\" this location along the target curve": "",
    "The *Clamp* node clamps a value between a minimum and a maximum": "",
    "The *Collection Info* node gets information from collections. This can be useful to control parameters in the geometry node tree with an external collection": "",
    "The *Collections* panel shows a list of collections and can be used to control the visibility of collections in the viewport. If a collection contains objects, there is a circle to the left of the collection name. If a collection is empty, there is no circle to the left of the collection name": "",
    "The *Color Spill* node reduces one of the RGB channels so that it is not greater than any of the others": "",
    "The *Color* group of modifiers change the object color output": "",
    "The *Colorize* Visual Effect applies different preset colorizing effects to the object": "",
    "The *Combine RGB Node* combines an image from its composite color channels": "",
    "The *Combine XYZ Node* combines a vector from its individual components": "",
    "The *Cone* node generates a cone mesh that is optionally truncated": "",
    "The *Connected* checkbox set the head of the bone to be connected with its parent root": "",
    "The *Console Window*, also called a *Terminal*, is an operating system text window that displays messages about Blender's operations, status, and internal errors": "",
    "The *Continue* zooming option allows you to control the speed (and not the value) of zooming by moving away from the initial cursor position": "",
    "The *Convex Hull* node outputs a convex mesh that is enclosing all points in the input geometry": "",
    "The *Copy Location* constraint forces its owner to have the same location as its target": "",
    "The *Copy Rotation* constraint forces its owner to match the rotation of its target": "",
    "The *Copy Scale* constraint forces its owner to have the same scale as its target": "",
    "The *Copy Transforms* constraint forces its owner to have the same transforms as its target": "",
    "The *Cube* node generates a cube mesh with a uniform side length": "",
    "The *Curve Circle* node generates a poly spline circle": "",
    "The *Curve Endpoints* node creates a point cloud containing either the start or end points from every spline. The generated points have a ``tangent``, ``normal`` and ``rotation`` attribute that can be used for instancing": "",
    "The *Curve Length* node outputs the length of all splines added together": "",
    "The *Curve Line* node generates poly spline line": "",
    "The *Curve Reverse* node swaps the start and end of splines. The shape of the splines is not changed": "",
    "The *Curve Subdivide* node cuts spline segments without changing their shape": "",
    "The *Curve Trim* node shortens each spline in the curve by removing sections at the start and end of each spline": "",
    "The *Curve Trim* node": "",
    "The *Curve to Points* node samples points on all splines of a curve. The generated points have a ``tangent``, ``normal`` and ``rotation`` attribute that can be used for instancing": "",
    "The *Cylinder* node generates a cylinder mesh. It is similar to the cone node but always uses the same radius for the circles at the top and bottom": "",
    "The *Damped Track* constraint constrains one local axis of the owner to always point towards *Target*. This constraint uses a pure :term:`Swing` rotation, i.e. the shortest possible single axis rotation. In other 3D software you can find it with the name \"Look at\" constraint": "",
    "The *Decimate Curve* operator reduces the number of control points while trying to maintain the curves original shape. This operator works similar to its :ref:`mesh counterpart <bpy.ops.mesh.decimate>`": "",
    "The *Decimate* tool simplifies an F-curve by removing keyframes that influence the curve shape the least": "",
    "The *Defocus Node* blurs areas of an image based on a map/mask input": "",
    "The *Defocus* node uses the actual camera data in your scene if supplied by a *Render Layer* node": "",
    "The *Deform* group of modifiers only changes the shape of an object without adding new geometry,": "",
    "The *Delete Geometry* node removes the selected part of a geometry. For meshes, which elements are deleted depends on the domain of the input selection attribute. For example, if it is a face selection, faces are removed": "",
    "The *Depth Order* used in the Grease Pencil object has an influence on the visualization of the strokes when using the Array modifier. See :doc:`Depth Order </grease_pencil/properties/strokes>` for more information": "",
    "The *Despeckle node* is used to smooth areas of an image in which noise is noticeable, while leaving complex areas untouched": "",
    "The *Dilate/Erode node* provides a morphology (mathematical shape analysis) filter": "",
    "The *Displace Node* displaces the pixel position based on an input vector": "",
    "The *Double Edge Mask* node creates a gradient between two masks": "",
    "The *Duplicate Data* checkboxes define what data is copied with a duplicated object and what data remains linked. Any boxes that are checked will have their data copied along with the duplication of the object. Any boxes that are not checked will instead have their data linked from the source object that was duplicated": "",
    "The *Ease In/Out* number fields, change the \"length\" of the :ref:`\"auto\" <curve-handle-type-auto>` Bézier handle to control the \"root handle\" and \"tip handle\" of the bone, respectively. These values are proportional to the default length, which of course automatically varies depending on bone length, angle with the reference handle, and so on": "",
    "The *Edge Loop* option is very different to the *Edges* option, even if you use it on edges that look like an edge loop. Deleting an edge loop merges the surrounding faces together to preserve the surface of the mesh. By deleting a chain of edges, the edges are removed, deleting the surrounding faces as well. This will leave holes in the mesh where the faces once were": "",
    "The *Editor Type* selector, the first button at the left side of a header, allows you to change the editor in that :doc:`area </interface/window_system/areas>`. Every area in Blender may contain any type of editor and it is also possible to open the same type multiple times": "",
    "The *Ellipse Mask* node creates an image suitable for use as a simple matte or vignette mask": "",
    "The *File* section in *Preferences* allows you to configure auto-save preferences and set default file paths for blend-files, rendered images, and more": "",
    "The *Fill* option will create *triangular* faces from any group of selected edges or vertices, as long as they form one or more complete perimeters": "",
    "The *Flip* Visual Effect shows the object flipped horizontally and/or vertically": "",
    "The *Float Compare* node takes two inputs and does a math comparison between them": "",
    "The *Float To Integer* node takes a single floating point number input and converts it to an integer with a choice of methods": "",
    "The *Floor* constraint allows you to use its target position (and optionally rotation) to specify a plane with a \"forbidden side\", where the owner cannot go. This plane can have any orientation you like. In other words, it creates a floor (or a ceiling, or a wall)! Note that it is only capable of simulating entirely flat planes, even if you use the *Vertex Group* option. It cannot be used for uneven floors or walls": "",
    "The *Follow Path* constraint places its owner onto a *curve* target object, and makes it move along this curve (or path). It can also affect its owner's rotation to follow the curve's bends, when the *Follow Curve* option is enabled": "",
    "The *Frame* value is the time to use for looking up the data in the cache file, or to determine which to use in a file sequence": "",
    "The *Generate* group of modifiers includes constructive tools that either change the general appearance of or automatically add new geometry to an object": "",
    "The *Gimbal* gizmo in this mode is equivalent to the *Local* one, and doesn't have any special meaning": "",
    "The *Gimbal* gizmo in this rotation mode shows a set of three orthogonal axes in which the Z axis goes along the defined rotation axis, i.e. it points towards the direction defined by the (X, Y, Z) point": "",
    "The *Glare node* is used to add lens flares, fog, glows around exposed parts of an image and much more": "",
    "The *Glow* Visual Effect add a glowing rim around the object": "",
    "The *Grid* node generates a planar mesh on the XY plane": "",
    "The *Header* contains various menus, buttons and options, partially based on the current node tree type": "",
    "The *Hook* Modifier is used to deform stroke points using another object (usually an empty or a bone but it can be any object)": "",
    "The *Hue Correct Node* is able to adjust the Hue, Saturation, and Value of an image, with an input curve": "",
    "The *Hue Saturation Value Node* applies a color transformation in the HSV color space": "",
    "The *Hue/Saturation* Modifier applies a color transformation to the object output color": "",
    "The *ID Mask Node* can be used to access an alpha mask per object or per material": "",
    "The *Image* node injects any image :doc:`format that is supported by Blender </files/media/image_formats>`": "",
    "The *Images* select menu allows you to choose how to include the baked images in the SVG file. If you want to edit the layout of the net in an SVG editor, choose either *Linked* or *Embedded*": "",
    "The *Influence* parameter is not implemented if *Pole Target* is used": "",
    "The *Inpaint node* is used to extend borders of an image into transparent or masked regions. This can be useful to solve problems like \"wire removal\" and holes created during chroma keying": "",
    "The *Inside* and *Outside* options can be used for very crude collision detection. The inside vs outside determination is done based on the target normal and is not always stable near 90 degree and sharper angles in the target mesh": "",
    "The *Inverse Kinematics* constraint implements the *inverse kinematics* armature posing technique. Hence, it is only available for bones. To quickly create an IK constraint with a target, select a bone in Pose Mode, and press :kbd:`Shift-I`": "",
    "The *Invert Node* inverts the colors in the input image, producing a negative": "",
    "The *Is Viewport* node outputs true when geometry nodes are evaluated for the viewport. For the final render the node outputs false": "",
    "The *Join Geometry* node merges separately generated pieces of geometry into a single one. If the geometry inputs contain different types of data, the output will also contain different data types": "",
    "The *Keying* node is a one-stop-shop for \"green screen\" / \"blue screen\" removal. It performs both chroma keying to remove the backdrop and despill to correct color cast from the backdrop. Additionally, you can perform common operations used to tweak the resulting matte": "",
    "The *Keying* popover contains options that affect keyframe insertion": "",
    "The *Length* Modifier extends or shortens the original strokes length": "",
    "The *Limit Distance* constraint forces its owner to stay either further from, nearer to, or exactly at a given distance from its target. In other words, the owner's location is constrained either outside, inside, or at the surface of a sphere centered on its target": "",
    "The *Limit Mode* select menu allows you to choose how to use the sphere defined by the *Distance* setting and target's origin:": "",
    "The *Line Art* modifier generates stylized line art from the scene or selected source collection or objects": "",
    "The *Line* tool to polygonal cuts. It also allows you to bisect one or more objects. Click to the start point, move to the desired end point and then press :kbd:`Spacebar` to confirm the cutting": "",
    "The *Lock Camera Select* is a toggle button to make the camera unselectable (so you can't accidentally delete it)": "",
    "The *Locked Track* constraint is a bit tricky to explain, both graphically and textual. Basically, it is a :doc:`Track To constraint </animation/constraints/tracking/track_to>`, but with a locked axis, i.e. an axis that cannot rotate (change its orientation). Hence, the owner can only track its target by rotating around this axis, and unless the target is in the plane perpendicular to the locked axis, and crossing the owner, this owner cannot really point at its target": "",
    "The *Luminance Key* node determines background objects from foreground objects by the difference in the luminance (brightness) levels": "",
    "The *Main* menu is where you will do most of your work. The geodesic default triangle will be shown in the 3D Viewport and the Object Creation parameters can be accessed here. Please note: I find it's easier to use the Object Creation parameters first before moving on to Faces, Struts and Hubs, these will be explained in the sections below": "",
    "The *Maintain Volume* constraint limits the volume of a mesh or a bone to a given ratio of its original volume": "",
    "The *Make Planar Faces* iteratively flattens faces. This can happen with faces over three vertices and it is a common convention that faces should be kept planar": "",
    "The *Map Range* node remaps an attribute's value from a range to a target range": "",
    "The *Material Assign* changes the material assignment in the specified selection": "",
    "The *Material Replace* node swaps one material with another. Replacing a material with this node is more efficient than creating a selection of all faces with the old material and then using the :doc:`Material Assign </modeling/geometry_nodes/material/assign>` node": "",
    "The *Material* input node outputs a single material. It can be connected to other material sockets to make using the same material name in multiple places more convenient": "",
    "The *Material* number specifies which material is assigned to the new faces created by the *Bevel* tool. With the default, -1, the material is inherited from the closest existing face (\"closest\" can be a bit ambiguous). Otherwise, the number is the slot index of the material to use for all newly created faces": "",
    "The *Material* number specifies which material should be assigned to the new faces created by the *Bevel* tool. With the default, -1, the material is inherited from the closest existing face (\"closest\" can be a bit ambiguous). Otherwise, the number is the slot index of the material to use for all newly created faces": "",
    "The *Math Node* performs math operations": "",
    "The *Measure* tool is an interactive tool where you can drag lines in the scene to measure distances or angles. Snapping to geometry could be activated for better accuracy or to measure wall thickness. The *Measure* tool can be accessed from the Toolbar": "",
    "The *Merge By Distance* and *Curve Simplify* buttons are located in the :menuselection:`3D Viewport --> Curve Context Menu` in curve Edit Mode": "",
    "The *Mesh Circle* node generates a circular ring of edges that is optionally filled with faces": "",
    "The *Mesh Line* node generates vertices in a line and connects them with edges": "",
    "The *Mesh Subdivide* node adds new faces to mesh geometry using a simple interpolation for deformation": "",
    "The *Mesh to Curve* node converts all or a selection of edges to splines. Vertices connected to exactly two edges will join the splines corresponding to both edges. Vertices connected one or more than two edges become end points of splines. Circular splines are supported as well": "",
    "The *Min* and *Max* number fields control the lower and upper bounds of the output value range, independently for each mapped axis. Note that if a min value is higher than its corresponding max value, the constraint behaves as if it had the same value as the max one": "",
    "The *Mirror* modifier mirrors the strokes along its local X, Y and/or Z axes, across the :term:`Object Origin`. It can also use another object as the mirror center, then use that object's local axes instead of its own": "",
    "The *Mirror* tool is also available, behaving exactly as with :doc:`mesh vertices </modeling/meshes/editing/mesh/mirror>`": "",
    "The *Mirror* tool is also available, behaving exactly the same as with :doc:`mesh vertices </modeling/meshes/editing/mesh/mirror>`": "",
    "The *Mix Node* mixes images by working on the individual and corresponding pixels of the two input images. Called \"MixRGB\" in the shader, geometry, and texture context": "",
    "The *Multiple Strokes* modifier generate multiple parallel strokes around the original ones": "",
    "The *New Image* button opens a pop-up to configure a `Generated`_ image": "",
    "The *New* rig mode will let the user generate a new rig from the meta-rig regardless of an already generated rig is present in the scene. A specific name for the rig can be set by the user through the specific *Rig Name* text field. If no name is set, Rigify will generate an armature object named \"rig\" and a Python script named ``rig_ui.py``": "",
    "The *Noise* Modifier changes the value of one or more stroke/points properties like: location, strength, thickness or UV texture position by adding varied values that make the line unstable and noisy": "",
    "The *Now* button causes the *Start* and *End Frames*, above, to be reset to the first and last keyframed frames of the Action": "",
    "The *Object Info* node gets information from objects. This can be useful to control parameters in the geometry node tree with an external object, either directly by using its geometry, or via its transformation properties": "",
    "The *Object Solver* constraint gives the owner of this constraint, the location and rotation of the \"solved object motion\"": "",
    "The *Offset* Modifier changes the strokes location, rotation or scale starting from the object origin": "",
    "The *Opacity* Modifier change the opacity (alpha) value of the stroke points": "",
    "The *Outliner* allows you to do simple operations on objects, such as selecting, renaming, deleting, linking and parenting": "",
    "The *Outliner* is a list that organizes data in the blend-file, i.e. the scene data, Video Sequencer data, or anything that gets stored in a blend-file. The *Outliner* can be used to:": "",
    "The *Overwrite* rig mode will let the user specify a target rig to be overwritten. If none is set Rigify will search and eventually overwrite an armature object named \"rig\" and a Python script named ``rig_ui.py``": "",
    "The *Paper Model Islands* tab in the Mesh tab offers two buttons for calling the *Unfold* and *Export Paper Model* tools conveniently. It also offers buttons for marking and clearing seams, depending on the context, and the experimental functionality *Limit Island Size*": "",
    "The *Path Animation* settings can be used to determine how child objects move along a certain path": "",
    "The *Pivot* constraint allows the owner to rotate around a target object. It was originally intended for pivot joints found in humans e.g. fingers, feet, elbows, etc": "",
    "The *Pixelate* Visual Effect shows the object as a pixelated image": "",
    "The *Playback* popover contains options controlling the animation playback": "",
    "The *Playhead* can be moved in single-frame increments by pressing :kbd:`Left` or :kbd:`Right`, or you can jump to the beginning or end frame by pressing :kbd:`Shift-Left` or :kbd:`Shift-Right`": "",
    "The *Playhead* can be set or moved to a new position by pressing or holding :kbd:`LMB` in scrubbing area at the top of the timeline": "",
    "The *Playhead* is the blue vertical line with the current frame number at the top": "",
    "The *Point Distribute* node places points on the surface of the input geometry object. Point, corner and polygon attributes of the input geometry are transferred to the generated points. That includes vertex weights and UV maps. Additionally, the generated points will have a ``normal``, ``id`` and ``rotation`` attribute": "",
    "The *Point Instance* node instances an element to each of the points present in the input geometry. It works for both point cloud and mesh vertices": "",
    "The *Point Rotate* node rotates every point of the geometry. It does so by modifying the ``rotation`` attribute": "",
    "The *Point Scale* node changes the ``scale`` attribute of every point in the geometry by the specified amount, either from the attribute input or a vector input. This node is provided for convenience, as it's equivalent to using the :doc:`Attribute Vector Math Node </modeling/geometry_nodes/attribute/attribute_vector_math>` with the *Multiply* operation and the ``scale`` attribute": "",
    "The *Point Separate* node produces two geometry outputs. Based on the *Mask* input, the point cloud component of the input geometry is split between the two outputs": "",
    "The *Point Translate Node* moves every point of the geometry by the specified amount, either from the attribute input or a vector input. This node is provided for convenience, as it's equivalent to using the :doc:`Attribute Vector Math Node </modeling/geometry_nodes/attribute/attribute_vector_math>` with the *Addition* operation and the ``position`` attribute": "",
    "The *Points to Volume* node generates a fog volume sphere around every point in the input geometry. The new volume grid is named \"density\"": "",
    "The *Preset* menu allows to quickly save and recall all the settings below it, including model scale and color style": "",
    "The *Profile* slider stays active when miters are enabled because it still controls the shape of the miter profiles": "",
    "The *Quadratic Bézier* node generates a poly spline curve from the given control points. The generated shape is a parabola": "",
    "The *Quadrilateral* node generates a polygon with four points, with different modes": "",
    "The *RGB Curves Node* allows color corrections for each color channel and levels adjustments in the compositing context": "",
    "The *RGB to BW Node* maps an RGB color image to a gray-scale by the luminance": "",
    "The *Random Float* generates a random (floating-point) value from a given range": "",
    "The *Randomize* tool in Edit Mode allows you to displace the vertices of a mesh along their normal": "",
    "The *Raycast* node intersects rays from one geometry onto another. A ray starts on each point of the input geometry. It computes hit points on the target mesh and outputs normals, distances and any surface attribute specified by the user": "",
    "The *Recalculate Handles* operator rotates the selected control point's handle to be tangential to the curve. This can be used to make curves smoother and more consistent looking": "",
    "The *Rectangle* tool. Click, move and then click again to confirm the operation": "",
    "The *Region/Volume clipping* image shows an example of using the clipping tool with a cube. Start by activating the tool with :kbd:`Alt-B` (upper left of the image). This will generate a dashed cross-hair cursor. Click with the :kbd:`LMB` and drag out a rectangular region shown in the upper right. Now a region is defined and clipping is applied against that region in 3D space. Notice that part of the cube is now invisible or clipped. Use the :kbd:`MMB` to rotate the view and you will see that only what is inside the pyramidal volume is visible. All the editing tools still function as normal but only within the pyramidal clipping volume": "",
    "The *Rename Active Item* operator renames the active :doc:`Bone </animation/armatures/bones/index>`, :doc:`Node </interface/controls/nodes/index>`, :doc:`Object </scene_layout/object/index>` and :doc:`Sequence Strip </video_editing/sequencer/strips/index>`": "",
    "The *Render* button renders a single frame or image. Save your image using :menuselection:`Image --> Save Image` or :kbd:`Alt-S`. The image will be saved using the image format settings on the Render panel": "",
    "The *Repeat History* feature will present you a list of the last repeated actions, and you can choose the actions you want to repeat. It works in the same way as the Undo History, explained above, but the list contains only repeated actions": "",
    "The *Rim* Visual Effect shows a simulated rim light on the object contour": "",
    "The *Rotation* option is limited to a range of -90 to 90 degrees": "",
    "The *Screw* tool combines a repetitive *Spin* with a translation, to generate a screw-like, or spiral-shaped, object. Use this tool to create screws, springs, or shell-shaped structures (Sea shells, Wood Screw Tips, Special profiles, etc.)": "",
    "The *Screw* tool uses two points given by the open line to create an initial vector to calculate the height and basic angle of the translation vector that is added to the \"Spin\" for each full rotation (see examples below). If the vector is created with only two vertices at the *same* XYZ location (which will not give Blender a vector value for height), this will create a normal \"Spin\"": "",
    "The *Select by Material* node creates a new face selection attribute. All faces that use a particular material are added to the selection": "",
    "The *Select* and *Deselect* buttons are used to manipulate the current selection of bones, while the *Assign* and *Remove* buttons serve to add or remove the currently selected bones to the currently selected set. A bone can belong to more than one selection set": "",
    "The *Selected Mesh Object* option works on multiple meshes. To use this, in *Object Mode* select several mesh objects, then go into *Edit Mode* and activate the tool": "",
    "The *Separate Components* node splits a geometry into its separate components": "",
    "The *Separate RGB Node* splits an image into its composite color channels": "",
    "The *Separate XYZ Node* splits a vector into its individual components": "",
    "The *Set Alpha Node* adds an alpha channel to an image": "",
    "The *Shadow* Visual Effect shows a simulated shadow casting by the object": "",
    "The *Shape Key Editor* is used to adjust the animation timing of :doc:`shape keys </animation/shape_keys/index>`. These are stored inside an Action data-block. It lets you edit the :ref:`value <animation-shapekey-relative-value>` of shape keys over time": "",
    "The *Sharp* mark is used by the :ref:`split normals <auto-smooth>` and the :doc:`Edge Split </modeling/modifiers/generate/edge_split>` modifier, which are part of the smoothing or customized shading techniques. As seams, it is a property of edges, and these operators set or unset it for selected ones": "",
    "The *Shrinkwrap* constraint is the \"object counterpart\" of the :doc:`Shrinkwrap Modifier </modeling/modifiers/deform/shrinkwrap>`. It moves the owner origin and therefore the owner object's location to the surface of its target": "",
    "The *Sidebar* (on the right side of the editor area) contains :ref:`Panels <ui-panels>` with settings of objects within the editor and the editor itself. :kbd:`N` toggles the visibility of the Sidebar": "",
    "The *Simplify F-Curves* tool can be accessed by enabling :ref:`Developer Extras <prefs-interface-dev-extras>` and using the :ref:`bpy.ops.wm.search_menu` to search for \"Simplify F-Curves\" in the Dope Sheet or Graph Editor": "",
    "The *Simplify* modifier allows you to reduce the amount of points in the strokes. The goal of this modifier is reduce points while maintaining the lines shape": "",
    "The *Slot* menu can be used to select the active :ref:`material slot <bpy.types.MaterialSlot>` on the active object. The material selector to the right of it can change the material that is in the selected slot": "",
    "The *Smooth Curve Radius* operator interpolates the *Radius* value for the selected control points. This will reduce sharp changes in the curve's *Radius* and give a smooth transition between points": "",
    "The *Smooth Curve Tilt* operator interpolates the *Tilt* value for the selected control points. This will reduce sharp changes in the curve's *Tilt* and give a smooth transition between points": "",
    "The *Smooth Curve Weight* operator interpolates the *Weight* value for the selected control points. This will reduce sharp changes in the curve's *Weight* and give a smooth transition between points": "",
    "The *Smooth* Modifier changes the value of one or more stroke/points properties like: location, strength, thickness or UV texture position trying to maintain similar values that make the line fluid and smoother": "",
    "The *Spin* operator only works for one dimensional :doc:`surface </modeling/surfaces/index>` objects. Its use for curves is currently not possible, the full feature is documented in :ref:`Surface editing <bpy.ops.curve.spin>`": "",
    "The *Spiral* node generates a poly spline in a spiral shape. It can be used to create springs or other similar objects. By default the spiral twists in a clockwise fashion": "",
    "The *Spline IK* constraint aligns a chain of bones along a curve. By leveraging the ease and flexibility of achieving aesthetically pleasing shapes offered by curves and the predictability and well-integrated control offered by bones, *Spline IK* is an invaluable tool in the riggers' toolbox. It is particularly well suited for rigging flexible body parts such as tails, tentacles, and spines, as well as inorganic items such as ropes": "",
    "The *Split Viewer* node takes two images and displays these side-by-side as backdrop or as a Viewer Node output": "",
    "The *Split* operator splits a selected segment of a curve from the rest of the curve. This curve can then be moved or altered without affecting the other curve. If a single control point is selected the *Split* operator will create a new singular loose control point; leaving the previously selected control point attached to the rest of the curve": "",
    "The *Star* node generates a poly spline in a star pattern by connecting alternating points of two circles. The points on the inner circle are offset by a rotation so that they lie in between the points on the outer circle. This offset can be changed with the twist input": "",
    "The *Stretch To* constraint causes its owner to rotate and scale its Y axis towards its target. So it has the same tracking behavior as the :doc:`Track To constraint </animation/constraints/tracking/track_to>`. However, it assumes that the Y axis will be the tracking and stretching axis, and does not give you the option of using a different one": "",
    "The *Stretch* curve option allows you to let the mesh object stretch, or squeeze, over the entire curve. To get the expected result, use this together with the *Bounds Clamp* option. Utilized when using the :doc:`/modeling/modifiers/deform/curve`": "",
    "The *String* input node creates a single string. It can be connected to attribute name sockets to make using the same attribute name in multiple places more convenient": "",
    "The *Subdivide* modifier subdivide the strokes by inserting points between other points to the lines": "",
    "The *Subdivision Surface* node adds new faces to mesh geometry using a Catmull-Clark subdivision method": "",
    "The *Support Loops* and *Steps* presets are built dynamically depending on the number of segments in the bevel. If the number of segments is changed, the preset will have to be re-applied": "",
    "The *Swirl* Visual Effect applies a swirling pattern to the object. The effect use an object as the center of the swirl": "",
    "The *Switch View* node combines the *views* (left and right) into a single Stereo 3D output. This can be useful if for example, you need to treat the view as separate images by combining each of the views": "",
    "The *Switch* node outputs one of two inputs depending on a condition. Only the input that is passed through the node is computed": "",
    "The *Symmetrize* tool is a quick way to make a mesh symmetrical. *Symmetrize* works by cutting the mesh at the pivot point of the object, and mirroring over the geometry in the specified axis, and merges the two halves together (if they are connected). Also the mesh data is copied from one side to the other: e.g. UVs, vertex colors, vertex weights": "",
    "The *System* section allows you to set graphics card options, memory limits & sound settings": "",
    "The *Tessellate* tool allows the user to copy a selected object (Component) on the faces of the active object (Generator), adapting its bounding box to the shape of quad faces. Once the *Tessellate* button was pressed, then more options will appear in the tool parameters. Update allows you to update the active the Tessellated mesh according to Component and Generator changes. You can also change the parameters of tessellation": "",
    "The *Text Editor* has some dedicated Python scripts, which are useful for writing tools, like a class/function/variable browser, completion..": "",
    "The *Texture Mapping* Modifier change the strokes texture UV position": "",
    "The *Textures* select menu lists options for exporting textured meshes": "",
    "The *Themes* section allows you to customize interface appearance and colors": "",
    "The *Thickness* Modifier change the stroke points thickness": "",
    "The *Time Offset* Modifier offsets the position of Grease Pencil keyframes": "",
    "The *Time node* generates a factor value (from 0.0 to 1.0) that changes according to the curve as time progresses through the *Timeline*": "",
    "The *Timeline* can be panned by holding :kbd:`MMB`, then dragging the area left or right": "",
    "The *Timeline* editor, identified by a clock icon, is used for manipulating keyframes and scrubbing the Playhead": "",
    "The *Timeline* gives the user a broad overview of a scene's animation, by showing the current frame, the keyframes of the active object, the start and end frames of your animation sequence, as well as markers set by the user": "",
    "The *Timeline* includes *Transport Controls*, to play, pause, and skip through an animation sequence": "",
    "The *Tint* Modifier colorize the original stroke or fill with a selected color": "",
    "The *To Sphere* transform will generate different results depending on the number and arrangement of elements that were selected (as shown by the below image)": "",
    "The *To Sphere* transformation will give the selection spherical qualities. The Fig. :ref:`fig-mesh-deform-to-sphere-monkey` below shows the results of applying the *To Sphere* transformation to the monkey mesh": "",
    "The *Tool Settings* (at the top/bottom of the editor area) contains as its name suggests the settings of the active tool. It's visibility can be toggled with the header's context menu just as its position with the *Flip to Bottom/Top* operator": "",
    "The *Tool Settings* region": "",
    "The *Toolbar* (on the left side of the editor area) contains a set of interactive tools. :kbd:`T` toggles the visibility of the Toolbar": "",
    "The *Toolbar* contains a set of tools that can be used in the node editor": "",
    "The *Trace Images to Grease Pencil* tool traces a black and white image and generates Grease Pencil strokes. If the image is not black and white, it will be internally converted. For better results, convert the images manually to black and white. Also try to keep the resolution of the image small; high resolutions can produce very dense strokes": "",
    "The *Track Position node* is used to return information about a tracking marker to the Compositor": "",
    "The *Track To* constraint applies rotations to its owner, so that it always points a given \"To\" axis towards its target, with another \"Up\" axis permanently maintained as much aligned with the global Z axis (by default) as possible. This tracking is similar to the \"billboard tracking\" in 3D (see note below)": "",
    "The *Transform Cache Constraint* is used to stream animations from :doc:`Alembic </files/import_export/alembic>` or :doc:`USD </files/import_export/usd>` made at the transformation matrix level (for example rigid bodies, or camera movements)": "",
    "The *Transform Node* allows you to move, rotate or scale the geometry. The transformation is applied to the entire geometry, and not per element. For example, rotation with this node will change the location of each point rather than changing the rotation of individual points. For that, the *Point Rotate* node can be used": "",
    "The *Transform Orientations* panel, found in the header of the 3D Viewport, can be used to manage transform orientations: selecting the active orientation, adding (\"+\" icon), deleting (\"X\" icon) and rename custom orientations": "",
    "The *Triangulate* node converts all faces in a mesh (quads and n-gons) to triangular faces. It functions the same as the :ref:`Triangulate <bpy.ops.mesh.quads_convert_to_tris>` tool in Edit Mode": "",
    "The *UV Sphere* node generates a spherical mesh mostly out of quads except for triangles at the top and bottom": "",
    "The *Value Node* is a simple node to input numerical values to other nodes in the tree": "",
    "The *Vector Math* node performs the selected math operation on the input vectors": "",
    "The *Vector Rotate Node* provides the ability to rotate a vector around a pivot point (*Center*)": "",
    "The *Vector* input node creates a single vector": "",
    "The *Velocity Attribute* option is currently for Alembic files only": "",
    "The *Velocity Unit* option is currently for Alembic files only": "",
    "The *View Menu* controls what you see, and what it looks like": "",
    "The *View* panel lets you set other settings regarding the 3D Viewport. You can show it with the :menuselection:`View --> View Properties...` menu entry": "",
    "The *Viewer* node is a temporary, in-process viewer. It can be plug in anywhere to inspect an image or value map in your node tree": "",
    "The *Volume to Mesh* node generates a mesh on the \"surface\" of a volume. The surface is defined by a threshold value. All voxels with a larger value than the threshold are considered to be inside": "",
    "The *Voronoi Texture* node outputs a value whose minimum is zero. We can use the *Clamp* node to clamp this value such that the minimum is 0.2": "",
    "The *Warp* transformation takes selected elements and warps them around the 3D cursor by a certain angle. Note that this transformation is always dependent on the location of the 3D cursor. The Pivot Point is not taken into account. The results of the *Warp* transformation are also view dependent": "",
    "The *Wave Distortion* Visual applies a wavy effects to the object": "",
    "The *Y Scale Mode* setting can be used to choose the way bones are scaled length-wise. The available options allow stretching the bone chain to fit the curve, using the pre-IK scaling, or doing neither. In addition, the scale of the curve Object affects the result": "",
    "The *Zoom Region* tool allows you to specify a rectangular region and zoom in so that the region fills the 3D Viewport": "",
    "The *active element* can be an object, vertex, edge or a face. The active element is the last one to be selected and will be shown in a lighter orange color when in *Object Mode* and white when in *Edit Mode*. With *Active Element* as *Pivot* set to active, all transformations will occur relative to the active element": "",
    "The *distance* property and": "",
    "The *red* background is a warning that the constraint is not yet functional. The background will turn *gray* when the constraint is functioning. When this Copy Location constraint has a valid target in the *target field* it will turn gray and begin to function": "",
    "The *resolution* property defines the number of points that are computed between every pair of control points. Curves can be made more or less smooth by increasing and decreasing the resolution respectively. The *Preview U* setting determines the resolution in the 3D Viewport while the *Render U* setting determines the curve's render resolution. If *Render U* is set to zero (0), then the *Preview U* setting is used for both the 3D Viewport and render resolution": "",
    "The *speed vector* in this example was created by animating the patterned sphere horizontally and using a frame at the mid-point of the sequence": "",
    "The 2D Camera Rig is mostly useful for 2D shots, when the camera is static and the action happens in front of it (like a theater stage)": "",
    "The 3D Cursor is used as the origin for any added object, can be used and moved with the :doc:`snap tool </editors/3dview/controls/snapping>`, and is an option for the :doc:`pivot point </editors/3dview/controls/pivot_point/index>`": "",
    "The 3D Viewport has :doc:`several modes </editors/3dview/modes>` used for editing different kinds of data": "",
    "The 3D Viewport has several \"contextual view\" modes that can be set for a particular 3D Viewport. These views can change how the overall 3D Viewport looks or how you interact with objects": "",
    "The 3D cursor is the most intuitive of the pivot points. With the 3D cursor selected as the active pivot point (from either the *Editor's Header* or via :kbd:`Period`), simply position the 3D cursor and then do the required transformation. All rotation and scaling transformations will now be done relative to the location of the 3D cursor": "",
    "The :doc:`/modeling/modifiers/modify/normal_edit` can be used to edit normals": "",
    "The :doc:`/modeling/modifiers/modify/weighted_normal` can be used to affect normals by various methods, including *Face Strength* (see below)": "",
    "The :doc:`3D cursor </editors/3dview/3d_cursor>`, a cross with a red-and-white circle, is used for placing objects in the scene": "",
    "The :doc:`Bevel Modifier </modeling/modifiers/generate/bevel>` is a non-destructive alternative to the Bevel tool": "",
    "The :doc:`Drivers panel </animation/drivers/drivers_panel>` shows the setup for a driver": "",
    "The :doc:`Lattice </animation/lattice>` object with which to deform the base object": "",
    "The :doc:`Map Value </compositing/types/vector/map_value>` node can be used to map the output to a more appropriate value. With sometimes curves, it is possible that the Time node may output a number larger than one or less than zero. To be safe, use the Min/Max clamping function of the Map Value node to limit output": "",
    "The :doc:`Origin of the object </scene_layout/object/origin>` is displayed as an orange dot and it marks the cube's (relative) position": "",
    "The :doc:`Sidebar </interface/controls/nodes/sidebar>` region contains properties for the current selected node as well as node editor specific settings": "",
    "The :doc:`Smooth Modifier </modeling/modifiers/deform/smooth>`, which can be limited to a *Vertex Group*, is a non-destructive alternative to the Smooth tool": "",
    "The :doc:`Snap Menu </editors/3dview/controls/snapping>` which allows the cursor placement relative to scene objects": "",
    "The :doc:`Stroke Menu </grease_pencil/modes/edit/stroke_menu>` is located in the header": "",
    "The :doc:`editing pages </animation/armatures/bones/editing/transform>` for how to edit these properties": "",
    "The :kbd:`Cmd` key can be used instead of :kbd:`Ctrl` on macOS for all but a few exceptions which conflict with the operating system": "",
    "The :kbd:`Ctrl-Alt-G` tool removes the group and places the individual nodes into your editor workspace. No internal connections are lost, and now you can link internal nodes to other nodes in your workspace": "",
    "The :kbd:`X` shortcut is area-dependent: if you use it in the left list part, it will delete the selected channels, whereas if you use it in the main area, it will delete the selected keyframes": "",
    "The :menuselection:`Sidebar --> Tools --> Active Tool` panel": "",
    "The :ref:`Bevel Depth <bpy.types.Curve.bevel_depth>` to use for the converted curve object": "",
    "The :ref:`Bevel Resolution <bpy.types.Curve.bevel_resolution>` to use for the converted curve object": "",
    "The :ref:`Cycle-Aware Keying <timeline-keying>` option can be enabled to take the cycle into account when inserting new keyframes": "",
    "The :ref:`Gizmo Preferences <prefs-viewport-gizmo-size>`": "",
    "The :ref:`Interpolation Mode <editors-graph-fcurves-settings-interpolation>` is the main setting that specifies for each keyframe how the curve is interpolated from that key to the next one. There are a number of modes with fixed shapes, e.g. *Constant*, *Linear*, *Quadratic* etc, and a free form *Bézier* mode": "",
    "The :ref:`List View <ui-list-view>` of keying sets in the active scene": "",
    "The :ref:`Navigation Gizmo <navigation-gizmo>` in the top right corner of the viewport, and the *Grid Floor*, shows the axes of world coordinate system": "",
    "The :ref:`Orbit <bpy.ops.view3d.view_orbit>` gizmo at the top can be used to rotate around the 3D Viewport. Hovering over the gizmo and dragging with :kbd:`LMB` will orbit the view. Clicking any of the axis labels will :doc:`Align </editors/3dview/navigate/align>` to that view. Clicking the same axis again switches to the opposite side of that same axis": "",
    "The :ref:`Preferences <prefs-menu>` Load Factory Settings": "",
    "The :ref:`Preferences <prefs-menu>` file stores keymap, add-ons theme and other options": "",
    "The :ref:`Spacebar Action <keymap-blender_default-spacebar_action>` option in the Preferences": "",
    "The :ref:`Startup File <startup-file>` stores the scene, Workspaces and interface which is displayed at startup and when loading a new file (:menuselection:`File --> New`)": "",
    "The :ref:`View Transform <bpy.types.ColorManagedViewSettings.view_transform>` of the color management affects the color. In order to get consistent results, it should be set to *Standard*. If it's set to any other option, the eyedropper may return an inaccurate color": "",
    "The :ref:`bpy.ops.object.duplicates_make_real` operator can be used to create objects from instances created with this node": "",
    "The :ref:`bpy.ops.screen.redo_last` panel allows fine control over how the mesh is unwrapped:": "",
    "The :ref:`crease <modeling-edges-crease-subdivision>` value of the edge": "",
    "The :ref:`data-block selector <ui-data-block>` can change the active node group being edited": "",
    "The :ref:`data-block type <data-system-datablock-types>` to perform the batch rename operations on": "",
    "The :ref:`temp-dir` sets where to store files such as temporary renders and auto-saves": "",
    "The :ref:`ui-data-block` to select a preset brush type or a custom brush": "",
    "The :term:`Normal` of the triangle on which each point is scattered": "",
    "The :term:`White Point`": "",
    "The Apricot release, cool GLSL shaders, lights and GE improvements, snap, sky simulator, Shrinkwrap modifier, and Python editing improvements. This contained the results `Project Apricot <https://apricot.blender.org/>`__": "",
    "The Atomic Blender (PDB/XYZ) add-on imports atomic structures (molecules, crystals, clusters, particles, surfaces, etc.), which are described in PDB (``.pdb``) and XYZ files (``.xyz``) (`Import PDB/XYZ`_). The add-on reads the coordinates of all atoms in the PDB/XYZ file and represents the atoms as balls in the Blender world. Also the sticks, which are described in PDB files only, can be shown if the sticks are listed in the PDB file. For the import, many options can be chosen, which allow representing the atoms and sticks in different ways. With help of several tools in the `Atomic Blender Utilities panel`_, the atomic structures can be modified after the import. Note that the coordinates of selected atomic structures in the Blender 3D world can also be exported into PDB/XYZ files": "",
    "The Authors documentation can be found on the `author's site <http://www.dragoneex.com/downloads/dynamic-skyadd-on>`__": "",
    "The Basis shape represents the state of the object's vertices in their original position. It has no weight value and it is not keyable. This is the default *Reference Key* when creating other shapes": "",
    "The Blend modes can be selected in the select menu. See :term:`Color Blend Modes` for details on each blending mode": "",
    "The Blender *Preferences* contains settings to control how Blender behaves. At the left of the editor, the available options are grouped into sections": "",
    "The Blender Bug Tracker (registration needed)": "",
    "The Blender Foundation's primary goal was to find a way to continue developing and promoting Blender as a community-based `open source <https://opensource.org/>`__ project. In July 2002, Ton managed to get the NaN investors to agree to a unique Blender Foundation plan to attempt to release Blender as open source. The \"Free Blender\" campaign sought to raise €100,000 so that the Foundation could buy the rights to the Blender source code and intellectual property rights from the NaN investors and subsequently release Blender to the open source community. With an enthusiastic group of volunteers, among them several ex-NaN employees, a fundraising campaign was launched to \"Free Blender\". To everyone's surprise and delight the campaign reached the €100,000 goal in only seven short weeks. On Sunday, October 13, 2002, Blender was released to the world under the terms of the `GNU GPL <https://www.gnu.org/licenses/gpl.html>`__. Blender development continues to this day, driven by a team of dedicated volunteers from around the world led by Blender's original creator, Ton Roosendaal": "",
    "The Blender window is divided up into a number of rectangles called Areas. Areas reserve screen space for :doc:`/editors/index`, such as the 3D Viewport, or the Outliner. In general an Editor provides a way to view and modify your work through a specific part of Blender. All hotkeys you press will affect the contents of the Editor in the Area the mouse pointer is located. Area boundaries are indicated by rounded (beveled) corners": "",
    "The Bokeh Blur node generates a bokeh type blur similar to Defocus. Unlike defocus an in-focus region is defined in the Compositor. There is also more flexibility in the type of blur applied through the :doc:`Bokeh Image </compositing/types/input/bokeh_image>` node": "",
    "The Bone Group :ref:`List view <ui-list-view>`": "",
    "The Bézier handle is controlled by the **offset** of the head (tail) of the handle bone from its rest pose. The use of this type is not recommended due to numerical stability issues near zero offset": "",
    "The Bézier handle is controlled by the **orientation** of the handle bone, independent of its location": "",
    "The Bézier handle is controlled by the **position** of the head (tail) of the handle bone relative to the head (tail) of the current bone. Note that for this to work, there must be a nonzero distance between these bones. If the handle is also a B-Bone, additional processing is applied to further smooth the transition, assuming that the bones in effect form a chain": "",
    "The COLLADA™ module has been implemented as a flexible tool for exporting and importing ``.dae`` files. A design goal is to provide a set of parameters which should make it possible to export/import Collada files from/to a variety of tools. But please be aware that the Collada module is still a work in progress. So it may be possible that your particular usage scenario is not yet supported": "",
    "The Color Correction node can adjust the color of an image, separately in several tonal ranges (highlights, midtones and shadows) and only affect the necessary RGB channels": "",
    "The Color Ramp node is set to a purely transparent color on the left end of the gradient, and a fully red color on the right. As you can see in the Viewer node, the Color Ramp node puts out a mask that is fully transparent where the image is black. Black is zero, so Color Ramp outputs the color at the left end of the gradient, which is set to transparent. The Color Ramp image is fully red and opaque where the image is white (which is 1)": "",
    "The Colors-Weight Exchanger consists of two tools: *Colors from Weight* and *Weight from Colors* that allow the user to convert the active vertex color to vertex group and vice versa": "",
    "The Combine nodes can also be used to input single color values. For RGBA and HSVA color spaces it is recommended to use the :doc:`/compositing/types/input/rgb`. Some common operations could easier be executed with the :doc:`/compositing/types/color/index`": "",
    "The Composite node is where the actual output from the Compositor is connected to the renderer. This node is updated after each render, but also reflects changes in the node tree (provided at least one finished input node is connected)": "",
    "The Corner Pin node uses explicit corner values for a plane warp transformation. It works like the Plane Track Deform node, but without using \"plane track\" data from the Movie Clip Editor": "",
    "The Cryptomatte Legacy node is deprecated and replaced by :doc:`Cryptomatte Node </compositing/types/matte/cryptomatte>`. The legacy node will be removed in a future Blender release": "",
    "The Denoise node is used to denoise renders from :doc:`Cycles </render/cycles/index>` and other ray tracing renderers. This helps to significantly reduce render time by rendering with fewer samples": "",
    "The Distance is the filter radius. A positive value of Distance dilates (expands) the influence of a pixel on its surrounding pixels. A negative value erodes (shrinks) its influence": "",
    "The Dope Sheet is inspired by classical hand-drawn animation process, in which animators will make use of a chart, showing exactly when each drawing, sound and camera move will occur, and for how long. This is called an exposure sheet or 'dope sheet'. While CG foundations dramatically differ from classical hand-drawn animation, Blender's *Dope Sheet* inherits a similar directive": "",
    "The Drawing Planes selector defines the plane (orientation) to which the new strokes will be restricted": "",
    "The Drivers Editor allows users to drive one property with another. See :doc:`Drivers </animation/drivers/index>` and :doc:`F-Curves </editors/graph_editor/fcurves/introduction>`": "",
    "The Easing Type controls which end of the segment between the two keyframes that the easing effects apply to. The Easing Type has no effect if the :ref:`Interpolation Mode <editors-graph-fcurves-settings-interpolation>` is set to either *Constant*, *Linear*, or *Bézier*": "",
    "The F-curve modifier panel is located in the Sidebar region. Select a curve by selecting one of its curve points, or by selecting the channel list. Click on the *Add Modifier* menu to select a modifier": "",
    "The FBX file format supports files that only contain takes. It is up to you to keep track of which animation belongs to which model. The animation that will be exported is the currently selected action within the Action editor. To reduce the file size, turn off the exporting of any parts you do not want and disable *All Actions*. For armature animations typically you just leave the armature enabled which is necessary for that type of animation. Reducing what is output makes the export and future import much faster. Normally each action will have its own name but the current or only take can be forced to be named \"Default Take\". Typically, this option can remain off": "",
    "The File Browser in *Thumbnail* mode": "",
    "The GPL only applies to the Blender application and **not** the artwork you create with it; for more info see the `Blender License <https://www.blender.org/about/license/>`__": "",
    "The Geometry Node editor is used to edit a :doc:`Node Group </interface/controls/nodes/groups>` which is used by the :doc:`Geometry Node Modifier </modeling/modifiers/generate/geometry_nodes>`. This node group can define many operations to modify an object's geometry": "",
    "The Graph Editor allows users to adjust animation curves over time for any animatable property. :doc:`F-Curves </editors/graph_editor/fcurves/introduction>`": "",
    "The Grease Pencil :ref:`bpy.types.GPencilLayer` to put the result in": "",
    "The Grease Pencil :ref:`bpy.types.MaterialGPencilStyle` to generate strokes with": "",
    "The Grease Pencil :ref:`data-block menu <ui-data-block>` can be used to link the data between objects": "",
    "The Hook Modifier stores points indices from the original strokes to determine what to affect; this means that modifiers that generate geometry, like a Subdivision Surface Modifier, should always be applied **after** the Hook Modifier; otherwise the generated geometry will be left out of the hook's influence": "",
    "The Hue and Saturation values can be animated with a *Time Node* or by animating the property": "",
    "The ID for ``https://video.blender.org/videos/watch/47448bc1-0cc0-4bd1-b6c8-9115d8f7e08c`` is ``47448bc1-0cc0-4bd1-b6c8-9115d8f7e08c``": "",
    "The ID of the ID-block type. For example: \"Material.001\"": "",
    "The IK constraints are special in that they modify multiple bones. For this reason, they ignore their position in the stack and always run after all other constraints on the affected bones. To apply constraints after IK, it is necessary to first copy the final transformation to a new bone chain, e.g. using :doc:`Copy Transforms </animation/constraints/transform/copy_transforms>`": "",
    "The Info editor logs executed operators, warnings and error messages. Logged reports can be selected by clicking on them. To select multiple reports, hold down :kbd:`Shift-LMB`": "",
    "The Interpolate tool interpolates strokes between the previous and next keyframe by adding a *single* keyframe. When you are on a frame between two keyframes and click and drag a new breakdown keyframe will be added. This way you define the final interpolation for the new stroke": "",
    "The Invert toggle ``<->`` allows you to reverse the filters behavior": "",
    "The Lattice modifier deforms the base object according to the shape of a :doc:`Lattice </animation/lattice>` object": "",
    "The Map Value node can also be used to multiply values to achieve a desired output value. In the mini-map to the right, the Time node outputs a value between 0.0 and 1.0 evenly scaled over 30 frames. The *first* Map Value node multiplies the input by 2, resulting in an output value that scales from 0.0 to 2.0 over 30 frames. The *second* Map Value node subtracts 1 from the input, giving working values between (-1.00 to 1.0), and multiplies that by 150, resulting in an output value between (-150 to 150) over a 30-frame sequence": "",
    "The Mask node can be used to select a :doc:`Mask data-block </movie_clip/masking/index>`. This node can be used with other nodes, for example to Invert, Multiply or Mix, or used as a factor input": "",
    "The Median Point can be considered to be broadly similar to the concept of Center of Gravity (COG). If we assume that every element (object, face, vertex, etc.) of the selection has the same mass, the median point would sit at the point of equilibrium for the selection (the COG)": "",
    "The Menu Search pop-up searches Blender's interface for a desired tool and allows you to execute that tool. It returns a list of matches and shows which menu the tool was found in. Start typing the name of the tool you want to refine the list. When the list is sufficiently narrowed, :kbd:`LMB` on the desired tool or navigate with :kbd:`Down` and :kbd:`Up`, run the tool by pressing :kbd:`Return`": "",
    "The Mirror tool in *Edit Mode* is similar to :doc:`Mirroring in Object Mode </scene_layout/object/editing/mirror>`. It is exactly equivalent to scaling vertices by -1 around one chosen pivot point and in the direction of one chosen axis, only it is faster/handier": "",
    "The Movie Clip Editor has two main purposes, it can be used for :doc:`tracking or masking </movie_clip/index>` movies. The empty editor looks like the image below": "",
    "The NLA editor, short for NonLinear Animation, can manipulate and repurpose :doc:`/animation/actions`, without the tedium of handling keyframes. It is often used to make broad, significant changes to a scene's animation, with relative ease. It can also repurpose, chain together a sequence of motions, and \"layered\" actions, which make it easier to organize, and version-control your animation": "",
    "The Numpad keys are used quite often in Blender and are not assigned to the same action as the regular number keys. If you have a keyboard without a Numpad (e.g. on a laptop), you can tell Blender to treat the standard number keys as Numpad keys by checking *Emulate Numpad*": "",
    "The Object Gizmos allows mouse controlled translation, rotation and scaling in the 3D Viewport. There is a separate gizmos for each operation. Each gizmo can be used separately or in combination with the others. You can use the gizmos by dragging one of the three colored axes with :kbd:`LMB`. The transformation will be locked to the clicked axis": "",
    "The Options panel in the Sidebar region contains the same :doc:`settings </render/materials/settings>` that are also available in the Material tab in the Properties. They differ depending on the selected render engine. The settings are duplicated to make it possible to edit the entire material from the Shader editor": "",
    "The Orientations options can be set through the *Transform Orientation* selector in a 3D Viewport header": "",
    "The Outliner (it's in the context menu of IDs), in which case **all** local usages of that linked ID will be remapped to the new local override": "",
    "The Outliner can also be used to add/remove objects while you are in a mode, by setting or clearing the mode from the context menu, or :kbd:`Ctrl-LMB` clicking on the objects data icon": "",
    "The Overlays pop-over configures the overlays that are displayed on top of images. In the header, there is a button to turn off all overlays for the Image Editor. This option also toggles the visibility of :doc:`/modeling/meshes/uv/workflows/udims` tile information. The options that are visible in the pop-over depend on the Image Editor mode": "",
    "The Overlays pop-over configures the overlays that are displayed on top of images. In the header, there is a button to turn off all overlays for the UV Editor. This option also toggles the visibility of :doc:`/modeling/meshes/uv/workflows/udims` tile information. The options that are visible in the pop-over depend on the UV Editor mode": "",
    "The Peach release was the result of a huge effort of over 70 developers providing enhancements to provide hair and fur, a new particle system, enhanced image browsing, cloth, a seamless and non-intrusive physics cache, rendering improvements in reflections, AO, and render baking, a Mesh Deform modifier for muscles and such, better animation support via armature tools and drawing, skinning, constraints and a colorful Action Editor, and much more. It contained the results of `Project Peach <https://peach.blender.org/>`__": "",
    "The Plane Track Deform Node is used to incorporate the special \"plane track\" in your composite by checking areas which are planes, and replacing their footage with some other image": "",
    "The Preview contains two regions (see figure 1), the Header is shown in a yellow outline with the *Preview* (red outline) underneath. This Preview has no fixed dimensions; you can zoom in or move indefinitely. However, in figure 1 you see a checkered area (green outline). This preview has the aspect ratio of the Project Dimensions; e.g. 1920 x 1080 pixels in figure 1. But, because the source strip could be scaled in a different resolution, the yellow outline shows the area that the source strip occupies. As you can see, the Open movie \"Spring\" has a different resolution than the project and letterboxes are added at the top and bottom of the image": "",
    "The Propagate tool copies the pose of the selected bones on the current frame over to the keyframes delimited by the *Termination Mode*. It automates the process of copying and pasting": "",
    "The Properties has several categories, which can be chosen via tabs (the icons column to its left). Each tab regroups properties and settings of a data type, and is documented in its own manual sections, linked below": "",
    "The Properties, with *Object* properties shown": "",
    "The Python Console is a quick way to execute commands, with access to the entire Python API, command history and auto-complete. The command prompt is typical for Python 3.x, the interpreter is loaded and is ready to accept commands at the prompt ``>>>``": "",
    "The RGB node uses the :ref:`color picker widget <ui-color-picker>`": "",
    "The RNA name of the property, based on a subset of Python attribute access syntax. For example: ``location.x`` or ``location[0]`` for the raw X location value, or ``[\"prop_name\"]`` for a custom property": "",
    "The Radius allows you to directly control the width of the extrusion along the \"spinal\" curve. The radius will be interpolated from point to point (you can check it with the normals). The *Radius* of the points is set using the *Radius* transform tool. Or in the Sidebar *Transform* panel": "",
    "The Repeat Last feature will repeat your last action when you press :kbd:`Shift-R`": "",
    "The Select menu (short selector) lets you choose between a set of options. Select menu appears as an icon and/or text with down arrow on the right side of the button. The menu options are shown with :kbd:`LMB` click on the button. The selected option is then shown as active on the menu button. You can also use :kbd:`Ctrl-Wheel` to cycle through options without opening the menu": "",
    "The Sequencer is composed of two areas (see figure 1). The *header* is shown in a yellow outline and the *timeline* with a red outline. Optional, there can be a *Toolbar* at the left and a *Sidebar* at the right; in figure 1 they are collapsed": "",
    "The Shader Editor is used to edit materials which are used for :doc:`rendering </render/index>`. Materials used by Cycles and Eevee are defined using a node tree. Therefore, the main window of the Shader editor is a :doc:`node editor </interface/controls/nodes/index>`": "",
    "The Sidebar contains a copy of the Grease Pencil :doc:`Layer Properties </grease_pencil/properties/layers>`": "",
    "The Sidebar contains row filters, which allow not including rows based on their value. The *Add Row Filter* button adds a new row filter": "",
    "The Sidebar region contains properties of the active object and selected objects (such as their locations), as well as properties of the editor itself": "",
    "The Simplify Curves tool works on a single selected curve object. It generates a new curve based on the original one. The higher the *Distance Error* threshold is set the more control points are removed": "",
    "The Soften, Laplace, Sobel, Prewitt and Kirsch all perform edge detection (in slightly different ways) based on vector calculus and set theory equations": "",
    "The Space radio buttons let you choose if those coordinates are relative to the object origin (local) or the global origin (global)": "",
    "The Splash screen :doc:`/getting_started/configuration/defaults` page for information about import settings from previous Blender versions and on other quick settings": "",
    "The Spline IK Constraint is not strictly an *Inverse Kinematics* method (i.e. IK Constraint), but rather a *Forward Kinematics* method (i.e. normal bone posing). However, it still shares some characteristics of the IK Constraint, such as operating on multiple bones, not being usable for Objects, and being evaluated after all other constraints have been evaluated. It should be noted that if a Standard IK chain and a Spline IK chain both affect a bone at the same time the Standard IK chain takes priority. Such setups are best avoided though, since the results may be difficult to control": "",
    "The Status Bar is located at the bottom of the Blender window and displays contextual information such as keyboard shortcuts, result or warning message and statistical information. The Status Bar can be hidden by disabling *Show Status Bar* in Window menu or by dragging from the top edge down": "",
    "The Strokes drawing order respect the order of the 2D layers list (top to bottom) and ignores the real position of the strokes in 3D space. See :doc:`2D Layers </grease_pencil/properties/layers>` for more information": "",
    "The Target :ref:`ui-data-id` field lets you link the constraint to a Target object of your choosing. This link provides data to the constraint so that it can begin to function. For example, the Copy Location Constraint needs location data to function. Fill in the Target field, and the Copy Location constraint will begin to use location data from the Target object": "",
    "The Text editor is handy also when you want to share your blend-files with others. The Text editor can be used to write in a ``README`` text explaining the contents of your blend-file. Be sure to keep it visible when saving!": "",
    "The Toolbar is a context-sensitive region containing tools depending on the current mode (for example, modeling tools in *Edit Mode*, brush tools in *Sculpt Mode*...)": "",
    "The Toolbar shows buttons for each tool. For tool buttons which have a small triangle in their bottom right corner, a pop-up menu will be revealed when you :kbd:`LMB` drag so that you can select other tools of the same group": "",
    "The UV Editor has a 2D cursor. Its position can be changed by :kbd:`LMB` clicking in the UV editor while the cursor tool is active. You can also manually adjust its position in the Sidebar region. The range by default is from 0.0 to 1.0 starting from the lower left corner. By enabling :ref:`Pixel Coordinates <bpy.types.SpaceUVEditor.show_pixel_coords>`, the coordinates match the pixels in your image with XY(0, 0) located in the lower left corner": "",
    "The UV element type to select. See :ref:`Selection Mode <bpy.types.ToolSettings.uv_select_mode>` for more details": "",
    "The Update Ivy operator is separate from the main menu and appears in the 3D Viewport. You can adjust settings in the panel and press the *Update* button to update parameters": "",
    "The Vector Blur node is a fast method for simulating :term:`Motion Blur` in compositing. It uses the vector speed render pass to blur the image pixels in 2D": "",
    "The Vertex Weights panel can be found in the Sidebar region of the 3D Viewport. It is available in Edit Mode and in Weight Paint Mode (when Vertex Selection masking is enabled as well)": "",
    "The Video Sequencer has three view types which can be changed with the View Type menu (see figure 1; top left)": "",
    "The Video Sequencer is composed of multiple regions (see figure 1). They are described in more detail in the next sections. Figure 1 shows the combined *Sequencer & Preview* view type. This view can be broken up into the following regions:": "",
    "The Viewer node allows results to be displayed in the Image Editor. The image is facilitated in the header by selecting *Viewer Node* in the linked *Image* data-block menu. The Image Editor will display the image from the currently selected Viewer node": "",
    "The Viewer node is used to display intermediate geometry in the spreadsheet. For more information see :doc:`Viewer node </modeling/geometry_nodes/output/viewer>`": "",
    "The Weight Table shows all weights associated to the *active vertex*. Note that a vertex does not necessarily have to be associated to any vertex groups. In that case the Vertex Weights Panel is not displayed": "",
    "The Wireframe tool makes a wireframe from faces by turning edges into wireframe tubes, similar to the :doc:`/modeling/modifiers/generate/wireframe`": "",
    "The X and Z scaling factors are taken as the inverse of the Y scaling factor (length of the bone), maintaining the 'volume' of the bone": "",
    "The Y value defined by the curve is the factor output. For the curve controls see: :ref:`Curve widget <ui-curve-widget>`": "",
    "The Z pass can be visualized using a :doc:`Map Value </compositing/types/vector/map_value>` node and a :doc:`Color Ramp </compositing/types/converter/color_ramp>` node as described in :doc:`Render Layers </compositing/types/input/render_layers>`. A *multiply* :doc:`Math </compositing/types/converter/math>` node can be used following the color ramp so that a blur value greater than one is used for objects outside the focal range": "",
    "The `Arccosine <https://en.wikipedia.org/wiki/Inverse_trigonometric_functions>`__ of the input value": "",
    "The `Arcsine <https://en.wikipedia.org/wiki/Inverse_trigonometric_functions>`__ of the input value": "",
    "The `Arctangent <https://en.wikipedia.org/wiki/Inverse_trigonometric_functions>`__ of the input value": "",
    "The `Carve library <https://code.google.com/archive/p/carve/>`__ was added to improve Boolean operations, support for object tracking was added, the Remesh modifier was added, many improvements in the GE, matrices and vectors in the Python API were improved, plus new add-ons, and many bug fixes": "",
    "The `Cosine <https://en.wikipedia.org/wiki/Trigonometric_functions>`__ of the input value": "",
    "The `Hyperbolic Cosine <https://en.wikipedia.org/wiki/Hyperbolic_functions>`__ of the input value": "",
    "The `Hyperbolic Sine <https://en.wikipedia.org/wiki/Hyperbolic_functions>`__ of the input value": "",
    "The `Hyperbolic Tangent <https://en.wikipedia.org/wiki/Hyperbolic_functions>`__ of the input value": "",
    "The `Primitives`_ empty type to display in the 3D Viewport": "",
    "The `Sine <https://en.wikipedia.org/wiki/Sine>`__ of the input value": "",
    "The `Tangent <https://en.wikipedia.org/wiki/Trigonometric_functions>`__ of the input value": "",
    "The `Wikipedia Page <https://en.wikipedia.org/wiki/Polynomial>`__ for more information on polynomials": "",
    "The ``#`` characters are replaced by the frame number, and used to define zero padding": "",
    "The ``//`` at the start of each path in Blender means the directory of the currently opened blend-file, used to reference relative paths": "",
    "The ``/tmp/`` directory": "",
    "The ``ID`` is found in the video's URL, e.g:": "",
    "The ``X`` button after the influence slider can be used to disable the constraint while trying to preserve the current object position. This may not work perfectly if other constraints remain active": "",
    "The ``blender-v{VERSION}-release`` branch will be available for 5 weeks prior to the release date. At the same time ``master`` will be open for the next release, giving 2 months to add documentation for new features of the next release, and another month to make improvements": "",
    "The ``injected,held_object`` combination is perfect for such a control": "",
    "The ``rig_ui.py`` text data-block responsible for the rig UI will be automatically linked along with the rig, you don't need to link it separately. However, the script will not run until you run it manually from the Text editor or save and restart Blender": "",
    "The ``scale`` attribute is used by the :doc:`Point Instance Node </modeling/geometry_nodes/point/point_instance>` to determine the size of every instanced object or collection": "",
    "The `analemma <https://en.wikipedia.org/wiki/Analemma>`__ is a visualization of the position of the Sun in the sky around the year for a given time of the day. In other words, it is like a time lapse picture of the sky over a year, with the Sun appearing multiple times at the same time of the day": "",
    "The `author's Github repository <https://github.com/waylow/add_camera_rigs>`__": "",
    "The `developer.blender.org <https://developer.blender.org/>`__ system": "",
    "The `skin.anchor`_ rig generates a single control with inherited constraints etc., similar to :ref:`basic.super_copy <rigify.rigs.basic.super_copy>`. However, it also integrates into the skin system as a zero length chain with highest priority. This allows overriding the normal behavior by providing a control point under full control of the user, which other chains would automatically attach to": "",
    "The `skin.glue`_ rig on the other hand will attach itself to the control that is generated at its position (it is an error if there is none). It can be used to read the position of the control from custom rigging in the meta-rig, or inject constraints into the control bone. It is possible to also detect the control at the tail of the glue bone and use it as target in the constraints, thus copying transformation between the controls": "",
    "The action \"stashing\" method works by storing otherwise unused/dormant actions in the NLA stack as strips in special muted NLA tracks. This way, the action is linked up to a particular data-block (i.e. to a specific object, or to a specific material/light/etc.) and will be preserved for later use": "",
    "The action (such as press, release, click, drag, etc.), (depending on the map type)": "",
    "The action when :kbd:`MMB` dragging in the viewport, this also applies to trackpads": "",
    "The active \"camera\" might be any kind of object. So these actions can be used, for example, to position and aim a light": "",
    "The active Color Palette. See :ref:`ui-color-palette`": "",
    "The active camera can also be set in the *Scene* tab of the *Properties*": "",
    "The active camera can be selected while in camera view using the camera frame *(assuming the object isn't hidden).*": "",
    "The active camera, as well as the layers, can be specific to a given view, or global (locked) to the whole scene. See :doc:`Local Camera </editors/3dview/sidebar>`": "",
    "The actual configuration of the gimbal axes can be seen in the 3D Viewport by enabling the *Rotate* object gizmo and setting it to *Gimbal* (from the gizmos button in the header). At the same time, rotation mode should be set to any of the Euler modes for the active object": "",
    "The actual priority effect of angle versus length may change the resulting net very much. The default values were chosen by trial and error for some basic models, but may be a bad choice for others. If you want to tweak them, the *Unfold* tool allows you to: they are the tool's three only settings": "",
    "The add-on gets the currently active object (works in Object Mode only) and saves/loads its transformations from or to a simple ASCII file, through the whole animation range (set either in the Timeline or in the render settings). All you need to do is to select an object and run the add-on in :menuselection:`File --> Import/Export --> Nuke (.chan)`": "",
    "The alignment is performed via smallest rotation, like in :doc:`Damped Track </animation/constraints/tracking/damped_track>` constraint": "",
    "The amplitude property controls how strongly the oscillation diverges from the basic curve. At 0.0, there is no oscillation (i.e. it just snaps to the B-value like an extreme exponential transition), and at 1.0 a profile similar to the one shown in the icon occurs": "",
    "The amplitudes of the hull curve are summarized. If *Accumulate* is enabled, both positive and negative differences are accumulated": "",
    "The analemma was used here to match `this picture <https://commons.wikimedia.org/wiki/File:Analemma_fishburn.tif>`__": "",
    "The angle to rotate by around the specified axis. This input is only available when the rotation type is set to *Axis Angle*": "",
    "The area in which objects are visible to the camera. Also see :term:`Focal Length <Focal Length>`": "",
    "The armature will be the parent object of all the other child objects and each child object will have an Armature Modifier with the armature associated (*Object* field)": "",
    "The arrangement of *Vertices*, *Edges*, and *Faces* which define the shape of a mesh. See :term:`Vertex`, :term:`Edge`, and :term:`Face`": "",
    "The axis of the object that has to be aligned (as much as possible) with the world Z axis. In fact, with this option activated, the behavior of the owner shares some properties with the one caused by a :doc:`Locked Track constraint </animation/constraints/tracking/locked_track>`, with the path as \"axle\", and the world Z axis as \"magnet\"": "",
    "The axis of the object that has to be aligned with the forward direction of the path (i.e. tangent to the curve at the owner's position)": "",
    "The axis on which faces are extruded along can be set interactively. Faces are extruded by default along their averaged normal. The extrusion can be limited to a single axis by specifying an axis; see :doc:`/scene_layout/object/editing/transform/control/axis_locking`": "",
    "The axis to rotate the point around. This input is only available when the rotation type is set to *Axis Angle*": "",
    "The axis used for the *Axis Angle* mode": "",
    "The back property controls the size and direction (i.e. above/below the curve) of the overshoot": "",
    "The backdrop is the output of a Viewer node in the background of the Compositor. For example, when :kbd:`Shift-Ctrl-LMB` on an Image node, it displays a preview of the image, or on a Mix node, will show the result of the mixing. You can toggle the backdrop by clicking the checkbox in the *Backdrop* panel title or by clicking on the *Backdrop* button in the header": "",
    "The basic location of the cursor at the point of view (using Global coordinates) will determine around which axis the selection is extruded and spun at first (see Fig. :ref:`fig-mesh-screw-transform-panel`). Blender will copy the cursor location coordinates to the values present in the *Center* values of the *Screw* interactive panel. Depending on the Global View position, Blender will automatically add a value of 1 to one of the *Axis* vectors, giving the profiles a starting direction for the Screw Operation and also giving a direction for the extrusions. (See examples below.)": "",
    "The basic tools are the same as with :doc:`meshes </modeling/meshes/selecting/index>`, so you can select a simple control point with the :kbd:`LMB`, add to current selection with :kbd:`Shift-LMB`, Box Select :kbd:`B`, and so on": "",
    "The bias of randomly chosen colors, between (-1 to 1). -1 Makes all bricks Color 1, and a value of 1 makes them all Color 2": "",
    "The blend-file from the above example can be found `here <https://wiki.blender.org/wiki/File:ManGreasePencilConvertToCurveDynamicExample.blend>`__": "",
    "The blue attribute sockets are just string sockets, used to define which attribute in the geometry to use. When a node part of the evaluated node tree (connected to the root group input and output), the string input allows you to search and choose existing attributes": "",
    "The blue horizontal line is called the *2D Cursor*. This can be enabled or disabled via the *View Menu* or the *View Properties* panel": "",
    "The bone \"size\" (its thickness is proportional to its length)": "",
    "The bone at the beginning of a chain is called its *root bone*, and the last bone of a chain is the *tip bone* (do not confuse them with similar names of bones' joints!)": "",
    "The bone automatically rotates together with its parent in *Pose Mode*. For more details, see the :ref:`relations page <bpy.types.EditBone.parent>`": "",
    "The bone position and orientation is evaluated in the armature object local space (i.e. independently from the armature transformations in *Object Mode*). Hence, if the armature object has null transformations, *Pose Space* will have the same effect as *World Space*": "",
    "The bone position and orientation is evaluated relative to its rest pose location and orientation, thus including both its own transformations and those caused by a possible parent relationship (i.e. the chain's transformations above the bone)": "",
    "The bone roll (as it has a square section)": "",
    "The bone root (\"big\" joint) and tip (\"small\" joint)": "",
    "The bones inside an armature can be completely independent from each other (i.e. the modification of one bone does not affect the others). But this is not often a useful set up: To create a leg, all bones \"after\" the thigh bone should move \"with\" it in a well-coordinated manner. This is exactly what happens in armatures by parenting a bone to the next one in the limb, you create a \"chains of bones\". These chains can be ramified. For example, five fingers attached to a single \"hand\" bone": "",
    "The boundaries of the strip itself. Note that this will stretch the duration of the Action, it will not cause greater or fewer keyframes from the Actions to play (see below for that option)": "",
    "The bounding box is a rectangular box that is wrapped as tightly as possible around the selection. It is oriented parallel to the world axes. In this mode the pivot point lies at the center of the bounding box. You can set the pivot point to *Bounding Box* with :kbd:`Comma` or via the menu in the editor's header. The image below shows how the object's bounding box size is determined by the size of the object": "",
    "The bounding box to use when using *Generated* mapping to add a :term:`Texture` to an image": "",
    "The breadcrumbs show three key parts of the path the evaluated object takes before showing the information in the `Main Region`_. In the order from left to right, the first item displayed is the :term:`Active` object. The next two items are displayed when the *Viewer* node evaluation state is chosen. The first of these next items is the name of the Geometry Nodes modifier, the last item shown is the name of the active viewer node": "",
    "The brightness of the color (dark to light)": "",
    "The building block of an :term:`Armature`. Made up of a :term:`Head`, :term:`Tail` and :term:`Roll Angle` which define a set of local axes and a point of rotation at the Head": "",
    "The building process may take several minutes the first time (or after any major changes), but for subsequent changes it should only take a few seconds": "",
    "The built-in *Whole Character* keying set is made to keyframe all properties that are likely to get animated in a character rig. It is also implicitly used by the :doc:`Pose Library system </animation/armatures/properties/pose_library>`": "",
    "The bvh-file contains a static (not animated) mesh object such as a character model": "",
    "The camera will point at this bone (named ``Aim``). You can also tilt the camera by rotating the aim on the Y axis": "",
    "The change in direction of a wave due to a change in velocity. It happens when waves travel from a medium with a given :term:`Index of Refraction` to a medium with another. At the boundary between the media, the wave changes direction; its wavelength increases or decreases but frequency remains constant": "",
    "The changed value highlight currently doesn't work with :doc:`NLA </editors/nla/introduction>`": "",
    "The channel to use when computing the maximum, the options are defined by the *Color Space*": "",
    "The channels values for *Swing and Y Twist* are:": "",
    "The channels' region shows the Grease Pencil data-blocks containing the layers. Multiple blocks are used for each area (e.g. one for the 3D Viewport and the Image editor)": "",
    "The chosen Image pixel alpha channel is also carried over. If a pixel is partially or totally transparent, the result of the Z Combine will also be partially transparent; in which case the background image will show through the foreground (chosen) pixel": "",
    "The circles with a thin line to the bottom is a light source illuminating the cube. Lights in: :doc:`General Settings </render/lights/light_object>`": "",
    "The color field stores a color value shown in its background. Clicking :kbd:`LMB` on color fields opens the :doc:`/interface/controls/templates/color_picker`. Color fields with an alpha channel are divided in half: on the left the color is shown without an alpha channel and on the right the color with an alpha channel shown over a checker pattern. Colors can be copied to other color fields by being dragged and dropped to another color field": "",
    "The color of content to be removed. This may be a single color, or a reference image such as generated by the :doc:`Keying Screen Node </compositing/types/matte/keying_screen>`": "",
    "The color of the bones are based on their state. There are six different color codes, ordered here by precedence (i.e. the bone will be of the color of the bottommost valid state):": "",
    "The color of the brush. See :ref:`ui-color-picker`": "",
    "The color picker is a pop-up that lets you define a color value. Holding :kbd:`Ctrl` while dragging snaps the hue to make it quick to select primary colors": "",
    "The colors for each editor can be set separately by simply selecting the editor you wish to change in the multi-choice list at the left, and adjusting colors as required. Notice that changes appear in real-time on your screen. In addition, details such as the dot size in the *3D Viewport* or the *Graph Editor* can also be changed": "",
    "The combination of location, rotation, and scale. Can be expressed in :term:`World Space` or :term:`Local Space`": "",
    "The composite is centered by default, unless a translation has been assigned to a buffer using a *Translate* node": "",
    "The connected parent (or first connected child) of the bone is chosen as the handle. Calculations are done according to the *Absolute* handle type below": "",
    "The constraint is taken into account when the object is manually rotated using transformation tools in the editors. This prevents assigning transformation property values (as shown in the *Transform* panel) that exceed the specified limits": "",
    "The constraint uses *Local Space* of the sibling instead of the original target": "",
    "The constraint uses a single :term:`Swing` rotation, equivalent to the :doc:`Damped Track constraint </animation/constraints/tracking/damped_track>`": "",
    "The constraints in this example stack are evaluated from top to bottom starting with the \"Copy Location\" constraint and ending with the final \"Damped Track\" constraint": "",
    "The content of this chapter is simply a reference to how rigging is accomplished in Blender. It should be paired with additional resources such as Nathan Vegdahl's excellent introduction to the fundamental concepts of character rigging, `Humane Rigging <https://www.youtube.com/playlist?list=PLE211C8C41F1AFBAB>`__": "",
    "The contents of Action strips can be edited, but you must be in *Tweak Mode* to do so. The keyframes of the action can then be edited in the Dope Sheet": "",
    "The contents of one Action strip can be instanced multiple times. To instance another strip, select a strip, go to :menuselection:`Edit --> Linked Duplicate`. It will uses the same action as the selected strips": "",
    "The converted pages can also be viewed manually by browsing the build directory: ``~/blender_docs/build/html``. For example to open the home page, open ``build/html/index.html`` to read the manual": "",
    "The coordinates of the :term:`Primaries` on the CIE 1931 xy chromaticity diagram": "",
    "The cross product of A and B. :math:`\\begin{pmatrix} A_y \\cdot B_z - A_z \\cdot B_y \\ A_z \\cdot B_x - A_x \\cdot B_z \\ A_x \\cdot B_y - A_y \\cdot B_x \\end{pmatrix}`": "",
    "The current frame is represented by a blue vertical line called the *Playhead*": "",
    "The current frame of the animation/playback range. Also the position of the *Playhead*": "",
    "The current proxy system will be kept alongside for a few releases. Automatic conversion from proxies to library overrides *is not planned*, there will be a manual operator to do that, but results on complex characters are not guaranteed": "",
    "The cursor (set at this click) :kbd:`Ctrl-LMB`": "",
    "The cursor becomes a brush in :doc:`Paint and Sculpt Modes </sculpt_paint/index>`": "",
    "The cursor can be disabled by toggling the checkbox in the *Cursor* header": "",
    "The curve defines the relationship between two properties: The current (driven) property (Y axis) and the driver (X axis)": "",
    "The curve defines the value (Y axis) of the property over time (X axis)": "",
    "The curve editing handles display can be tweaked in the :ref:`Overlays <bpy.types.View3DOverlay.display_handle>` popover": "",
    "The custom data file is an ASCII file, which can be duplicated and modified by the user. The radius and/or color of the atoms can be permanently changed as follows: Open the ASCII file with a standard text editor, search the name of the atom and change the radius (``Radius used``). Do the same with the RGB values for the color. The value RGBA(1.0, 1.0, 1.0, 1.0) corresponds to white and RGBA(0.0, 0.0, 0.0, 1.0) is black. Note that the last value of a color tuple is the alpha value of the color": "",
    "The custom root bone must use the :ref:`basic.raw_copy <rigify.rigs.basic.raw_copy>` sub-rig type, either explicitly or implicitly by not selecting any type": "",
    "The dark gray area is the clipping volume itself. Once clipping is deactivated with another :kbd:`Alt-B`, all of 3D space will become visible again": "",
    "The data conversion rules are not editable. When converting a vector to a float, the implicit rule may not be desired. In this case it is recommended to use :doc:`Attribute Math </modeling/geometry_nodes/attribute/attribute_math>` nodes together with :doc:`Attribute Combine </modeling/geometry_nodes/attribute/attribute_combine_xyz>` and :doc:`Attribute Separate </modeling/geometry_nodes/attribute/attribute_separate_xyz>` nodes to achieve the desired result": "",
    "The data-block menu in the UI (:kbd:`Shift-LMB` on the chain icon to the right), in which case only that specific usage will be remapped to the new local override": "",
    "The default (gray) colors": "",
    "The default color picker type can be selected in the Preferences, see: :ref:`Interface <prefs-interface-color-picker-type>`": "",
    "The default method for building intersections, useful when a smooth continuation of the bevel profile is desired. Without *Custom Profile* enabled, the curve of the profile continues through the intersection, but with a custom profile it just creates a smooth grid within the intersection's boundary": "",
    "The default mode, available for all object types, as it is dedicated to *Object* data-block editing (e.g. position, rotation, size)": "",
    "The default name for these orientations is derived from what you have selected. If it's an edge, it will be titled, \"Edge\", if it's an object, it will take that object's name, etc": "",
    "The default node setup will appear: a red-and-white checkerboard node connected to an *Output* named \"Default\". For texture nodes, multiple Outputs can exist in the node setup. Compare to other types of node contexts, which are limited to one active Output node. See the next section for details": "",
    "The default one, curves before their first keyframe and after their last one have a constant value (the one of these first and last keyframes)": "",
    "The default path ``//`` refers to the folder of the currently open blend-file (see :ref:`files-blend-relative_paths` for details)": "",
    "The deformation part of the system consists of chains of one or more B-Bones connecting control points (nodes). Whenever controls for two chains would completely overlap, they are automatically merged": "",
    "The diameter of the sticks are changed. The buttons *Bigger* and *Smaller* allow increasing or decreasing the diameter, respectively. The scale factor determines, how strong the change of diameter will be. By using the Outliner, one can apply these operators on only a selection of sticks (e.g. only the sticks of the hydrogen atoms). Note that changes only apply if the sticks are individual objects, e.g. single cylinders or if the sticks are described in instancing vertices structures": "",
    "The difference between A and B. :math:`\\begin{pmatrix} A_x - B_x \\ A_y - B_y \\ A_z - B_z \\end{pmatrix}`": "",
    "The difference between regular and Projected (2D) proportional option (right)": "",
    "The different :doc:`poses </animation/armatures/posing/index>` you might create afterwards are based on this rest position. So if you modify it in *Edit Mode*, all the poses already existing will also be modified. Thus you should in general be sure that your armature is definitive before starting to :doc:`skin </animation/armatures/skinning/index>` and :doc:`pose </animation/armatures/posing/index>` it!": "",
    "The direction of convert alpha. For details on the difference between both ways to store alpha values see :term:`Alpha Channel`": "",
    "The direction of the light, (see :ref:`ui-direction-button`)": "",
    "The display size for empties when a new :doc:`collection instance </scene_layout/object/properties/instancing/collection>` is created": "",
    "The distance between the bottom or top point and the X axis, in *Kite* mode": "",
    "The distance between the two new edges formed by the bevel (or the edges on either side of the bevel if there is more than one segment)": "",
    "The distance required by a lens to focus collimated light. Defines the magnification power of a lens. Also see :term:`Field of View <Field of View>`": "",
    "The documentation can be found in Magic UV's `Github repository <https://github.com/nutti/Magic-UV/wiki>`__": "",
    "The dot product of A and B. :math:`A_x \\cdot B_x + A_y \\cdot B_y + A_z \\cdot B_z`": "",
    "The drag threshold for non mouse/tablet events (keyboard or :term:`NDOF` for example)": "",
    "The drawback to using the *Turntable* style is that you lose some flexibility when working with your objects. However, you gain the sense of \"Up\" and \"Down\" which can help if you are feeling disoriented": "",
    "The driven property will have the value of the average, sum, lowest or highest (respectively) of the values of the referenced *Driver Variables*. If there is only one driver variable, these functions will yield the same result": "",
    "The driver **type** determines how the variables are used. The type can be:": "",
    "The driver function can be defined artistically with Bézier curve handles or mathematically with trigonometric functions or polynomial expressions such as :math:`y = a + bx`. Furthermore, the function can also be procedurally modulated with noise or cyclic repetitions. See :doc:`Modifiers </editors/graph_editor/fcurves/modifiers>` for more details": "",
    "The driver functions should be linear, therefore, they can be defined analytically with a function of type :math:`y = a + bx`, where :math:`a` is an offset in :math:`y` and :math:`b` is the slope": "",
    "The duplicate of a bone which is parented to another bone will also be parented to the same bone, even if the root bone is not selected for the duplication. Be aware, though, that if a bone is parented **and** connected to an unselected bone, its copy will be parented, but **not** connected to the unselected bone (see Fig. :ref:`fig-rig-bone-duplication`)": "",
    "The easiest way to create a variable of this type is to use the :ref:`Copy As New Driver <drivers-copy-as-new>` context menu option of the input property, and paste the result into the driver via :ref:`Paste Driver Variables <drivers-variables>`": "",
    "The easiest way to manage bones relationships is to use the :ref:`Relations panel <bpy.types.EditBone.parent>` in the Bone tab": "",
    "The entire bone chain can be made to follow the shape of the curve while still being able to be placed at an arbitrary point in 3D space when the *Chain Offset* option is enabled. By default, this option is not enabled, and the bones will be made to follow the curve in its untransformed position": "",
    "The entrywise `Cosine <https://en.wikipedia.org/wiki/Trigonometric_functions>`__ of A": "",
    "The entrywise `Sine <https://en.wikipedia.org/wiki/Sine>`__ of A": "",
    "The entrywise `Tangent <https://en.wikipedia.org/wiki/Trigonometric_functions>`__ of A": "",
    "The entrywise combination of the multiply and addition operations. :math:`A * B + C`": "",
    "The entrywise division of A by B. Division by zero results in zero. :math:`(A.x / B.x, A.y / B.y, A.z / B.z)`": "",
    "The entrywise division of A by B. Division by zero results in zero. :math:`\\begin{pmatrix} A_x / B_x \\ A_y / B_y \\ A_z / B_z \\end{pmatrix}`": "",
    "The entrywise product of A and B. :math:`(A.x * B.x, A.y * B.y, A.z * B.z)`": "",
    "The entrywise product of A and B. :math:`\\begin{pmatrix} A_x \\cdot B_x \\ A_y \\cdot B_y \\ A_z \\cdot B_z \\end{pmatrix}`": "",
    "The exact color of each of the :term:`Primaries`": "",
    "The exact distance along edges adjacent to the beveled edge. A difference from **Offset** is visible when the unbeveled edges attached to beveled edges meet at an angle besides a right angle": "",
    "The exact distance along edges adjacent to the beveled edge. A difference from *Offset* is visible when the unbeveled edges attached to beveled edges meet at an angle besides a right angle": "",
    "The exponent value (with base two) for how many colors can be represented within a single color channel. A higher bit depth will allow more possible colors, reducing banding, and increasing precision. Yet a higher bit depth will increase memory usage exponentially": "",
    "The exporter supports the creation of SVG animations. When the Mode is set to Animation, all frames from a render -- one when rendering a frame (:kbd:`F12`) or all when rendering an animation (:kbd:`Shift-F12`) -- are saved into a single file. Most modern browsers support the rendering of SVG animations": "",
    "The exposure can also be adjusted in the scene :ref:`Color Management <render-post-color-management>`": "",
    "The expression ``#frame`` is a quick way to access map a value to the current frame, but more complex expressions are also supported, ``#fmod(frame, 24) / 24`` for example": "",
    "The expression has access to a set of standard constants and math functions from ``math``, ``bl_math`` and other modules, provided in the *Driver Namespace*. For an example of adding a custom function to the namespace, see the :ref:`driver namespace example <driver-namespace>`": "",
    "The extruded face will affect nearby geometry. See :doc:`Proportional Editing </editors/3dview/controls/proportional_editing>` for a full reference": "",
    "The extrusion will create a \"wall\" or \"ribbon\" following the curve shape. If using a *Bevel Depth*, the wall becomes a sort of slide or gutter. If your normals are facing the wrong way you can switch their direction as shown :ref:`here <curve-switch-direction>`": "",
    "The eyedropper (pipette icon) allows you to sample from anywhere in the Blender window. The eyedropper can be used to select different kinds of data:": "",
    "The fallback tool is the default tool in the Toolbar as in the tool at the top of the list. To switch to this tool use :kbd:`Alt-W` to open a pie menu to choose what the default drag action does": "",
    "The far left of the Outliner contains a region to toggle the current :doc:`Object Mode </editors/3dview/modes>`. When an object is in a mode other than Object Mode, the mode icon will be displayed in this region. Any other objects that are valid to be added or swapped into the current mode display a dot. Clicking the dot icon will swap that object with the current active object. For modes that support :ref:`3dview-multi-object-mode`, :kbd:`Ctrl-LMB` on the dot icon will add that object to the current mode. Clicking the mode icon next to the active object removes it or all other objects from the current mode depending if multiple object are in the same mode": "",
    "The field *Definition* is by default set to 600, indicating that 1 unit equals 600 pixels in the image. So, an image of 800 × 600 will have a size of 1.33 × 1 unit": "",
    "The final motion of objects or bones depends not only on the keyframed animation, but also on any active F-curve modifiers, drivers, and constraints. On each frame of all the scene's frames, the *Bake Action* tool computes the final animation of the selected objects or bones with all those modifiers, drivers, and constraints applied, and keyframes the result": "",
    "The first \"funnel\" button controls whether filtering is enabled or not": "",
    "The first and second input to the math operation. Depending on the *Type* input, this is either an attribute name or an input of the specified data type": "",
    "The first controls (X, Y, Z) show the coordinates of the selected point or handle (vertex). In case of a NURBS curve, there is a fourth component available (W), which defines the :ref:`weight <curves_structure_nurbs_weight>` of the selected control point or the median weight": "",
    "The first copied pose (note that only two bones are selected and hence copied)": "",
    "The first material (if any) is always applied to the mesh itself as well (regardless of the existence of geometry subsets), because the Hydra viewport does not support materials on subsets. See `USD issue #542 <https://github.com/PixarAnimationStudios/USD/issues/542>`__ for more information": "",
    "The first option from top is *Create UV map*. If enabled, a new UV map will be generated to show all the islands. However, their positions are not calculated yet at this time of the export process, so they are all just placed in the bottom left corner. This option is useful when editing the cutting lines by hand. You can use the *Unwrap* tool and get a similar result": "",
    "The first options of this menu provide direct links to Blender-related websites: The same links can also be found in the :ref:`splash`": "",
    "The first two rigs are very similar except the \"Crane Rig\" has two extra adjustable bones (Arm Height and Arm Length) to make it easier to achieve a cinematic crane shot": "",
    "The first type of number field shows triangles pointing left (<) and right (>) on the sides of the field when mouse pointer is over the field. Sliders, a second type of number field, have a colored bar in the background to display values over a range, e.g. percentage values": "",
    "The five main tools (Object Trace, Object Connect, Mesh Follow, Particle Trace, Particle Connect) all share common settings for the most part. Each tool creates a curve as the end result. The settings for the curve created can be setup under the *Curves Settings* button": "",
    "The focal point of depth of field is based on Blender UI *Distance* field, or *Object* field": "",
    "The following toggles, in the right side of the *Outliner* editor, are available for collections, objects, bones, modifiers and constraints": "",
    "The goal of application templates is to support switching to a customized configuration without disrupting your existing settings and installation. This means people can build their own *applications* on top of Blender that can be easily distributed": "",
    "The graphics system used by Blender (and many other graphics applications) for rendering 3D graphics, often taking advantage of hardware acceleration": "",
    "The gray cube in the center of the scene is a :doc:`mesh </modeling/meshes/index>` object. Because the cube is selected it is displayed with an orange outline": "",
    "The gray squares forming a floor mark the zero height of the world. The red and green lines are the axis of the world coordinate system. They meet at the origin, which is also the position of the *Cube*. The Grid Floor settings are in the :doc:`Viewport Overlays </editors/3dview/display/overlays>` popover": "",
    "The group name can be changed by double-clicking :kbd:`LMB` on the name itself. Then you can edit the name as you like": "",
    "The header contains various menus and controls based on the current :doc:`mode </editors/3dview/modes>`": "",
    "The high sensibility for the vector does not apply to vectors that give the Screw tool a starting angle (e.g. any non-parallel vector), meaning Blender will not need to clamp the values to stabilize a direction for the extrusion, as the inclination of the vector will be clear for Blender and you will have the full degree of freedom to change the vectors. This example is important because it only changes the direction of the profile without the tilt and/or bending effect, as there is only one direction for the extrusion, parallel to one of the Blender Axes": "",
    "The icon shape represents the type of the :ref:`Bézier Handles <editors-graph-fcurves-settings-handles>` belonging to the keyframe": "",
    "The idea is simple: you define a few Keyframes, which are multiple frames apart. Between these keyframes, the properties' values are computed (interpolated) by Blender and filled in. Thus, the animators' workload is significantly reduced": "",
    "The idea is to enclose all the content of a section inside of a folder. Ideally every section should have an ``index.rst`` (containing the TOC for that section) and an ``introduction.rst`` (introducing) to the contents of the section": "",
    "The image above (left) shows that when multiple objects are selected, the pivot point is calculated based on the location of all the selected objects. More precisely, the centers of objects are taken into account": "",
    "The image below shows the difference when rotating an object around the median point (right) and around the 3D cursor (left)": "",
    "The image below shows the final render of the low-poly landscape obtained by moving up the vertices of the triangulated grid with enabled *Proportional Editing*": "",
    "The image empty is an :ref:`Image Sequence <image-sequence>`": "",
    "The image will be lines defining the UV edges that are within the image area of the UV mapping area. Edges outside the boundary, even if selected, will not be shown in the saved graphic. The artist will use this as a transparent layer in their paint program as a guide when painting your texture. The example below shows Blender in the background, and the Gimp working on the texture, using the saved layout as a guide. Note that ``targa`` format supports the Alpha channel, so you can paint transparent areas of the mesh. For using images as textures, see the page on :doc:`Image Textures </render/materials/legacy_textures/types/image_movie>`": "",
    "The implementation provides two versions of the chain rig: `skin.basic_chain`_ merely attaches B-Bones to the controls with no automation added to the controls themselves. The `skin.stretchy_chain`_ rig in addition interpolates motion of the end (and an optional middle) controls to the other controls of the chain": "",
    "The included rig samples (limbs, spines, tails, fingers, faces...) adds to all the stretchy FK/IK features a direct deformation secondary layer that lets you flex, bend and deform the character as you like through interactive Bendy Bones controls": "",
    "The influence of one bone on a given point is controlled by the weight of this point in the relevant group. A much more precise method than *Bone Envelopes*, but also generally longer to set up": "",
    "The influence percentage is stored for next use. Use :kbd:`Shift-LMB` on the button to reset influence to full": "",
    "The influence slider determines how much the constraint will affect the constrained object (target)": "",
    "The initial chain length is 0, which effectively means follow the connections to parent bones as far as possible, with no length limit. So pressing increasing the chain length the first time sets the length to 1 (move only the selected bone), and at this point, decreasing the length point sets it back to 0 (unlimited) again. Thus, you have to increase the chain length *more than once* from the initial state to set a finite chain length greater than 1": "",
    "The input for UV render pass. See :doc:`Cycles render passes </render/layers/passes>`": "",
    "The input of the relax tool consists of a single (partial) loop": "",
    "The input of the space tool consists of a single (partial) loop": "",
    "The inputs of the node are dynamic. Some inputs are only available in certain operations. For instance, the *Addend* input is only available in the *Multiply Add* operator": "",
    "The inputs of the node are dynamic. Some inputs are only available in certain operations. For instance, the *Scale* input is only available in the *Scale* operator": "",
    "The inputs of the node group can be edited as properties of the :doc:`Geometry Node Modifier </modeling/modifiers/generate/geometry_nodes>`": "",
    "The inputs to the math operations. Depending on the operation one, two, or all three of the inputs will be used. The attribute types are all vectors of three values, except for the *Scale* operation, where the second input uses a float type": "",
    "The inside area, materialized by the \"solid\" part of the bone, and controlled by both root and tip radius": "",
    "The key or button that activates this keymap item (depending on the map type)": "",
    "The keyframed transformation is added before/after the existing transformation, as if it was applied to an imaginary parent/child of the constraint owner. Scale is handled like in the :ref:`Aligned Inherit Scale <bpy.types.EditBone.inherit_scale>` mode of bones to avoid creating shear": "",
    "The keyframed transformation is added before/after the existing transformation, as if it was applied to an imaginary parent/child of the constraint owner. Scale is handled like in the most basic :ref:`Full Inherit Scale <bpy.types.EditBone.inherit_scale>` mode of bones, so combining non-uniform scale and rotation will create shear": "",
    "The keyframes can be manipulated like any other data in the *Dope Sheet*. Interpolated keyframes (alias breakdowns) are visualized as smaller light blue points": "",
    "The language used for translating the user interface (UI). The list is broken up into categories determining how complete the translations are": "",
    "The language used for translating the user interface. The list is broken up into categories determining how complete the translations are. More language preferences can be set in the :ref:`Translation Preferences <prefs-interface-translation>`": "",
    "The lattice should be scaled and moved to fit around your object in Object Mode. Any scaling applied to the object in Edit Mode will result in the object deforming. This includes applying its scale with :kbd:`Ctrl-A` as this will achieve the same result as scaling the lattice in Edit Mode, and therefore the object": "",
    "The layer blending operation to perform. See :term:`Color Blend Modes`": "",
    "The layer/s that will act as mask of the current layer could be added to the Mask :ref:`list view <ui-list-view>`": "",
    "The left image shows the \"wire\" in place and after chroma keying has been applied. You will see you are left with a blank space -- it's shown as a black line here but it will be alpha in your Blender output": "",
    "The left side of the Status Bar displays mouse button shortcuts and the keymap of the active tool. In editors with a Toolbar, pressing :kbd:`Alt` shows the hotkeys to change to a desired tool": "",
    "The length of A. :math:`\\sqrt{A_x^2 + A_y^2 + A_z^2}`": "",
    "The limitation where axes of rotation can become aligned, losing the ability to rotate on an axis (typically associated with :term:`Euler Rotation`)": "",
    "The location of the 3D cursor can be used to alter the results of the *Warp* transformation. As can be seen from the example in this section, the *Warp* radius is dependent on the distance of the cursor from the selected elements. The greater the distance, the greater the radius": "",
    "The location where temporary files are stored, leave blank to use the systems temporary directory (see :ref:`temp-dir` for details)": "",
    "The log of the value with a *Base* as its base": "",
    "The magnitude of the *Shear* transform applied to the selected elements is directly proportional to the distance from the horizontal axis. i.e. the further it is away from the axis, the greater the movement": "",
    "The magnitude of the angle equals *W Rotation* when the rotation is purely around that axis, and fades out to zero as the direction changes toward the other axis, following the falloff curves from the graph on the right": "",
    "The main *Timeline* region displays the animation frames over time": "",
    "The main area of the :doc:`Drivers editor </editors/drivers_editor>` shows an :doc:`F-Curve </editors/graph_editor/fcurves/introduction>` that represents the driver function": "",
    "The main controls with active falloff have the effect of *Merge Parent Rotation and Scale* automatically enabled just for them": "",
    "The main difference between the Screw tool and the :doc:`Screw Modifier </modeling/modifiers/generate/screw>` is that the Screw tool can calculate the angular progressions using the basic profile angle automatically. It can also adjust the Axis angular vector without using a second modifier (for example, using the Screw Modifier with a Bevel Modifier, Curve Modifier, etc.), resulting in a much cleaner approach for vertex distribution and usage": "",
    "The main difference between this tool and :doc:`/modeling/meshes/editing/vertex/connect_vertex_path` is that this tool ignores the selection order and connects all selected vertices that share a face": "",
    "The main elements used in editing Bézier curves are the control points and handles. A segment (the actual curve) is found between two control points. The handles define the curvature of the segment": "",
    "The main problem of these systems comes when they lose their relative perpendicularity. And this happens when the axis in the middle rotates, causing the axis at the bottom to rotate with it. It keeps getting worse when this bottom axis approaches 90° (or equivalent angles). In that case, it will remain aligned with the axis on top of the hierarchy. In that moment we have just lost one axis of rotation. This can cause discontinuous interpolations when animating. This particular loss of axis is known as the \"gimbal lock\"": "",
    "The main switch to show/hide Onion Skinning is in the :ref:`Viewport Overlays <3dview-overlay-grease-pencil>`, but Grease Pencil Onion Skinning is per-layer and the visibility can be toggle in the layer list. See :doc:`2D Layers </grease_pencil/properties/layers>` for more information": "",
    "The main tab of that category (often the only one) always has the same name, *Object Data*, but its icon will change based on the actual type of the active object": "",
    "The main use of this tool is to create one bone between two selected joints by pressing :kbd:`F`, similar to how in mesh editing you can \"create edges/faces\"": "",
    "The manual is archived on the server and redirects / symlinks are updated. See the :ref:`Release Guide <about-contribute-guides-release>` for more information": "",
    "The manual is written in the `reStructuredText <https://www.sphinx-doc.org/en/master/usage/restructuredtext/basics.html>`__ (RST) markup language and can be edited using a plain text editor. For a local preview, you convert (build) the manual source files from RST into HTML web pages": "",
    "The mask blending operation to perform. See :term:`Color Blend Modes`": "",
    "The maximized area fill the whole application window. You can maximize an area with :menuselection:`View --> Area --> Toggle Maximize Area` menu entry or keyboard shortcut. To return to normal size, use the keyboard shortcut again or the *Back to Previous* button on the Topbar": "",
    "The maximum amount that the radius scale of the tree can vary (up or down) from the value of *Radius Scale*": "",
    "The maximum amount that the scale of the tree can vary (up or down) from the value of *Scale*": "",
    "The mean is the average value of all image pixels in specified channel (combined, red, green, blue, luminance). It represents the overall brightness of the image and can be used as such for setups that depend on how \"bright\" or \"dark\" the input is": "",
    "The mesh :ref:`Data-Block Menu <ui-data-block>` can be used to link the data between objects": "",
    "The mesh analysis works in *Edit Mode* and *Solid* Viewport shading. It shows areas with a high value in red, and areas with a low value in blue. Geometry outside the range is displayed gray": "",
    "The mesh can be triangulated on-the-fly. The triangulation is based on the same function which is used in the *Triangulate Faces* tool for triangulating the current selection of faces. For full control over the triangulation you can do this manually before exporting. However, this option allows to apply the triangulation only on the exported data; the mesh itself is not affected": "",
    "The mesh subdivision scheme in USD is 'Catmull-Clark' by default, but Blender uses 'None' instead, indicating that a polygonal mesh is exported. This is necessary for USD to understand the custom normals; otherwise the mesh is always rendered smooth": "",
    "The message displayed when hovering over socket properties. Currently only supported for :doc:`Geometry Node Editor </editors/geometry_node>`": "",
    "The method how the three automatic handle types are computed is controlled by the per-curve :ref:`Auto Handle Smoothing <bpy.types.FCurve.auto_smoothing>` setting. The *None* mode resembles how most other software works and only considers the values of the immediately adjacent keys. The *Continuous Acceleration* mode considers the shape of the whole curve, which produces smoother results out of the box, but means that changes in one key affect interpolation over a larger section of the curve; it also tends to overshoot more with *Automatic* handles": "",
    "The method used is described on the `Straight Skeleton <https://en.wikipedia.org/wiki/Straight_skeleton>`__ Wikipedia page. Consider this starting polygonal region:": "",
    "The modified ``.po`` files can be edited and committed back to svn": "",
    "The modified curve left after the *Clean* tool is run is not the same as the original, so this tool is better used before doing custom editing of F-curves and after initial keyframe insertion, to get rid of any unwanted keyframes inserted while doing mass keyframe insertion (by selecting all bones and pressing :kbd:`I` for instance)": "",
    "The more levels you show at once, the more time it will take to list them all (typically, it will be exponential, showing three levels at once may take three orders of magnitude more time to be fully listed)": "",
    "The most common way to use this editor is through modal operators (like opening or saving a blend-file). It will appear maximized, waiting for the operation to complete, and then close and return to the former screen layout": "",
    "The most commonly expected of the below behaviors is used. For the transitional effects, this is basically *ease in*, while for the physics effects it is *ease out*": "",
    "The most complicated of the modes available, as it tries to guess when to stop propagating by examining the pauses in the animation curves per control (i.e. all F-curves for a bone, instead of per F-curve)": "",
    "The most flexible way of mapping a 2D texture over a 3D object is a process called \"UV mapping\". In this process, you take your three-dimensional (X, Y & Z) mesh and unwrap it to a flat two-dimensional (X & Y ... or rather, as we shall soon see, \"U & V\") image. Colors in the image are thus mapped to your mesh, and show up as the color of the faces of the mesh. Use UV texturing to provide realism to your objects that procedural materials and textures cannot do, and better details than Vertex Painting can provide": "",
    "The most notable keystroke is :kbd:`Alt-P` which makes the content of the buffer being parsed by the internal Python interpreter built into Blender. Before going on it is worth noticing that Blender comes with a fully functional Python interpreter built-in, and with a lots of Blender-specific modules, as described in the :doc:`/advanced/scripting/index` section": "",
    "The most recent documentation and info can be found at the `authors site <http://gregzaal.github.io/auto-tile-size/>`__": "",
    "The most simple is to define the number of frames of the movement, in the :ref:`Path Animation panel <curve-path-animation>` of the Curve tab, via the *Frames* number field, and its start frame via the constraint's Offset option (by default, start frame: 1 [= offset of 0], duration: 100)": "",
    "The mouse cursor :kbd:`M`": "",
    "The name of a vertex group of the object, the weights of which will be used to determine the influence of this Armature Modifier's result when mixing it with the results from other *Armature* ones": "",
    "The name of the Alembic attribute used for generating motion blur data; by default, this is ``.velocities`` which is standard for most Alembic files": "",
    "The name of the attribute to remove. Multiple attributes can be removed at once by connecting multiple :doc:`String Input </modeling/geometry_nodes/input/string>` nodes. Built-in and nonexistent attributes cannot be removed": "",
    "The name of the attribute to use for influencing the point density. The values of this attribute are multiplied by *Density Max* for the final density value": "",
    "The name of the material is the same as the name of the image. If the material already exist Blender will append a number to the material name. With the *Override Material* checkbox, you can force the add-on to replace the existing material": "",
    "The navigation gizmo can be found in the top right of the editor. The four buttons (listed from top to bottom) do the following:": "",
    "The new bone **is** parented and connected to the parent of the bone owning the active root (check the Outliner in Fig. :ref:`fig-rig-bone-connected-root`)": "",
    "The new bone is **not** parented to the bone owning the active root (check the Outliner in Fig. :ref:`fig-rig-bone-disconnected-tip`)": "",
    "The new bone is parented and connected to the active bone (check the Outliner in Fig. :ref:`fig-rig-bone-active-tip`)": "",
    "The new bone is parented and connected to the bone owning the active tip (check the Outliner in Fig. :ref:`fig-rig-bone-active-tip`)": "",
    "The new transformation is added before/after the existing transformation, as if it was applied to an imaginary parent/child of the constraint owner. Scale is handled like in the :ref:`Aligned Inherit Scale <bpy.types.EditBone.inherit_scale>` mode of bones to avoid creating shear": "",
    "The new transformation is added before/after the existing transformation, as if it was applied to an imaginary parent/child of the constraint owner. Scale is handled like in the most basic :ref:`Full Inherit Scale <bpy.types.EditBone.inherit_scale>` mode of bones, so combining non-uniform scale and rotation will create shear": "",
    "The next value is *DPI*, which defines the overall resolution of the net. That is, not only resolution of baked images (if any), but also line thickness": "",
    "The nodes release, Array modifier, vector blur, new physics engine, rendering, lip sync, and many other features. This was the release following `Project Orange <https://orange.blender.org/>`__": "",
    "The normalized vector perpendicular to the plane that a :term:`Face` lies in. Each face has its own normal": "",
    "The number of animation keyframes defined in the *Zoom Keyframes* field will be shown around the cursor": "",
    "The number of atoms in a frame has to be the **same** for all frames!": "",
    "The number of faces used to bridge the distance between two loops. One segment means that only faces will be created. Two (or more) segments means that an intermediary line (or lines) of vertices is created, so two or more faces can be defined between the loops. If the value is set to zero, the script automatically calculates the best amount of segments in order to keep the faces as square as possible": "",
    "The number of frames that are needed to traverse the path, defining the maximum value for the *Evaluation Time* setting": "",
    "The number of frames to offset from the \"animation\" defined by the path (by default, from frame 1)": "",
    "The number of seconds specified in the *Zoom Seconds* field will be shown around the cursor": "",
    "The number of segments in the bevel can be defined by scrolling the mouse :kbd:`Wheel` to increase or decrease this value. The greater the number of segments, the smoother the bevel. Or press :kbd:`S` to change the number with mouse movements, as well as numeric input": "",
    "The number of segments, which the given bone is subdivided into. Segments are small, rigid linked child bones that interpolate between the root and the tip. The higher this setting, the smoother \"bends\" the bone, but the heavier the pose calculations": "",
    "The number of smoothing iterations, equivalent to executing the Smooth tool multiple times. High values can reduce the animation performance (FPS)": "",
    "The number of times to run through the filter algorithm. Higher values will give more accurate results but will take longer to compute. Note that, this is not available for *Fog Glow* as it does not use an iterative-based algorithm": "",
    "The number of values allowed between *To Min* and *To Max* when using *Stepped Linear* interpolation. A higher value will give a smoother interpolation while lower values will progressively quantize the input": "",
    "The object act as a container of strokes that you can create using drawing tools in :doc:`Draw Mode </grease_pencil/modes/draw/introduction>`. More detailed editing of the strokes is done in :doc:`Edit Mode </grease_pencil/modes/edit/introduction>`, and :doc:`Sculpt Mode </grease_pencil/modes/sculpting/introduction>`": "",
    "The object origin :kbd:`O`": "",
    "The object properties of the shape are ignored (i.e. if you make a parallelepiped out of a cube by modifying its dimensions in *Object Mode*, you will still have a cube-shaped bone...)": "",
    "The offset margin can be changed using the *Auto-offset Margin* setting in the editing section of the Preferences": "",
    "The operation available from the *3D Viewport* only directly affects selected objects, but it can also make local the objects' dependencies:": "",
    "The operation available from the *Outliner*'s context menu has no options, and only affects the selected data-block": "",
    "The operators will take into account the settings to view/edit the action in isolation (i.e. Solo and NLA Muting). This was done to make it easier to preview different stashed actions": "",
    "The opposite of *Bone*, the coordinates are the position and orientation of the tip of the bone relative to the target": "",
    "The option to edit UI translations (only available when the *Manage UI translations* add-on is also enabled)": "",
    "The optional Size input will be multiplied with the X and Y blur radius values. It also accepts a value image, to control the blur radius with a mask. The values should be mapped between (0 to 1) for an optimal effect": "",
    "The options are the same as for the `Dissolve Vertices`_ tool": "",
    "The options for the *Update* tool are the same of *Tessellate*. Furthermore, it allows to change Generator object and Component object": "",
    "The options in this menu align your view with specified local axes of the selected active object, bone, or, in *Edit Mode* with the normal of the selected face": "",
    "The order of the NURBS curve determines the area of influence of the control points over the curve. Higher order values means that a single control point has a greater influence over a greater relative proportion of the curve. The valid range of *Order* values is 2-6 depending on the number of control points present in the curve": "",
    "The orientation of the local X and Z axes of a :term:`Bone`. Has no effect on the local Y axis as local Y is determined by the location of the :term:`Head` and :term:`Tail`": "",
    "The orientation plane to draw on, available when *Only First* is enabled": "",
    "The orientation to use for the gizmo. The orientations can be configured in the viewport orientation :doc:`Orientations menu </editors/3dview/controls/orientation>`": "",
    "The origin does not have to be located in the center of the geometry (e.g. mesh). This means that an object can have its origin located on one end of the mesh or even completely outside the mesh": "",
    "The origin of the shape object will be at the *root of the bone* (see the :doc:`bone page </animation/armatures/bones/index>` for root/tip)": "",
    "The original template settings can be loaded using: *Load Template Factory Settings* from the file menu in much the same way *Load Factory Settings* works": "",
    "The original video documentation can be found here: `Video Playlist <https://www.youtube.com/playlist?list=PLQAfj95MdhTJ7zifNb5ab-n-TI0GmKwWQ>`__. Note that the videos were created for Blender 2.7 series but are still a valid resource": "",
    "The output mesh has :ref:`auto smooth <auto-smooth>` set and :ref:`sharp edges <modeling_meshes_normals_sharp_edge>` from the profile curve tagged automatically. If any splines in the profile curve are Bézier splines and any of the control points use *Free* or *Vector* handles, the corresponding edges will be shaded sharp": "",
    "The output of the node is dynamic. It is either a vector or a scalar depending on the operator. For instance, the *Length* operator has a scalar output while the *Add* operator has a vector output": "",
    "The output value is moved between 0.0 and the *Scale* based on the input value": "",
    "The outside area, materialized by the lighter part around the bone, and controlled by the *Distance* setting": "",
    "The owner and its parents determine additional automation that is placed on the control. As a special case, if a control is merged with its ``.T``/``.B`` ``.L``/``.R`` symmetry counterparts (detected purely by naming), the automation from all of the symmetry siblings of the owner is averaged": "",
    "The owner is always evaluated in the global (world) space:": "",
    "The owner is constrained *inside* the sphere": "",
    "The owner is constrained *on the surface* of the sphere": "",
    "The owner is constrained *outside* the sphere": "",
    "The panel has controls for affecting the current *Value* (influence, weight) of a shape. It is possible to see a shape in isolation or how it combines with others": "",
    "The panel will display the most used camera settings. Only the added features will be explain here, for more information refer to the :doc:`/render/cameras` section": "",
    "The panels in the *Sidebar region*": "",
    "The parameter *No Z-buffer*, becomes then the main blur control. The input has to be scaled, because usually the value of a texture is only in the numeric range 0.0 to 1.0": "",
    "The parent scope will be made available for all children of the *parent* sub-rig, rather than just this rig's children": "",
    "The pasted node will be placed in the *same* position as when it was copied. Use the same cautions as when duplicating": "",
    "The path animation will reflect to original timing, but the \"gaps\" will get custom values. This is especially useful if you want to shorten large pauses between some strokes": "",
    "The path animation will reflect to original timing, including for the \"gaps\" (i.e. time between strokes drawing)": "",
    "The path to the ``/branches`` directory of your local svn-translation copy, to allow translating from the UI": "",
    "The paths are automatically updated when you edit your poses/keyframes, and they are also active during animation playback. Playing the animation affects the paths only when the *Around Current Frame* option is enabled": "",
    "The pin button will keep the current geometry node group selection fixed, instead of using the :ref:`Active Modifier <modifier-stack-active>`. When a geometry node group is pinned, it will remain visible in the Geometry Node editor even when another object or modifier is selected elsewhere": "",
    "The pivot :kbd:`L`": "",
    "The plane is rotated in such a way that the selected axis is perpendicular to the plane with the front face pointing to the positive or negative side of the axis. For example, the option Z+ (Up) is fully visible in Top View, because the Z axis is pointing perpendicular to the plane in this view and the front face of the image is pointing to the positive (Up) side of the Z axis": "",
    "The point density for the point distribution. The units are number of points per square meter. This value is multiplied by the values from the *Density Attribute*": "",
    "The pose library is a way to store pose positions so the same position can be used again later in the animation or to store different rest poses. *Pose libraries* are saved to :doc:`Actions </animation/actions>`. They are not generally used as actions, but can be converted to and from": "",
    "The pose library is a way to store pose positions so the same position can be used again later in the animation or to store different rest poses. Pose libraries are saved to :doc:`Actions </animation/actions>`. They are not generally used as actions, but can be converted to and from. The *Pose Library* panel is used to save, apply, and manage armature poses": "",
    "The position of the 3D cursor will be the starting center of the rotation. Subsequent operations (e.g. pressing the Screw button again), will start from the last selected element. Continuous operations without changing the selection will repeat the operation continuously from the last point": "",
    "The precompiled meta-rigs can be found in the *Add* menu. Currently available meta-rig types are:": "",
    "The primitives, being manifold objects, do not have wireframe or boundary edges. In the case of the cube, deleting the top face will result in cutting edges. :ref:`Select Non-Manifold <bpy.ops.mesh.select_non_manifold>` (Wire, Boundaries) will highlight the cutting edges of mesh objects": "",
    "The process of calculating new data between points of known value, like :term:`Keyframes <Keyframe>`": "",
    "The program used for playing back rendered animations via :ref:`View Animation <topbar-render-view_animation>`": "",
    "The progress of the currently running task is show when a computation is being performed for example rendering, baking or playback. Hovering the mouse pointer over the progress bar will display a time estimate. The task can be aborted by clicking the cancel button (``X`` icon)": "",
    "The properties (no modifiers applied) that can be exported are:": "",
    "The purpose of a Keyframe is to allow for interpolated animation, meaning, for example, that the user could then add another key on frame 10, specifying the cube's horizontal position at 20 m, and Blender will automatically determine the correct position of the cube for all the frames between frame 1 and 10 depending on the chosen interpolation method (e.g. Linear, Bézier, Quadratic, etc.)": "",
    "The purpose of the *Curve Widget* is to allow the user to modify an input (such as an image) in an intuitive manner by smoothly adjusting the values up and down using the curve": "",
    "The purpose of these tools is to reduce or enlarge the current selection within a stroke (i.e. they will never \"go outside\" of a stroke or \"jump\" to another stroke in the same object)": "",
    "The pyramid with a big triangle pointing upward is the camera used as point of view for rendering. See also: cameras in :doc:`Cycles </render/cameras>`": "",
    "The random :term:`Seed` to use when generating points": "",
    "The record button (|record|) enables *Auto Keyframe*: It will add and/or replace existing keyframes for the active object when you transform it in the 3D Viewport. For example, when enabled, first set the Playhead to the desired frame, then move an object in the 3D Viewport, or set a new value for a property in the UI": "",
    "The red line represents interpolated values between keys (black dots)": "",
    "The relationships between linked data-blocks can be changed resulting in outdated overrides. When this happens overrides need to be resynced to match the new structure. Overrides are automatically resynced when opening blend-files, however, overrides can be resynced manually using `Resync Library Override Hierarchy`_": "",
    "The result of multiplying A by the scalar input *Scale*": "",
    "The result of multiplying A by the scalar input *Scale*. :math:`\\begin{pmatrix} s \\cdot A_x \\ s \\cdot A_y \\ s \\cdot A_z \\end{pmatrix}`": "",
    "The result of the *Warp* transform is also influenced by your current view. The example in this section shows the results of a 180 degree *Warp* transform applied to the same Plane mesh when in different views": "",
    "The result of the inverse selection :kbd:`Ctrl-I`: The bones joints selection has been inverted, and not the bones selection": "",
    "The resulting effect visible in the 3D Viewport, also called *Mix*, is the cumulative effect of each shape with its current value. Starting with the Basis shape, the result is obtained by **adding** each shape's weighted **relative** offset to its reference key": "",
    "The resulting shape, or *Mix*, is the interpolation of the previous and next shape given the current *Evaluation Time*": "",
    "The results of :ref:`bpy.types.SpaceOutliner.filter_text` are case sensitive": "",
    "The results of :ref:`bpy.types.SpaceOutliner.filter_text` must match the full text and not just a part of it": "",
    "The rig must have one or more child chain loops, each formed by four skin chains tagged with ``.T``/``.B`` and ``.L``/``.R`` symmetrical names": "",
    "The rig must have two child skin chains with names tagged with ``.T`` and ``.B`` symmetry to mark the top and bottom eyelid, which are connected at their ends forming eye corners. The chains are rigged to follow the surface of the eye and twist to its normal": "",
    "The right side of the Status Bar displays information about the Blender instance. These can individually shown or hidden by :kbd:`RMB` on the Status Bar area": "",
    "The roll value (or twisting around the main Y axis of the bone) is interpolated per segment, between the start and end roll values. It is applied as a rotational offset on top of the rotation defined by the handle bones": "",
    "The rotation for the *Euler* mode": "",
    "The same goes for all intermediate frames: with just two points, you get a smooth increase from (0 to 10) along the 25 frames. Obviously, if you would like the frame 15 to have a value of 9, you would have to add another control point (or keyframe)..": "",
    "The same rules apply to each of the checkboxes in the *Duplicate Data* list": "",
    "The screenshot shows the Blender *Console Window* on Microsoft Windows directly after starting Blender and then a short while later after opening a file along with the relevant messages": "",
    "The script exports sky, lights, hair particles, smoke, fluids, meshes, blobs (metaballs)": "",
    "The second not only differentiates between Blender data types but also DXF types, such as ``LWPOLYLINE`` and ``POLYLINE``": "",
    "The second way, much more precise and powerful, is to define an *Evaluation Time* interpolation curve for the *Target* path (in the *Graph Editor*). See the :doc:`Graph Editor chapter </editors/graph_editor/fcurves/index>` to learn more about F-curves": "",
    "The selected bone has been \"cut\" two times, giving three sub-bones": "",
    "The selected bones have been switched. Bone.005 is no more connected nor parented to anything. The chain of switched bones still exists, but reversed (now Bone.002 is its root, and Bone is its tip). Bone.003 is now a free bone": "",
    "The selected edge loop on the UV Sphere has been deleted and the faces have been merged with the surrounding edges. If the edges had been deleted by choosing *Edges* from the *Delete* menu there would be an empty band of deleted faces all the way around the sphere instead": "",
    "The selected edges are not in the same edge loop, which means they do not have a common edge. You can minimize this error by always selecting edges end-to-end or in a \"chain\". If you select multiple edges just make sure they are connected. This will decrease the possibility of getting looping errors": "",
    "The selected edges are subdivided, then an edge is created between the two new vertices, creating a small triangle. This edge is also subdivided, and the \"inner vertex\" thus created is linked by another edge to the one opposite to the original selected edges. All this results in a quad subdivided in a triangle and two quads": "",
    "The selected vertices are assigned to the chosen hook. For that to happen, a list of the hooks associated to the object is displayed. All the unselected vertices are removed from it (if they were assigned to that particular hook). One vertex can be assigned to more than one hook": "",
    "The sequence could be opened by the selection of the images with any of the following methods by the confirmation with the *Open Image* button or :kbd:`Return`": "",
    "The set of bone editing tools is quite similar to the one for :doc:`mesh </modeling/meshes/editing/introduction>` editing": "",
    "The settings need to be imported from previous versions because the configuration files of each Blender version are stored in separate folders. Refer to the :doc:`/advanced/blender_directory_layout` page for the location of these folders": "",
    "The shader is not yet a BSDF capable shader and can only be setting up on the Material Properties panel (it is not a shader node)": "",
    "The shades of gray in the input image are mapped to three colors: blue, yellow, and red, all fully opaque (alpha of 1). Where the image is black, Color Ramp substitutes blue (the first color stop). Where it is some shade of gray, Color Ramp outputs a corresponding color from the gradient (bluish, yellow, to reddish). Where the image is fully white, the Color Ramp outputs red": "",
    "The shape of the new edges. See the :ref:`Proportional Editing <3dview-transform-control-proportional-edit-falloff>` page for a description of each option": "",
    "The simplest possible add-on above is useful as an example but not much else. This next add-on is simple but shows how to integrate a script into Blender using an ``Operator`` which is the typical way to define a tool accessed from menus, buttons and keyboard shortcuts": "",
    "The simplest way is to have each bone affecting those parts of the geometry that are within a given range from it. This is called the *envelope technique*, because each bone can control only the geometry \"enveloped\" by its own influence area": "",
    "The simplest way to add a marker is to move to the frame where you would like it to appear, and press :kbd:`M`": "",
    "The size of the Pie Menu set with the distance (in pixels) of the menu items from the center of the pie menu": "",
    "The skin and subdivision modifiers are used to build the sticks. This gives a nice network of sticks, which can be used to show, e.g. only the bonds of the structure (delete the atoms before!). Options *SubDivV* and *SubDivR* are parameters of the subdivision operator. If option *Smooth* is activated, the initial squarish profile of the sticks changes to a more circular one. Note that if this option is chosen, there is only one object representing all sticks": "",
    "The slider moves the precise position of the target between the :term:`Head` and :term:`Tail` of the bone. Some constraints have a button next to the slider that enables using the curved shape of :ref:`Bendy Bones <bendy-bones>`": "",
    "The slider with a gradient in the background lets you define the third color component. It can also be controlled with the :kbd:`Wheel`": "",
    "The smallest unit of information in a 2D raster image, representing a single color made up of red, green, and blue channels. If the image has an :term:`Alpha Channel`, the pixel will contain a corresponding fourth channel": "",
    "The sockets input and output values from the node. They appear as little colored circles on either side of the node. Unused sockets can be hidden with :kbd:`Ctrl-H`. There are two kinds of sockets: `inputs`_ and `outputs`_": "",
    "The space used to evaluate the target of the constraint is called the *Target* space. The space used to evaluate the constrained object (the object that owns the constraint) is called the *Owner* space. Hover over the space select menu(s) to learn whether it affects the space of the target or the space of the owner": "",
    "The sticks of one element are put into one instancing vertices structure and the sticks appear as cylinders. The instancing vertices structure makes the displaying and loading of many sticks relatively fast (`Separate Atoms`_ for more info). Options *Unit* is the length of a unit (a small cylinder): several of such units are put together forming actually the stick (cylinder). The longer the unit length is the less is the number of such units and thus the faster is the displaying. However, if the unit length is too long the stick becomes eventually longer than the bond length, which the stick will actually represent. This then creates some overlapping effects. Option *Bonds* displays apart from single also double, triple, etc. bonds whereas option *Distance* is the corresponding bond distance measured in stick diameter": "",
    "The stroke animation tools are described in the :doc:`Animation </grease_pencil/animation/tools>` section": "",
    "The stroke animation tools are described in the :ref:`Animation <grease-pencil-animation-tools-interpolation>` section": "",
    "The stroke is the rendered image of the points and edit lines, using a particular :doc:`Grease Pencil material </grease_pencil/materials/introduction>`. (Grease Pencil materials are linked at stroke level.)": "",
    "The structure of the linked data (the relationships between linked data-blocks) can be changed. Overrides need to be resynced to match the new structure. This operator will resync the override to the new structure in the library": "",
    "The sum of A and B. :math:`\\begin{pmatrix} A_x + B_x \\ A_y + B_y \\ A_z + B_z \\end{pmatrix}`": "",
    "The sum of the product of the two values with *Addend*": "",
    "The target :ref:`ui-data-id` indicates which curve object the Clamp To constraint will track along. The target must be a curve object type. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    "The target mesh is subtracted from the modified mesh (everything *outside* of the target mesh is kept)": "",
    "The target object that this object will act as a child of. :ref:`ui-data-id` used to select the constraint's target, and is not functional (red state) when it has none. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    "The target to use while :doc:`/editors/3dview/controls/snapping`": "",
    "The temporary directory is used to store various files at run-time (including render layers, physics cache, copy-paste buffer and crash logs)": "",
    "The term \"billboard\" has a specific meaning in real-time CG programming (i.e. video games!), where it is used for plane objects always facing the camera (they are indeed \"trackers\", the camera being their \"target\"). Their main usage is as support for tree or mist textures: if they were not permanently facing the camera, you would often see your trees squeezing to nothing, or your mist turning into a mille-feuille paste, which would be funny but not so credible": "",
    "The term *Image* may refer to a single picture, a picture in a numbered sequence of images, or a frame of a movie clip. The Compositor processes one image at a time, no matter what kind of input you provide": "",
    "The terminology (*Left*, *Right*, *Up*, *Down*) can be misunderstood easily. First, the numbers do not represent the amount of cropping, e.g. *Left* is set to 50 and *Right* to 50 does not mean that you will be cropping the image for 50 pixels on both the left and right side. In fact, it will result in zero-sized image because you are cropping from pixel 50 to pixel 50. So, the numbers defines a position in the input image": "",
    "The text field functions as a search field by matching elements in the list. Press :kbd:`Tab` to auto-complete names up to the level a match is found. If more than one match exists, you have to continue typing. If you type an invalid name, the value will remain unchanged": "",
    "The text to replace for in matching names found from the *Find* text": "",
    "The text to search (leave blank to disable)": "",
    "The texture can be selected from a list of textures available in the current blend-file or linked-in textures. The textures themselves can not be edited in the Compositor, but in the :doc:`Texture Node Editor </editors/texture_node/index>`": "",
    "The thickness of the bones in the chain is controlled using the constraint's *XZ Scale Mode* setting. This setting determines the method used for determining the scaling on the X and Z axes of each bone in the chain": "",
    "The three *AutoName* entries of the :menuselection:`Armature --> Names` menu allow you to automatically add a suffix to all selected bones, based on the position of their root relative to the armature's origin and its local coordinates:": "",
    "The three axis selectors allow you to select which input axis to map to, respectively (from top to bottom), the X, Y and Z output (owner) axes": "",
    "The three frames of the image above show the effects of shearing on the selected vertices when the pivot point is altered. In middle frame, the :doc:`Pivot Point </editors/3dview/controls/pivot_point/index>` is set to *Median Point* and the mouse was moved to the left during the transform. In right frame, the *Pivot Point* is set to the 3D cursor which is located above the mesh. When the mouse is moved to the left during a *Shear* transform, the selected vertices are moved to the right as they are below the horizontal axis": "",
    "The three points on the circle. The order of the points determines the direction (clockwise or counterclockwise) of the circle": "",
    "The tile order can be defined for the backdrop image, using the *Tile order* field in the properties of the Viewer node (*Properties* panel in Sidebar region, with the Viewer node selected):": "",
    "The tiling of a plane using one or more geometric shapes usually resulting in :term:`Micropolygons`": "",
    "The title shows the name/type of the node; it can be overridden by changing the node's :ref:`Label <bpy.types.Node.label>`. On the left side of the title is the *collapse* toggle which can be used to collapse the node. This can also be done with :kbd:`H`": "",
    "The tool has three sliders, which all adjust edge cutting priority (namely: *Face Angle Convex*, *Face Angle Concave*, *Edge Length*). A high value gives an edge with the corresponding property a higher chance to be cut. Because of that, it is usually better to set Edge Length to a negative value, letting long edges stay connected. Randomly modifying these values may often help to reduce the count of islands in the net. For information about the meaning of these values, read the Unfold section in the `Technical Details`_": "",
    "The tool is modal, such that when you activate it, you may adjust the thickness with your mouse position. You may also adjust the depth of the inset during the modal operation by holding :kbd:`Ctrl`": "",
    "The tool works by first defining the base of the object by holding :kbd:`LMB` and dragging to define size of the base. Next release the :kbd:`LMB` and drag to define the height of the object. Finally, press :kbd:`LMB` again to confirm the shape of the object": "",
    "The tools are only used in the :doc:`Compositor </compositing/index>`": "",
    "The top of the list corresponds to the most recent actions. A small icon of a dot next to one of the entries indicates the current status. Rolling back actions using the *Undo History* feature will take you back to the action you choose. Much like how you can alternate between going backward in time with *Undo* and then forward with *Redo*, you can hop around on the Undo timeline as much as you want as long as you do not make a new change. Once you do make a new change, the Undo History is truncated at that point. Selecting one of the entries in the list takes the current status to that position": "",
    "The top one displays different ways to quickly access some directories, in four :ref:`lists <ui-list-view>`. Clicking on one of the shortcut entries will immediately navigate to that folder": "",
    "The transform tools are described in the :doc:`Transformations </modeling/meshes/editing/mesh/transform/index>` sections": "",
    "The transformations occur by transformation of the *vertices* of the selected element(s). If an unselected element shares one or more vertices with a selected element then the unselected one will get some degree of transformation also": "",
    "The translations are licensed under the same :doc:`/copyright` as the original": "",
    "The two of the most obvious missing things are -- having the total fixed at 10, and having to access the operator with :doc:`/interface/controls/templates/operator_search` is not very convenient": "",
    "The type of atom radius (atomic, van der Waals or as specified in the custom data file [predefined]) can be chosen": "",
    "The typical use case is to select vertices and press :kbd:`F`, yet Blender also supports creating faces from different selections to help to quickly build up geometry": "",
    "The underlying idea of the *Action* constraint is very similar to the one behind the :doc:`Drivers </animation/drivers/index>`, except that the former uses a whole action (i.e. multiple F-curves of the same type), while the latter controls a single F-curve of their \"owner\"..": "",
    "The use of the Compositor is explained in :doc:`/compositing/index`": "",
    "The use of these files depends on the importing application. In general the object has to be first exported normally (OBJ export or the like) and then the pointcache data can be attached to the object": "",
    "The user may save their own startup/preferences while using this template which will be stored in their user configuration, but only when the template includes its own ``userpref.blend`` file": "",
    "The usual way to add a driver to a property is to :kbd:`RMB` click a property, then choose *Add Driver* in the context menu. Drivers can also be added by pressing :kbd:`Ctrl-D` with the mouse over the property": "",
    "The value used to spread extra vertices apart for *Outer* and *Inner Miters*": "",
    "The various *Inherit Scale* options are provided as tools in avoiding shear that is caused by non-uniform scaling combined with parenting and rotation. There is no obvious best way to achieve that, so different options are useful for different situations": "",
    "The velocity unit was encoded in seconds and needs to be scaled by the scene FPS (1 / FPS)": "",
    "The view can also be aligned by holding :kbd:`Alt-MMB` and moving the mouse towards the view to align to": "",
    "The visibility and settings of the overlays can be set in the :doc:`Viewport Overlays </editors/3dview/display/overlays>` popover": "",
    "The way in which markers are displayed compact (black outline and yellow foreground color) makes tracks visible on all kind of footage (both dark and light). But sometimes it can be annoying and this option will make the marker display more compactly -- the outline is replaced by dashed black lines rendered on top of the foreground, so that marker areas are only 1px thick": "",
    "The weight (visualized as a color) to be used by the brush": "",
    "The weight of the blend between the shape key and its reference key (usually the Basis shape)": "",
    "The whole curve can be copied from one Curve Widget to another by hovering over the curve graph and pressing :kbd:`Ctrl-C`, :kbd:`Ctrl-V`": "",
    "The wider the \"hole\" is, the more noticeable this effect is! If you use more than a few pixels of infill, the effect is almost as irritating as the wire and your viewers won't be impressed": "",
    "The width is calculated based on the input height and the pixel dimensions of the image. For example, with the default *Height* of 1, an image of 800 × 600 will have a calculated width of 1 / 600 × 800 or 1.33 units": "",
    "The window can be closed with the OS *Close Window* button": "",
    "The workspaces are saved in the blend-file. When you open a file, enabling the *Load UI* in the File Browser indicates that Blender should use the file's screen layouts and overriding the current layout. See :ref:`Load UI <file-load-ui>`": "",
    "The zoom factor of a whole region with panels can be changed by :kbd:`Ctrl-MMB` clicking and moving the mouse anywhere within that region or use the :kbd:`NumpadPlus` and :kbd:`NumpadMinus` to zoom in and out the contents. Pressing :kbd:`Home` (Show All) will reset the zooming at the screen/panel focused by the mouse pointer": "",
    "Their parent rotation (i.e. they keep a constant rotation relatively to their parent)": "",
    "Themes use Blender's preset system to save a theme. This will save the theme to an XML file in the ``./scripts/presets/interface_theme/`` subdirectory of one of the :doc:`configuration directories </advanced/blender_directory_layout>`": "",
    "Then choose your settings (you can try small values first, large values may be slow). If you use the defaults and when the next layer checkbox is active, the fractured object will appear on the next layer to the active objects layer": "",
    "Then confirm (:kbd:`Return`/:kbd:`MMB`) or cancel (:kbd:`Esc`/:kbd:`RMB`)": "",
    "Then you have to go into the material properties to the *Custom POV Code* field, and just type in the name of your declared item to use: \"MyTexture\" in the example given. Then you can render your image normally and the material will be replaced": "",
    "Then, always in the Properties click on the Armatures tab and under display check the *Axis* checkbox. This way you the bones rotation axes will be displayed during the edit process": "",
    "There also is the possibility to ask questions on `Stack Exchange <https://blender.stackexchange.com/>`__. However, note that some of the developers (like Blendphys) don't have enough credits, which are needed to give answers on Stack Exchange": "",
    "There are `several independent websites <https://www.blender.org/community/>`__ such as forums, blogs, news, and tutorial sites dedicated to Blender": "",
    "There are a couple of editors that can manage video: the :doc:`Compositor </editors/compositor>`, the :doc:`Movie Clip Editor </editors/clip/index>`, the :doc:`Image Editor </editors/image/index>` (only for still images), and the Video Sequencer": "",
    "There are also in *Pose Mode* a bunch of armature-specific editing options/tools, like :ref:`auto-bones naming <armature-editing-naming-bones>`, :ref:`properties switching/enabling/disabling <armature-bone-properties>`, etc., that were already described in the armature editing pages. See the links above..": "",
    "There are four Bézier curve handle types. They can be accessed by pressing :kbd:`V` and selecting from the list that appears": "",
    "There are known issues that have to be addressed. See Phabricator `main task of the project <https://developer.blender.org/T73318>`__, for more details": "",
    "There are more custom function examples available in Blender's Text Editor :menuselection:`Templates --> Python --> Driver Functions`. Since :ref:`Simple Expressions <drivers-simple-expressions>` cannot access custom functions, using them only makes sense for complex computations": "",
    "There are other ways scripts in a blend-file may execute that require user interaction (therefore will run even when auto execution is off), but you should be aware that this is the case since it is not necessarily obvious": "",
    "There are several other :doc:`general visibility </scene_layout/object/properties/visibility>` properties": "",
    "There are six Object types you can create by default. Using the parameters you can build upon these objects to create more object types. Object Types have unique parameter sets and share the Superformula parameters (described below)": "",
    "There are some options to align the closed (cyclic spline) target and the shape-key curves. Also it's possible to match individual parts from a multipart (multiple splines) of target and shape key curves (e.g. a text object converted into a curve) based on various criteria": "",
    "There are strict conditions about the profile selection when you want to use this tool. You must have at least one open line or open profile, giving Blender the starting Vector for extrusion, angular vector and height (e.g. a simple edge, a half circle, etc.). You need only to ensure that at least one reference line has two \"free\" ends. If two open Lines are given, Blender will not determine which of them is the vector, and will then show you an error message, ``\"You have to select a string of connected vertices too\"``. You need to select all of the profile vertices that will participate in the *Screw* tool operation; if they are not properly selected, Blender will also show you the same message": "",
    "There are three automatic modes, *Automatic*, *Auto Clamped*, and *Vector*, where Blender automatically determines the curve's slope at each control point. The neighboring control points have the most influence of the slope, and points further away have a smaller influence. This can be controlled per F-curve with the :ref:`Auto Handle Smoothing <bpy.types.FCurve.auto_smoothing>` properties": "",
    "There are two main ways to use the Bridge tool. The first method is to select two groups of faces and then run the tool. The second method is to select two (closed) loops of edges. Both methods can be mixed and you can even Bridge multiple groups at the same time. The script will try to make an educated guess on which groups should be connected": "",
    "There are two modeling tools used to control shape keys and are found in :ref:`Edit Mode <modeling-meshes-editing-vertices-shape-keys>`": "",
    "There are two operator presets (see top of the Sidebar) for Second Life (SL) users:": "",
    "There is a case for *vertices* this time: the active vertex is where the pivot point resides. All other vertices are transformed relative to it": "",
    "There is also an experimental *Import USD Preview* option to convert USD Preview Surface shaders to Blender :doc:`Principled BSDF </render/shader_nodes/shader/principled>` shader nodes. This option can be lossy, as it does not yet handle converting all shader settings and types, but it can generate approximate visualizations of the materials": "",
    "There is always only one active material in the list (the selected one). When you draw, the new strokes use the active material": "",
    "There is an option in POV-Ray for Windows interface to do the same: The \"On Completion\" option to \"Exit POV-Ray for Windows\" (in the *Render* menu)": "",
    "There is no interpolation at all. The curve holds the value of its last keyframe, giving a discrete (stairway) \"curve\". Usually only used during the initial \"blocking\" stage in pose-to-pose animation workflows": "",
    "There is no way of automatically creating a twisting effect where a dampened rotation is inherited up the chain. Consider using :doc:`Bendy Bones </animation/armatures/bones/properties/bendy_bones>` instead": "",
    "These :ref:`data-block menus <ui-data-block>` are used to select the current active :doc:`Scene </scene_layout/scene/index>` and :doc:`View Layer </scene_layout/view_layers/index>`": "",
    "These additional easing types imitate (fake) physics-based effects like bouncing/springing effects. The corresponding settings can be found in the :menuselection:`Sidebar region --> Active Keyframe panel`": "",
    "These allow you to define your own \"factory settings\", which the user may change, just as Blender has it's own defaults when first launched": "",
    "These are some examples of *Feature Sets* currently provided by past and current Rigify developers:": "",
    "These are the most important bones in this rig. You can move them to quickly set and animate a framing. The camera will adjust its parameters to adapt to this framing (focal length, rotation / shift). They should always be at the same height (Y axis in the camera's coordinate system)": "",
    "These are the start/end frames of the range in which motion paths are shown. You have to *Calculate Paths* again if you modify this setting, to update the paths in the 3D Viewport. The start frame is *inclusive* (i.e. if you set *Start* to 1, you will really see the frame 1 as starting point of the paths...)": "",
    "These buttons are equivalent to the *Up* ones of the :doc:`Track To constraint </animation/constraints/tracking/track_to>`: the owner is rotated around two local axes in the specified order": "",
    "These buttons are used to set, play, rewind, the *Playhead*": "",
    "These buttons control which of the X and/or Z axes should be affected (scaled up/down) to preserve the virtual volume while stretching along the Y axis. If you enable the *none* button, the volumetric features are disabled": "",
    "These buttons enable the lower boundary for the location of the owner's origin along, respectively, the X, Y and Z axes of the chosen *Space*. The number field below them controls the value of their limit. Note that if a min value is higher than its corresponding max value, the constraint behaves as if it had the same value as the max one": "",
    "These buttons enable the lower boundary for the scale of the owner along respectively the X, Y and Z axes of the chosen *Space*. The *Min* and *Max* number fields to their right control the value of their lower and upper boundaries, respectively": "",
    "These buttons enable the rotation limit around respectively the X, Y and Z axes of the owner, in the chosen *Owner* space. The *Min* and *Max* number fields to their right control the value of their lower and upper boundaries, respectively": "",
    "These buttons enable the upper boundary for the location of the owner's origin along, respectively, the X, Y and Z axes of the chosen *Space*. Same options as above": "",
    "These channels contain the keyframes to which the :doc:`layers </grease_pencil/properties/layers>` are bound": "",
    "These controls are used to activate or deactivate options. Use :kbd:`LMB` to change their state. A tick is shown on checkboxes when the option is activated. Active status on toggle buttons is indicated either by color on the icon background, or a change in icon graphics": "",
    "These expressions are evaluated by Python; for all available math expressions see: `Math module reference <https://docs.python.org/3/library/math.html>`__": "",
    "These formats are primarily used for compressing rendered sequences into a playable movie (they can also be used to make plain audio files)": "",
    "These functions help you reuse materials, objects and other :doc:`data-blocks </files/data_blocks>` loaded from another blend-file. You can build libraries of common content and share them across multiple referencing files": "",
    "These inheriting behaviors propagate along the bones' hierarchy. So when you scale down a bone, all its descendants are by default scaled down accordingly. However, if you disable one bone's *Inherit Scale* or *Inherit Rotation* property in this \"family\", this will break the scaling propagation, i.e. this bone *and all its descendants* will no longer be affected when you scale one of its ancestors": "",
    "These keyword arguments show up in generated ``demo.py``, e.g::": "",
    "These must be reverted though :menuselection:`File --> Defaults`": "",
    "These named outputs could be used, when the material is defined with material nodes. In this case, Texture Channels are probably not used. Instead, insert the texture nodes into the material node tree by using :menuselection:`Add --> Input --> Texture`. Inside the just added texture node the output to use can then be selected (e.g. *Diffuse* or *Normal*)": "",
    "These nodes can be used to manipulate each color channel independently. Each type is differentiated in the applied :term:`Color Space`": "",
    "These number fields specify the center of the spin. When the tool is called for the first time, it will copy the XYZ location (global coordinates) of the cursor presently in the 3D Viewport to start the operation. You can specify the cursor coordinates using the Transform panel in 3D Viewport, and typing in the 3D Cursor Location coordinates. You can adjust these coordinates interactively and specify another place for the spin center during the interactive session. (See Fig. :ref:`fig-mesh-screw-interactive-panel`.)": "",
    "These objects are the type of objects that get created when you import a POV-Ray file, so that ideally, you could \"exchange\" data back and forth between POV-Ray and Blender": "",
    "These operators will select the next or previous control point(s), based on the current selection (i.e. the control points following or preceding the selected ones along the curve). In case of a cyclic curve, the first and last points are not considered as neighbors": "",
    "These operators will toggle the selection of the first or last control point(s) of the curve(s) in the object. This is useful to quickly find the start of a curve (e.g. when using it as path...)": "",
    "These options are available in the *Tool* panel after running the tool:": "",
    "These options are available while the tool is in use, and later in the :ref:`bpy.ops.screen.redo_last` panel": "",
    "These options are not available with all :ref:`Containers <files-video-containers>`": "",
    "These options can always be changed later in the :doc:`Preferences </editors/preferences/index>`": "",
    "These options can be specified in the :ref:`bpy.ops.screen.redo_last` panel, which appears when the object is created. Options included in more than one primitive are:": "",
    "These options control all properties in the keying set. Note that the same settings in *Preferences* override these settings if enabled": "",
    "These preferences are reserved for features that are currently being worked on and are not yet complete. This category can be enabled by enabling :ref:`Developer Extras <prefs-interface-dev-extras>`": "",
    "These preferences control how an :ref:`NDOF device <hardware-ndof>` interacts with the 3D Viewport. These preferences can also be accessed using the :kbd:`NDOFMenu` button on the NDOF device to open a pop-up menu to adjust the settings directly from the 3D Viewport": "",
    "These previews can then be used by the *Thumbnail* view of the File Browser, when linking or appending data-blocks": "",
    "These properties from :mod:`blender_api:bpy.props` are handled specially by Blender when the class is registered so they display as buttons in the user interface. There are many arguments you can pass to properties to set limits, change the default and display a tooltip": "",
    "These represent custom keyframe tags set by the user (:menuselection:`Key --> Keyframe Type`)": "",
    "These sets of tabs are used to select the current :doc:`Workspace </interface/window_system/workspaces>`; which are essentially predefined window layouts": "",
    "These settings control :doc:`Keyframes </animation/keyframes/index>` which are the building blocks for animations": "",
    "These settings control how :doc:`F-Curves </editors/graph_editor/fcurves/index>` look and their default behavior": "",
    "These settings control how the bone influences its geometry, along with the bones' joints radius. This will be detailed in the :doc:`skinning part </animation/armatures/skinning/index>`": "",
    "These settings control things in the :doc:`Timeline </editors/timeline>`": "",
    "These three number fields vary from (-1.0 to 1.0) and are clamped above those limits. These values correspond to angular vectors from (-90 to 90) degrees. Depending on the position where you started your cursor location and Object operation in the viewport and its axis positions in Global View space and coordinates, Blender will give the proper Axis vector a value of 1, giving the angular vector of the profile a starting direction and giving the extrusions a starting direction based on the current view. Blender will let you adjust the axis angular vectors and you can tweak your object such that you can revert the direction of the screw operation (by reverting the angular vector of the height), meaning you can revert the clockwise and counterclockwise direction of some operations, and also adjust the angular vectors of the profile, bending it accordingly. (See Fig. :ref:`fig-mesh-screw-interactive-panel`.)": "",
    "These tools will recalculate the normals of selected faces so that they point outside (respectively inside) the volume that the face belongs to. The volume does not need to be closed; inside and outside are determined by the angles with adjacent faces. This means that the face of interest must be adjacent to at least one non-coplanar other face. For example, with a *Grid* primitive, recalculating normals does not have a meaningful result": "",
    "These tracks may be tracked or moved manually, so gradients can be updated over time. If the marker is not enabled for a frame, it will not be used creating the gradient. (Such as the red-colored marker on the arm in the screenshot above)": "",
    "These transform tools are available in the *Transform* section of the *Mesh* menu in the header. Note that, some of these can also be used on other editable objects, like curves, surfaces, and lattices": "",
    "These vertex groups are sometimes also named 'weight groups' or 'weight maps'. They are used for defining the weight tables of armature bones. All deform groups of an object are strictly related to each other via their weight values": "",
    "They also have a radius property, only useful for the envelope deformation method (see below)": "",
    "They are also widely used in animation, both as for objects to move along (see constraints below) and as :doc:`F-Curves </editors/graph_editor/fcurves/introduction>` to change the properties of objects as a function of time": "",
    "They can be linked between files (only enabled for a limited set of data-blocks)": "",
    "They can have `Custom Properties`_": "",
    "They can modify the available header tools (menus and/or menu entries, as well as other controls...). For example, in the 3D Viewport, the *Object* menu in Object Mode changes to a *Mesh* menu in Edit Mode (with an active mesh object!), and a *Paint* menu in Vertex Paint Mode..": "",
    "They can reference each other, for reuse and instancing. (Child/parent, object/object-data, materials/images, in modifiers or constraints too...)": "",
    "They work by changing how an object is displayed and rendered, but not the geometry which you can edit directly. You can add several modifiers to a single object forming the modifier stack and *Apply* a modifier if you wish to make its changes permanent": "",
    "Thirdly, the terms *Up* and *Down* are ambiguous and suggest an action; e.g. \"Crop down\". The values, however, are not amounts but positions. The term *Down* should be interpreted as \"Bottom\" and *Up* as \"Top\"": "",
    "This Mode allows you adjust the timing of the :doc:`Grease Pencil object's </grease_pencil/index>` animation frames. It is especially useful for animators blocking out shots, where the ability to re-time blocking is one of the main purposes of the whole exercise": "",
    "This a simple way to include more or less along the edges of the matte, particularly combined with *Post Blur*": "",
    "This action only works on the original starting control point or the last control point added. Deleting a segment(s) does not change how the action applies; it still operates only on the starting and last control points. This means that :kbd:`Alt-C` may actually join two curves instead of closing a single curve! Remember that when a 2D curve is closed, it creates a renderable flat face": "",
    "This add-on adds new functionality for the management of collections via a pop-up and a QCD (Quick Content Display) system in the 3D Viewport. It also offers simple display and modification of the relationship of objects with collections": "",
    "This add-on allows searching for operator names (``bl_idname``) and opens source files containing them": "",
    "This add-on allows you to authenticate your Blender with your `Blender ID <https://id.blender.org/>`__ account. This authentication can then be used by other add-ons, such as the `Blender Cloud add-on <https://archive.blender.org/wiki/index.php/Extensions:2.6/Py/Scripts/System/BlenderCloud/>`__": "",
    "This add-on allows you to set a file path to a directory with blend-file(s) containing node groups. All the node groups will then be available from a new menu in the :menuselection:`node editors --> Add --> Template` menu": "",
    "This add-on can be enabled via :menuselection:`Preferences --> Add-ons --> Render --> Freestyle SVG Exporter`. The interface for the exporter should now be visible as a new panel in the Render tab": "",
    "This add-on can export your :ref:`Freestyle Renders <bpy.types.Freestyle>` into an SVG file. It can fill contours with their material color and can also export SVG animations": "",
    "This add-on can read and write Gimp's palette format. The first thing to do is to determine your \"Palettes Folder\". This can be the Gimp's palette folder, or it can be a specific one for your project. Select the palette with the select menu. You can save your palette with the ``+`` button. Add as many colors as you need with the ``+`` button at the left of the index number field. Sample the current brush color with the small color wheel button. Select a palette color with the small button under the colors": "",
    "This add-on creates a mesh object \"Skinify Guy\" covering an armature with a mesh": "",
    "This add-on creates trees. There are many preset tree types to choose from or create your own. The method is presented by Jason Weber & Joseph Penn in their paper \"Creation and Rendering of Realistic Trees\"": "",
    "This add-on extends the *Copy Objects* :kbd:`Ctrl-C` hotkey to include many extra copy types": "",
    "This add-on has two distinct modes of operation: the `Normal Mode`_ allows you to animate the Sun realistically, while the `Sun + HDRI Texture Mode`_ is useful for synchronizing a sun light to an HDRI texture": "",
    "This add-on makes 'inset polygons', which you get when you advance the edges of the polygon inwards at a constant rate. Sometimes when you do that, an advancing edge shrinks to nothing, or edges hit an advancing concave corner. The algorithm tries to do the right thing when this happens: one or more new polygons may form at that point, and insetting can continue inside those new polygons": "",
    "This add-on takes the body of the script above, and adds it to an operator's ``execute()`` function. ::": "",
    "This adds a stylized monkey head to use as a test mesh, use :term:`Subdivision Surface` for a refined shape": "",
    "This affects :ref:`Pie Menu on Drag <keymap-pref-py_menu_on_drag>` keymap preference": "",
    "This allows implementing rigs that integrate and manage their child chains in intelligent ways in order to add extra automation specific to certain areas. The base skin system includes one simple example `skin.transform.basic`_ rig, which translates its child control points according to its control bone transformation": "",
    "This allows to set an area of interest for the backdrop. Press :kbd:`Ctrl-B` and select a rectangular area in the preview which will become the next preview in the backdrop. :kbd:`Ctrl-Alt-B` discards the region back to a full preview. This is only a preview option, final compositing during a render ignores this region": "",
    "This allows you to inspect your animatic (for object movements, alternate angles, etc.)": "",
    "This allows you to move selected channels up/down :kbd:`PageUp`, :kbd:`PageDown`, or directly to the top/bottom :kbd:`Shift-PageUp`, :kbd:`Shift-PageDown`": "",
    "This behaves like a potter's wheel or record player where you have two axes of rotation available, and the world seems to have a better definition of what is \"Up\" and \"Down\" in it": "",
    "This behavior can be disabled with the *Save Prompt* option in the :ref:`prefs-save-load` section of the *Preferences*": "",
    "This button group controls which global axis (X, Y or Z) is the main direction of the path. When clamping the object to the target curve, it will not be moved significantly on this axis. It may move a small amount on that axis because of the inexact way this constraint functions": "",
    "This button reverses (cancels) the effects of the above one, restoring the owner/child to its default state regarding its target/parent": "",
    "This button selects the channel, defined by the *Color Space*, to use to determine the matte": "",
    "This button sets the movies *frames* to the length of the selected movie": "",
    "This can be accessed quickly using the :kbd:`F` key, see: :ref:`modeling-mesh-make-face-edge-dissolve`": "",
    "This can be useful for adding deviation to a cyclic action like a :term:`Walk Cycle`, or to create a keyframe animation created from drivers or constraints": "",
    "This chapter covers advanced use (topics which may not be required for typical usage)": "",
    "This chapter covers far more detailed explanations about some Blender tools (which may not be required for typical usage)": "",
    "This chapter explains how to change Blender's default configuration with the *Preferences* editor": "",
    "This constraint allows you to choose in which space evaluate its owner's transform properties. See :ref:`common constraint properties <rigging-constraints-interface-common-space>` for more information": "",
    "This constraint allows you to choose in which space to evaluate its owner's transform properties. See :ref:`common constraint properties <rigging-constraints-interface-common-space>` for more information": "",
    "This constraint does not tolerate negative scale values (those you might use to mirror an object...): when you add it to an object or bone, even if no axis limit is enabled, nor the *Affect Transform* option, as soon as you scale your object, all negative scale values are instantaneously inverted to positive ones... And the boundary settings can only take strictly positive values": "",
    "This constraint is fully documented in the :ref:`Inverse Kinematics <bone-constraints-inverse-kinematics>` page, part of the rigging chapter": "",
    "This constraint is more complex and versatile than the other \"transform\" constraints. It allows you to map one type of transform properties (i.e. location, rotation or scale) of the target, to the same or another type of transform properties of the owner, within a given range of values (which might be different for each target and owner property). You can also switch between axes, and use the range values not as limits, but rather as \"markers\" to define a mapping between input (target) and output (owner) values": "",
    "This constraint is set to use World Space as the frame of reference for both its *Target* space and its *Owner* space": "",
    "This constraint only works after you have set up a minimum of eight markers and pressed :ref:`Solve Camera Motion <editors-movie-clip-tracking-clip-solve-motion>` (:menuselection:`Movie Clip Editor --> Toolbar --> Solve --> Solve Camera Motion`)": "",
    "This constraint only works after you have set up a minimum of eight markers and pressed :ref:`Solve object Motion <editors-movie-clip-tracking-clip-solve-motion>`. Located at :menuselection:`Movie Clip Editor --> Toolbar --> Solve --> Solve Camera Motion`": "",
    "This constraint shares a close relationship to the :doc:`Inverse Kinematics constraint </animation/constraints/tracking/ik_solver>` in some ways": "",
    "This constraint was designed to work cooperatively with the *Track To* constraint. If you set the axes buttons right for these two constraints, *Track To* can be used to point the axle at a primary target, and *Locked Track* can spin the owner around that axle to a secondary target": "",
    "This control is useful to manage lists of items. They can be found, for example, in the object data properties. In addition to the main list, there is a Filtering panel on the bottom (hidden by default) and modification buttons on the right": "",
    "This controls how the color channels are compared when computing spill, affecting the hue and shade of the corrected colors. It is similar to setting the *Limiting Channel* in the :doc:`Color Spill Node </compositing/types/matte/color_spill>`": "",
    "This corresponds to a rotation around the camera's local Y axis. Press :kbd:`R`, and then :kbd:`Y` twice": "",
    "This decomposition is available through :ref:`Driver Variables <drivers-variables-rotation-modes>` and inputs of the :doc:`Transformation constraint </animation/constraints/transform/transformation>`. The :doc:`Damped Track constraint </animation/constraints/tracking/damped_track>` produces a pure *swing* rotation": "",
    "This decomposition is often produced in rigs by using a helper bone with a :doc:`Damped Track Constraint </animation/constraints/tracking/damped_track>` to extract the swing part, and its child with :doc:`Copy Transforms </animation/constraints/transform/copy_transforms>` to extract the twist component": "",
    "This determines the data type of the result attribute. If this is set to *Auto*, the data type from the original attribute is used": "",
    "This edge property, a value between (0.0 to 1.0), is used by the :doc:`Bevel Modifier </modeling/modifiers/generate/bevel>` to control the bevel intensity of the edges. This operator enters an interactive mode (a bit like transform tools), where by moving the mouse (or typing a value with the keyboard) you can set the bevel weight of selected edges. If two or more edges are selected, this operator alters the average weight of the edges": "",
    "This edge property, a value between (0.0 to 1.0), is used by the :doc:`Subdivision Surface Modifier </modeling/modifiers/generate/subdivision_surface>` to control the sharpness of the edges in the subdivided mesh. This operator enters an interactive mode (a bit like transform tools), where by moving the mouse (or typing a value with the keyboard) you can set the (average) crease value of selected edges. A negative value will subtract from the actual crease value, if present. To clear the crease edge property, enter a value of -1": "",
    "This enables Blender to save actions done when you are **not** in *Edit Mode*. For example, duplicating objects, changing panel settings or switching between modes": "",
    "This example has a *Time* node putting out a linear sequence from 0 to 1 over the course of 101 frames. At frame 25, the output value is 0.25. That value is multiplied by 2 × pi (6.28) and converted to 1.0 by the Sine function, since :math:`sin(2 × pi/ 4) = sin(pi/ 2) = +1.0`": "",
    "This example node tree does not use the Render Layer node. To produce this 2-second animation, no Blender scene information was used. This is an example of using Blender's powerful compositing abilities separate from its modeling and animation capabilities. (A Render Layer could be substituted for the Image layer, and the \"fade-network\" effect will still produce the same effect.)": "",
    "This example shows you how setup a *Path Animation*": "",
    "This feature is deprecated, but still available. A more future-proof method is the :doc:`/animation/constraints/relationship/follow_path`": "",
    "This feature is somewhat extended/completed by the :doc:`pose library </animation/armatures/properties/pose_library>` tool": "",
    "This first tab contains settings for the active :doc:`tool </editors/3dview/toolbar/index>` (in the 3D Viewport) and the current :doc:`workspace </interface/window_system/workspaces>`": "",
    "This handle has a completely automatic length and direction which is set by Blender to ensure the smoothest result. These handles convert to *Aligned* handles when moved": "",
    "This has the advantage that it doesn't conflict with existing :kbd:`Alt-MMB` shortcuts, noted above": "",
    "This implies that the target *must* have a surface. In fact, the constraint is even more selective, as it can only use meshes as targets. Hence, the *Shrinkwrap* option is only shown in the *Add Constraint to Active Object* menu, :kbd:`Ctrl-Alt-C`, (or its bone's equivalent), when the selected inactive object is a mesh": "",
    "This index can be used with some modifiers to restrict changes to only a certain material. See :doc:`Modifiers </grease_pencil/modifiers/introduction>` for more information": "",
    "This is a convenient shortcut that dissolves based on the current selection mode (vertex, edge, face)": "",
    "This is a critical feature to get reproducible and/or stable effects (otherwise e.g. your hair simulation would change every time you re-run it, without any way to control the outcome)": "",
    "This is a gift from old NaN to the community and is seen as a programmer's joke or \"Easter Egg\". It creates a monkey's head once you press the *Monkey* button. The Monkey's name is \"Suzanne\" and is Blender's mascot": "",
    "This is a link to the Official Blender Manual (which you are now reading)": "",
    "This is a number between 0 and 1 that controls the shape of the profile (side view of a beveled edge). The default value, 0.5, gives a circular arc (if the faces meet at right angles). Values less than that give a flatter profile, with 0.25 being exactly flat, and values less than that giving a concave bevel. Values more than 0.5 give a more convex profile. Similarly as *Segments* it can be set with mouse movements and numeric input after toggling :kbd:`P`": "",
    "This is a quick way to add drivers with a scripted expression. First click the property you want to add a driver to, then type a hash ``#`` and a scripted expression": "",
    "This is a simple tool that adds in the Render properties a new panel with a big *Copy Render Settings* button, and some options to control what to copy, and to which scenes..": "",
    "This is a temporary frame range used for previewing a smaller part of the full range. The preview range only affects the viewport, not the rendered output. See :ref:`graph-preview-range`": "",
    "This is also available through the :menuselection:`Pose --> Scale Envelope Distance` menu entry, which is only effective in *Envelope* visualization, even though it is always available..": "",
    "This is an example ``__init__.py`` file which defines defaults for an app template to use": "",
    "This is an example of the theme *Blender Light*": "",
    "This is an interactive tool. As you move the mouse around, the selected normals are rotated. You can also invoke the Rotate Normals tool by pressing the Rotate transform key :kbd:`R`, followed by :kbd:`N`": "",
    "This is detected for each action, so the presence of a tablet will not disable *Continuous Grab* for mouse cursor input": "",
    "This is done from :menuselection:`File --> Demo Mode (Setup)` in the File menu, from here you can select a directory which is searched recursively for blend-files to loop over": "",
    "This is equivalent to using the *Split Channels* option, but replacing the location component with the result of *Full*. If only uniform scale is used, the result is identical to *Full*": "",
    "This is further documented here: :ref:`Adjust Last Operation <bpy.ops.screen.redo_last>`": "",
    "This is further documented here: :ref:`Toolbar <ui-region-toolbar>`": "",
    "This is identical to the *Segments* setting of the Bridge tool, but setting it to automatic (segments = 0) has an advantage for the loft tool. When letting the script determine the number of segments needed, it might create different numbers of segments between different loops": "",
    "This is just a rotation along the local X axis. Press :kbd:`R` to enter object rotation mode, then :kbd:`X` twice (the first press selects the *global* axis, pressing the same letter a second time selects the *local* axis -- this works with any axis; see the :doc:`Axis Locking page </scene_layout/object/editing/transform/control/axis_locking>`)": "",
    "This is probably the most useful situation, as it will quickly create a volume, with (by default) two flat and parallel surfaces filling the two sides of the extruded \"wall\". You can remove one or both of these faces by choosing the fill mode: both, front, back, or none": "",
    "This is simply a convenience for accessing :ref:`bpy.ops.mesh.dissolve_faces`": "",
    "This is simply a convenient shortcut to add drivers which can also be added via the :kbd:`RMB` menu": "",
    "This is still an experimental feature that can be enabled when exporting to USD. When enabled, instanced object meshes are written to USD as references to the original mesh. The first copy of the mesh is written for real, and the following copies are referencing the first. Which mesh is considered 'the first' is chosen more or less arbitrarily": "",
    "This is the balance between color channels compared with the key color. 0.5 will average the other channels (red and blue in the case of a green screen)": "",
    "This is the bone (named ``Ctrl``) that will translate the camera around. By default it will track to the aim bone": "",
    "This is the command you should use when building the docs, however, other commands are available by typing ``make help``. This command will convert the RST-files into HTML pages and automatically open your default web browser to view the result. The command will continue to run and watch for changes made to the RST-files and refresh the HTML pages as necessary": "",
    "This is the default keymap. Read more about this keymap :doc:`here </interface/keymap/blender_default>`": "",
    "This is the number of pixels that fit in 1 inch. So, with the *Unit System* set to *Metric* and the *Definition* field set to the default 600 DPI, an image of 800 × 600 pixels will have a size of 0.0339 × 0.0254 units because 600 pixels are defined as 1 inch which equals 0.0254 m": "",
    "This is the primary use case of splines, most of the time `Bézier`_ or `NURBS`_ splines are used instead; both of which interpolate the shape and give smooth results": "",
    "This is the simplest and most non-intrusive visualization. It just materializes bones by sticks of constant (and small) thickness, so it gives you no information about root and tip, nor bone size or roll angle": "",
    "This is used with object buttons (such as parent, constraints or modifiers) to select an object from the 3D Viewport or Outliner": "",
    "This is useful in combination with :ref:`Auto Depth <prefs-auto-depth>` to quickly zoom into the point under the cursor": "",
    "This is very helpful for more complex rigging and mechanical rigs, as it means the Action constraint can be controlled directly with a :doc:`Driver </animation/drivers/index>` or :ref:`Custom Property <files-data_blocks-custom-properties>`": "",
    "This is why nearly all direct animation is done using *interpolation*": "",
    "This key works well when trying to single out a specific color in a background (not necessarily green)": "",
    "This keymap is intended to match common creation software and is intended for people who use many different creation software. Read more about this keymap :doc:`here </interface/keymap/industry_compatible>`": "",
    "This lists all render settings. The checkbox to the right controls whether that setting will be copied or not. So if you want to copy a specific setting, hover your mouse over its control, note its Python name (e.g. ``resolution_x`` for the X resolution, etc.), and enable the corresponding item in this list": "",
    "This location offset is also proportionally affected by the scale of the target curve. Taking the same (1.0, 1.0, 0.0) offset as above, if the curve has a scale of (2.0, 1.0, 1.0), the owner will be offset two units along the X axis (and one along the Y one)..": "",
    "This makes regions overlap the viewport. It means that the *Toolbar* and *Sidebar* regions, will be displayed overlapping the main area": "",
    "This makes the active linked object into a local proxy, appending \"_proxy\" to its name. It allows you to make changes locally over an object (or collection) linked from an external library": "",
    "This matches the active camera to a regular (non camera) view, for a convenient method of placing the camera without having to move the object directly": "",
    "This may be tweaked in tandem with *Clip Black* and *Clip White* while checking the *Matte* output to create a mask with optimal separation": "",
    "This menu appears when in Object Mode. it contains tools to edit :doc:`objects </scene_layout/object/editing/transform/introduction>`. In Edit Mode, it will change to the appropriate menu with :doc:`editing tools </modeling/index>`": "",
    "This menu offers tools to :doc:`navigate </editors/3dview/navigate/index>` in 3D space": "",
    "This method is similar to *Nearest Surface Point*, but produces a much smoother projection in return for being significantly slower": "",
    "This method is very similar to the *Nearest Surface Point* one, except that the owner's possible shrink locations are limited to the target's vertices": "",
    "This method of parenting is certainly easier to setup, but it can often lead to armatures which do not deform child objects in ways you would want. Overlaps can occur when it comes to determining which bones should influence certain vertices when calculating influences for more complex armatures and child objects. Symptoms of this confusion are that when transforming the armature in *Pose Mode*, parts of the child objects do not deform as you expect; If Blender does not give you the results you require, you will have to manually alter the weights of vertices in relation to the vertex groups they belong to and have influence in": "",
    "This method requires an additional *target* or *corrective* bone, but it better expresses the spatial condition in 3D space of the bone that is causing the problem": "",
    "This mode also tends to overshoot and oscillate more with fully *Automatic* handles in some cases (see the right end of the image above), so it is recommended to use *Auto Clamped* by default, and only switch to *Automatic* handles in places where this is desired behavior. This effect can also be reduced by adding in-between keys": "",
    "This mode can be accessed by changing the Dope Sheet editor's *Mode* selector (found in the header to the far left) to Grease Pencil": "",
    "This mode is ideal for interpolating between **any** pair of orientations. It doesn't suffer from gimbal lock or any interpolation undesired effect. The only drawback is that you cannot interpolate between two orientations that are at a distance greater than than 180°, as the animation will take the shortest path between them. Thus to animate a revolving element you must set up many intermediate keyframes, 180° from each other at most": "",
    "This mode of the *Dope Sheet* uses a similar interface as the :doc:`/editors/dope_sheet/action` Mode with the distinction of the absence of header filter controls and tools for channels": "",
    "This modifies the radii of all atoms with one scaling factor. Type in the scaling factor and increase or decrease the size of the radii by using the *Bigger* or *Smaller* button, respectively": "",
    "This node can be combined with the :doc:`Attribute Compare </modeling/geometry_nodes/attribute/attribute_compare>` node for a more precise control of which points are separated to a given output geometry": "",
    "This node combines the functionality of three other nodes: :doc:`Scale </compositing/types/distort/scale>`, :doc:`translate </compositing/types/distort/translate>`, and :doc:`rotate </compositing/types/distort/rotate>` nodes": "",
    "This node converts (maps) an input value range into a destination range. By default, values outside the specified input range will be proportionally mapped as well. This node is similar to *Map Value* node but provides a more intuitive way to specify the desired output range": "",
    "This node reads one input attribute and converts the data type and domain to the result attribute. The data type conversion is determined by a set of built-in implicit conversion rules. These rules are also used when connecting sockets with different data types. Additional information can be found in the :doc:`Node Socket </interface/controls/nodes/parts>` section of the manual": "",
    "This node reads two input attributes as floats and allows for basic elementwise comparison operations. Like the :doc:`Attribute Math </modeling/geometry_nodes/attribute/attribute_math>` node, it is also possible to switch to using single values as inputs. This node can be combined with the :doc:`Point Separate </modeling/geometry_nodes/point/point_separate>` node for more control over which points to separate to the second output geometry": "",
    "This number field controls the amount of \"volume\" variation exponentially to the stretching amount. Note that the 0.0 value is not allowed, if you want to disable the volume feature, use the *None* button (see below)": "",
    "This number field sets the rest distance between the owner and its target, i.e. the distance at which there is no deformation (stretching) of the owner": "",
    "This number field specifies how many extrusion(s) will be done for each 360 degree turn. The steps are evenly distributed by dividing 360 degree by the number of steps given. The minimum value is 3; the maximum is 256 (See Fig. :ref:`fig-mesh-screw-interactive-panel`)": "",
    "This number field specifies how many turns will be executed. Blender will add a new full 360 degree turn for each incremental number specified here. The minimum value is 1; the maximum is 256. (See Fig. :ref:`fig-mesh-screw-interactive-panel`.)": "",
    "This operation adds a driver with a single variable (which needs to be filled in), and displays the *Edit Driver* popover": "",
    "This operator goes over linked objects or local empties instantiating a linked collection (typically, a linked character)": "",
    "This operator removes AnimData data-blocks (restricted to only those which are visible in the animation editor where it is run from) which are \"empty\" (i.e. that is, have no active action, drivers, and NLA tracks or strips)": "",
    "This operator which can be found by searching \"Memory Statistics\" with the :doc:`Operator Search </interface/controls/templates/operator_search>` will print useful information about memory objects, their size and user count": "",
    "This option activates the file packing. If enabled, every time the blend-file is saved, all external files will be saved (packed) in it": "",
    "This option allows overlapping edges (e.g. from an edge split modifier or imported geometry where two edges occupy the exact same space) to be drawn as contour. Enabling this option will slow down the calculation slightly but it will handle edge overlapping cases without erroneous occlusion results": "",
    "This option controls how the two deforming methods interact, when they are both enabled. By default, when they are both active, all vertices belonging to at least one vertex group are only deformed through the vertex groups method. The other \"orphan\" vertices being handled by the envelopes one. When you enable this option, the \"deformation influence\" that this bone would have on a vertex (based from its envelope settings) is multiplied with this vertex's weight in the corresponding vertex group. In other words, the vertex groups method is further \"weighted\" by the envelopes method": "",
    "This option controls the amount of focal blur in the same way as a real camera. It simulates the aperture *f* of a real lens' iris, without modifying the luminosity of the picture. The default value 128 is assumed to be infinity: everything is in perfect focus. Half the value will double the amount of blur. This slider is deactivated, if *No Z-buffer* is enabled": "",
    "This option controls the radius of the brush, measured in pixels. :kbd:`F` allows you to change the brush size interactively by dragging the mouse and then :kbd:`LMB` (the texture of the brush should be visible inside the circle). Typing a number then enter while using :kbd:`F` allows you to enter the size numerically": "",
    "This option controls the radius of the brush, measured in pixels. :kbd:`F` allows you to change the brush size interactively by dragging the mouse and then :kbd:`LMB` (the texture of the brush should be visible inside the circle). Typing a number then enter while using :kbd:`F` allows you to enter the size numerically. Brush size can be affected by enabling the pressure sensitivity icon, if you are using a :ref:`Graphics Tablet <hardware-tablet>`": "",
    "This option enables automatic mirroring of editing actions along the X axis. You can enable this option in the :menuselection:`Tool tab --> Options panel`, while the armature is selected in *Edit Mode*. When you have pairs of bones of the same name with just a different \"side suffix\" (e.g. \".R\"/\".L\", or \"_right\"/\"_left\" ...), once this option is enabled, each time you transform (move, rotate, scale...) a bone, its \"other side\" counterpart will be transformed accordingly, through a symmetry along the armature local X axis. As most rigs have at least one axis of symmetry (animals, humans, ...), it is an easy way to keep the model symmetrical": "",
    "This option keeps saved versions of your file in the same directory, using extensions: ``.blend1``, ``.blend2``, etc., with the number increasing to the number of versions you specify": "",
    "This option makes the displayed frame be affected by the 2D stabilization settings (available in reconstruction mode only). It is only a preview option, which does not actually change the footage itself": "",
    "This option prevents certain features from being accessed, since :kbd:`Alt-LMB` is used for some operations": "",
    "This option remaps :ref:`files-blend-relative_paths` (such as linked libraries and images) when saving a file in a new location": "",
    "This option uses an alternative method of picking which uses depth information to select the front-most elements. It is only used for selecting with the cursor (not box select, lasso, circle select, etc.)": "",
    "This page covers many of the tools in the *Strokes* menu. These are tools that work primarily on strokes, however, some also work with point selections": "",
    "This page covers many of the tools in the *Weights* menu": "",
    "This page discusses specific selecting tools for curve objects in Edit Mode. The Curve Edit more also uses the general select tools used which are described in the :doc:`interface section </interface/selecting>`": "",
    "This page discusses specific selecting tools for the 3D Viewport. The 3D Viewport also uses the general select tools used which are described in the :doc:`interface section </interface/selecting>`": "",
    "This page documents the different directories used by Blender *(which can be helpful for troubleshooting)*": "",
    "This panel contains the sound settings for live playback within Blender and are only available with *SDL* or *OpenAL*. To control these settings for exporting sound see the :ref:`Encoding Panel <render-output-video-encoding-panel>` and :ref:`Audio Panel <data-scenes-audio>`": "",
    "This panel controls the way a bone or set of bones behave when linked in an :doc:`inverse kinematic </animation/armatures/posing/bone_constraints/inverse_kinematics/introduction>` chain": "",
    "This panel is used to add, select, manage *Absolute Keying Sets*": "",
    "This panel is used to select the IK Solver type for the armature: *Standard* or *iTaSC*. Most the time people will use the *Standard* IK solver": "",
    "This panel is visible in Sidebar of the :doc:`Drivers Editor </editors/drivers_editor>` or as a popover when adding a driver to a property": "",
    "This panel manages :term:`HDRI` image files which can be used to light the view when :ref:`Material Preview <3dview-material-preview>` or :ref:`Rendered <3dview-rendered>` shading is enabled": "",
    "This panel manages :term:`MatCap` image files which can used to light the view when :ref:`MatCap <render-workbench-matcap>` shading is enabled": "",
    "This post-processing filter smooths the mask edges. See :term:`Anti-Aliasing`": "",
    "This produces much smoother curves out of the box, but necessarily means that any changes in the key values may affect interpolation over a significant stretch of the curve; although the amount of change decays exponentially with distance. This change propagation is stopped by any key with *Free*, *Aligned*, or *Vector* handles, as well as by extremes with *Auto Clamped* handles": "",
    "This property affect the whole object, for more control with lights you can enable or disable the use of lights by layers. See :doc:`Layers </grease_pencil/properties/layers>` for more information": "",
    "This property allows objects to be driven without a constraint target by interpolating between the *Action Start* and *End* frames. The relative position between the start and end frame can be controlled using the value slider": "",
    "This radio button allows you to prevent any projection over the \"front side\" (respectively the \"back side\") of the target's faces. The \"side\" of a face is determined by its normal (front being the side \"from where\" the normal \"originates\")": "",
    "This region displays menus and buttons for interacting with the editor. The header changes slightly depending on the selected view type (see below)": "",
    "This region shows a list of icons, clicking on a icon will changes the active tool. Toggle on or off with :kbd:`T` key": "",
    "This region shows the properties of the active strip. Is divided into panels and tabs. Toggle on or off with :kbd:`N` key": "",
    "This replicates the behavior of the original Offset checkbox. It was intended to be similar to the *Before Original* behavior, but does not work correctly with multiple axis rotations, and is thus deprecated": "",
    "This represents the 'object data' of the strip. Much like the transform values of an object": "",
    "This restricts the movement of the vertices to only one direction. Indent only allows movement toward the mesh, while extrude only allows movement away from the mesh (in the direction of the normal)": "",
    "This rig is in concept similar to ``skin.anchor``, but instead of overriding controls, it is used to read or adjust the state of controls generated by other rigs. The head of the bone must overlap a control of another skin rig": "",
    "This rig is mainly designed to function like a rostrum camera (stage camera), aiming at one direction. With it, you can frame the action by moving two of the corners of the camera, instead of moving and rotating it. It produces smooth movements that would be hard to achieve without it, by using complex drivers to calculate the appropriate camera settings": "",
    "This rig provides a simplistic :ref:`parent controller <rigify.rigs.skin.skin_parents>`, which uses regular translation, rotation, or scale to modify locations but not orientations or scale of its child chain controls": "",
    "This rig type does not add the automatic prefix, thus allowing an appropriate ``ORG-``, ``MCH-`` or ``DEF-`` prefix to be manually included in the meta-rig bone name, or alternatively using no prefix to create a control bone": "",
    "This section describes only the interface of the Video Sequencer, to read more about usage of the Video Sequencer read the :doc:`Video Editing </video_editing/index>` section": "",
    "This section lists all the node groups either from the current blend-file or :doc:`Linked or Appended </files/linked_libraries/link_append>` from another blend-file": "",
    "This selector controls which transform property (location, rotation or scale along/around one of its axes) from the target to use as \"action driver\"": "",
    "This sets the threshold for what becomes fully opaque in the output (white in the matte). It should be set as high as possible. Colors close to green in the foreground may require reducing this value and/or adjusting the *Screen Balance*. Particularly problematic parts can fixed with a *Core Matte* instead of a low *Clip White*": "",
    "This sets the threshold for what becomes fully transparent in the output (black in the matte). It should be set as low as possible. Uneven backdrops will require this value to be increased. Use of the :doc:`Keying Screen Node </compositing/types/matte/keying_screen>` can help keep this value low. You may also use a *Garbage Matte* to exclude problematic areas": "",
    "This setting controls how the normals (visualized as arrows) twist around each control point -- so it is only relevant with 3D curves! The tilt will be interpolated from point to point (you can check it with the normals)": "",
    "This simple interpolation creates a straight segment, giving a non-continuous line. It can be useful when using only two keyframes and the *Extrapolation* extend mode, to easily get an infinite straight line (i.e. a linear curve)": "",
    "This simplest visualization shows the curves of \"smooth\" multi-segmented bones": "",
    "This slider controls the rotations isolation for the head. When set to 0 the head will stay oriented as the Torso (the big box control). When set to 1 the head will be oriented as the neck": "",
    "This slider controls the rotations isolation for the neck bones. When set to 0 the neck will stay oriented as the Torso (the big box control). When set to 1 the neck will be oriented as the Chest (the big circle in the shoulder area)": "",
    "This space works like *Local Space*, with an additional coordinate space transformation that compensates for the difference in the rest pose orientations of the owner and target bones. If applied as the *Local Space* of the owner, this will produce the same global space movement as the target, provided parents are still at rest pose": "",
    "This specifies the number of minutes to wait between each :doc:`Auto Save </troubleshooting/recover>`. The default value of the Blender installation is 2 minutes. The minimum is 1, and the Maximum is 60 (save every hour)": "",
    "This subject is seen in-depth in the :doc:`Armature Posing section </animation/armatures/posing/bone_constraints/inverse_kinematics/spline_ik>`": "",
    "This system is suitable for elements revolving around a fixed axis, or to animate one of the elements at a time (either the axis or the angle). The problem might come when animating (interpolating) both components at the same time: axis and angle. The resulting effect might not be as expected": "",
    "This tabs contain settings for the active :ref:`Collection <scene-layout_collections_collections_tab>`": "",
    "This takes a selection of faces and solidifies them by extruding them uniformly to give volume to a :term:`Non-manifold` surface. This is also available as a :doc:`Modifier </modeling/modifiers/generate/solidify>`. After using the tool, you can set the offset distance in the :ref:`bpy.ops.screen.redo_last` panel": "",
    "This time it is the geometry that is enclosed in the bounding box. The bounding box in *Edit Mode* takes no account of the object(s) origins, only the center of the selected vertices": "",
    "This toggles between an open curve and closed curve (Cyclic). Only curves with at least one selected control point will be closed/open. The shape of the closing segment is based on the start and end handles for Bézier curves, and as usual on adjacent control points for NURBS. The only time a handle is adjusted after closing is if the handle is an *Auto* one. Fig. :ref:`fig-curves-editing-open-close` is the same Bézier curve open and closed": "",
    "This tool (available from the context menu, *Vertices*, *Edges* and *Faces* menus) allows you to reorder the matching selected mesh elements, following various methods. Note that when called from the context menu, the affected element types are the same as the active select modes": "",
    "This tool allows you to extrude a selection of multiple faces as individuals, instead of as a region. The faces are extruded along their own normals, rather than their average. This has several consequences: first, \"internal\" edges (i.e. edges between two selected faces) are no longer deleted (the original faces are)": "",
    "This tool allows you to switch the direction of the selected bones (i.e. their root will become their tip, and vice versa)": "",
    "This tool behaves similar to the :doc:`/modeling/modifiers/generate/array`, by extruding the selection along the Z axis of the view. If the selection is not :term:`Manifold` it's extruded the specified number of times": "",
    "This tool can be used to convert any :term:`Concave Face` to convex by splitting the concave into two or more convex faces": "",
    "This tool converts each of the selected faces (whether it be quads or n-gons) to triangular faces. See the :doc:`/modeling/modifiers/generate/triangulate`": "",
    "This tool delete selected bones, selected *joints* are ignored": "",
    "This tool duplicates the selected control points, along with the curve segments implicitly selected (if any). If only a handle is selected, the full point will be duplicated too. The copy is selected and placed in select mode, so you can move it to another place": "",
    "This tool is an interactive and modal tool, and only works in *Edit Mode*. When you select the *Screw* tool, Blender will enter the *Screw* interactive mode, and the :ref:`bpy.ops.screen.redo_last` panel in the 3D Viewport will be replaced so you can adjust the values explained below": "",
    "This tool is used to set a skin radius per vertex when using a :doc:`Skin Modifier </modeling/modifiers/generate/skin>`. Non-uniform scaling of the X and Y axes is accessible by the usual axis locking with :kbd:`X` or :kbd:`Y`. The radius can also be adjusted in the *Transform* panel of the Sidebar, in the 3D Viewport. The mean radius of all vertices can be previewed in the 3D Viewport as a dashed circle around a vertex": "",
    "This tool moved selected vertices/edges/faces along their own normal (perpendicular to the face), which, on \"standard normal meshes\", will shrink/fatten them": "",
    "This tool removes disconnected vertices and edges (optionally faces)": "",
    "This tool simply duplicates the selected elements, without creating any connections with the rest of the mesh (unlike extrude, for example), and places the duplicate at the location of the original. Once the duplication is done, only the *new* duplicated elements are selected, and you are automatically placed in move mode, so you can move your copy elsewhere..": "",
    "This tool smooths the selected vertices by averaging the angles between the faces. After using the tool, options appear in the *Toolbar*:": "",
    "This tool takes any number of selected vertices and duplicate-drags them along the closest edge to the mouse. When extending an edge loop, it extends the vertices at the endpoints of the loop. The behavior is similar to the *Extrude* tool, but it creates an n-gon": "",
    "This tool unwraps the faces of the object to provide the \"best fit\" scenario based on how the faces are connected and will fit within the image, and takes into account any seams within the selected faces. If possible, each selected face gets its own different area of the image and is not overlapping any other faces UVs. If all faces of an object are selected, then each face is mapped to a part of the image": "",
    "This tool will \"reverse\" the direction of any curve with at least one selected element (i.e. the start point will become the end one, and *vice versa*). This is mainly useful when using a curve as path, or using the bevel and taper options": "",
    "This tool works only with meshes. In *Edit Mode*, the *Screw* tool operation can be found by navigating to :menuselection:`Edge --> Screw` in the header of the 3D Viewport. To use this tool, you need to create at least one open profile or line to be used as a vector for the height, and an angular vector to specify a direction": "",
    "This tool works similar to the :doc:`Decimate Modifier </modeling/modifiers/generate/decimate>`": "",
    "This transform does not constrain the bone if it is manipulated by the IK solver. For constraining the rotation of a bone for IK purposes, see :doc:`Inverse Kinematics </animation/armatures/posing/bone_constraints/inverse_kinematics/introduction>`": "",
    "This two color fields define respectively *Selected* and *Active* colors. By default Rigify reads this colors from the theme defined by the user in the Blender preferences. This way the *Selected*/*Active* colors can always have a predictable and consistent behavior in the UI. The colors can be customized by clicking on the relative color field. To reset them to the Blender current theme value just click on the button with the update icon": "",
    "This uses the selected object (bounding box center), in Object Mode and select elements in edit/pose modes": "",
    "This value is used as a threshold for still considering the two inputs as equal for the *Equal* and *Not Equal* operations": "",
    "This value, between (0 to 180), controls the threshold for this tool to work on adjacent triangles. With a threshold of 0.0, it will only join adjacent triangles that form a perfect rectangle (i.e. right-angled triangles sharing their hypotenuses). Larger values are required for triangles with a shared edge that is small, relative to the size of the other edges of the triangles": "",
    "This vertex property, a value between (0.0 to 1.0), is used by the :doc:`Bevel Modifier </modeling/modifiers/generate/bevel>` to control the bevel intensity of the vertices, when the Only Vertices option is active": "",
    "This video demonstrates the difference from ordinary *Local Space*:": "",
    "This visualization materializes the bone deformation influence. More on this in the :ref:`bone page <armature-bone-influence>`": "",
    "This visualization shows the curves of \"smooth\" multi-segmented bones; see the :doc:`/animation/armatures/bones/properties/bendy_bones` for details": "",
    "This will be capped on distributions by the *Distance Min* option. If the density is greater than what the minimal distance allows, no new points will be added after this threshold has been passed": "",
    "This will delete the selected control points, *without* breaking the curve (i.e. the adjacent points will be directly linked, joined, once the intermediary ones are deleted). Remember that NURBS order cannot be higher than its number of control points, so it might decrease when you delete some control point. Of course, when only one point remains, there is no more visible curve, and when all points are deleted, the curve itself is deleted": "",
    "This will download all language sets available in the repository into the ``locale`` directory of your drive. You can go to the ``locale`` directory to see the hidden subdirectory ``.svn`` within it, together with directories of languages. You'll need to add your own set of files for the language you are trying to translating to": "",
    "This will evenly distribute the vertices along the curve. Sometimes this can create weird results, as an even distribution isn't always possible (since the selected input vertices aren't moved). If that is the case, simply uncheck this checkbox": "",
    "This will load a blend-file that Blender automatically saves just before exiting. So this option enables you to :doc:`recover </troubleshooting/recover>` your last work session, e.g. if you closed Blender by accident": "",
    "This will load the ``quit.blend`` file Blender automatically saved just before exiting. This option enables you to recover your last work session if, for example, you closed Blender by accident": "",
    "This will move the camera's parent which can be useful with camera rigs. Use the :ref:`Camera Parent Lock <bpy.types.Object.use_camera_lock_parent>` property to change this behavior": "",
    "This will not change the name of any existing widgets or collection, only ones that are created after you change the setting": "",
    "This will only work if you have a Blender patched with ``ui_template_list diff``, see `UI Template List Enhancement <https://archive.blender.org/wiki/index.php/User:Mont29/UI_Template_List_Enhancement/>`__": "",
    "This will open an automatically saved file to :doc:`recover </troubleshooting/recover>` it": "",
    "This will parent the other selected object(s) to the vertices/edges/faces selected, as described in :doc:`parenting </scene_layout/object/editing/parent>`": "",
    "This will reverse the normals direction of all selected faces. Note that this allows you to precisely control the direction (**not** the orientation, which is always perpendicular to the face) of your normals, as only the selected faces are flipped": "",
    "This will still render the object/collection, but it will be ignored by all the viewports. Often used for collections with high-poly objects that need to be instanced in other files. Objects hidden this way are no longer part of the :doc:`View Layer </scene_layout/view_layers/index>`, are not evaluated, and such do not negatively affect playback performance": "",
    "Those two operations are also available in the context menu when :kbd:`RMB`-clicking on a data-block in the *Outliner*": "",
    "Though you can directly specify a ``texture {}`` block in POV-Ray files, the ``#declare`` directive allows to assign it to a variable and reuse it more easily. The exporter makes use of this feature by default, so you won't be able to use your custom texture, unless you declare it. Here is an example:": "",
    "Three values often considered as more intuitive (human perception) than the RGB system. In this model, colors are represented as :term:`Hue`, :term:`Saturation`, and :term:`Value`": "",
    "Thumb may require more tweaking depending on your character's mesh topology, usually :menuselection:`Recalculate Roll --> Global +Y Axis` is a good starting point": "",
    "Time (in frames) the shutter is open. If you are rendering at 24 fps, and the Shutter is set to 0.5, the time in between frames is 41.67 ms, so the shutter is open for half that, 20.83 ms": "",
    "Time (in milliseconds) the animation takes when changing views (Top/Side/Front/Camera...). Reduce to zero to remove the animation": "",
    "Time delay in 1/10 second before a menu opens (*Open on Mouse Over* needs to be enabled)": "",
    "Time is stored in decimal format instead of ``hour:minute:second``. To match a time in that format, look at the label *Local*": "",
    "Time since last access of a GL vertex buffer object (VBO) in seconds after which it is freed (set to 0 to keep VBO allocated)": "",
    "To activate the tool, press :kbd:`B` or click and drag :kbd:`LMB`. With *Select Box* you draw a rectangle while holding down :kbd:`LMB`. Any item that lies even partially within this rectangle becomes selected. If any item that was last active appears in the selection it will become active": "",
    "To add a constraint click on the *Add Object Constraint* menu in the Constraints tab": "",
    "To add a custom property, search for the *Custom Properties* panel, found at the bottom of most :doc:`Properties </editors/properties_editor>` or Sidebar region, and hit *Add*": "",
    "To add a new function to the *Driver Namespace*, the function itself needs to be implemented and then added to the ``bpy.app.driver_namespace``": "",
    "To add a specific theme with its own color scheme, select it from the list and click on the *Add From Theme* button": "",
    "To add the predefined Rigify Default Bone Groups list click on *Add Standard* button": "",
    "To all keyframes between current frame and the *End frame* option. This option is best suited for use from scripts due to the difficulties in setting this frame value, though it is possible to set this manually via the :ref:`bpy.ops.screen.redo_last` panel if necessary": "",
    "To apply a texture to individual enumerated objects the :doc:`ID Mask Node </compositing/types/converter/id_mask>` could be used": "",
    "To assign a selected bone to a given bone group use the *Bone Group* data ID": "",
    "To assign the selected vertices to the active group with the weight as defined in the *Weight* (see below)": "",
    "To avoid eventual issues, switch to Object Mode. Then, select the mesh you want to export so that it is the active one. If you want to get results quickly, just execute this add-on from the :menuselection:`File --> Export` menu. It will ask for a file name and do everything else automatically. All relevant settings are in the bottom left corner. These are described in more detail below": "",
    "To be able to work in the three-dimensional space that Blender uses, you must be able to change your viewpoint as well as the viewing direction of the scene. While we will describe the *3D Viewport* editor, most of the other editors have similar functions. For example, it is possible to pan and zoom in the Image editor": "",
    "To begin, select one or more objects, depending on the number of objects, the add-on will adjust to that. One object, you can cut (basic operation) and use the default patterns. Multiple objects, you can also cut, use patterns, and the last selected object serves as a \"brush\". If you enter in the *Profile Brush* mode. It works on all selected objects, so you can cut two objects or apply a \"brush\" to all objects at the same time": "",
    "To best troubleshoot any error message Python prints while writing scripts, you run Blender from a terminal. See `Use The Terminal <https://docs.blender.org/api/current/info_tips_and_tricks.html#use-the-terminal>`__": "",
    "To change many values at once on or off, you can press down :kbd:`LMB` and drag over multiple buttons. This works for checkboxes, toggles and to select a radio button value": "",
    "To change the control edge that determines the position of the edge loop, use the :kbd:`Alt-Wheel` to scroll to a different edge": "",
    "To change the order of a constraint use the up/down arrows in the :doc:`header </animation/constraints/interface/header>`": "",
    "To change the order with in the :ref:`stack <modifier-stack>` select the desired modifier and move it above or below other modifiers": "",
    "To change the value in unit steps, click :kbd:`LMB` on the small triangles (only available on first field type). You can also use :kbd:`Ctrl-Wheel` while hovering over the field to edit the value": "",
    "To change the value with the mouse, hold down :kbd:`LMB` and drag to left or right": "",
    "To change the viewing angle in discrete steps, use :kbd:`Numpad8` and :kbd:`Numpad2` or use :kbd:`Numpad4` and :kbd:`Numpad6` to rotate the scene around the global Z axis from your current point of view. Finally :kbd:`Numpad9` switches to the opposite side of the view": "",
    "To change toggle between the two projections for the 3D Viewport, select :menuselection:`View --> Perspective/Orthographic` or use the shortcut :kbd:`Numpad5`. Changing the projection for a 3D Viewport does not affect the way the scene will be rendered. Rendering is in perspective by default. If you need to create an orthographic rendering, select the camera, go to the Camera tab and set the type *Orthographic* in the *Lens* panel": "",
    "To check what is loaded into the interpreter environment, type ``dir()`` at the prompt and execute it": "",
    "To close the splash screen and start a new project, click anywhere outside the splash screen (but inside the Blender window) or press :kbd:`Esc`. The splash screen will disappear revealing the default screen. To reopen the splash screen click on the Blender icon in the Topbar and select *Splash Screen*": "",
    "To control the :term:`Roll` of the Spline IK chain, the standard methods of rotating the bones in the chain along their local Y axes still apply. For example, start at the farthest bone and simply rotate the bones in the chain around their local Y axes to adjust the roll of the chain from that point onward": "",
    "To convey a happy feeling add yellow (equal parts red and green, no blue)": "",
    "To copy scale from one axis of the target to all axes of the owner, disable other axes, enable *Make Uniform*, and set *Power* to 3": "",
    "To create a \"local\" duplicate of this data-block": "",
    "To create a custom orientation, select the object or mesh element(s) and click the \"+\" button on the *Transform Orientations* panel": "",
    "To create a node group, select the nodes you want to include, then press :kbd:`Ctrl-G`, :menuselection:`Group --> Make Group`. A node group will have a green title bar. All selected nodes will now be contained within the node group. Default naming for the node group is \"NodeGroup\", \"NodeGroup.001\" etc. There is a name field in the node group you can click into to change the name of the group. Change the name of the node group to something meaningful": "",
    "To create an arbitrary number of bones from each selected bone in the Subdivide Multi :ref:`bpy.ops.screen.redo_last` panel": "",
    "To create new strokes you have to select one of the drawing tools in the Toolbar. The most common one is the :doc:`Draw tool </grease_pencil/modes/draw/tools>` for free-hand drawings but there are many other tools for drawing, filling areas and erasing strokes. There are also some tools to create primitives shapes like lines, arcs, curves, boxes and circles": "",
    "To crop from the left, change the *Left* value. To crop from the right, change the *Right* value. To crop from the top, change the *Up* value. To crop from the bottom, change the *Down* value": "",
    "To delete the selected markers simply press :kbd:`X`, and confirm the pop-up message with :kbd:`LMB`": "",
    "To delete this clipping, press :kbd:`Alt-B` again": "",
    "To deselect all keys, press :kbd:`Alt-A`": "",
    "To do a union Boolean (does not work with multiple objects)": "",
    "To do this, you have to define the strength of *influences* a bone has on a certain vertex": "",
    "To dolly the camera, press :kbd:`G` then :kbd:`MMB` (or :kbd:`Z` twice)": "",
    "To enable multi-keyframe selection you must enable Multiframe Edition. See :doc:`Multiframe Edition </grease_pencil/multiframe>` for more information": "",
    "To export your model with a hand-painted texture, you have to unwrap the model, paint an image and assign it to the model so that it has an effect during render. You can use any tools you like for these tasks. What the add-on does is simply that it uses baking in *Textures* mode": "",
    "To extend the time between two keys, select all with :kbd:`A`, place the Playhead between two keyframes and press :kbd:`E`": "",
    "To filter values based on a geometry attribute on a different domain, the :doc:`Attribute Convert </modeling/geometry_nodes/attribute/attribute_convert>` node can be used to move an attribute's values to any of a geometry component's other domains": "",
    "To find the ``name`` of a menu, enable the preference :menuselection:`Interface --> Display --> Python Tooltips`": "",
    "To find the identifier of a menu, first enable *Python Tooltips* in the preferences. Then you can hover your mouse over the menu item and the identifier is displayed": "",
    "To fully use this operator run Blender from the console with ``--debug-memory``": "",
    "To get a new video uploaded, contact a `Documentation Project Administrator <https://developer.blender.org/project/view/53/>`__ or include the uploaded video in your :doc:`Patch </about/contribute/patch_commit>` description": "",
    "To get rid of the literal 10 for ``total``, we'll use an operator property. Operator properties are defined via bpy.props module, this is added to the class body::": "",
    "To hide a region resize it down to nothing. A hidden region leaves a little arrow sign. :kbd:`LMB` on this icon to make the region reappear": "",
    "To hide the paths, click on the *Clear Paths* button": "",
    "To implement this function in Blender, consider the node setup above. We string the Math nodes into a function that takes each color (values from 0 to 1), multiplies it up by six, the desired number of divisions (values become from 0 to 6), offsets it by 0.5 (-0.5 to 5.5), rounds the value to the nearest whole number (produces 0, 1, 2, 3, 4, 5), and then divides the image pixel color by five (0.0, 0.2, 0.4, 0.6, 0.8, 1.0)": "",
    "To install the Blender text as an add-on, you will first have to save it on drive. Take care to obey the naming restrictions that apply to Python modules and end with a ``.py`` extension": "",
    "To install these, use the *Install...* button and use the File Browser to select the ``.zip`` or ``.py`` add-on file": "",
    "To inverse the selection, press :kbd:`Ctrl-I`": "",
    "To keep all configuration files and installed add-ons in the executable folder, create a folder named ``config`` in the :ref:`LOCAL directory <blender-directory-layout>` of the unzipped folder": "",
    "To keep all configuration files and installed add-ons inside the Blender application bundle, create a folder named ``config`` in the :ref:`LOCAL directory <blender-directory-layout>`": "",
    "To load image sequence in any of the supported image file formats, the filename of the images must contain a digit to indicate the frame order (e.g. ``*-0001.jpg``, ``*-0002.jpg``, ``*-0003.jpg``, etc, of any image format), indicating the frame": "",
    "To make the rig overwriting work as expected, you need to have **both** the rig and the meta-rig visible before generating again": "",
    "To move a single keyframe, click and drag on a key. To move multiple keyframes, make sure several keys are selected and press :kbd:`G`": "",
    "To obtain best results with Grease Pencil is highly recommended to use a :ref:`Graphics Tablet <hardware-tablet>`": "",
    "To parent the monkey to the Bézier circle, first select the monkey then the curve (so that the curve is the active object), press :kbd:`Ctrl-P` and select *Follow Path*. It will automatically animate *Evaluation Time* and activate *Follow* option in the *Path Animation* panel": "",
    "To perform these camera moves, the camera must first be *selected* so transform operations apply to it. The following actions also assume that you are in camera view. Having done so, you can now manipulate the camera using the same tools that are used to transform any object:": "",
    "To quickly add a Reroute node into an existing connection, hold :kbd:`Shift` and :kbd:`RMB` while sweeping across the link to add a *Reroute node*": "",
    "To remove a constraint click on the \"X\" button in the :doc:`header </animation/constraints/interface/header>`": "",
    "To remove nodes from a frame, select and use :kbd:`Alt-P`. This can be thought of as unparenting the selection from the frame": "",
    "To remove the selected vertices from the active group (and thus also delete their weight values)": "",
    "To render a still image, use :menuselection:`3D Viewport --> View --> Viewport Render Image`": "",
    "To render an animation, but only those frames that have a keyframe, use :menuselection:`3D Viewport --> View --> Viewport Render Keyframes`. This only renders those frames for which the selected objects have an animation key. The other frames are still written to the output, but will simply repeat the last-rendered frame": "",
    "To reposition the outgoing links of a node, rather than adding a new one, hold :kbd:`Ctrl` while dragging from an output socket. This works for single as well as for multiple outgoing links": "",
    "To roll back the Undo action, press :kbd:`Shift-Ctrl-Z`": "",
    "To rotate an edge based on faces you must select adjacent face pairs, otherwise Blender notifies you with an error message, *\"Could not find any select edges that can be rotated\"*. Using either *Rotate Edge CW* or *Rotate Edge CCW* will produce exactly the same results as if you had selected the common edge": "",
    "To save a composition as a movie clip (all frames in a single file), use an ``AVI`` or ``Quicktime`` format, and use the *Animation* button and its settings": "",
    "To save a sequence of images, for example, if you input a movie clip or used a Time node with each frame in its own file, use the *Animation* button and its settings. If you might want to later overlay them, be sure to use an image format that supports an Alpha channel (such as ``PNG``). If you might want to later arrange them front to back or create a depth of field effect, use a format that supports a Z-depth channel (such as ``EXR``)": "",
    "To save the image being viewed, use :menuselection:`Image --> Save As...`, :kbd:`Alt-S` to save the image to a file": "",
    "To scale (stretch) selected keys, press :kbd:`S`": "",
    "To see which plane you are using when drawing strokes, you can enable *Canvas* in :ref:`Viewport Overlays <3dview-overlay-grease-pencil>`. See :doc:`Viewport Display </interface/controls/templates/curve>` to know more about Canvas settings": "",
    "To select a mesh (that is in view) while editing a curve, :kbd:`Ctrl-P` click on it. Select either one or three control points, then :kbd:`Ctrl-LMB` the object and use :kbd:`Ctrl-P` to make a vertex parent. Selecting three control points will make the child follow the median point between the three vertices. An alternative would be to use a :doc:`Child Of constraint </animation/constraints/relationship/child_of>`. See also the :doc:`Curve modifier </modeling/modifiers/deform/curve>`": "",
    "To select all bones belonging to the same group(s) as the selected ones, use the *In Same Group* entry": "",
    "To select all bones belonging to the same layer(s) as the selected ones, use the *In Same Layer* entry": "",
    "To select all items use :kbd:`A`; :kbd:`Alt-A` will deselect all items": "",
    "To select all keys, press :kbd:`A`": "",
    "To select an item, :kbd:`LMB` on it": "",
    "To select bones' joints you have the :doc:`standard selection </scene_layout/object/selecting>` methods": "",
    "To separate an object, the vertices (or faces) must be selected and then separated, though there are several different ways to do this": "",
    "To separate single atoms, one needs to select the atom (vertices) first in the Edit Mode. In the *Atomic Blender Utilities* panel, the *Object* selector and the *Separate* button appear at the bottom. If the selector remains on *Unchanged* the type of object (NURBS, mesh, meta) and its properties will not be changed upon separation. If desired also an other type of object can be chosen, which then replaces the standard type of object": "",
    "To set the point of focus, the camera now has a *Distance* parameter, which is shorthand for Depth of Field Distance. Use this camera parameter to set the focal plane of the camera (objects Depth of Field Distance away from the camera are in focus). Set *Distance* in the main *Camera* edit panel; the button is right below the *Depth of Field*": "",
    "To set up *Spline IK*, it is necessary to have a chain of connected bones and a curve to constrain these bones to:": "",
    "To set up some caustics, try moving from the smallest photon depth value to a minimum at which you start to see the effect you are after. Check off the *Receive Photons* object property for any object that does not really need it. (A glass object casting caustics often doesn't need to receive any itself.) Then you can balance other parameters to tune photons distribution and smoothing (gathering). Don't set the global spacing too fine in scene settings, because then you can still make it finer on each object using its spacing multiplier. If your system has several threads, they can be used in the photons stage: one thread per light, so you can then make your scene lighting more complex without overhead": "",
    "To show the paths (or update them, if needed), click on the *Calculate Path* button": "",
    "To split up a continuous range of values between 0 and 1 to certain set of values, the following function is used: :math:`round(x × n - 0.5) / (n - 1)`, where \"n\" is the number of possible output values, and \"x\" is the input pixel color. `Read more about this function <https://archive.blender.org/wiki/index.php/Doc:2.4/Manual/Composite_Nodes/Types/Convertor/#Quantize.2FRestrict_Color_Selection>`__": "",
    "To start Blender from the command line you need to open an instance of Command Prompt. To do this, type :kbd:`OSKey-R` then type ``cmd``; this will open the Command Prompt window. You then need to find the path to the Blender executable. If you installed Blender via the installer then it can be found here:": "",
    "To support different target shapes *(such as facial expressions)* to be controlled": "",
    "To transition the audience from one scene or shot to another, a common technique is to \"fade to black\". As its name implies, the scene fades to a black screen. You can also \"fade to white\" or whatever color you wish, but black is a good neutral color that is easy on the eyes and intellectually \"resets\" the viewer's mind. The node tree below shows how to do this using the Set Alpha node": "",
    "To understand this option properly, you need to understand how Blender works with Objects. Almost everything in Blender is organized in a hierarchy of data-blocks. A data-block can be thought of as containers for certain pieces of information. For example, the Object data-block contains information about the Object's location while the Object Data \"ObData\" data-block contains information about the mesh": "",
    "To understand this, look at Fig. :ref:`fig-rig-bone-select-deselect`": "",
    "To unlink a data-block from its \"owner\" (e.g. a material from its mesh)": "",
    "To use *Armature Deform Parenting* you must first select all the child objects that will be influenced by the armature and then lastly, select the armature object itself. Once all the child objects and the armature are selected, press :kbd:`Ctrl-P` and select *Armature Deform* in the *Set Parent To* pop-up menu": "",
    "To use Knife Project, in *Edit Mode*, select the cutting object (:kbd:`Ctrl-LMB`) and choose :menuselection:`Mesh --> Knife Project`": "",
    "To use this editor mode, make sure you have a :doc:`Grease Pencil object </grease_pencil/index>` selected": "",
    "To use this feature, add ``@`` and the intended target bone name to the constraint name, resulting in the ``...@bone_name`` syntax. After all bones of the rig are generated, the constraint target bone will be replaced. If the new bone name is just ``CTRL``, ``MCH`` or ``DEF``, this will just replace the ``ORG`` prefix in the existing target bone name. For the Armature constraint you can add a ``@`` suffix for each target, or just one ``@CTRL``, ``@MCH`` or ``@DEF`` suffix to update all": "",
    "To view your changes, build the manual :doc:`as instructed </about/contribute/build>`. Keep in mind that you can also build only the chapter you just edited to view it quickly. Open the generated ``.html`` files inside the ``build/html`` folder using your web browser, or refresh the page if you have it open already": "",
    "Todo (macOS only)": "",
    "Toggle *Gravity*": "",
    "Toggle Channel Setting: :kbd:`Shift-W`": "",
    "Toggle Comments :kbd:`Ctrl-Slash`": "",
    "Toggle Lock Selection :kbd:`L`": "",
    "Toggle between only the active or all the :doc:`view layers </scene_layout/view_layers/index>` of the scene. Combined with disabling the *Objects* filter it gives a compact overview of all the collections in relation to the view layers": "",
    "Toggle buttons to change the shape of the falloff curve from a power curve that at falloff 1 forms a parabola :math:`1 - x^{2^f}` to a curve forming a circle :math:`(1 - x^{2^f})^{2^{-f}}`": "",
    "Toggle channel/curve from being editable. Selected channels can be locked by pressing :kbd:`Tab`": "",
    "Toggle the :doc:`Masks </grease_pencil/properties/masks>` visibility": "",
    "Toggle the affect of :doc:`Masks </grease_pencil/properties/masks>` on the layer": "",
    "Toggle the use of the material for :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>`": "",
    "Toggle the use the layer for :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>`": "",
    "Toggle using the layer for :doc:`Onion Skinning </grease_pencil/properties/onion_skinning>`": "",
    "Toggles between an open stroke and closed stroke (cyclic)": "",
    "Toggles the \"Dope Sheet Summary\" channel at the top of the `Channels Region`_. This is used to give an overview of all the channels by combining all the actions into one channel": "",
    "Toggles the *Aspect* setting that is not the default": "",
    "Toggles the *Origin* setting that is not the default": "",
    "Toggles the visibility of the :ref:`2D Cursor <graph_editor-2d-cursor>`": "",
    "Toggles the visibility of the :ref:`extrapolated <editors-graph-fcurves-settings-extrapolation>` portion of curves": "",
    "Toggles the visibility of the `Playhead & 2D Cursor`_": "",
    "Toggles the visibility of the `Tool Settings`_": "",
    "Toggles the visibility of the object or collection in the 3D Viewport. This is a file-local setting, and does not get imported when this data-block is linked into another blend-file. Objects hidden this way are still part of the :doc:`View Layer </scene_layout/view_layers/index>` and evaluated, so they still affect playback performance": "",
    "Toggles viewport visibility on/off of modifiers for all selected objects in the 3D Viewport. Some modifiers will be skipped as they don't have their visibility exposed in the interface (for example the Collision modifier). In that case, a message will be added with the modifier's name": "",
    "Toggles whether or not the curve is :term:`Cyclic`": "",
    "Toggles whether the :ref:`Menus <ui-header-menu>` are collapsed or not": "",
    "Toggling *Solo Track* causes only the selected tracks effects to be visible when animating. This is very useful for debugging complex animations": "",
    "Toggling Quad View will split the 3D Viewport into four views: Three *Orthographic* \"side views\" and one *Camera*/*User View*. This view will allow you to instantly see your model from a number of view points. In this arrangement, you can zoom and pan each view independently but you cannot rotate the view": "",
    "Tool switching with hotkeys (:kbd:`Shift-Spacebar` for play)": "",
    "Tools are accessed from the :ref:`Toolbar <ui-region-toolbar>`": "",
    "Tools can be changed by pressing the appropriate icon or by pressing :kbd:`Alt` then pressing the hotkey assigned to the desired tool": "",
    "Tools for :doc:`Selecting UVs </editors/uv/selecting>`": "",
    "Tools for controlling how the content is displayed in the editor. See :doc:`/editors/image/navigating`": "",
    "Tools for controlling how the content is displayed in the editor. See :doc:`/editors/uv/navigating`": "",
    "Tools for managing :doc:`data-block previews </files/blend/previews>`": "",
    "Tools for opening and manipulating images. See :doc:`/editors/image/editing`": "",
    "Tools for working with images, see :doc:`/editors/image/image_settings`": "",
    "Tools may set their own keys which override other keys although typically they use the :kbd:`LMB`, sometimes with modifier keys. *Keymaps can be edited from the preferences.*": "",
    "Torso: Keep the spine as straight as possible in the front view (Rigify human works better in predictable cases). The last bone of the spine is the head. By default the next two bones (top to bottom) are considered the neck bones. It is suggested to keep the neck bones as aligned as possible while editing": "",
    "Torus Knots, by Marius Giurgi (DolphinDream), testscreenings": "",
    "Trackball: *Orbit Sensitivity* as a simple factor for how fast the 3D Viewport rotates": "",
    "Tracking Object to generate the gradient. You will probably want to create new a tracking object in the :ref:`Object <movie-clip-tracking-properties-object>` panel, because tracks used for gradients can not actually be used for camera/object tracking. After this tracks might be placed in places where gradient colors should be sampled. These tracks could be tracked or moved manually, so gradients would be updating automatically along the movie. Tracks might have an offset for easier tracking of feature-less screens": "",
    "Traditional animation in Grease Pencil is achieved with the use of :doc:`keyframes </animation/keyframes/introduction>` that hold the strokes information at a particular frame or frame range": "",
    "Transfer the attribute from the nearest point on the surface. Non-face attributes are interpolated across the surface (edge attributes are not supported yet). Loose points and edges are ignored": "",
    "Transform \"Key 2\" and keep going for other shape keys": "",
    "Transform Properties :doc:`Selecting UVs </modeling/meshes/uv/editing>`": "",
    "Transitions interpolate between Actions. They must be placed in between other strips. Select two or more strips on the same track, and go to :menuselection:`Add --> Transition`": "",
    "Trapezoid": "",
    "Tri-fans (not tested)": "",
    "Tries to connect to a circular loop (where the start and end are merged)": "",
    "Tris (not tested)": "",
    "Troubleshooting section on :doc:`Recovering your lost work </troubleshooting/recover>`": "",
    "Try to keep palm bones' heads at a little distance between each other. This distance is required for Rigify to define the palm controls hierarchy. Palm axis alignment can be easily done by selecting all the palm bones and recalculating the bone rolls :menuselection:`Recalculate Roll --> Global -Z Axis`": "",
    "Try to place \"ear.L\" bone covering the part of the ear attached to the mandible (lower jaw). Do the same with temple bone trying to cover the part you don't want to move with the jaw, this way you will also determine the jaw pivot position": "",
    "Turning on the *Sync Selection* button causes selection of components in the 3D Viewport to sync with their corresponding elements in the UV editor. If off only the selected faces are displayed in the UV editor. These two modes have very different results when transforming components in the UV editor": "",
    "Turntable: *Orbit Sensitivity* controls the amount of rotation per-pixel to control how fast the 3D Viewport rotates": "",
    "Tutorial": "",
    "Twist the points in counter-clockwise (CCW) or Clockwise (CW) rotation": "",
    "Two kinds of images are supported for MatCaps. Regular image files and multilayered OpenEXR files. When using multilayered OpenEXR files, the layer named \"diffuse\" will be used as a diffuse pass, the layer named \"specular\" will be used as a specular pass. Regular images will be handled as \"diffuse\" and will not support specular highlighting": "",
    "Two vertices are introduced near the intersection, and a curved arc joins them together. The *Spread* slider controls how far the new vertices are from the intersection. The *Profile* slider controls the shape of the arc": "",
    "Type of object consisting of :term:`Vertices <Vertex>`, :term:`Edges <Edge>` and :term:`Faces <Face>`": "",
    "Type of the *Factor* input socket": "",
    "Type of the *Vector* input socket": "",
    "Type this and then press :kbd:`Tab`::": "",
    "USD Preview Surface": "",
    "USD also supports ``Scope`` primitives, which are entities that do not contain transform data, but which serve to group other element of the scene. Blender doesn't have an exact counterpart to the concept of a scope, so such primitives are imported as Blender empties located at the origin. This is an imperfect representation, because empty objects have a transform and ``Scopes`` do not, but this approach nonetheless helps preserve the structure of the scene hierarchy": "",
    "USD provides an ``Xform`` prim type, containing transform data, which can be used to represent transform hierarchies and to organize the scene. Such ``Xform`` prims are imported as Blender empty objects": "",
    "UV Maps are used to map a 3D object onto a 2D plane that determines where a texture appears on the 3D object. Different UV Maps can be used for different textures. For more information see :ref:`uv-maps-panel`": "",
    "Unassigns the selected vertices from all (even locked) groups. After this operation has been performed, the vertices will no longer be contained in any vertex group. (Not available for locked groups.)": "",
    "Uncheck *Crop Image Size* for this step, so that you can see the borders of the input image. To see this border, you have to select the Viewer node": "",
    "Uncheck the *Relative* checkbox": "",
    "Underneath the texture list view in the Texture panel, a selector with the names of the outputs is shown. For each entry in the Texture list, select the desired output by changing the menu entry (e.g. set one to *Diffuse* and the other to *Normal*)": "",
    "Unindent :kbd:`Shift-Tab`": "",
    "Unit settings and scale from the scene are used for displaying dimensions. Changing the units system (metric, imperial), or the units of length (cm, m, ...), or angle (degrees, radians) will update the measurements": "",
    "Universal Scene Description (USD) files can contain complex layering, overriding, and references to other files. Blender's USD Exporter takes a much simpler approach. When exporting, all visible, supported objects in the scene are exported, optionally limited by their selection state. Blender does not (yet) support exporting invisible objects, USD layers, variants, skeletal animation, etc": "",
    "Unlike *Aligned*, in this mode location channels are simply added together, so rotation and scale components of the input transformations cannot affect the resulting location": "",
    "Unlike most other transform modes, *Bend* is not effected by *Pivot Point* or *Transform Orientation*, always using the View Plane instead": "",
    "Unlike the :doc:`Limit Location constraint </animation/constraints/transform/limit_location>`, you cannot separately enable lower or upper limits": "",
    "Unlike the Armature modifier, the constraint does not take the :doc:`Deform </animation/armatures/bones/properties/deform>` checkbox of bones into account, and can use any bone as target": "",
    "Unlike the modifier, the constraint always requires explicitly listing all of its target bones with associated weights. This option merely enables envelopes for all bones, as if they had :ref:`Envelope Multiply <armature-bones-envelope>` enabled": "",
    "Unlike the modifier, the constraint can use bones coming from different armatures at the same time. See :ref:`common constraint properties <rigging-constraints-interface-common-target>` for more information": "",
    "Unlike the render output filepath, this node uses a base directory and an image name, by default the output path is composed of: ``{base path}/{file name}{frame number}.{extension}``": "",
    "Unlike usual, you can have a *Start* value higher than the *End* one, or a *Min* one higher than a *Max* one: this will reverse the mapping of the action (i.e. it will be \"played\" reversed...), unless you have both sets reversed, obviously!": "",
    "Unlink data (equivalent to pressing the *X* button next to the name of a data-block)": "",
    "Unlinking a data-block means that its user won't use it anymore. This can be achieved by clicking on the \"X\" icon next to a data-block's name. If you unlink a data-block from all of its users, it will eventually be deleted by Blender as described above (unless it is a protected one)": "",
    "Unpacks all files in the same directory ``//`` as the blend-file, grouping them in proper folders (like ''textures'' for instance). However, if the final file exists already, it will use that file, instead of unpacking it": "",
    "Update the splash image: ``interface_splash_current.png``": "",
    "Upper distance from Reference Value for ``1:1`` default influence": "",
    "Upper limit of the Video Sequencer and Movie Clip Editor memory cache (in megabytes). For an optimal Clip editor and Sequencer performance, high values are recommended": "",
    "Upper limit of the Video Sequencer's disk cache (in gigabytes), setting to zero disables disk cache": "",
    "Use *All Items* from the Data Path or select the array index for a specific property": "",
    "Use *Tabs* or *Spaces* for indentations": "",
    "Use :kbd:`Alt-Left` to decrease it by 0.1": "",
    "Use :kbd:`Alt-Right` to increase it by 0.1": "",
    "Use :kbd:`Ctrl-B` or a method listed above to run the tool. Move the mouse to interactively or type a number to specify the bevel offset, and scroll the :kbd:`Wheel` to increase or decrease the number of segments (see below)": "",
    "Use :kbd:`Ctrl-C` to copy selected keyframes and :kbd:`Ctrl-V` to paste the previously copied keyframes. During the paste action, the :ref:`bpy.ops.screen.redo_last` panel provides some options in how the paste is applied": "",
    "Use :kbd:`Ctrl-LMB` to change temporary to the active draw tool. For example to manually cover small areas difficult to reach for the Fill tool. See :doc:`Draw Tool </grease_pencil/modes/draw/tools/draw>` for more information": "",
    "Use :kbd:`Ctrl-Wheel`, while hovering with the mouse over radio buttons, to cycle between the options": "",
    "Use :kbd:`LMB` click and drag to draw cut line. Once the cut is done the :ref:`bpy.ops.screen.redo_last` panel gives a few options:": "",
    "Use :kbd:`M` to call up the main Collection Manager pop-up in the 3D Viewport when in Object Mode. It can also be found in the :menuselection:`Object --> Collection` menu": "",
    "Use :kbd:`Shift-Alt-Left` to decrease it by 0.01": "",
    "Use :kbd:`Shift-Alt-Right` to increase it by 0.01": "",
    "Use :kbd:`Shift-Ctrl-Alt-Left` to set factor to 0.0. Additional shortcut is :kbd:`Shift-Ctrl-Alt-0`": "",
    "Use :kbd:`Shift-Ctrl-Alt-Right` to set factor to 1.0. Additional shortcut is :kbd:`Shift-Ctrl-Alt-1`": "",
    "Use :kbd:`V` to call up the Move widget in the 3D Viewport when in Object Mode. It can also be found in the :menuselection:`Object -> Collection` menu": "",
    "Use :kbd:`Wheel` while hovering with the mouse": "",
    "Use American English (e.g: modeling and not modelling, color and not colour) also for formatting numbers (e.g: 2,718.28 and not 2 718,28)": "",
    "Use Handle Scale": "",
    "Use Inverse square falloff, and a small falloff distance value with a higher light intensity will give the best results with POV-Ray's implementation of inverse square law. See this `discussion <http://news.povray.org/povray.general/thread/%3Cweb.4d77b443f36cbfe281c811d20%40news.povray.org%3E/>`__": "",
    "Use Move :kbd:`G`, Rotate :kbd:`R`, Scale :kbd:`S`, to transform the cube": "",
    "Use Strokes extension to close open areas (cyan lines)": "",
    "Use Tail Target": "",
    "Use a :doc:`curve widget </interface/controls/templates/curve>` to define the stroke thickness from the start (left) to end (right) of the stroke": "",
    "Use a Render Region when not looking through a camera. Using :kbd:`Ctrl-B` to draw a region will automatically enable this option": "",
    "Use a local camera in this view, selected from the object selector, rather than the scene's (global) active camera": "",
    "Use a single value to scale every single point. This is a shortcut for assigning the same value for the X, Y, and Z components of the vector input, and allows adjusting the ``scale`` in a uniform way": "",
    "Use a single vector to scale every single point. Equivalent to the :doc:`Transform Node </modeling/geometry_nodes/geometry/transform>`": "",
    "Use a single vector to translate every single point. Equivalent to the :doc:`Transform Node </modeling/geometry_nodes/geometry/transform>`": "",
    "Use amount of ``<threads>`` for rendering and other operations [1-64], 0 for systems processor count": "",
    "Use only the edit lines (ignore strokes)": "",
    "Use only the thickness of the strokes (ignore edit lines)": "",
    "Use panel in Sidebar of node editor or :kbd:`Ctrl-Spacebar` keyboard shortcut or individual shortcuts for tools": "",
    "Use the \"Cycles Render\" engine. For a list of available render engines, run ``blender -E help``": "",
    "Use the *plus* or *minus* buttons to the right of the file name, or :kbd:`NumpadPlus`, :kbd:`NumpadMinus` to increase/decrease a number at the end of the file name (e.g. changing ``file_01.blend`` to ``file_02.blend``)": "",
    "Use the :doc:`Attribute Convert </modeling/geometry_nodes/attribute/attribute_convert>` node to change the domain and type of attributes": "",
    "Use the :doc:`Edge Split </modeling/modifiers/generate/edge_split>` modifier and :doc:`Auto Smooth </modeling/meshes/structure>` within the mesh data properties to balance between smooth surfaces and sharp edges": "",
    "Use the :kbd:`Alt` key to emulate the middle mouse button": "",
    "Use the :kbd:`OSKey` to emulate the middle mouse button": "",
    "Use the :kbd:`Wheel` to scroll the results": "",
    "Use the :ref:`List View <ui-list-view>` to manage attributes": "",
    "Use the :ref:`Operator Search <bpy.ops.wm.search_operator>`: \"Cell fracture selected mesh\" (search \"cell\" will find the list item). This will pop up the add-ons menu's": "",
    "Use the Bone Group colors to color the bone. For more details see :doc:`Bone Groups </animation/armatures/properties/bone_groups>`": "",
    "Use the depth under the mouse to improve view pan, rotate, zoom functionality. Useful in combination with *Zoom To Mouse Position*": "",
    "Use the operator to import ASCII or binary PLY-files, you can select multiple files at once. For exporting, you can choose to enable or disable the modifiers during the export and you can choose which data you want to export (UV textures, vertex colors, ...)": "",
    "Use the operator to import ASCII or binary STL-files, you can select multiple files at once. For exporting you can select multiple objects and they will be exported as a single STL-file. You can select between ASCII/binary file format (binary is more compact). You can also choose to enable or disable the modifiers during the export": "",
    "Use the same random *Seed* for each scale axis in the copies for a uniform scale": "",
    "Use the same random *Seed* for each scale axis in the strokes for a uniform scale": "",
    "Use the shortcut :kbd:`X` to delete them": "",
    "Use the submenu to pick one of *Weak*, *Medium*, or *Strong*. Then this tool changes the Face Strength of currently selected faces to the chosen face strength": "",
    "Use the submenu to pick one of *Weak*, *Medium*, or *Strong*. Then this tool selects those faces that have the chosen face strength": "",
    "Use this brush when enabling the eraser tool with fast switch key (:kbd:`Ctrl`)": "",
    "Use this command line switch to not show the rendered image in POV-Ray (slightly faster and lighter on memory). The image will be sent back to Blender after completion (on Linux this is a hidden default switch to avoid OS-specific editor problems)": "",
    "Use this function to vary, for example, the alpha channel of an image to produce a fading in/out effect. Alter the Z channel to move a scene in/out of focus. Alter a color channel value to make a color \"pulse\"": "",
    "Use to select and modify the active :doc:`Transform Orientations </editors/3dview/controls/orientation>`": "",
    "Use when viewing from the top (at a pole) by using an axis that is straight down from the view": "",
    "Used alpha channel, colors are treated alpha *premultiplied*. If disabled, alpha channel gets set to 1, and colors are treated as alpha *straight*, i.e. color channels does not change": "",
    "Used as overlay *helper* info, by the": "",
    "Used for :term:`Posing`, :term:`Keyframing`, :term:`Weight Painting`, :term:`Constraining <Constraint>` and :term:`Parenting` the :term:`Bones <Bone>` of an :term:`Armature`": "",
    "Used for shaders in :doc:`Cycles </render/cycles/index>` and :doc:`Eevee </render/eevee/index>`": "",
    "Used for some formats focusing on photography and digital films (such as DPX and JPEG 2000)": "",
    "Used in :doc:`Geometry Nodes </modeling/geometry_nodes/index>`": "",
    "Used in the *Movie Clip* editor": "",
    "Used in the :doc:`Point Distribute Node </modeling/geometry_nodes/point/point_distribute>` to control the scale of instances. Adjusted by the :doc:`Point Scale Node </modeling/geometry_nodes/point/point_rotate>` or other attribute nodes": "",
    "Used in the :doc:`Point Instance Node </modeling/geometry_nodes/point/point_instance>` to control the rotation of instanced objects or collections. Adjusted by the :doc:`Point Rotate Node </modeling/geometry_nodes/point/point_rotate>` and the :doc:`Align Rotation to Vector Node </modeling/geometry_nodes/point/align_rotation_to_vector>`": "",
    "Used to change the reference point (or :term:`Pivot Point`) used by many mesh manipulation tools": "",
    "Used to control actions based on a time period. E.g. by default, *Animation Step* uses \"Timer 0\", *Smooth View* uses \"Timer 1\"": "",
    "Used to manage the skin data layer which is used by the :doc:`/modeling/modifiers/generate/skin`. This operator can be needed in case a Skin modifier is created but no skin data exist": "",
    "Used to pass an integer value (a number without a fractional component)": "",
    "Used to select a Movie Clip data-block to use, for controls see :ref:`ui-data-block`": "",
    "Used to select the movie clip whose distortion is to be used. This can be useful if more than one movie clips are present, each having a different distortion setting. For controls see :ref:`ui-data-block`": "",
    "Used to select the movie clip whose plane track to use. For controls see :ref:`ui-data-block`": "",
    "Used to select the movie clip. For controls see :ref:`ui-data-block`": "",
    "Useful when dealing with meshes which are mostly symmetrical, but have vertices which have been moved enough that Blender does not detect them as mirrored (when X Mirror option is enabled for example)": "",
    "User Preference (see :ref:`prefs-file-paths`)": "",
    "User will typically interact with the higher level data types (objects, meshes, etc.). When doing more complex projects, managing data-blocks becomes more important, especially when inter-linking blend-files. The main editor for that is the :doc:`Outliner </editors/outliner/index>`": "",
    "Uses LSCM (Least Squares Conformal Mapping). This usually gives a less accurate UV mapping than Angle Based, but works better for simpler objects": "",
    "Uses Simple Direct Media Layer API from `libsdl.org <https://www.libsdl.org>`__ to render sounds directly to the sound device output. Very useful for Sequencer strips editing": "",
    "Uses a *B-Spline* Interpolation for the color stops": "",
    "Uses a *Cardinal* Interpolation for the color stops": "",
    "Uses a *Constant* Interpolation for the color stops": "",
    "Uses a *Linear* Interpolation for the color stops": "",
    "Uses a :doc:`Locked Track Constraint </animation/constraints/tracking/locked_track>` to make the plane always align with the camera. The plane always faces the camera, even if the camera is moved. This option is only available if *Main axis* or *Face Camera* is selected in the *Align* panel": "",
    "Uses a mathematically complex solver which offers the best results and has full support for overlapping geometry; however, this solver is much slower than the *Fast Solver*": "",
    "Uses addition instead of multiplication in the implementation of the *Offset* option": "",
    "Uses an *Ease* Interpolation for the color stops": "",
    "Uses relative paths in every case (except when on a different drive on windows)": "",
    "Uses stylus pressure to control how strong the effect is. The gradient of the pressure can be customized using the :doc:`curve widget </interface/controls/templates/curve>`": "",
    "Uses the :term:`Euler` order of the target to decompose rotation into channels": "",
    "Uses the RDP algorithm (Ramer-Douglas-Peucker algorithm) for points deletion. The algorithm tries to obtain a similar line shape with fewer points": "",
    "Uses the RDP algorithm (Ramer-Douglas-Peucker algorithm) for points deletion. The algorithm try to obtain a similar line shape with fewer points": "",
    "Uses the stylus pressure to control how strong the effect is. The gradient of the pressure can be customized using the :doc:`curve widget </interface/controls/templates/curve>`": "",
    "Using *Proportional* can create some openings if used with *Merge* options": "",
    "Using *Proportional* the Z of generated components changes according to generator faces area": "",
    "Using *Save as Copy* will save the file to a specified name, but will keep the old one open in the Image editor": "",
    "Using :kbd:`Ctrl-Alt` with proper keys will force to use Mix node for merging no matter what types of nodes are selected": "",
    "Using :kbd:`Shift-Ctrl` with proper keys will force to use Math node for merging no matter what types of nodes are selected": "",
    "Using :kbd:`Shift`-click, you can add to/remove from the selection": "",
    "Using Blender's *Blend Sky* options triggers its export as a POV-Ray ``sky_sphere{}``": "",
    "Using a *Viewer* node a geometry can be displayed in the Spreadsheet. A node can be plugged into a viewer node by pressing :kbd:`Shift-Ctrl-LMB` on it, just like in the Compositor": "",
    "Using bones in constraints, either as owners or as targets, is discussed in detail in the :doc:`constraints pages </animation/constraints/index>`": "",
    "Using the *Edit Externally* tool Blender will open an external image editor, as specified in the *Preferences* and load in the image to be edited": "",
    "Using the :ref:`command-line arguments <command_line-args>` you can setup a launcher that opens Blender with a specific app template:": "",
    "Using the active element as a pivot point in *Edit Mode* may seem complex but all the possible transformations follow a few rules:": "",
    "Using the spring example, it is easy to create perfect screw spindles (like the ones present in normal screws that you can buy in hardware stores). Perfect screw spindles use a profile with the same height as its vector, and the beginning and ending vertex of the profile are placed at a straight parallel line with the axis of extrusion. The easiest way of achieving this effect is to create a simple profile where the beginning and ending vertices create a straight parallel line. Blender will not take into account any of the vertices present in the middle but those two to take its angular vector, so the spindles of the screw (which are defined by the turns value) will assembly perfectly with each other": "",
    "Using your favorite image painting program, you could use an exported UV layout to create a texture. Then save your changes, and back in Blender, use the :menuselection:`Image --> Open` to load it as your UV image for the mesh in Edit Mode for the desired (and active) UV map": "",
    "Usually armature deform with automatic weights do a really good job out of the box if you correctly place your bones (and there is enough topology to work with!)": "",
    "Values between (0.0 and 1.0) will have a partial effect, but be careful. These partial effects can be difficult to control, especially as the :doc:`constraint stack </animation/constraints/interface/stack>` grows in complexity": "",
    "Various image compression algorithms lose some of the original; the difference shows as noise. Experiment with different compression settings and marks to see which works best for you by having the encoding node group in one scene, and the decoding group in another. Use them while changing Blender's image format settings, reloading the watermarked image after saving, to get an acceptable result. In the example above, the mark was clearly visible all the way up to ``JPEG`` compression of 50%": "",
    "Various methods for the stabilization. Usually, the same as used in :menuselection:`Movie Clip Editor --> Properties --> Stabilization --> 2D Stabilization --> Interpolate`. For technical details on their difference, `see this <https://www.mathworks.com/help/vision/ug/interpolation-methods.html>`__. But for most purposes, default of Bilinear should suffice": "",
    "Vertex Paint Mode is selected from the *Mode* menu in the 3D Viewport header. Once Vertex Paint Mode is activated, the Toolbar of the 3D Viewport will change to Vertex Paint Mode specific panels": "",
    "Vertex Slide will transform a vertex along one of its adjacent edges. Use :kbd:`Shift-V` to activate tool. The nearest selected vertex to the mouse cursor will be the control one. Move the mouse along the direction of the desired edge to specify the vertex position. Then press :kbd:`LMB` to confirm the transformation": "",
    "Vertex groups are mainly used to tag the vertices belonging to parts of a mesh object or :term:`Lattice`. Think of the legs of a chair or the hinges of a door, or hands, arms, limbs, head, feet, etc. of a character. In addition you can assign different weight values (in the range 0 to 1) to the vertices within a vertex group. Hence vertex groups are sometimes also named 'weight groups'": "",
    "Vertex groups are maintained within the *Object Data* Properties, in the *Vertex Groups* panel": "",
    "Vertex groups are maintained within the *Object Data* tab (1) in the Properties. As long as no vertex groups are defined (the default for new mesh objects), the panel is empty (2)": "",
    "Vertex groups can be used to assign a group or weighted group to some operator. An object can have several weight groups and can be assigned in :doc:`Weight Paint </modeling/meshes/properties/vertex_groups/vertex_groups>` mode, or in :doc:`Edit Mode </modeling/meshes/properties/vertex_groups/assigning_vertex_group>` via this panel": "",
    "Vertex groups can be used to assign a group or weighted group to some operator. An object can have several weight groups and can be assigned in :doc:`Weight Paint Mode </grease_pencil/modes/weight_paint/index>`": "",
    "Vertex groups, UV maps and vertex colors are available as attributes in geometry nodes. They are referred to by their name. Naming collisions (e.g. a vertex group and a UV map with the same name) should be avoided. If there is a naming collision, only one of the attributes is accessible in geometry nodes": "",
    "Vertical tabs can be switched with :kbd:`Ctrl-Wheel` from anywhere in the tab. You can also cycle through tabs with :kbd:`Ctrl-Tab` and :kbd:`Shift-Ctrl-Tab`, or press down :kbd:`LMB` and move mouse over tab header icons. (Workspace tabs do not use this keymap. See :ref:`Workspace controls <workspaces-controls>`.)": "",
    "Vertical/Horizontal Split": "",
    "Vertices belonging to faces that are not adjoining (e.g. two cones sharing the vertex at the apex)": "",
    "Very simple versions of the materials are exported, using only the :ref:`render-materials-settings-viewport-display` color, metallic, and roughness": "",
    "Video encoding via the FFmpeg library. Which codecs are available depends on the operating system and FFmpeg version. This options allows for a lot of different encodings, some presets are available (to the right of the *Encoding* subpanel) to help with getting started. This option is also the only one allowing to export audio": "",
    "Video: `Learn the benefits of right-click-select <https://vimeo.com/76335056>`__": "",
    "Videos can be embedded from Blender's self-hosted `PeerTube <https://joinpeertube.org/>`__ instance which can be found at `video.blender.org <https://video.blender.org/>`__. To embed a video using the following directive::": "",
    "Viewer Node for shaders. :kbd:`Shift-Ctrl-LMB` and the output of the node will be linked to newly created Emission shader and Material Output. This is an easy way of previewing textures": "",
    "Viewport rendering uses the 3D Viewport rendering for quick *preview* renders": "",
    "Vignetting / Bloom / Glare (Post)": "",
    "Visibility status: ``LAYER_on``": "",
    "Visibility. (Hides the collection from the current view layer -- affects 3D Viewport -- chaining.)": "",
    "Visible Primitives Only": "",
    "Visual Effects best fit for quick viewport visualization. You can use it for final renders but if you want more precision with effects it is still recommended to use the :doc:`Compositor </compositing/introduction>`": "",
    "Visual transformation of bones copies the visual transform (on screen) of the active bone to the selected bones, regardless of parenting or constraints. The result should look exactly the same even if the bone's numbers do not match. Constraints on the selected bones may prevent this from working (or drivers for that matter):": "",
    "Volumetric Scattering (Medium)": "",
    "Volumetrics and media (scattering/absorption), blurry reflections (uberPOV), ghosting for motion blur (uberPOV), micropolygon displacement (HGPOV), etc": "",
    "W can be used to retrieve the actual rotation around the defined angle. The following formula applies (provided that the *quaternion is normalized*): :math:`W = \\cos(\\frac{a}{2})`, where *a* is actually the rotation angle we are looking for. That is: :math:`a = 2 \\arccos{W}`": "",
    "We have seen in :doc:`previous pages </animation/armatures/index>` how to design an armature, create chains of bones, etc. Now, having a good rig is not the final goal, unless you want to produce a \"Dance Macabre\" animation, you will likely want to put some flesh on your skeletons! Surprisingly, \"linking\" an armature to the object(s) it should transform and/or deform is called the \"skinning\" process..": "",
    "We will make use of this a lot to help our learning the API faster. Now that you got a hang of this, lets proceed to investigate some of modules in ``bpy``": "",
    "We will not detail here the various transformations of bones, nor things like axis locking, pivot points, and so on, as they are common to most object editing, and already described in the :doc:`mesh section </scene_layout/object/editing/transform/control/index>`. The same goes for mirroring, as it is nearly the same as with :doc:`mesh editing </modeling/meshes/editing/mesh/mirror>`. Just keep in mind that bones' roots and tips behave more or less like meshes' vertices, and bones themselves act like edges in a mesh": "",
    "WebM/VP9 (although Blender will not import the alpha channel due to a `limitation of FFmpeg <https://trac.ffmpeg.org/ticket/8344>`__)": "",
    "Weight Paint Mode is selected from the *Mode* menu in the 3D Viewport header. Once Weight Paint Mode is activated, the Toolbar of the 3D Viewport will change to Weight Paint Mode specific panels. A red circle will appear and follow the location of the cursor in the 3D Viewport": "",
    "WheelDown": "",
    "WheelUp": "",
    "When *Best Fit* is selected a circle is calculated using a nonlinear least squares method. This basically means that the circle that is calculated with this option best fits the vertices you selected": "",
    "When *Extend* checkbox is checked the selection is extended instead of generating a new one": "",
    "When *Realtime* is disabled, this defines the end frame of the path animation. This means that the drawing timing will be adjusted to fit into the specified range": "",
    "When *Selection Only* is enabled, then only the selected objects will be exported. Otherwise the entire scene is exported with all visible and all invisible objects": "",
    "When *Whole Collection* is deactivated, a :term:`Seed` to affect the choice of the collection's children": "",
    "When *all* control points of a curve are selected, nothing will happen (as for *Less*, all linked points are always selected, and of course, *More* cannot add any). Conversely, the same goes when no control points are selected": "",
    "When *all* points of a stroke are selected, nothing will happen (as for *Less*, all linked points are always selected, and of course, *More* cannot add any). Conversely, the same goes when no points are selected": "",
    "When :doc:`/animation/armatures/properties/bone_groups` colors are enabled, the state colors will be overridden": "",
    "When :kbd:`LMB` / :kbd:`RMB` dragging mouse the color under the cursor is shown in the footer as well the cursor position and the color values in the RGBA, HSV and Luminance :term:`Color Space`": "",
    "When :kbd:`Shift-LMB` clicking it clears the Fake User and removes the stashed action from the NLA stack too": "",
    "When :ref:`Developer Extras <prefs-interface-dev-extras>` are activated the Operator Search can be accessed from the Edit menu in the Topbar. This search menu search all operators within Blender even if they are not exposed in a menu. This is useful for Python developers for testing purposes. Blender might also include a few advanced operators that are not exposed in a menu and can only be accessed via this search menu": "",
    "When :ref:`Python Tooltips <prefs-interface-tooltips-python>` are enabled, a Python expression is displayed for :ref:`scripting <scripting-index>` (usually an operator or property)": "",
    "When Blender is manually started from a terminal, Blender output is shown in the *Console Window* it is started from": "",
    "When Blender is started on a Microsoft Windows operating system, the *Console Window* (called the Command Prompt) is first created as a separate window on the desktop. The main Blender window will also appear and the *Console Window* will then be toggled off. To display the console again, go to :menuselection:`Window --> Toggle System Console`": "",
    "When Even is enabled, this flips the target edge loop to match. (See :ref:`Edge Slide tool <modeling-meshes-editing-edge-slide>` for details.)": "",
    "When a *min* value is higher than its corresponding *max* one, both are considered equal to the *max* one. This implies you cannot create \"reversed\" mappings..": "",
    "When a blend-file tries to execute a script and is not allowed, a dialog will appear. In it, you can choose to *Allow Execution* or to *Ignore* the scripts": "",
    "When a bone has multiple children, then it is not defined which (if any) of the children should be connected to the bone. When the *Find Bone Chains* option is enabled, then Blender determines the longest bone chain (of children) for each bone. All bones along this chain will then be auto connected": "",
    "When a child connected hinge bone is in the selection, and the \"most parent\" selected one is connected, when you press :kbd:`G`, nothing happens, because Blender remains in move operation, which of course has no effect on a connected bone": "",
    "When a constraint uses both *Target* and *Owner* space, the Target and Owner can be any combination of space types": "",
    "When a driver uses a *Scripted Expression*, Blender can evaluate it without using the fully featured Python interpreter if it is simple enough. This means that drivers are fast to evaluate with simple divisions, additions and other \"simple\" expressions. The built-in functions are always evaluated natively": "",
    "When a face of a :term:`Quad` is selected, the face is subdivided into four smaller quads": "",
    "When a face of an :term:`N-gon` is selected, the individual edges will be subdivided but the face will stay unsubdivided": "",
    "When a node group is created, new *Group Input* and *Group Output* nodes are generated to represent the data flow into and out of the group. Furthermore connections to input sockets coming from unselected nodes will become attached to new sockets on the *Group Input* node. Similarly, outgoing connections to input sockets of unselected nodes will become attached to the new *Group Output* node": "",
    "When a program is licensed under the GNU General Public License (the GPL):": "",
    "When a rig is built, the add-on will create a collection for all the custom bone shapes called (named ``Widgets``). When the custom shapes (widgets) are built they will use the prefix ``WGT-``. If you have more than one rig in the scene, it will use the same widgets in the same collection rather than duplicating them. The default collection name and the widget prefix can be set in the preferences of the add-on. (This will not change the name of any existing widgets or collection, only ones that are created after you change the setting.)": "",
    "When a vertex group is created, then it is also automatically marked as the *Active Group*. This is indicated by setting the background of the panel entry to a light gray color. If you have two or more groups in the list, then you can change the active group by :kbd:`LMB` on the corresponding entry in the Vertex Groups panel": "",
    "When activated, the *Curve Resolution* is no longer constant for all curve segments but calculated dynamically. The length of each segment is approximated, then multiplied by the *Curve Resolution* and rounded down. This will be the number of points to generate for that segment. With Adaptive Resolution the points will be distribute more evenly across all the strokes. The *Curve Resolution* option will change the point density": "",
    "When adding a new shape key from :menuselection:`Specials --> New Shape from Mix`, the shape will start of with the vertex configuration that is visible at that moment": "",
    "When adding a new shape key with the ``+`` button next to the list, the new shape will be a copy of the Basis shape, independently of the current result visible in the 3D Viewport": "",
    "When adding curves there are some common options like other :ref:`Objects <object-common-options>`": "",
    "When an `OSL-file <https://github.com/AcademySoftwareFoundation/OpenShadingLanguage>`__ is opened, this updates the :ref:`Shader Script <bpy.types.ShaderNodeScript>` node with new options and sockets from the script": "",
    "When an expression outside of this subset is used, Blender displays a \"Slow Python expression\" warning. However, as long as the majority of drivers use simple expressions, using a complex expression in select few is OK": "",
    "When an object is rotated, the direction of the *Local* gizmo matches to the object's rotation relative to the global axes. While the *Global* gizmo always correspond to world coordinates": "",
    "When an object is using constraints, the object property value does not actually change. *Visual Keying* will add keyframes to the object property, with a value based on the visual transformation from the constraint": "",
    "When an update for Blender is released, it can be downloaded directly from the `Blender website <https://www.blender.org/download/>`__ and extracted to the desired folder, where you can double click the executable to run Blender. For more information on creating a portable version of Blender, see the section `Install from Zip`_": "",
    "When an update for Blender is released, it can be downloaded directly from the `Blender website <https://www.blender.org/download/>`__ and installed using the steps described in the section `Install from blender.org`_": "",
    "When an update for Blender is released, it can be downloaded directly from the `Blender website <https://www.blender.org/download/>`__. Install the new version by overwriting the current ``Blender.app`` in the Applications folder. You can rename ``Blender.app`` or place it in a different folder to have more than one version at a time": "",
    "When an update for Blender is released, it can be downloaded directly from the `Blender website <https://www.blender.org/download/>`__. The Windows installer can then be run to install the updated version of Blender. To remove a previously installed version of Blender, use Windows settings or control panel to uninstall the desired version": "",
    "When and how :doc:`Proxies </video_editing/sequencer/sidebar/proxy>` are created": "",
    "When bones are selected (hence in *Edit Mode* and *Pose Mode*), their properties are shown in the *Bone* tab of the Properties. This shows different panels used to control features of each selected bone; the panels change depending on which mode you are working in": "",
    "When checked, includes UV coordinates for exported meshes. The name of the UV map in USD is the same as the name in Blender. In USD the default name is ``st`` whereas in Blender the default name is ``UVMap``. To export to the standard UV map name ``st``, rename the UV map in Blender to ``st``": "",
    "When checked, only selected objects are exported. Instanced objects, for example collections that are instanced in the scene, are considered 'selected' when their instancer is selected": "",
    "When clicked, this small button will recalculate the *Rest Length* value, so that it corresponds to the actual distance between the owner and its target (i.e. the distance before this constraint is applied)": "",
    "When clicked, this small button will reset the *Distance* value, so that it corresponds to the actual distance between the owner and its target (i.e. the distance before this constraint is applied)": "",
    "When clicking :kbd:`F`, similar to the previous case, you will see a new bone:": "",
    "When clicking the data-block icons or any other data icon (modifiers, constraints, object data, etc.), :doc:`/editors/properties_editor` will change to the corresponding tab to modify the properties of that data-block.This feature can be enabled or disabled in Properties editor using the :ref:`Sync with Outliner <bpy.types.SpaceProperties.outliner_sync>` option": "",
    "When compositing footage of something that emits light and has a dark background, like fire, a :doc:`Mix Node </compositing/types/color/mix>` using a *Screen* or *Add* operator will produce better results": "",
    "When creating a new action, if the existing action only has a single user (i.e. the current reference only), it will get \"stashed\" in the NLA stack. Action Stashing should prevent most cases actions getting lost": "",
    "When creating a new parent relationship using this constraint, it is usually necessary to click on the *Set Inverse* button after assigning the parent. As noted above, this cancels out any unwanted transform from the parent, so that the owner returns to the location/rotation/scale it was in before the constraint was applied. Note that you should apply *Set Inverse* with all other constraints disabled (their *Influence* set to 0.0) for a particular *Child Of* constraint, and before transforming the target/parent (see example below)": "",
    "When creating multiple loops, these cuts are uniformly distributed in the original face loop, and you will *not* be able to control their positions": "",
    "When disabled, a *Save Preferences* button is shown to manually perform the operation": "",
    "When disabled, only the keymaps and categories that have been modified by the user will be exported. In addition, add-ons may register keymaps to their respective functions, however, these keymaps are not exported unless changed by the user. This exported file may be thought of as a *\"keymap delta\"* instead of a full keymap export": "",
    "When disabled, the location transform property is evaluated in the parent bone's local space, rather than using the bone's own *rest pose* local space orientation": "",
    "When disabled, this will \"break\" the rotation relationship to the bone's parent. This means that the child will keep its rotation in the armature object space when its parent is rotated": "",
    "When doing facial animation with relative shape keys, it can be useful to first create a shape key with a complex extreme pose (e.g. anger or surprise), and then break this complex shape into components by applying a temporary vertex group to the complex shape and creating a copy with *New Shape from Mix*. This technique helps reducing conflicts between different shape keys that would otherwise produce a double effect": "",
    "When enable this option in the add-on preferences your :kbd:`G`/:kbd:`R`/:kbd:`S` hotkeys will be replaced for a custom one that can handle objects visibility and Boolean modifiers before and after the transform operation to give a fast transform when using Boolean operations. It only works good when handling high-poly brush, if you try to use it in a low-poly brush when another high-poly brush is applied it will be slow yet since we have a bad Dependency Graph handling of that situation": "",
    "When enabled an extra parent control bone with a box widget is created to allow moving the rig. It is also required by all other options besides *Deform Bone*": "",
    "When enabled, Python scripts and drivers that may be included in the file will be run automatically. Enable this only if you created the file yourself, or you trust that the person who gave it to you did not include any malicious code with it. See :doc:`Python Security </advanced/scripting/security>` to configure default trust options": "",
    "When enabled, a tooltip will appear when your mouse pointer is over a control. This tip explains the function of what is under the pointer, shows the associated hotkey (if any)": "",
    "When enabled, an *Object* is used by the shadow as the center of rotation": "",
    "When enabled, big yellow square dots are displayed on motion paths, showing the keyframes of their bones (i.e. only the paths of keyed bones at a given frame get a yellow dot at this frame)": "",
    "When enabled, bones of a given name will deform points which belong to :doc:`vertex groups </modeling/meshes/properties/vertex_groups/index>` of the same name. E.g. a bone named \"forearm\", will only affect the points in the \"forearm\" vertex group": "",
    "When enabled, bones will deform points or control points near them, defined by each bone's envelope radius and distance. Enable/Disable bone :ref:`envelopes <armature-bones-envelope>` defining the deformation (i.e. bones deform points in their neighborhood)": "",
    "When enabled, crop dimensions are a percentage of the input image's width and height. When disabled, the range of the *Crop Region Values* are the width and height of the image in pixels": "",
    "When enabled, each file is exported into its own directory, this is useful when using the *Copy Images* option. So each directory contains one model with all the images it uses. Note, this requires a full Python installation. If you do not have a full Python installation, this button will not be shown": "",
    "When enabled, edges will be split if the angle between its two adjacent faces is greater than the *Split Angle*": "",
    "When enabled, edges will be split if they were :ref:`marked as sharp <bpy.ops.mesh.mark_sharp>`": "",
    "When enabled, new keyframes for properties will be inserted into the active *Keying Set*": "",
    "When enabled, points are added for closing the strokes like when using the *Close* tool. If disabled, the stroke is close without any actual geometry": "",
    "When enabled, points are added for closing the strokes. If disabled, the operator act the same as *Toggle Cyclic*": "",
    "When enabled, show one image instance only (do not repeat)": "",
    "When enabled, the (local) axes of each bone are displayed (only relevant for *Edit Mode* and *Pose Mode*)": "",
    "When enabled, the bones of the armature will always be shown on top of the solid objects (meshes, surfaces, ...). I.e. they will always be visible and selectable (this is the same option as the one found in the *Display* panel of the *Object data* tab). Very useful when not in *Wireframe* mode": "",
    "When enabled, the default standard bone shape is replaced, in *Object Mode* and *Pose Mode*, by the shape of a chosen object (see :doc:`Shaped Bones </animation/armatures/bones/properties/display>` for details)": "",
    "When enabled, the effects on the strokes start to falloff from the current frame as defined by a :doc:`curve widget </interface/controls/templates/curve>`": "",
    "When enabled, the per-vertex face normals of the bevel faces are adjusted to match the surrounding faces, and the normals of the surrounding faces are not affected. This will keep the surrounding faces flat (if they were before), with the bevel faces shading smoothly into them. For this effect to work, custom split normals need to be enabled, which requires *Auto Smooth* to be enabled (see :doc:`Normals </modeling/meshes/editing/mesh/normals>`). As a convenience, that option will be enabled for you if it is not already when you enable Harden Normals here": "",
    "When enabled, the per-vertex face normals of the bevel faces are adjusted to match the surrounding faces, and the normals of the surrounding faces are not affected. This will keep the surrounding faces flat (if they were before), with the bevel faces shading smoothly into them. For this effect to work, custom split normals need to be enabled, which requires Auto Smooth to be enabled (see :doc:`Normals </modeling/meshes/editing/mesh/normals>`). As a convenience, that option will be enabled for you if it is not already when you enable Harden Normals here": "",
    "When enabled, the screen layout saved inside each blend-file is used, replacing the current layout and :doc:`Workspaces </interface/window_system/workspaces>`. Otherwise the file screen layout is ignored": "",
    "When enabled, the shader use the fill component. The *Fill* component control how to render the filled areas determined by closed edit lines": "",
    "When enabled, the shader use the stroke component. The *Stroke* component controls how to render the edit lines": "",
    "When enabled, the view switches to perspective when orbiting the view, setting axis views (Top, Side, Front, Back, etc.), sets the view to orthographic": "",
    "When enabled, this control allows the owner to be moved (using its current transform properties), relative to its target's position": "",
    "When enabled, this option will ensure that all eligible external resource files, existing or added later, are systematically marked as packed. As with *Pack Resources*, the blend-file must be saved to the drive for this to have an effect": "",
    "When enabled, you will see the numbers of the displayed keyframes, so this option is obviously only valid when *Show Keys* is enabled": "",
    "When first setting up your scene, and for fast preview rendering, turn off anti-aliasing, depth of field, photons, Radiosity, expensive material features, and in the scene Shading panel, turn off shadows. (Other features might get turned off from this panel in future versions of the exporter.)": "",
    "When importing a dae-file that has ``<instance_node>`` on exporting this information is essentially lost and these nodes will be ``<node>``\\ s": "",
    "When importing an :doc:`Alembic </files/import_export/alembic>` or :doc:`USD </files/import_export/usd>` file, Transform Cache constraints are automatically added to objects with animated transforms. For time-varying meshes (so deforming animations), the :doc:`Mesh Sequence Cache modifier </modeling/modifiers/modify/mesh_sequence_cache>` is used": "",
    "When in *Edit Mode* you can use this panel to control position and roll of individual bones. Whereas in *Pose Mode* you can only set location for the main bone, and you can now set rotation and scale": "",
    "When in *Edit Mode*, you can hide and reveal elements from the display. You can only show or hide control points, as segments are always shown, unless all control points of the connected curve are hidden, in which case the curve is fully hidden": "",
    "When in *Object Mode*, rotation and scaling happen around the origin of the active object. This is shown by the figure to the below where the active object (the cube) remains in the same location (note its position relative to the background grid) while the other objects rotate and scale in relation to the active element": "",
    "When in Edit Mode, curves have special :doc:`overlays </editors/3dview/display/overlays>` to control how curves are displayed in the 3D Viewport": "",
    "When in camera view, all changes in the view (pans, rotations, zooms) will affect the active camera. The camera frame will be outlined with a red dashed line": "",
    "When in profile mode, flat objects are present by default. You can add your own with the ``ProfilCreate.py`` file that will be explain after (ToDo)": "",
    "When inserting keyframes into :ref:`trivially cyclic curves <bpy.types.FModifierCycles>`, special handling is applied to preserve the cycle integrity (most useful while tweaking an established cycle):": "",
    "When installing Blender from Steam on Linux and Windows, the ``.blend`` filename extension will not be automatically associated with Blender. To associate blend-files with Blender, see the processes described on the :doc:`Linux </getting_started/installing/linux>` and :doc:`Windows </getting_started/installing/windows>` installation pages": "",
    "When isolated groups of faces are selected, they can be combined with :ref:`Create Face <modeling-mesh-make-face-edge-dissolve>` or :ref:`bpy.ops.mesh.dissolve_faces`; this is not limited to quads": "",
    "When linking a rig into another file, you generally want to create a collection that includes the generated rig and the character mesh, with another nested and hidden collection for the \"WGT-\" objects. You do not need to include the meta-rig. You then link in the collection, and either run *Make Proxy* and select the rig object, or run *Make Library Override*": "",
    "When linking objects *directly* into a blend-file, the *Rigid Body* settings **will not** be linked in since they are associated with their scene's world. As an alternative, you can link in the entire scene and set it as a :ref:`Background Set <scene-background-set>`": "",
    "When merging attributes from multiple geometry inputs, the highest complexity data type is chosen for the output attribute. In other words, if a ``weight`` attribute has a Boolean type on one geometry input and a vector data type on another geometry, the ``weight`` attribute on the output geometry will have a vector data type. The same heuristic is used for attribute domains, the domain with the most information will be used for the output": "",
    "When multiple edges are beveled at the same time, it is sometimes impossible to make the width match the above definition on all edges simultaneously. Bevel tries to compromise in such cases. Sometimes turning off Loop Slide (see below) can make it easier for Bevel to make the widths as specified": "",
    "When not visualized as *B-Bone*\\ s, bones are always shown as rigid sticks, even though the bone segments are still present and effective. This means that even in e.g. *Octahedron* visualization, if some bones in a chain have several segments, they will nonetheless smoothly deform their geometry": "",
    "When nothing is selected, the panel is empty. When more than one vertex is selected, the median values are edited and \"Median\" is added in front of the labels": "",
    "When nothing is selected, the panel is empty. When more than one vertex is selected, the median values is edited and \"Median\" is added in front of the labels": "",
    "When off :kbd:`Alt` all selected elements follow a circle, even when outside the segment between the 3D cursor and the mouse": "",
    "When one hears about \"free software\", the first thing that comes to mind might be \"no cost\". While this is often true, the term \"free software\" as used by the Free Software Foundation (originators of the GNU Project and creators of the GNU General Public License) is intended to mean \"free as in freedom\" rather than in the sense of \"no cost\" (which is usually referred to as \"free as in free beer\" or *gratis*). Free software in this sense is software which you are free to use, copy, modify, redistribute, with no limit. Contrast this with the licensing of most commercial software packages, where you are allowed to load the software on a single computer, are allowed to make no copies, and never see the source code. Free software allows incredible freedom to the end user. Since the source code is universally available, there are also many more chances for bugs to be caught and fixed": "",
    "When only one edge of a face is selected (Triangle mode), triangles are subdivided into two triangles, and quads, into three triangles": "",
    "When parenting it will create an empty vertex groups on the child objects (if they do not exist already) for and named after each deforming bone in the armature": "",
    "When parenting it will create empty :doc:`vertex groups </modeling/meshes/properties/vertex_groups/index>` on the child objects (if they do not already exist) for and named after each deforming bone in the armature. The newly created vertex groups will be empty. This means they will not have any weights assigned. Vertex groups will only be created for bones which are setup as deforming (:menuselection:`Properties --> Bone --> Deform Panel`)": "",
    "When relative paths are supported, the File Browser provides a *Relative Path* checkbox, when entering the path into a text field, use a double slash prefix (``//``) to make it so": "",
    "When rotating or scaling an object or group of vertices, edges, or faces, you may want to move the :term:`Pivot Point` to make it easier to manipulate an object. Using this selector in the header of any 3D Viewport, you can change the location of the pivot point": "",
    "When selecting UVs or Edges, it behaves like the *Shared Vertex* option of the *Sticky Selection Mode*. When selecting Faces, it behaves like the *Disabled* option of the *Sticky Selection Mode*": "",
    "When set to *None* or when the only option is *None*: the CPU will be used as the computing device for Cycles": "",
    "When set to *Selection* the tool will only operate on the selected vertices": "",
    "When set to 0 the IK arm will use the rotational pole vector (the arrow at the base of the limb). Rotating/translating/scaling the arrow will control the IK limb base. When set to 1 the classic pole vector will be displayed and used to orient the IK limb. The arrow will continue to handle the scale and the location of the IK limb base": "",
    "When set to 1, the foreground color values will be multiplied by alpha, i.e. premultiplied; this is equivalent to enabling *Convert Premultiplied*. When set to 0, color values does not change": "",
    "When several bones of the same \"family\" are selected, *only* the \"most parent\" ones are really transformed -- the descendants are just handled through the parent relationship process, as if they were not selected (see Fig. :ref:`fig-rig-pose-edit-scale` the third tip bone, outlined in yellow, was only scaled down through the parent relationship, exactly as the unselected ones, even though it is selected and active. Otherwise, it should have been twice smaller!)": "",
    "When starting Blender for the first time, the Interactive Region contains a :ref:`Quick Set Up Process <splash-quick-start>`": "",
    "When structures are imported via the PDB or XYZ importer, the atoms are put into a so-called instancing vertices structure, somewhat into 'groups' of elements (e.g. all hydrogen atoms form one instancing vertices structure). In the Edit Mode of Blender, single atoms can be deleted or displaced by modifying the position of the vertices. However, they are always a part of the structure and are not independent objects. Sometimes one would like to mark a single atom or replace an atom by something different: for instance, imagine you have a NaCl cube where you would like to replace an atom by an atomic defect in form of a ball with a different color": "",
    "When the *Cycle Mode* for both ends is set to either *Repeat Motion* or *Repeat with Offset*, and no other options of the modifier are changed from their defaults, it defines a simple infinite cycle": "",
    "When the *Fix Leaf Bones* option is enabled then Blender tries to guess where the bone head/tail of unconnected bones would best be placed. If the option is disabled, then the bone head/tail are placed at an offset along the Y axis. That is why bones often point towards the Y axis": "",
    "When the *Follow Curve* option is enabled, its rotation is also offset to the one given by the curve. E.g. if you want the Y axis of your object to be aligned with the curve's direction, it must be in rest, non-constrained state, aligned with the global Y axis. Here again, clearing your owner's rotation :kbd:`Alt-R` might be useful..": "",
    "When the Falloff value is high, pixels that are close to the Key Color are more transparent than pixels that are not as close to the Key Color (but still considered close enough to be keyed). When the Falloff value is low, it does not matter how close the pixel color (Image) is to the Key Color, it is transparent": "",
    "When the IK follow is set to 1 the IK limb will follow its parent depending on the Root/Parent slider. When set to 0 the IK limb will stay fixed in space whatever the rest of the rig will do. This is a useful option if you want to create your own Child Of constraint on the IK limb toward another part of the rig itself (like parenting the hand to the head)": "",
    "When the Pivot Point is set to *Individual Origins*, the origin of each object remains in place while the object rotates or scales around it": "",
    "When the add-on is enabled, Blender executes the code and runs the ``register()`` function. When the add-on is disabled, Blender runs the ``unregister()`` function": "",
    "When the annotation tool is enabled, the settings for managing multiple layers can be found in the :menuselection:`Sidebar --> View --> Annotations` panel": "",
    "When the bone is a :doc:`bendy bone </animation/armatures/bones/properties/bendy_bones>`, click on this button to make the point follow the curvature of the B-spline between head and tail": "",
    "When the constraints use a *Target* and/or/nor an *Owner* space there will be no, one or two selector(s). The Copy Location constraint in example use both Target **and** *Owner* space": "",
    "When the current frame is a keyframe for the current active object, the name of this object (shown in the upper left corner of the 3D Viewport) turns yellow": "",
    "When the export is initiated, the add-on silently unfolds the mesh (without marking any seams) and divides all faces into islands, which may take a few seconds for complex meshes. Then, a File Browser is displayed. With SVG format, the file name you choose will get a ``_page<number>.svg`` suffix, even if only one page was needed": "",
    "When the expression is not simple, it will be evaluated using Python. As a consequence, the driver will be slower and there is a security risk if the author of the Python code is unknown. This is an important thing to take into consideration for heavy scenes and when sharing files with other people. See also: :doc:`Auto run </advanced/scripting/security>`": "",
    "When the filename does not contain ``#``, The suffix ``####`` is added to the filename": "",
    "When the magnifying glass icon has a ``+`` sign then only items that match the text will be displayed": "",
    "When the magnifying glass icon has a ``-`` sign then only items that do not match text will be displayed": "",
    "When the manual is updated, those translations which are outdated will be marked as fuzzy. To keep track with that, you can use a tool we created for that task, see :ref:`How to install it <translations-fuzzy-strings>`": "",
    "When the mesh is in *Edit Mode*, only the selected faces will receive the \"smoothing\" attribute. You can set faces as flat (removing the \"smoothing\" attribute) in the same way by selecting edges and picking the *Shade Flat* from the *Face Menu*": "",
    "When the mouse is over a value, press :kbd:`Alt-I`": "",
    "When the operator is executed, a pop-up dialog appears. The text field shows the name of the current item and can be overwritten to rename the item. :kbd:`Return` confirms the name while :kbd:`Esc` cancels the operator": "",
    "When the viewport is locked to the cursor, moving the cursor avoids the view *jumping* based on the new offset": "",
    "When there are many edges Blender will make an n-gon. Note that, this does not support holes, to support holes you need to use the :ref:`modeling-meshes-editing-fill` Faces tool": "",
    "When this feature is enabled, the bone will not be automatically parented to the root bone even if it has no parent; enter ``root`` in the *Parent* field if that is necessary": "",
    "When this option is active adding a bone group in the list will always keep the colors consistent. When a color scheme is added as from a theme, the color scheme is loaded as is. Click on the *Apply* button to force the system to unify selected and active colors": "",
    "When this option is enabled, the object and mesh offset along the deformation axis is ignored. This can be useful with the *Stretch* option or when using a negative axis. Utilized when using the :doc:`/modeling/modifiers/deform/curve`": "",
    "When troubleshooting, to see the output of ``--debug`` messages": "",
    "When used on folding edges, the highlight will be drawn below the folding line. So you will probably have to change the *Freestyle Lines* drawing style to make it wider and not black, so that the lines stay distinguishable": "",
    "When used with *Project Opposite* and *Face Culling*, it inverts the *Front* or *Back* cull choice for the opposite direction": "",
    "When using :ref:`rendered shading <view3d-viewport-shading>` mode, it can be quite slow to render the entire 3D Viewport. To fix this, you can define a subregion to render just a portion of the viewport instead of the entire viewport. This can be very useful for reducing render times for quick previews on an area of interest": "",
    "When using Bézier-interpolated curves it is possible to control the slope of the curve at the control points. This is done via the curve point *handles*; you can set the type of handle to use for the curve points by pressing :kbd:`V` or choosing Key, Handle Type in the Graph editor menu. Each curve point can have a different handle type, even within the same curve": "",
    "When using a *Constraint* action, it is the constraint *channel's names* that are used to determine to which constraints of the owner apply the action. E.g. if you have a constraint channel named \"trackto_empt1\", its keyed *Influence* and/or *Head/Tail* values (the only ones you can key) will be mapped to the ones of the owner's constraint named \"trackto_empt1\"": "",
    "When using a *Locked Track* constraint, you can think of the target as a magnet, and the owner as a compass. The *Lock* axis will function as the axle around which the owner spins, and the *To* axis will function as the compass' needle. Which axis does what is up to you!": "",
    "When using a rotation property as \"driver\", these values are \"mapped back\" to the (-180.0 to 180.0) range": "",
    "When using a scale property as \"driver\", these values are limited to null or positive values": "",
    "When using the B-bone as a constraint target :ref:`ui-data-id` offers an option to follow the curvature": "",
    "When using the image as a reference for modeling, it can be useful to set the depth to *Front*, with a low *Opacity*": "",
    "When using the rotation transform properties of the target as input, whatever the real values are, the constraint will always \"take them back\" into the (-180 to 180) range. E.g. if the target has a rotation of 420 degrees around its X axis, the values used as *X* input by the constraint will be:": "",
    "When working in larger projects that involve scenes with assets linked from a blend-file library, it can get very time-consuming to save your current scene, track down the proper linked blend-file, make your modifications, save, and return to your original scene file. This add-on allows you to accomplish this process with only a pair of mouse clicks (one to get to the linked library and one to resume work on your scene)": "",
    "When you :kbd:`LMB` click the *Deselect* button instead, then the vertices assigned to the active group will be deselected in the 3D Viewport": "",
    "When you are happy with the new view, press :kbd:`LMB` to confirm. In case you want to go back from where you started, press :kbd:`Esc` or :kbd:`RMB`, as usual": "",
    "When you are satisfied with the fill result you can delete the boundary strokes using the *Clean Up* tool in the :doc:`Grease Pencil Menu </grease_pencil/modes/edit/grease_pencil_menu>` in Edit Mode": "",
    "When you drop a node with at least one input and one output socket onto an existing connection between two nodes, *Auto-offset* will, depending on the direction setting, automatically move the left or right node away to make room for the new node. *Auto-offset* is a feature that helps organizing node layouts interactively without interrupting the user workflow": "",
    "When you duplicate a node, the new node will be positioned *exactly* on top of the node that was duplicated. If you leave it there (and it is quite easy to do so), you can **not** easily tell that there are *two* nodes there! When in doubt, select a node and move it slightly to see if something is hidden underneath": "",
    "When you finished editing the strip, simply go to :menuselection:`Edit --> Tweaking Strips Action` or press :kbd:`Tab`": "",
    "When you first animate an object by adding keyframes, Blender creates an *Action* to record the data": "",
    "When you need to display more comprehensive text, frame nodes can display the contents of a text data-block. This is read-only, so you will need to use the *Text Editor* to modify the contents": "",
    "When you now :kbd:`LMB` click the *Select* button, then the vertices assigned to the active group will be selected and highlighted in the 3D Viewport": "",
    "When you play an animation, the frame rate is displayed at the top left of the 3D Viewport. If the scene is detailed and playback is slower than the set :ref:`Frame Rate <bpy.types.RenderSettings.fps>`, these options are used to synchronize the playback": "",
    "When you pose your armature, you are supposed to have one or more objects skinned on it! And obviously, when you transform a bone in *Pose Mode*, its related objects or object's shape is moved/deformed accordingly, in real-time. Unfortunately, if you have a complex rig set-up and/or a heavy skin object, this might produce lag during interactive editing. If you experience such troubles, try enabling the *Delay Deform* button in the *Armature* panel the skin objects will only be updated once you confirm the transform operation": "",
    "When you press :kbd:`E`, for each selected tip (either explicitly or implicitly), a new bone is created. This bone will be the child of \"its\" tip owner, and connected to it. As usual, once extrusion is done, only the new bones' tips are selected, and in select mode, so you can place them to your liking. See Fig. :ref:`fig-rig-bones-extrusion`": "",
    "When you see an image that you think might be yours, use the node tree below to compare it to your stock image (pre-watermarked original). In this tree, the Mix node is set to Difference, and the Map Value node amplifies any difference. The result is routed to a viewer, and you can see how the original mark clearly stands out": "",
    "When you select a stroke and :kbd:`Tab` into Edit Mode, the :doc:`Toolbar </grease_pencil/modes/edit/tools>` changes from *Object Tools* to *Stroke editing Tools*. These are only some of the stroke editing tools": "",
    "When you set a new value for the properties, Blender will add keyframes on the current frame for the transform properties. Other use cases are :ref:`Fly/Walk Navigation <3dview-fly-walk>` to record the walk/flight path and :ref:`Lock Camera to View <3dview-lock-camera-to-view>` to record the navigation in camera view": "",
    "When you specify a (new) target, the *Distance* value is automatically set to correspond to the distance between the owner and this target": "",
    "When you start Blender for the first time, the interactive region of the :doc:`Splash Screen </interface/window_system/splash>` is replaced with a couple of initial preferences to configure how you interact inside Blender": "",
    "When you switch either to Edit Mode or to Weight Paint Mode, vertex weights can be edited. The same operations are available in the 3D Viewport's :menuselection:`Vertex --> Vertex Groups` menu or :kbd:`Ctrl-G`": "",
    "When your mesh contains multiple UV layers, then Blender exports all layers by default. This option allows you to only export the active (selected) UV layer": "",
    "Whenever *Snap Mode* is available, it is also possible to align the specified local axis of the object to the smooth normal of the target at the selected point. The axis is selected via radio buttons": "",
    "Where possible, use existing input faces that lie on the hull. This allows the convex hull output to contain n-gons rather than triangles (or quads if the *Join Triangles* option is enabled)": "",
    "Where the edge angle is small enough. Controlled by *Crease Threshold* property": "",
    "Whether to show the time in the X axis and the *Playhead* as frames (based on the FPS) or as seconds": "",
    "Which is supposed to be -- relatively -- dark: from 0.0 to this value": "",
    "Which is supposed to be -- relatively -- high values: from this value to 1.0": "",
    "Which is supposed to be -- relatively -- light: from this value to 1.0": "",
    "Which is supposed to be -- relatively -- low values: from 0.0 to this value": "",
    "While :kbd:`Shift-Ctrl-T` is not a default Blender key shortcut, it is hard to make sure add-ons will not overwrite each other's keymaps. Thus at least take care when assigning keys that they do not conflict with important functionality of Blender (see also :doc:`/addons/development/is_key_free`)": "",
    "While being a :ref:`video codec <files-video-codecs>`, it is also a real container, in which you can store video and audio streams using various codecs. It is widely supported by many modern software and hardware players": "",
    "While disabling this option does save memory, it stops the :ref:`bpy.ops.screen.redo_last` panel from functioning, also preventing tool options from being changed in some cases. For typical usage, its best to keep this enabled": "",
    "While dragging you can hold :kbd:`Shift` to use only one manipulator to tweak the curve (like the Arc tool), use :kbd:`Alt` to create the arc from a center point or :kbd:`M` to flip": "",
    "While dragging you can use :kbd:`Shift` to make a perfect arc, use :kbd:`Alt` to create the arc from a center point or :kbd:`M` to flip": "",
    "While dragging you can use :kbd:`Shift` to make a perfect circle or use :kbd:`Alt` to create the circle from a center point": "",
    "While dragging you can use :kbd:`Shift` to make a perfect square or use :kbd:`Alt` to create the box from a center point": "",
    "While dragging you can use :kbd:`Shift` to snapping the line to horizontal, vertical or 45° angle or use :kbd:`Alt` to create the line from a center point": "",
    "While dragging you can use :kbd:`Shift` to snapping the line to horizontal, vertical or 45° angle": "",
    "While editing, you can change the curve profile used by either using the header icon *Falloff* menu, or by pressing :kbd:`Shift-O` to toggle between the various options": "",
    "While empties don't exactly have any object data attached to them which can be used for supporting \"true\" apply scale (i.e. with non-uniform scaling), they do have *Display Size* which controls how large the empties are displayed (before scaling). This works by taking the scale factor on the most-scaled axis, and combines this with the existing empty *Display Size* to maintain the correct dimensions on that axis": "",
    "While for polygonal meshes *Fan* works better": "",
    "While hovering (when the cursor is held over a button)": "",
    "While moving bones, the length of the chain (the number of affected bones) can be increased or decreased using keyboard hotkeys. Pressing :kbd:`PageUp` will increase in chain length by one and :kbd:`PageDown` decreases the length by one. The chain length can also be controlled with :kbd:`WheelUp` or :kbd:`WheelDown`": "",
    "While playing, updates the Timeline, if *Animation Editors* and *All 3D Viewports* disabled": "",
    "While procedural textures are useful -- they never repeat themselves and always \"fit\" 3D objects -- they are not sufficient for more complex or natural objects. For instance, the skin on a human head will never look quite right when procedurally generated. Wrinkles on a human head, or scratches on a car do not occur in random places, but depend on the shape of the model and its usage. Manually-painted images, or images captured from the real world gives more control and realism. For details such as book covers, tapestry, rugs, stains, and detailed props, artists are able to control every pixel on the surface using a UV texture": "",
    "While the markers area is disabled, markers operators are not available in that editor, and in the header the *Marker* menu is hidden": "",
    "While with other transform tools, the \"local axes\" means the object's axes, here they are the bone's own axes (when you lock to a local axis, by pressing the relevant key twice, the constraint is applied along the selected bone's local axis, not the armature object's axis)": "",
    "Widget Type": "",
    "Widget Type (String):": "",
    "Width / Bottom Width / Top Width": "",
    "Will add a pose to the pose library based on the current frame selected in the Timeline. In contrast to *Add New* and *Replace Existing* which automatically allocate a pose to an action frame": "",
    "Will add the \".Bk\" suffix to all bones with a *positive* Y coordinate root, and the \".Fr\" suffix to all bones with a *negative* Y coordinate root. The same as with *AutoName Left-Right* goes for 0.0 Y coordinate bones..": "",
    "Will add the \".L\" suffix to all bones with a *positive* X coordinate root, and the \".R\" suffix to all bones with a *negative* X coordinate root. If the root is exactly at 0.0 on the X axis, the X coordinate of the tip is used. If both joints are at 0.0 on the X axis, the bone will just get a period suffix, with no \"L\"/ \"R\" (as Blender cannot decide whether it is a left or right bone...)": "",
    "Will add the \".Top\" suffix to all bones with a *positive* Z coordinate root, and the \".Bot\" suffix to all bones with a *negative* Z coordinate root. The same as with *AutoName Left-Right* goes for 0.0 Z coordinate bones..": "",
    "Will create a single spline, i.e. curve element, from all strokes in active Grease Pencil layer. This is especially useful if you want to use the curve as a path. All the strokes are linked in the curve by \"zero weights/radii\" sections": "",
    "Will make the rig object visible through all other geometry. (Useful if you have a fly through scene or if other meshes are in the way.)": "",
    "Will print the current 3D Viewport mode (Object, Edit, Sculpt, etc.)": "",
    "Will scale weights value so that they fit into the (0.0 to 1.0) range": "",
    "Will simply replace the last keyframe (i.e. making action cyclic)": "",
    "With :ref:`Auto keyframe <bpy.types.ToolSettings.use_keyframe_insert_auto>` activated, every time you create a stroke in Grease Pencil object Draw Mode a new keyframe is added at the current frame on the active channel. With Auto keyframe deactivated, you will have to add manually a new keyframe or your new strokes will be added on the active keyframe": "",
    "With a mesh object selected, enter Edit Mode and press :kbd:`Ctrl-C` to copy texture face attributes. The following menu appears:": "",
    "With absolute shape keys, the value shown for each shape in the list represents the *Evaluation Time* at which that shape key will be active": "",
    "With absolute shape keys, the value shown for each shape in the list represents the current weight or influence of that shape in the current *Mix*": "",
    "With bones, the \"volumetric\" variation scales them along their own local axes (remember that the local Y axis of a bone is aligned with it, from root to tip)": "",
    "With closed curves, the taper curve in *Taper Object* acts along the whole curve (perimeter of the object), not just the length of the object, and varies the extrusion depth. In these cases, you want the relative height of the *Taper Object* Taper curve at both ends to be the same, so that the cyclic point (the place where the endpoint of the curve connects to the beginning) is a smooth transition": "",
    "With curves, all \"advanced\" selection options are grouped in the *Select* menu of the 3D Viewport header": "",
    "With envelope weights, this can be used to change the active \"parent\" bone of the owner bone dependent on its location. For non-bones this mode is always active, because they don't have a rest location": "",
    "With the Vertex Only option active, some of the other options available will not work. However, they will work with :doc:`Bevel Edges </modeling/meshes/editing/edge/bevel>`": "",
    "With the bones in the correct positions, jump back in Object Mode, go to the Armature tab, scroll down to the bottom and click on the *Generate* button to finalize the rig creation. The generation process will take from few seconds to one minute depending on rig complexity and hardware specifications of your machine. If the generated rig needs tweaking, you can modify the meta-rig accordingly and then click again on the generate button. If the rig already exists, Rigify will simply overwrite it retaining all your modifiers and constraints and -- where possible -- all the previously generated features": "",
    "With the cube selected in Object Mode, press :kbd:`I` in the 3D Viewport. From the *Insert Keyframe* menu select *LocRotScale*. This will record the location, rotation, and scale, for the cube on frame 1": "",
    "With the cursor tool enabled, using :kbd:`LMB` in the 3D Viewport will place the 3D cursor directly under your mouse pointer": "",
    "With the last bone in the chain selected, add a *Spline IK* constraint from the *Bone Constraints* tab in the *Properties*": "",
    "With the last bone in the chain selected, add a :doc:`Spline IK </animation/constraints/tracking/spline_ik>` Constraint from the Bone Constraints tab in the Properties": "",
    "With the mesh selected, add a new *Shape Key* in addition to the *Basis* key. :menuselection:`Properties --> Mesh tab --> Shape Keys`": "",
    "With the meta-rig selected, go in the Properties and click on the Object tab. Scroll down to the display panel and enable X-ray and under *Maximum Draw Type* selector select *Wire*. This way the bones will always be drawn in wireframe on top of your geometry": "",
    "With this method, the tip of the child bone will never be moved -- so if *Connected* is enabled, the child bone will be completely transformed by the operation": "",
    "With this node objects can be \"re-textured\" after they have been rendered": "",
    "With this script you'll notice we're doing some math with the object location and cursor, this works because both are 3D :class:`blender_api:mathutils.Vector` instances, a convenient class provided by the :mod:`blender_api:mathutils` module which allows vectors to be multiplied by numbers and matrices": "",
    "With this selector the type of radii can be chosen. Either one uses *Predefined*, *Atomic* or *Van der Waals* radii. The default values for Predefined radii are the *Atomic* radii": "",
    "Works in a similar way to *With Automatic Weights*. The difference is that the influences are calculated based on the :ref:`Bone Envelopes <armature-bones-envelope>` settings. It will assign a weight to each vertex group the vertices that is inside its bone's influence volume, depending on their distance to this bone": "",
    "Works similar to *With Empty Groups*, but it will not leave the vertex groups empty. It calculates how much influence a particular bone would have on points based on the distance from those points to a particular bone (\"bone heat\" algorithm). This influence will be assigned as weights in the vertex groups": "",
    "Works the same as in the `basic.raw_copy`_ rig. In addition, when enabled any constraints that have names prefixed with ``CTRL:`` are moved to the control, and with ``DEF:`` to the deform bone": "",
    "Workspace tabs do not use this keymap. See :ref:`Workspace controls <workspaces-controls>`": "",
    "Workspaces are essentially predefined window layouts. Blender's flexibility with :doc:`Areas </interface/window_system/areas>` lets you create customized workspaces for different tasks such as modeling, animating, and scripting. It is often useful to quickly switch between different workspaces within the same file": "",
    "Would be written more like this, avoiding the \"it is\"::": "",
    "Wraps words that are too long to fit into the horizontal space by pushing them to a new \"pseudo line\"": "",
    "Write out Blender's face and vertex normals (depending on the faces smooth setting)": "",
    "Writes cached strips to disk which can store a lot more than RAM. To use the Disk Cache, this option must be enabled, the *Disk Cache Directory* and *Disk Cache Limit* set, then save or reopen the existing blend-file": "",
    "Writing": "",
    "X & Y ... or rather, as we shall soon see, \"U & V\"": "",
    "X, Y": "",
    "X=0.0, Y=0.0": "",
    "X=0.5, Y=0.5": "",
    "X=1.0, Y=1.0": "",
    "XZ, ZX": "",
    "Xform": "",
    "Xform and Scope Primitives": "",
    "YUV": "",
    "Yellow: with :doc:`IK Solver constraint </animation/constraints/tracking/ik_solver>`": "",
    "You also can use the rotating/scaling extrusions, as with meshes, by pressing respectively :kbd:`E R` and :kbd:`E S` -- as well as :doc:`locked </scene_layout/object/editing/transform/control/axis_locking>` extrusion along a global or local axis": "",
    "You also have some *advanced selection* options, based on their relations": "",
    "You assign weights to the points of the object by painting on it with weight brushes. Starting to paint on a strokes automatically adds weights to the active vertex group (a new vertex group is created if needed)": "",
    "You can :doc:`Parent/Constrain Objects to Bones </scene_layout/object/editing/parent>` -- then, when you transform the bones in *Pose Mode*, their \"children\" objects are also transformed, exactly as with a standard parent/children relationship... The \"children\" are **never** deformed when using this method": "",
    "You can :doc:`Use the Armature Modifier on entire Mesh </animation/armatures/skinning/parenting>`, and then, some parts of this object to some bones inside this armature. This is the more complex and powerful method, and the only way to really deform the geometry of the object, i.e. to modify its vertices/control points relative positions": "",
    "You can access this through via the shortcut :kbd:`Shift-B`, then :kbd:`LMB` click and drag a rectangle to zoom into": "",
    "You can activate multiframe drawing with the Multiframe button next to the modes selector (faded lines icon). See :doc:`Multiframe </grease_pencil/multiframe>` for more information": "",
    "You can add custom POV code directly in Blender's Text editor, all you have to do is to make sure this POV code has directly or indirectly a ``#declare`` keyword, followed by the name of your choice and the POV item you want to use. (Current POV syntax is closer to C than Python, so anything that follows two slash character (``//``) is a comment.)": "",
    "You can also add the Blender folder to your system ``PATH`` so that you do not have to ``cd`` to it each time": "",
    "You can also alter the Bone Envelope volume by selecting the Bone you wish to alter and then navigate to :menuselection:`Properties --> Bone --> Deform --> Envelope --> Distance` then enter a new value into it": "",
    "You can also alter the bone radius by selecting the tail or head of the bone you wish to alter, then navigate to :menuselection:`Properties --> Bone --> Deform --> Radius Section` and entering new values for the *Tail* and *Head* number fields": "",
    "You can also call the *Unfold* tool just for a preview of the net. It will list all islands of the produced net in the panel and if you enable so in the tool's settings, it will also create a UV layout showing the islands. Note that island positions are not calculated in this stage, so that they will all just lay on top of each other. You can use Blender's *Pack Islands* tool to arrange them": "",
    "You can also copy normals from another mesh using Mesh Data Transfer (:doc:`operator </scene_layout/object/editing/link_transfer/transfer_mesh_data>` or :doc:`modifier </modeling/modifiers/modify/data_transfer>`)": "",
    "You can also create a new window from an existing area by :kbd:`Shift-LMB` on the area corner, then drag outward slightly": "",
    "You can also create a personal directory containing new add-ons and configure your files path in the *File Paths* section of the *Preferences*. To create a personal script directory:": "",
    "You can also interactively mirror the geometry by holding the :kbd:`MMB` and dragging in the desired mirror direction": "",
    "You can also reset the tilt to its default value (i.e. perpendicular to the original curve plane). With NURBS, the tilt is always smoothly interpolated. However, with Bézier, you can choose the :ref:`interpolation algorithm <bpy.types.Spline.tilt_interpolation>`": "",
    "You can also share data-blocks between files, see :doc:`linked libraries </files/linked_libraries/index>`": "",
    "You can also use :kbd:`B` to delete all the points in the selected drawing area": "",
    "You can also use the *Hide* checkbox of the :menuselection:`Bone tab --> Viewport Display panel`": "",
    "You can also use this region in a final render by setting a render region from within the :doc:`Camera View </editors/3dview/navigate/camera_view>` and enabling :ref:`region <bpy.types.RenderSettings.use_border>` in the Dimensions panel": "",
    "You can alter the radius that a bone has by selecting the head, body or tail of a bone, and then press :kbd:`Alt-S` and move the mouse left or right. If the body is selected the mean radius will be scaled. And as usual, with connected bones, you scale at the same time the radius of the parent's tip and of the children's roots": "",
    "You can alter the size of the Bone Envelope volume by clicking on the body of the bone you want to alter, :kbd:`Ctrl-Alt-S` then drag your mouse left or right and the Bone Envelope volume will alter accordingly": "",
    "You can always navigate (pan, zoom, ...) or change the view (orthogonal, perspective) in the viewport to have better access to the ruler": "",
    "You can always select several entries in the File Browser, the last selected one is considered as the active one. If the calling operation expects a single path (like e.g. the main blend-file *Open* one), it will get that active item's path, other selected ones will just be ignored": "",
    "You can animate constraints' settings. e.g. the *Influence* or when using an armature's bone as target, animate where along this bone (between root and tip) lays the real target point": "",
    "You can assign a \"color theme\" to a group (each bone will have these colors). Remember you have to enable the *Colors* checkbox (*Display* panel) to see these colors": "",
    "You can change the bevel amount by moving the mouse towards and away from the object, like with transform tools. The exact meaning of the value depends on the *Amount Type* option (see below)": "",
    "You can change the bevel width by moving the mouse towards and away from the object, a bit like with transform tools. The exact meaning of the value depends on the *Width Type* option (see above). As usual, the scaling can be controlled to a finer degree by holding :kbd:`Shift` to scale in 0.001 steps. :kbd:`LMB` finalizes the operation, :kbd:`RMB` or :kbd:`Esc` aborts the action": "",
    "You can change the brush strength interactively by pressing :kbd:`Shift-F` in the 3D Viewport and then moving the brush and then :kbd:`LMB`. You can enter the size numerically also while in :kbd:`Shift-F` sizing. Brush strength can be affected by enabling the pressure sensitivity icon, if a supported tablet is being used": "",
    "You can change the brush strength interactively by pressing :kbd:`Shift-F` in the 3D Viewport and then moving the pointer and then :kbd:`LMB`. You can also enter the size numerically": "",
    "You can change the orientation of the monkey by changing the :doc:`Tracking Axis </scene_layout/object/properties/relations>`": "",
    "You can change the position of a panel within its region by clicking and dragging it with the :kbd:`LMB` on the grip widget (\\:\\:\\:\\:) located in on the right side of the panel header": "",
    "You can click to select one at a time, or select several by holding :kbd:`Shift`, or by dragging a box around the keyframes. You can then move single keys by dragging them, and you can move multiple keys by pressing :kbd:`G` and scale them with :kbd:`S`": "",
    "You can configure the brush main settings exposed on the Tool Settings for convenience. For the draw brushes configuration and settings see: :doc:`Draw Brush </grease_pencil/modes/draw/tools/draw>`": "",
    "You can configure the brush main settings included in the Tool Settings for convenience. For the vertex paint brushes configuration and settings see :doc:`Vertex Paint Brush </grease_pencil/modes/vertex_paint/tool_settings/brush>`": "",
    "You can control an object's animation through the targets used by its constraints (this is a form of indirect animation). Indeed, these targets can then control the constraint's owner's properties, and hence, animating the targets will indirectly animate the owner": "",
    "You can control how many folders appear in this list with the *Recent Files* number field of the :ref:`Save & Load <prefs-save-load>` tab in the Preferences": "",
    "You can copy a bone named \"bla.L\" and flip it over using :ref:`bpy.ops.armature.flip_names`. Blender will name the copy \"bla.L.001\" and flipping the name will give you \"bla.R\"": "",
    "You can define custom transform orientations, using object or mesh elements. Custom transform orientations defined from objects use the *Local* orientation of the object whereas those defined from selected mesh elements (vertices, edges, faces) use the *Normal* orientation of the selection": "",
    "You can dolly back and forth by holding down :kbd:`Shift-Ctrl` and dragging with :kbd:`MMB`": "",
    "You can download the `blend-file <https://wiki.blender.org/wiki/File:ManAnimationTechsUsingConstraintsExSolarSys.blend>`__ used to create this animation": "",
    "You can duplicate the selected markers by pressing :kbd:`Shift-D`. Once duplicated, the new ones are automatically placed in select mode, so you can move them to the desired location": "",
    "You can easily inspect the contents of your file by using the *Outliner* editor, which displays all of the data in your blend-file": "",
    "You can edit multiple number fields at once by pressing down :kbd:`LMB` on the first field, and then drag vertically over the fields you want to edit. Finally you can either drag left or right to adjust value with the mouse, or release the :kbd:`LMB` and type in a value": "",
    "You can edit the relationships between bones (and hence create/modify the chains of bones) both from the 3D Viewport and the Properties. Whatever method you prefer, it's always a matter of deciding, for each bone, if it has to be parented to another one, and if so, if it should be connected to it": "",
    "You can either enter a new weight value manually (click on the number and edit the value), or you can change the weight by :kbd:`LMB` and while holding down the mouse button, drag right or left to increase/decrease the weight value. You also can use the right/left arrows displayed around the weight value to change the weight in steps": "",
    "You can either inset a single polygon or you can treat groups of polygons connected together as a single region, forming a complicated polygon (that may include holes) to be insetted as a unit": "",
    "You can enable :ref:`Developer Extras <prefs-interface-dev-extras>` in the preferences to enable features that make developing add-ons easier": "",
    "You can enter mathematical expressions into any number field. For example, enter ``3*2`` or ``10/5+4`` instead of ``6``. Even constants like ``pi`` (3.142) or functions like ``sqrt(2)`` (square root of 2) may be used": "",
    "You can flip left/right markers (see above) in selected bone names. This can be useful if you have constructed half of a symmetrical rig (marked for a left or right side) and duplicated and mirrored it, and want to update the names for the new side. Blender will swap text in bone names according to the above naming conventions, and remove number extensions if possible": "",
    "You can have several different parents for the same object (weighting their respective influence with the *Influence* slider)": "",
    "You can increase or decrease the radius of the tool's influence during a transform operation with :kbd:`WheelUp`, :kbd:`WheelDown` or :kbd:`PageUp`, :kbd:`PageDown` respectively. As you change the radius, the points surrounding your selection will adjust their positions accordingly": "",
    "You can install these packages by clicking :menuselection:`Clone --> Download ZIP`, and then install the downloaded file through Rigify settings": "",
    "You can limit the viewport render to a particular region with :ref:`Render Regions <editors-3dview-navigate-render-region>`": "",
    "You can lock a given bone layer for all :ref:`proxies <object-proxy>` of your armature, i.e. all bones in this layer will not be editable": "",
    "You can make a planar mesh three-dimensional by moving one or more of the vertices out of its plane (applies to *Plane*, *Circle* and *Grid*). A simple circle is often used as a starting point to create even the most complex of meshes": "",
    "You can manage :doc:`Modifiers </modeling/modifiers/index>`, :doc:`Constraints </animation/constraints/index>`, and :doc:`Visual Effects </grease_pencil/visual_effects/index>` from the Outliner in a couple ways:": "",
    "You can move the cursor with :kbd:`Ctrl-LMB`": "",
    "You can now rotate both the texture and the light by using the *Rotation* slider": "",
    "You can only modify the mesh of the objects you are editing. To modify other objects you can leave Edit Mode, select another object and enter Edit Mode, or use :ref:`3dview-multi-object-mode`": "",
    "You can override the base material color using the tools in :doc:`Vertex Mode </grease_pencil/modes/vertex_paint/introduction>` or the Draw and Tint tool in Draw Mode": "",
    "You can prevent a bone from being transformed in *Edit Mode* in several ways:": "",
    "You can rename your bones, either using the *Name* field in the *Bones Properties*. It is also possible to rename by double-clicking bones in the Outliner": "",
    "You can resize areas by dragging their borders with :kbd:`LMB`. Move your mouse cursor over the border between two areas, so that the cursor changes to a double-headed arrow, and then click and drag": "",
    "You can save successive renders into the render buffer by selecting a new slot before rendering. If an image has been rendered to a slot, it can be viewed by selecting that slot. Empty slots appear as blank grids in the Image editor. Use the :kbd:`J` and :kbd:`Alt-J` to cycle forwards and backwards through saved renders. Alternatively you can use the number keys :kbd:`1`, :kbd:`2`, :kbd:`3`, etc, to select the slot with the corresponding number. A slot can be renamed by double clicking its name in the Image panel in the Sidebar": "",
    "You can search the view for data-blocks, by using Search field in the header of the *Outliner*,": "",
    "You can see some examples of meshes generated with the *Screw* tool in Fig. :ref:`fig-mesh-screw-wood` and Fig. :ref:`fig-mesh-screw-spring`": "",
    "You can see the *taper curve* being applied to the *extruded object*. Notice how the pipe's volume shrinks to nothing as the taper curve goes from left to right. If the taper curve went below the local Y axis the pipe's inside would become the outside, which would lead to rendering artifacts. Of course as an artist that may be what you are looking for!": "",
    "You can see these segments only if bones are visualized as *B-bones*": "",
    "You can select a face and extrude it inwards or outwards, creating new faces to accommodate the extrusions. Note: Also known as *Push/Pull Face*": "",
    "You can select and edit bones of armatures in *Edit Mode* and in *Pose Mode*. Here, we will see how to select bones in *Edit Mode*. Selecting bones in *Pose Mode* is similar to selecting in *Edit Mode* with a few specific differences that will be detailed in the :doc:`posing part </animation/armatures/posing/selecting>`": "",
    "You can select bones based on their group and/or layer, through the *Select Grouped* pop-up menu :kbd:`Shift-G`:": "",
    "You can select the Annotate tool in the Toolbar to make annotations in the node editor. See :doc:`Annotate Tool </interface/annotate_tool>` for more info": "",
    "You can select the viewing direction for a 3D Viewport with the *View* menu entries, :ref:`Navigation Gizmo <navigation-gizmo>`, or by pressing the hotkeys": "",
    "You can set the tool to map just *Selected Faces* or *All Faces* if working with a single mesh": "",
    "You can swap the contents between two areas with :kbd:`Ctrl-LMB` on one of the corners of the initial area, dragging towards the target area, and releasing the mouse there. The two areas do not need to be side-by-side, though they must be inside the same window": "",
    "You can switch tools with a toolbar that will pop up at the location of your cursor after pressing :kbd:`Shift-Spacebar`. The shortcuts for selecting the tools are displayed on the right": "",
    "You can then check the paths where attempts to access ``my_app_template`` are made": "",
    "You can toggle between *Global* and *Local View* by selecting the option from the *View Menu* or using the shortcut :kbd:`NumpadSlash`": "",
    "You can toggle the offset direction while you are moving the node by pressing :kbd:`T`": "",
    "You can use *Viewport Render* to render both images and animations": "",
    "You can use the number keys or numpad to input an item in the list to select. For example, :kbd:`Numpad1` will select the first item and so on": "",
    "You can zoom the *Timeline* by using :kbd:`Ctrl-MMB`, the mouse :kbd:`Wheel`, or pressing :kbd:`NumpadMinus` and :kbd:`NumpadPlus`": "",
    "You can, as with meshes, separate the selected bones in a new armature object :menuselection:`Armature --> Separate`, :kbd:`Ctrl-Alt-P` and of course, in *Object Mode*, you can join all selected armatures in one :menuselection:`Object --> Join Objects`, :kbd:`Ctrl-J`": "",
    "You cannot use relative paths into a new *untitled* blend-file. Save it before linking to external files": "",
    "You could for example search with ``Ctrl Shift C`` for keymap items that use all these keys": "",
    "You create a vertex group by :kbd:`LMB` on the *Add* button ``+`` on the right panel border (3). Initially the group is named \"Group\" (or \"Group.nnn\" when the name already exists) and gets displayed in the panel (2) (see next image)": "",
    "You delete a vertex group by first making it the active group (select it in the panel) and then :kbd:`LMB` the *Remove* button ``-`` at the right panel border": "",
    "You do not have to use bone layers to show/hide some bones. As with objects, vertices or control points, you can use :kbd:`H`:": "",
    "You have to set up this value according to your input device to obtain the right balance between accuracy and softness for your strokes. See :doc:`Input Device </getting_started/configuration/hardware>` for more information": "",
    "You know that a data is packed when you see a little \"gift box\" icon displayed next to its path": "",
    "You may have as many profiles as you like (like circles, squares, and so on) -- Note that, not all vertices in a profile need to be in the same plane, even if this is the most common case. You may also have other, more complex, selected closed islands, but they have to be closed profiles because Blender will seek for only one open profile for the translation, height and angular vector. Some closed meshes that overlap themselves may not screw correctly (for example: Half UV Sphere works fine, but more than half could cause the Screw tool to have wrong behavior or errors), and profiles that are closed with faces (like a cone or half sphere) will be closed automatically at their ends, like if you were extruding a region": "",
    "You may not restrict the licensing of the program beyond the terms of the GPL (you may not turn a GPL'd program into a proprietary product)": "",
    "You may want your expression to be re-evaluated after it is entered. Blender supports this using :doc:`Drivers </animation/drivers/index>` (a feature of the animation system)": "",
    "You now have your first node setup, from here you can add and connect many types of :doc:`Compositing Nodes </compositing/index>`, in a sort of map layout, to your heart's content (or physical memory constraints, whichever comes first)": "",
    "You probably will not find the original scene if it is a screenshot of a file and it is too much load on the server (and too much work for you)": "",
    "You save the current settings of the import as an :ref:`Operator Preset <ui-presets>`": "",
    "You set the current mode in the *Mode* selector of 3D Viewport header (see Fig. :ref:`fig-view3d-mode-select`)": "",
    "You will be prompted to save a text file ``system-info.txt``": "",
    "You will have to scale the circle using the shortcut :kbd:`S Period 5`, then :kbd:`Return`": "",
    "You will need to create specific subfolders in this path which match the structure of the ``scripts`` folder found in Blender's installation directory": "",
    "You will notice that a list of submodules inside of ``bpy`` appear. These modules encapsulate all that we can do with Blender Python API and are very powerful tools": "",
    "Z Input Sockets do not accept fixed values; they must get a vector set (see Map Value node). Image Input Sockets will not accept a color since they do not have UV coordinates": "",
    "Zero-area faces (typically their vertices lie all in line)": "",
    "Zero-length edges (two vertices exactly in the same spot and connected by an edge)": "",
    "Zoom 1:1 :kbd:`Numpad1`": "",
    "Zoom 1:2 :kbd:`Numpad2`": "",
    "Zoom 1:4 :kbd:`Numpad4`": "",
    "Zoom 1:8 :kbd:`Numpad8`": "",
    "Zoom 2:1 :kbd:`Shift-Numpad2`": "",
    "Zoom 4:1 :kbd:`Shift-Numpad4`": "",
    "Zoom 8:1 :kbd:`Shift-Numpad8`": "",
    "Zoom in and out with the mouse wheel (:kbd:`Wheel`)": "",
    "Zoom in and out with the mouse wheel :kbd:`Wheel`": "",
    "Zoom out eight zoom levels (:kbd:`NumpadMinus` -- eight times)": "",
    "Zoom out of the graph to show fewer details and view the graph as a whole. You cannot zoom out further than the clipping region (see *Clipping* below)": "",
    "Zoom to the maximum zoom level (hold :kbd:`NumpadPlus` or :kbd:`Ctrl-MMB` or similar)": "",
    "Zooming can be done by scrolling :kbd:`Wheel` up or down. Also, as in the 3D Viewport, you can use :kbd:`NumpadPlus` or :kbd:`NumpadMinus` to zoom": "",
    "[Vector(...), Vector(...), ...]": "",
    "`#blender-coders <https://blender.chat/channel/blender-coders>`__ For developers to discuss Blender development": "",
    "`#docs <https://blender.chat/channel/docs>`__ For discussion related to Blender's documentation": "",
    "`#python <https://blender.chat/channel/python>`__ For support for developers using the Python API": "",
    "`#today <https://blender.chat/channel/today>`__ For getting answers from the community": "",
    "`(De)select First/Last`_": "",
    "`2.30 <https://archive.blender.org/development/release-logs/blender-230/>`__ -- October 2003:": "",
    "`2.31 <https://archive.blender.org/development/release-logs/blender-231/>`__ -- December 2003:": "",
    "`2.32 <https://archive.blender.org/development/release-logs/blender-232/>`__ -- January 2004:": "",
    "`2.33 <https://archive.blender.org/development/release-logs/blender-233/>`__ -- April 2004:": "",
    "`2.34 <https://archive.blender.org/development/release-logs/blender-234/>`__ -- August 2004:": "",
    "`2.35 <https://archive.blender.org/development/release-logs/blender-235a/>`__ -- November 2004:": "",
    "`2.36 <https://archive.blender.org/development/release-logs/blender-236/>`__ -- December 2004:": "",
    "`2.37 <https://archive.blender.org/development/release-logs/blender-237a/>`__ -- June 2005:": "",
    "`2.40 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.40>`__ -- December 2005:": "",
    "`2.41 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.41>`__ -- January 2006:": "",
    "`2.42 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.42>`__ -- July 2006:": "",
    "`2.43 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.43>`__ -- February 2007:": "",
    "`2.44 <https://archive.blender.org/development/release-logs/blender-244/index.html>`__ -- May 2007:": "",
    "`2.45 <https://archive.blender.org/development/release-logs/blender-245/index.html>`__ -- September 2007:": "",
    "`2.46 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.46>`__ -- May 2008:": "",
    "`2.47 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.47>`__ -- August 2008:": "",
    "`2.48 <https://archive.blender.org/development/release-logs/blender-248/index.html>`__ -- October 2008:": "",
    "`2.49 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.49>`__ -- June 2009:": "",
    "`2.60 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.60>`__ -- October 2011:": "",
    "`2.61 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.61>`__ -- December 2011:": "",
    "`2.62 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.62>`__ -- February 2012:": "",
    "`2.63 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.63>`__ -- April 2012:": "",
    "`2.64 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.64>`__ -- October 2012:": "",
    "`2.65 <https://archive.blender.org/wiki/index.php/Dev:Ref/Release_Notes/2.65>`__ -- December 2012:": "",
    "`2.66 <https://www.blender.org/download/releases/2-66>`__ -- February 2013:": "",
    "`2.67 <https://www.blender.org/download/releases/2-67>`__ -- May 2013:": "",
    "`2.68 <https://www.blender.org/download/releases/2-68>`__ -- July 2013:": "",
    "`2.69 <https://www.blender.org/download/releases/2-69>`__ -- October 2013:": "",
    "`2.70 <https://www.blender.org/download/releases/2-70>`__ -- March 2014:": "",
    "`2.71 <https://www.blender.org/download/releases/2-71>`__ -- June 2014:": "",
    "`2.72 <https://www.blender.org/download/releases/2-72>`__ -- October 2014:": "",
    "`2.73 <https://www.blender.org/download/releases/2-73/>`__ -- January 2015:": "",
    "`2.74 <https://www.blender.org/download/releases/2-74/>`__ -- March 2015:": "",
    "`2.75 <https://www.blender.org/download/releases/2-75/>`__ -- July 2015:": "",
    "`2.76 <https://www.blender.org/download/releases/2-76/>`__ -- November 2015:": "",
    "`2.77 <https://www.blender.org/download/releases/2-77/>`__ -- March 2016:": "",
    "`2.78 <https://www.blender.org/download/releases/2-78/>`__ -- September 2016:": "",
    "`2.79 <https://www.blender.org/download/releases/2-79/>`__ -- September 2017:": "",
    "`2.80 <https://www.blender.org/download/releases/2-80>`__ -- July 2019:": "",
    "`2.81 <https://www.blender.org/download/releases/2-81/>`__ -- November 2019:": "",
    "`2.82 <https://www.blender.org/download/releases/2-82/>`__ -- February 2020:": "",
    "`2.83 <https://www.blender.org/download/releases/2-83/>`__ -- June 2020:": "",
    "`2.90 <https://www.blender.org/download/releases/2-90/>`__ -- August 2020:": "",
    "`2.91 <https://www.blender.org/download/releases/2-91/>`__ -- November 2020:": "",
    "`2.92 <https://www.blender.org/download/releases/2-92/>`__ -- February 2021:": "",
    "`2.93 <https://www.blender.org/download/releases/2-93/>`__ -- June 2021:": "",
    "`AAC <https://en.wikipedia.org/wiki/Advanced_Audio_Coding>`__": "",
    "`AC3 <https://en.wikipedia.org/wiki/Dolby_Digital>`__": "",
    "`AVI <https://en.wikipedia.org/wiki/Audio_Video_Interleave>`__: ``.avi``": "",
    "`Auto Face Map Widgets add-on <https://developer.blender.org/diffusion/BAC/browse/master/object_facemap_auto/>`__": "",
    "`Auto-Offset. A workflow enhancement for Blender's node editors <https://vimeo.com/135125839>`__": "",
    "`Blender API Overview <https://docs.blender.org/api/current/info_overview.html>`__: This document is rather detailed but helpful if you want to know more on a topic": "",
    "`Blender API Quickstart <https://docs.blender.org/api/current/info_quickstart.html>`__ to help become familiar with Blender/Python basics": "",
    "`Blender Development (Wiki) <https://wiki.blender.org>`__ -- Blender Development, general information and helpful links": "",
    "`Blender Publisher <https://download.blender.org/release/Publisher2.25/>`__ becomes freely available, and the experimental tree of Blender is created, a coder's playground": "",
    "`Blender's API documentation <https://docs.blender.org/api/current/>`__": "",
    "`Blender/Python API Overview <https://docs.blender.org/api/current/info_overview.html>`__ -- For more background details on Blender/Python integration": "",
    "`BlenderKit <https://www.blenderkit.com/>`__ is an online database of materials, brushes, and 3D models which you can search, download, upload and rate directly from the add-on": "",
    "`Cessen's Rigify Extensions <https://github.com/cessen/cessen_rigify_ext>`__": "",
    "`Cineon & DPX`_": "",
    "`Cosine <https://en.wikipedia.org/wiki/Trigonometric_functions>`__": "",
    "`DNxHD <https://en.wikipedia.org/wiki/Avid_DNxHD>`__": "",
    "`DV <https://en.wikipedia.org/wiki/DV>`__": "",
    "`DV <https://en.wikipedia.org/wiki/DV>`__: ``.dv``": "",
    "`Demonstration video <https://www.youtube.com/watch?v=GTlmmd13J1w>`__": "",
    "`DevTalk <https://devtalk.blender.org/tag/python>`__ -- Forum where people ask Python development questions": "",
    "`Developer Community <https://devtalk.blender.org>`__": "",
    "`Dive Into Python <https://finderiko.com/python-book>`__ sections (1, 2, 3, 4, and 7)": "",
    "`Download the manual as web pages (HTML) <blender_manual_html.zip>`__": "",
    "`Download the manual in an e-book format (EPUB) <blender_manual_epub.zip>`__": "",
    "`Experimental Rigs by Alexander Gavrilov <https://github.com/angavrilov/angavrilov-rigs>`__": "",
    "`FLAC <https://en.wikipedia.org/wiki/FLAC>`__": "",
    "`Features reference <https://www.gdquest.com/docs/power-sequencer/reference/>`__": "",
    "`Flash <https://en.wikipedia.org/wiki/Flash_Video>`__: ``.flv``": "",
    "`Fraction <https://en.wikipedia.org/wiki/Rational_function>`__": "",
    "`Getting started <https://www.gdquest.com/docs/power-sequencer/getting-started/>`__": "",
    "`H.264 <https://en.wikipedia.org/wiki/H.264>`__": "",
    "`Harkyman on the development of the Maintain Volume constraint <http://www.harkyman.com/2010/03/16/maintaining-bone-volume-a-new-constraint/>`__": "",
    "`How to Think Like a Computer Scientist <https://runestone.academy/runestone/books/published/thinkcspy/index.html>`__ -- Great info for those who are still learning Python": "",
    "`HuffYUV <https://en.wikipedia.org/wiki/Huffyuv>`__": "",
    "`ILM's OpenEXR <https://www.openexr.com/>`__ has become a software industry standard for HDR image files, especially because of its flexible and expandable structure": "",
    "`Long-term Support <https://www.blender.org/download/lts/>`__": "",
    "`MP2 <https://en.wikipedia.org/wiki/MPEG-1_Audio_Layer_II>`__": "",
    "`MP3 <https://en.wikipedia.org/wiki/MP3>`__": "",
    "`Matroska <https://en.wikipedia.org/wiki/Matroska>`__: ``.mkv``": "",
    "`Ogg <https://en.wikipedia.org/wiki/Ogg>`__: ``.ogg``, ``.ogv``": "",
    "`OpenEXR`_": "",
    "`Opus <https://en.wikipedia.org/wiki/Opus_(audio_format)>`__": "",
    "`PCM <https://en.wikipedia.org/wiki/PCM>`__": "",
    "`PNG <https://en.wikipedia.org/wiki/Portable_Network_Graphics>`__": "",
    "`Python <https://www.python.org>`__ and its `documentation <https://docs.python.org/>`__": "",
    "`Python API Reference <https://docs.blender.org/api/current/>`__": "",
    "`QT rle / QT Animation <https://en.wikipedia.org/wiki/QuickTime_Animation>`__": "",
    "`Quicktime <https://en.wikipedia.org/wiki/.mov>`__: ``.mov``": "",
    "`Radiance HDR`_": "",
    "`Report a Bug <https://developer.blender.org/maniphest/task/edit/form/1/>`__": "",
    "`Select Next/Previous`_": "",
    "`Separate Atoms`_ for more info": "",
    "`Sine <https://en.wikipedia.org/wiki/Sine>`__": "",
    "`Smooth Maximum <https://en.wikipedia.org/wiki/Smooth_maximum>`__": "",
    "`Smooth Minimum <https://en.wikipedia.org/wiki/Smooth_maximum>`__": "",
    "`Snap <https://snapcraft.io/>`__ is a universal package manager designed to work across a range of distributions. Assuming snap is already installed, Blender can be installed through snap with::": "",
    "`Stable Release <https://www.blender.org/download/>`__": "",
    "`Stanford Bunny <https://en.wikipedia.org/wiki/Stanford_Bunny>`__": "",
    "`Support <https://www.blender.org/support>`__": "",
    "`Tangent <https://en.wikipedia.org/wiki/Trigonometric_functions>`__": "",
    "`Theora <https://en.wikipedia.org/wiki/Theora>`__": "",
    "`This video <https://vimeo.com/280727941>`__ shows a comparison of an animated camera movement without (top) and with (bottom) the help of the rig. As you can see in the lower left corner, you can achieve a smoother camera movement, without the frame moving around": "",
    "`This video <https://www.youtube.com/watch?v=8WmCn5xGebs>`__ was created by Sébastien Coget (responsible researcher: Frank Palmino) at the `Femto-ST institute <https://www.femto-st.fr/en>`__ in Besançon (France). The movie demonstrates that with Blender, professional movies can be done for research. It was rendered with Cycles": "",
    "`Tutorials <https://www.blender.org/support/tutorials>`__": "",
    "`USD <https://graphics.pixar.com/usd/docs/index.html>`__ files typically represent the scene as a hierarchy of primitives, or `prims <https://graphics.pixar.com/usd/docs/USD-Glossary.html#USDGlossary-Prim>`__. Individual prims contain data to describe scene entities, such as geometry, lights, cameras and transform hierarchies. Blender's USD importer converts USD prims to a hierarchy of Blender objects. Like the USD exporter, the importer does not yet handle more advanced USD concepts, such as layers and references": "",
    "`USD Primvar <https://graphics.pixar.com/usd/docs/USD-Glossary.html#USDGlossary-Primvar>`__": "",
    "`User Communities <https://www.blender.org/community/>`__": "",
    "`Utah Teapot <https://en.wikipedia.org/wiki/Utah_teapot>`__": "",
    "`Vorbis <https://en.wikipedia.org/wiki/Vorbis>`__": "",
    "`WEBM / VP9 <https://en.wikipedia.org/wiki/VP9>`__:": "",
    "`WebM <https://en.wikipedia.org/wiki/WebM>`__: ``.webm``": "",
    "`Wrap <https://en.wikipedia.org/wiki/Rounding>`__": "",
    "``#cos(frame)``": "",
    "``#frame / 20.0``": "",
    "``#sin(frame)``": "",
    "``(LW)POLYLINE``, ``(LW)POLYGON`` as ``POLYLINE`` curve if they have no bulges else as ``BEZIER`` curve": "",
    "``(sin( )*4)`` : multiplies the result of ``sin(frame/8)`` by 4 for a bigger circle": "",
    "``*Mirror*`` -- interface labels": "",
    "``+<frame>`` start frame relative, ``-<frame>`` end frame relative": "",
    "``+C``: Continue an interrupted render": "",
    "``+WT``: Limit the number of threads used": "",
    "``+``, ``-``, ``*``, ``/``, ``==``, ``!=``, ``<``, ``<=``, ``>``, ``>=``, ``and``, ``or``, ``not``, conditional operator/ ternary if": "",
    "``--addons`` ``<addon(s)>``": "",
    "``--app-template`` ``<template>``": "",
    "``--debug-all``": "",
    "``--debug-cycles``": "",
    "``--debug-depsgraph``": "",
    "``--debug-events``": "",
    "``--debug-ffmpeg``": "",
    "``--debug-fpe``": "",
    "``--debug-freestyle``": "",
    "``--debug-ghost``": "",
    "``--debug-gpu``": "",
    "``--debug-handlers``": "",
    "``--debug-io``": "",
    "``--debug-libmv``": "",
    "``--debug-memory``": "",
    "``--debug-python``": "",
    "``--debug-value`` ``<value>``": "",
    "``--debug-wm``": "",
    "``--debug-xr``": "",
    "``--factory-startup``": "",
    "``--log-file`` ``<filename>``": "",
    "``--log-level`` ``<level>``": "",
    "``--log`` ``<match>``": "",
    "``--open-last``": "",
    "``--python-console``": "",
    "``--python-exit-code`` ``<code>``": "",
    "``--python-expr`` ``<expression>``": "",
    "``--python-text`` ``<name>``": "",
    "``--verbose`` ``<verbose>``": "",
    "``-D``: Hide image while rendering": "",
    "``-E``, ``--engine`` ``<engine>``": "",
    "``-F``, ``--render-format`` ``<format>``": "",
    "``-M``, ``--window-maximized``": "",
    "``-P``, ``--python`` ``<filename>``": "",
    "``-S``, ``--scene`` ``<name>``": "",
    "``-W``, ``--window-fullscreen``": "",
    "``-Y``, ``--disable-autoexec``": "",
    "``-a`` ``<options>`` ``<file(s)>``": "",
    "``-a``, ``--render-anim``": "",
    "``-b``, ``--background``": "",
    "``-c`` ``<cache_memory>``": "",
    "``-con``, ``--start-console``": "",
    "``-d``, ``--debug``": "",
    "``-e`` ``<frame>``": "",
    "``-e``, ``--frame-end`` ``<frame>``": "",
    "``-f`` ``<fps>`` ``<fps-base>``": "",
    "``-f``, ``--render-frame`` ``<frame>``": "",
    "``-h``, ``--help``": "",
    "``-j`` ``<frame>``": "",
    "``-j``, ``--frame-jump`` ``<frames>``": "",
    "``-noaudio``": "",
    "``-o``, ``--render-output`` ``<path>``": "",
    "``-p`` ``<sx>`` ``<sy>``": "",
    "``-p``, ``--window-geometry`` ``<sx>`` ``<sy>`` ``<w>`` ``<h>``": "",
    "``-s`` ``<frame>``": "",
    "``-s``, ``--frame-start`` ``<frame>``": "",
    "``-setaudio``": "",
    "``-t``, ``--threads`` ``<threads>``": "",
    "``-v``, ``--version``": "",
    "``-w``, ``--window-border``": "",
    "``-x``, ``--use-extension`` ``<bool>``": "",
    "``-y``, ``--enable-autoexec``": "",
    "``//render_`` becomes ``//render_####``, writing frames as ``//render_0001.png``": "",
    "``/EXIT``: Close POV-Ray after rendering the image": "",
    "``0 +`` : is used to control the offset to the orbit center point": "",
    "``3 boxes with dashed outline`` -- The collection contains objects that are selected, but does not contain the active object in the selection": "",
    "``3DFACE`` \\ s, ``SOLID`` \\ s, ``POINT`` \\ s are imported into one combined mesh object per layer called ``layername_3Dfaces``": "",
    "``:kbd:`LMB``` -- keyboard and mouse shortcuts": "",
    "``:menuselection:`3D Viewport --> Add --> Mesh --> Monkey``` -- menus": "",
    "``ARC``\\ s, ``CIRCLE``\\ s and ``ELLIPSE``\\ s as ``BEZIER`` curves": "",
    "``Box outline`` -- Objects are present, but none are selected in this collection": "",
    "``C``: Quick access to ``bpy.context``": "",
    "``D``: Quick access to ``bpy.data``": "",
    "``Diamond outline`` -- Objects are present in the collection": "",
    "``Filled box`` -- The collection contains the active object in the selection": "",
    "``Filled diamond`` -- All objects are selected in this collection": "",
    "``Grid`` -- No objects are present in this collection": "",
    "``HELIX``\\ es (3D) as ``BEZIER`` curves": "",
    "``LINE`` as ``POLYLINE`` curve (with the option to merge connecting lines)": "",
    "``MESH`` is mapped to a mesh object with a Subdivision Surface modifier, including the edge crease": "",
    "``MajorControl``, ``MinorControl``": "",
    "``MajorRadius``, ``MinorRadius``": "",
    "``POLYFACE``\\ s and ``POLYMESH``\\ es are imported to a mesh object": "",
    "``True`` or ``False``": "",
    "``[1.0, 1.0, 1.0]`` or ``[1.0, 1.0, 1.0, 1.0]`` (must specify *Subtype*)": "",
    "``angle_y`` stands for vertical field of view. It is used for calculation of the camera lens, and only applies to camera animations, while importing/exporting object animation this parameter is skipped": "",
    "``anim_cycles`` -- Number of times to play the animation": "",
    "``anim_render`` -- Render entire animation (applies to ``mode='RENDER'`` only)": "",
    "``anim_screen_switch`` -- Time between switching screens (in seconds) or 0 to disable": "",
    "``anim_time_max`` -- Maximum number of seconds to show the animation for (in case the end frame is very high for no reason)": "",
    "``anim_time_min`` -- Minimum number of seconds to show the animation for (for small loops)": "",
    "``animation_##_test.png`` becomes ``animation_01_test.png``": "",
    "``bind_mat`` -- an array of 16 floats which represent the bone's original bind-pose matrix": "",
    "``bl_info`` is split across multiple lines, this is just a style convention used to more easily add items": "",
    "``blender-v{VERSION}-release`` branch: fixes and other incremental improvements": "",
    "``bpy.context.object`` or ``bpy.context.active_object``": "",
    "``bpy.data`` has functions and attributes that give you access to all the data in the blend-file": "",
    "``bpy``: Top level Blender Python API module": "",
    "``circle icon`` -- one or more objects in this slot are selected": "",
    "``display_render`` -- Time to display the rendered image before moving on (in seconds)": "",
    "``dot icon`` -- the active object is in this slot": "",
    "``file`` -- The filepath for the blend-file": "",
    "``frame/8`` : is the current frame of the animation, divided by 8 to slow the orbit down": "",
    "``highlight`` -- One or more objects are selected in this collection": "",
    "``highlighted`` -- visible slot": "",
    "``horizontal line icon`` -- objects are present in this slot": "",
    "``id`` (integer)": "",
    "``injected`` (special)": "",
    "``lerp``, ``clamp``, ``smoothstep``": "",
    "``min``, ``max``, ``radians``, ``degrees``, ``abs``, ``fabs``, ``floor``, ``ceil``, ``trunc``, ``round``, ``int``, ``sin``, ``cos``, ``tan``, ``asin``, ``acos``, ``atan``, ``atan2``, ``exp``, ``log``, ``sqrt``, ``pow``, ``fmod``": "",
    "``mode`` -- ``AUTO`` / ``PLAY`` / ``RENDER`` -- what to do on load": "",
    "``no highlight`` -- No objects are selected in this collection": "",
    "``no icon`` -- No objects are present in this collection to be selected": "",
    "``no icon`` -- no objects in the slot": "",
    "``non-highlighted`` -- non-visible slot": "",
    "``normal`` (vector)": "",
    "``pi``, ``True``, ``False``": "",
    "``rest_mat`` -- an array of 16 floats which represent the bone's original rest-pose matrix": "",
    "``rotation`` (vector)": "",
    "``small dot and grayed out`` -- No objects can be selected in this collection (the collection is hidden or marked as not selectable or all objects are marked as not selectable, etc.). *Note*: The button isn't disabled to allow selecting subcollections; however, if you :kbd:`LMB` click on it it will deselect all objects": "",
    "``test-######.png`` becomes ``test-000001.png``": "",
    "``wm.context_toggle`` toggle a Boolean property": "",
    "``x`` -- Unassigned slot": "",
    "``|BLENDER_VERSION|`` -- Resolves to the current Blender version": "",
    "again, as with ghosts": "",
    "again, shortening the curve": "",
    "again, there is the *Reverse* option": "",
    "also known as *3D Mouse*": "",
    "and an optional middle": "",
    "as well as helping to keep the animation of related objects together": "",
    "but without the File Browser, Properties and Timeline editor": "",
    "clockwise or counterclockwise": "",
    "conf.py: blender_version": "",
    "connected by selected edges": "",
    "contains links to internal files": "",
    "detected purely by naming": "",
    "e.g. ``OpenEXR``": "",
    "e.g. to avoid repetitions..": "",
    "edges with only a single connected face": "",
    "especially with the standard *forward* kinematics versus \"automatic\" *inverse* kinematics posing techniques": "",
    "floating-point": "",
    "for bottom lip loops the blend moves away from inner bottom lip to full jaw influence": "",
    "from ``developer.blender.org``": "",
    "gathering": "",
    "glTF™ (GL Transmission Format) is used for transmission and loading of 3D models in web and native applications. glTF reduces the size of 3D models and the runtime processing needed to unpack and render those models. This format is commonly used on the web, and has support in various 3D engines such as Unity3D, Unreal Engine 4, and Godot": "",
    "green outline": "",
    "higher gives better quality": "",
    "i.e. a unique file per frame": "",
    "i.e: 0.0 - 1.0": "",
    "if you have your data from OpenStreetMap or some similar GIS service website and exported it with QGIS or ArcGIS the coordinates are most likely in lat/lon then use WGS84 as your SRID with Pyproj or \"spherical\" if Pyproj is not available. For other DXF vector maps it's very likely that they use local / national coordinate systems": "",
    "is a function to unload anything setup by ``register``, this is called when the add-on is disabled": "",
    "it is an error if there is none": "",
    "local file path": "",
    "macOS uses \"files\" with the ``.app`` extension called *applications*. These files are actually folders that appear as files in Finder. In order to run Blender you will have to specify that path to the Blender executable inside this folder, to get all output printed to the terminal. You can start a terminal from :menuselection:`Applications --> Utilities`. The path to the executable in the ``.app`` folder is ``./Blender.app/Contents/MacOS/Blender``": "",
    "make help": "",
    "multiply by 0.05, as shown in the Size field": "",
    "no hit": "",
    "non-smoothed": "",
    "not bones": "",
    "onion skin icon": "",
    "only for Radius, Weight": "",
    "only for still images": "",
    "opacityThreshold": "",
    "or a black-and-white image": "",
    "overwrite existing files": "",
    "pan, zoom, ..": "",
    "parent controller": "",
    "perspective and orthographic": "",
    "picture types": "",
    "plus icon": "",
    "pressure sensitivity icon": "",
    "prims": "",
    "rather than multiple images for each icon or button": "",
    "recall that white, minus blue, equals yellow": "",
    "recommended: keyboard with numeric keypad, English layout works best": "",
    "recommended: three button mouse with scroll wheel": "",
    "red outline": "",
    "refers to the lowercase ``g``": "",
    "report the problem": "",
    "resets": "",
    "sRGB": "",
    "script home page": "",
    "see :ref:`Bone Parenting <bpy.types.EditBone.parent>`": "",
    "see :ref:`temp-dir` for details": "",
    "see `Watermark images`_": "",
    "see figure 1": "",
    "see figure 1; top left": "",
    "shown as white": "",
    "similar to *F-Stop* when using the Z-buffer": "",
    "snowflake icon": "",
    "speaker icon": "",
    "speed, mouse sensitivity, etc..": "",
    "spilled": "",
    "such as updating or committing": "",
    "svn update": "",
    "tap": "",
    "temporarily": "",
    "the COG": "",
    "the GPL": "",
    "the number of affected bones": "",
    "the wrong scale, the earth is rotating in the wrong direction around the sun, ..": "",
    "then ``NUMBER`` will be most likely your coordinates. You can probably tell from the format and/or the range of the coordinates which coordinate system it should be": "",
    "thus scaling the output between 0 to 1": "",
    "to maintain alphabetic order": "",
    "to render an animation, use :menuselection:`3D Viewport --> View --> Viewport Render Animation`": "",
    "trackers": "",
    "tutorial video": "",
    "up/down arrow icon": "",
    "using e.g. *Location X/Y* sine and cosine F-curves, see :ref:`bpy.types.FModifierFunctionGenerator`": "",
    "using the alpha values": "",
    "usually 0-1": "",
    "very bright": "",
    "warning triangle icon": "",
    "when they are not especially necessary": "",
    "which can be 20 or 30 or even 500 depending on the scene": "",
    "which do not belong to the loop": "",
    "with a suitable input being provided by means of the socket": "",
    "without translation": "",
    "you are now ready to use the next sub menu *Animation*": "",
    "|cross| (tricky)": "",
    "|gizmo-icon| :menuselection:`Viewport Gizmos --> Object Gizmos`": "",
    "|pivot-icon| :menuselection:`Pivot Point --> 3D Cursor`": "",
    "|pivot-icon| :menuselection:`Pivot Point --> Active Element`": "",
    "|pivot-icon| :menuselection:`Pivot Point --> Bounding Box Center`": "",
    "|pivot-icon| :menuselection:`Pivot Point --> Individual Origins`": "",
    "|pivot-icon| :menuselection:`Pivot Point --> Median Point`": "",
    "|pivot-icon| :menuselection:`Pivot Point`": "",
    "|tick| (under development)": "",
    "|tick| (very tricky)": ""
}